Discover the Art of Playwriting K-2

DISCOVER THE ART OF PLAYWRITING

DISCOVER THE ART OF PLAYWRITING

Learning Description

Students will be introduced to the art and technique of playwriting by brainstorming possible emotions, relationships, and storyline extensions based on a familiar fairy tale.

 

Learning Targets

GRADE BAND: 2
CONTENT FOCUS: THEATRE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can contribute ideas to write a short play based on a familiar nursery rhyme.
  • I can take a role in acting out an original script.

Essential Questions

  • How can we write a short play together based on a familiar nursery rhyme? 

 

Georgia Standards

Curriculum Standards

Grade 2:

ELACC2W3 Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure. 

ELACC2W5 With guidance and support from adults and peers, focus on a topic and strengthen writing as needed by revising and editing.

ELACC2SL4 Tell a story or recount an experience with appropriate facts and relevant, descriptive details, speaking audibly in coherent sentences.

Arts Standards

Grade 2:

TA2.CR.2 Develop scripts through theatrical techniques. a. Explore the dramatic writing process. b. Collaborate to generate story ideas.

  1. Develop dialogue based on stories (e.g. personal, imaginary, real). d. Develop character and setting through action and dialogue. e. Sequence plot events for dramatizations.

TA2.PR.1 Act by communicating and sustaining roles in formal and informal environments. a. Use imagination and vocal elements (e.g. inflection, pitch, volume, articulation) to communicate a character’s thoughts, emotions, and actions. b. Use imagination and physical choices to communicate a character’s thoughts and emotions.  c. Collaborate and perform with an ensemble to share theatre with an audience.  d. Explore character choices and relationships in a variety of dramatic forms (e.g. narrated story, pantomime, puppetry, dramatic play).

 

South Carolina Standards

Curriculum Standards

Grade 2: 

2.W.MCC.3.1 Explore multiple texts to write narratives that recount a well-elaborated event or short sequence of events; include details to describe actions, thoughts, and feelings; use temporal words to signal event order; and provide a sense of closure.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

Character – a person, or an animal or object that has human qualities, in a story.

Setting - The time and place of a story (when and where). 

Plot - the series of related events that together form a story.

Arts Vocabulary

Theater - Dramatic literature or its performance; drama.

Playwriting – the process of writing or composing a script to be performed by actors.

Script – a story written in a format to be acted out, indicating what the characters say and do.

Dialogue – the part of the text that the characters speak aloud to one another.

Line – words or sentences spoken by an actor.

Stage Directions – actions or emotions for the actor, usually included in parentheses before or after a line of text.

 

Materials

  • Copies (on paper, or on one or more screens) of a familiar nursery rhyme, such as “Jack and Jill”
  • Flip chart, white board, or digital blank page for developing class script
  • Pencils 
  • Clip boards and lined paper

 

Instructional Design

Opening/Activating Strategy

CLAP-AROUND

This warm-up exercise helps students connect to one another through collaboration and eye  contact.

  • Arrange students in a circular formation. 
  • Have students place their hands on their hips and bend their knees to make sure they are in a neutral position. 
  • Begin the process by making eye contact with the first student and then clapping at the same time.  Instruct that student to turn to their other neighbor, make eye contact, and clap simultaneously.  That student continues the process.  Each student, in turn, passes the clap to the next student until the circle is completed.
  • Continue striving to keep the clap moving smoothly around the circle multiple times, with participants establishing eye contact and synchronizing the clap as it passes. 
  • Option:  Once the students have gained mastery of the Clap-Around activity, for an extra challenge try it with two starting points and two claps going around simultaneously.

 

Work Session

NURSERY RHYME 

  • Show students the selected nursery rhyme.  Read/recite it together. 
  • Ask students about the story elements:  “Who are the characters?  What is the setting?  What happens in the plot of the story?” (e.g., Jack and Jill; a hill, during the day; going to get water, then falling down).

PLAYWRITING

  • Tell students that together the class will use a playwriting process to adapt this simple story into a script that the class can act out.
  • Ask students what happened first in the story.  Ask them to imagine what the characters might have said – this can be imagined, as it likely is not included in the nursery rhyme (e.g., perhaps their mother said, “Children, we need water!”; Jill said, “Come on, Jack.  Let’s go! I have the pail,” and Jack said, “But I’m playing with my toys!” etc.).  
  • Select and write their ideas in script format.  Put the character name on the left margin followed by a colon. Then write what the character says.  Skip a line on the page between different characters’ spoken lines  Elicit enough ideas to fill out a simple scene.  Explain that the class is generating dialogue, composed of lines for the individual characters.  Option: Define, solicit, and include stage directions, including feelings or actions to help the actors know how to play the roles. Place those in parentheses within the script.
  • Hand out clipboards with paper and pencils.  Have students copy the developing script, being sure to follow the playwriting format.
  • Repeat the process with other segments of the story (e.g., climbing the hill, then tumbling down).  Write out the students’ ideas in a way that all can see, follow, and copy.  Remind them to use their neat handwriting as they copy the script.
  • As appropriate to the story, ask students to imagine what might have happened afterward, and then develop further dialogue for their idea (e.g., Jack and Jill are taken to the hospital).
  • Invite volunteers to come to the front to read and act out the script that the class generated.  Coach them in using voice and inflection to convey the meaning and emotions of the lines.  Prompt with lines as needed for emerging readers.  Allow several groups to do readings/performances (after several rounds, the students will be familiar with the script).

 

Closing Reflection

Ask:  “What is playwriting?  What is a script?  What is dialogue?  How did we add ideas to expand and fill out the story?  How did we act out our script for the story?  How is our script different from the original nursery rhyme?”

 

Assessments

Formative

  • Students are able to identify key elements of the story.
  • Students suggest additional ideas that are suitable to the story.

 

Summative

  • The class-generated script contains dramatic elements of character, setting, and plot.
  • The students’ copies of the script follow the prescribed playwriting format.
  • Students read and enact the script with enthusiasm and expression.

 

Differentiation

Acceleration:

Have students work in groups to replicate the process with other familiar nursery rhymes.

Remediation:

In developing the script with students’ ideas, keep the lines short with simple vocabulary and clear emotions.

 ADDITIONAL RESOURCES

http://www.teachingheart.net/readerstheater.htm - a site with numerous readers theater scripts available.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

 Ideas contributed and updated by: Susie Spear Purcell and Barry Stewart Mann

Revised and copyright:  June 2023 @ ArtsNOW

Dramatic Writing with Ansel Adams 2-3

DRAMATIC WRITING WITH ANSEL ADAMS

DRAMATIC WRITING WITH ANSEL ADAMS

Learning Description

Using Ansel Adams photographs for inspiration, students will explore creative writing, directing, and acting.

 

Learning Targets

GRADE BAND: 2-3
CONTENT FOCUS: THEATRE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use a photograph as inspiration for creative writing and acting based in a particular setting.
  • I can work with a group to bring to life a scene inspired by a photograph.

Essential Questions

  • How can visual art be a catalyst for writing and acting?

 

Georgia Standards

Curriculum Standards

Grade 2:

ELACC2W3  Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure. 

ELACC2SL4  Tell a story or recount an experience with appropriate facts and relevant, descriptive details, speaking audibly in coherent sentences.  

Grade 3:

ELAGSE3W3 Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences.

ELAGSE3SL4 Report on a topic or text, tell a story, or recount an experience with appropriate facts and relevant, descriptive details, speaking clearly at an understandable pace.

Arts Standards

Grade 2:

TAES2.2 Developing scripts through improvisation and other theatrical methods.

TAES2.3 Acting by developing, communicating, and sustaining roles within a variety of situations and environments.

VA2.RE.1 Discuss personal works of art and the artwork of others to enhance visual literacy.

VA2.CN.1 Investigate and discover the personal relationships of artists to community, culture, and the world through making and studying art.

Grade 3:

TAES3.2 Developing scripts through improvisation and other theatrical methods.

TAES3.3 Acting by developing, communicating, and sustaining roles within a variety of situations and environments.

VA3.RE.1 Use a variety of approaches for art criticism and to critique personal works of

art and the artwork of others to enhance visual literacy.

VA3.CN.1 Investigate and discover the personal relationships of artists to community, culture, and the world through making and studying art.

 

South Carolina Standards

Curriculum Standards

Grade 2:

ELA.2.C.3.1 Write narratives to develop real or imagined experiences. When writing: 

  1. establish and describe character(s) and setting; 
  2. sequence events and use temporal words to signal event order (e.g., before, after)

Grade 3:

ELA.3.C.3.1 Write narratives to develop real or imagined experiences. When writing: 

  1. establish a setting and introduce a narrator or characters; 
  2. use temporal words and phrases to sequence a plot structure; 
  3. use descriptions of actions, thoughts, and feelings to develop characters.

Arts Standards

THEATRE

Anchor Standard 3: I can act in improvised scenes and written scripts.

VISUAL ARTS

Anchor Standard 5: I can interpret and evaluate the meaning of an artwork.

 

Key Vocabulary

Content Vocabulary

Character - Actor or actress in a specified role.

Setting - Environment or place of action.  

Plot - List, timetable, or scheme dealing with any of the various arrangements of a story or play.

Arts Vocabulary

Theater - Dramatic literature or its performance; drama.

Photography - the process of capturing an image – a photograph – with a camera, either on paper or through a digital medium.

 

Materials

  • Index cards and lined paper 
  • Pencils 
  • Copies of Ansel Adams photographs (old calendars are great sources for these)

 

Instructional Design

Opening/Activating Strategy

Settings

  • Have students stand by their desks, or in open space.
  • Call out a setting (e.g., desert, baseball stadium, birthday party, or under the ocean), and have students enact a person or thing in the environment.  As appropriate, allow students to use voices and make sounds, or instruct them to be in the setting in silence.
  • Use observational language to comment on student choices (e.g., “I see Sara has her arms to be a cactus” or “Dylan is wiggling his body as a snake on the rug.”)
  • Continue to call out a variety of settings.  Alternate between natural settings and human settings.  Allow students to be objects or natural forces in the settings, or people interacting with the settings.

 

Work Session

Process

  • Pass out Ansel Adams photos to the students. Explain that Ansel Adams was a famous American photographer known for his photos of American outdoor landscapes including Yosemite, Big Sur, the Sierras.  
  • Ask the students to study their photo and examine the visual details:  “What is the first thing your eye is drawn to?  What lines and shapes do you see in the photo?  Did Adams take it from near or far?  How do the light and dark areas work together?  Where is the light source in the image, and which areas are in shadow?  Why do you think Adams chose to take this photograph?”
  • Have students imagine/visualize details about the setting in the photo, saying:  “Where is this place?  You can make it up. It can be anywhere in the world. What season is it--winter, early spring, etc.?  What time of day is it - early morning, high noon, sunset? What sounds and smells are there? Is the wind blowing? Are birds chirping or other animals making sounds even though you can’t see them? Can you smell pine trees, flowers, or the ocean? If you could place yourself in this picture, where would you be?” 
  • Tell the students:  “Place the picture in front of you and stand or sit as you imagine you would be in the picture. Now, close your eyes and take a deep breath of the clean air in this place. Listen to the sounds in your environment. Take another deep breath and smell the beautiful aromas.”
  • One at a time, ask each student to make a sound that they hear in their environment. 
  • Ask students to think of 3 descriptive phrases about their environment. For example, instead of saying, “the wind,” describe “the loud blowing wind”, “the fierce cry of an eagle,” or the “steep, snowy mountainside.”   Even though the pictures are black and white, encourage students to feel free to use color in their descriptive phrases.  Have the students write down their phrases on a card or piece of paper.  Ask them how they can expand or add to their phrases to make them more descriptive – suggest including texture, color, size, shape, temperature, or other qualities or details.
  • Have students practice using their descriptive phrases in sentences to describe their settings.  Instruct them to speak as if they are in the setting (e.g., “I am standing with my feet on the edge of the babbling stream.  The water is as cold as ice and shiny like a mirror.  I see silvery fish swimming by with lightning speed.”)  Coach and assist students as needed.
  • Ask student volunteers to come up and present, imagining themselves in the setting in the photograph.  They should use their voices and bodies to express the feelings and elements in their writing.

 

Bringing the Photograph to Life 

  • Select a student and guide them to cast three classmates as elements in their setting. The student should announce the element and then choose a classmate to portray it. (E.g., “Someone will be the grass blowing in the wind.”)  Once chosen, the classmate should come to the front and view the photograph.  
  • Guide the student to direct the elements, telling each classmate where they will be in the live picture, how they will stand or move, and what sounds they will make.  
  • Once the setting is established, have the student walk/hike/swim into their environment, take their place, use their body and voice to inhabit the setting (e.g., shivering for a cold setting, speaking loud for a distant setting, walking carefully over sharp stones, using a hand to block out the bright sun) and then describe their setting using their descriptive phrases.  
  • Show the photograph around the room, and solicit comments from the class on how the students brought the setting to life.
  • Have additional students volunteer to cast, enter, and describe.

Possibly:  once the process is established, allow the students to work in groups in different areas of the room, taking turns to use their group-mates to create their settings.

Closing Reflection

Ask:  “How did we get ideas of what to act from the photos?  How did we use our voices and bodies to become elements of the different settings in the photos?  Also:  How would you describe Ansel Adams’s photos to someone who hasn’t seen any of them?”

 

Assessments

Formative

  • Students created and used three descriptive phrases.. 
  • Students effectively communicated their ideas.
  • Students responded appropriately to the Adams images.

 

Summative

  • Students cast and directed their scenes effectively
  • Students enacted their roles in the scenes effectively.
  • Students’ written phrases show awareness of the senses and evocative details.

 

Differentiation

Acceleration:

  • Have students write out their ideas in full paragraph format.
  • Allow students who are playing elements of the setting to speak from the viewpoints of those elements:  “How does the tree feel?  What is the lake thinking?”

Remediation:

Use a single photograph with the entire class, and model the process all together.  Cast a small group as elements in the setting, and then model being the person entering and inhabiting the setting.  Repeat the process with a second photo, drafting a student to be the person entering the setting.  You may want to use a photo and have the entire class become elements in the photo, allowing multiple students to be the same thing:  mountains, rocks, trees, clouds.

ADDITIONAL RESOURCES

  • http://www.anseladams.com 
  • http://www.archives.gov/research/anseladams/ 
  • “Ansel Adams Original Photograph - Black & White Photography.” The Ansel Adams Gallery, shop.anseladams.com/collections/original-photographs-by-ansel-adams. Accessed 28 June 2023. 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed and updated by: Susie Spear Purcell and Barry Stewart Mann

Revised and copyright:  June 2023 @ ArtsNOW

Ecosystems in Action 4

Description

Students explore animals and plants that inhabit ecosystems by using movement to deepen the retention of vocabulary. After reviewing the ecosystem players, students will play a call and response game by responding with their bodies, sound and movement to become the elements. This will be taken a step deeper when students bring their visuals to life and explain which role they play in flow of energy of an ecosystem. The lesson culminates with Food Chain Action where groups of students devise their own food chain and bring it to life for their classmates. By allowing students to embody the parts of the flow of energy, they see the system from the inside looking out and retain knowledge in a deeper perspective.

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Explore the Solar System with Theater 3-5

Description

This lesson helps build upon prior knowledge of the nine planets in the solar system by allowing students to become aliens living on the planets. By creating an imaginary alien who lives on a planet, students embody the planet and its characteristics, thereby increasing their understanding of the planets. Sharing their work with each other allows students to develop presentation skills and comfort when speaking their own thoughts and ideas.

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