Celebrate Cells 6-8

CELEBRATE CELLS

CELEBRATE CELLS

Learning Description

In this lesson, students will demonstrate what they have learned about the parts of a cell through tableau, script-writing and performance. Students will participate in the role of performer, presenting an original scene, as well as audience members, identifying the parts of a cell and their roles.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: THEATRE & SCIECNE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the parts of a cell and explain their roles.

  • I can use tableau to identify and demonstrate the parts of a cell.

  • I can write and perform scenes to explain the roles of the parts of a cell.

Essential Questions

  • What are the parts of the cell and what are their roles?

  • How can theatrical techniques help us understand the parts of a cell?

 

Georgia Standards

Curriculum Standards

Grade 7

S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms.

Arts Standards

Grade 7: 

TA7.CR.1 Organize, design, and refine theatrical work.

 

TA7.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

TA7.CR.2 Develop scripts through theatrical techniques.

 

TA7.CN.1 Explore how theatre connects to life experience, careers, and other content.

 

South Carolina Standards

Curriculum Standards

Grade 6

6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

 

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

  • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 
  • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

  • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell

  • Membrane - The thin, limiting covering of a cell or cell part
  • Chloroplast - A plastid containing chlorophyll

Arts Vocabulary

  • Tableau - A frozen picture

  • Theater - Dramatic literature or its performance; drama

  • Character - A person, an animal or other figure assuming human qualities, in a story

 

  • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds

 

  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves

 

  • Dialogue – Conversation between characters

 

  • Scene – The dialogue and action between characters in one place for one continuous period of time

  • Ensemble - All the parts of a thing taken together, so that each part is considered

 

Materials

  • A copy of a cell diagram for each student
  • Pencils
  • Large chart paper (5 pieces)
  • Markers

 

Instructional Design

Opening/Activating Strategy

  • Divide students into five groups.  
  • Tell students that they will be making a tableau, a frozen picture, with their bodies. Every member of the group must be a part of the tableau.
  • Students will be making a tableau of an item, so students must consider what the individual parts of the item are and how they are connected. Some ideas include:
    • Car
    • Washing machine
    • House
    • Mountain range
  • Once students are frozen in their tableau, tell them that they will be bringing their item to life using movement and dialogue. 
    • Discuss some things that the parts of the item might say. 
      • Tires might say “I go round and round, and help us move”.
      • The engine might say, “Hit the gas, let’s go!”. 
      • The headlights might say, “Wow, it’s dark! Glad I can see where we’re going”.

 

Work Session

  • Tell students that they will be using tableau and dialogue to demonstrate their understanding of a cell.
  • Assign each group (groups from activator) a part of a cell. It is their job to label their part of the cell on their diagram and explain its role. 
    • Pass out a diagram of a cell to each student. Students will label their part of the cell on their diagram. Then, on a piece of large chart paper, they will explain the role of their part of the cell. 
    • Once students are done, they should post their chart paper in the room.
  • Next, form new groups of five students out of the original five groups. Each group should have one person who can teach the other students about their part of the cell so that all parts of a cell are represented in each group.
    • Students will now take turns teaching their group members about their part of the cell; group members will label that part on their diagram.
  • Tell students that now they will create a tableau to demonstrate how the parts of a cell are connected.
    • Provide time for students to discuss and arrange themselves.
    • Circulate the room to check for student understanding.
    • Once groups are done, have each group take turns performing their tableau. 
    • Ask the audience if they can identify the different parts of the cell.
    • Debrief after each group presents how the group portrayed each part of the cell with their bodies.
  • Next, students will create a scene with dialogue between the different parts of the cell.
    • Students will use their voice to embody the part of the cell. Students should consider the following questions. (Teachers will need to help students think abstractly about how to translate the role of the cell into a voice. For example, since the nucleus is the “boss” of the cell, it might have a big, booming voice.)
      • Pitch: Is the part of the cell's voice high or low?
      • Pace: Does the part of the cell speak quickly or slowly?
      • Volume: Does the part of the cell speak loudly or softly?
      • Tone: What is the emotional quality of the part of the cell’s voice (e.g., cheerful, gruff, calm)?
    • Allow time for students to write a short scene between the parts of the cell. Each part should have at least one line.

 

Closing Reflection

  • Students will perform their scenes for the class. Discuss appropriate audience participation and etiquette prior to performances.
  • Ask the audience to identify each of the parts of the cell and how they were able to identify them. Ask them what voice qualities the performers used and how they reflect the role of the part of the cell.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, group discussion of the parts and roles of a cell, ability to form a tableau and write a scene demonstrating the roles of the parts of a cell.

 

Summative

CHECKLIST

  • Students can identify the parts of a cell and explain their roles.
  • Students can use tableau to identify and demonstrate the parts of a cell.
  • Students can write and perform scenes to explain the roles of the parts of a cell.

 

DIFFERENTIATION 

Acceleration: Provide students with a scenario, such as an infection or damage to an organism; students should write a scene in which the cell has to respond to the situation. Students’ scenes should demonstrate that they understand the role of a cell in the scenario.

Remediation: 

  • Provide guided notes or graphic organizers for students to complete on the roles of the parts of a cell.
  • Do whole-group instruction to teach about the parts of the cell. Then have students create their tableaus and scenes.
  • Provide sentence-starters for scene and dialogue writing.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Mary Gagliardi and Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Cell Talk 5

Description

Students will become a part of a cell by examining cell diagrams. Each student will use their body, voice and movement to become a particular part of the cell. After they own the character or cell, they are paired up to create dialogue between the different parts of the cell. Short, two part scenes explore the cell parts as well as their purpose and attributes as Cell Talk bring the cell to life before the students very eyes. Through embodying the parts of animal and plant cells, students get a more in depth understanding of their functions. They explore the cell world from the point of view of its parts.

Civil War Personalities 4-5

CIVIL WAR CHARACTERS

CIVIL WAR CHARACTERS

Learning Description

In this lesson, students use photos that relate to the American Civil War as a springboard to write a first person monologue embodying the person who is pictured. This monologue explores the character’s views on the subject of the second photo that deals with the historical context. Next, students will bring the photo to life in an improvisation. By allowing your students to explore what they have read and heard about the American Civil War through the eyes of another person, they learn empathy and better embody the concept. This exercise is a wonderful tool to increase presentation skills, empathy and ensemble in your classroom.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: THEATRE & SOCIAL STUDIES
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can write a monologue using photography as inspiration.
  • I can improvise a scene with a partner using photography as inspiration.
  • I can use theatre techniques to help me better understand a historical event.

Essential Questions

  • What impact does a photograph have on our perception of a society and/or historical event?
  • How can theatre techniques help me better understand the American Civil War?

 

Georgia Standards

Curriculum Standards

Grade 4: 

SS4H5 Explain the causes, major events, and consequences of the Civil War. 

  1. Identify Uncle Tom’s Cabin and John Brown’s raid on Harper’s Ferry and explain how each of these events was related to the Civil War. b. Discuss how the issues of states’ rights and slavery increased tensions between the North and South. c. Identify major battles, campaigns, and events: Fort Sumter, Gettysburg, the Atlanta Campaign, Sherman’s March to the Sea, and Appomattox Court House. d. Describe the roles of Abraham Lincoln, Robert E. Lee, Ulysses S. Grant, Jefferson Davis, Thomas “Stonewall” Jackson, and William T. Sherman. e. Describe the effects of war on the North and South.

Arts Standards

Grade 4: 

TA4.CR.1 Organize, design, and refine theatrical work.

TA4.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

 

South Carolina Standards

Curriculum Standards

Grade 4:

Standard 4: Demonstrate an understanding of economic, political, and social divisions during the United States Civil War, including the role of South Carolina between 1850–1870.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

 

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • The American Civil War - Fought from 1861 to 1865; a pivotal event in American history that resulted from deep-rooted tensions between the Northern and Southern states over issues such as slavery, states' rights, and economic differences
  • Union - The federal government of the United States and the states that remained loyal to it during the Civil War
  • Confederacy - Also known as the Confederate States of America (CSA), was a self-proclaimed independent nation formed by Southern states that seceded from the United States
  • John Brown’s raid on Harper’s Ferry - On the night of October 16, 1859, Brown and his followers, numbering around 21 men, seized the federal armory and arsenal at Harpers Ferry taking several hostages
  • Slavery - The system of forced labor and exploitation of African and African-descended people in the United States from the colonial period until the abolition of slavery after the Civil War
  • Emancipation Proclamation - Declaration by President Abraham Lincoln that all enslaved people in Confederate-held territory to be free
  • State’s rights - The balance of power between state governments and the federal government; Southern states asserted their right to secede from the Union
  • The Anaconda Plan - A military strategy proposed by Union General Winfield Scott at the beginning of the American Civil War
  • Fort Sumter - The Battle of Fort Sumter, which took place on April 12-13, 1861, marked the beginning of the American Civil War
  • Gettysburg - The Battle of Gettysburg is often considered the turning point of the Civil War and one of the most significant battles in American history
  • The Atlanta Campaign - A series of military operations conducted by the Union Army of the Cumberland against the Confederate Army of Tennessee
  • Sherman’s March to the Sea - A Union military campaign aimed at destroying infrastructure and resources in Georgia to weaken the Confederacy
  • Appomattox Court House - The site of General Robert E. Lee's surrender to General Ulysses S. Grant on April 9, 1865, effectively ending the American Civil War
  • Expository Writing - Writing with the purpose to demonstrate or explain

Arts Vocabulary

  • Ensemble - All the parts of a thing taken together, so that each part is considered only in relation to the whole
  • Theater - Dramatic literature or its performance; drama
  • Improvisation - A creation that is spoken or written without prior preparation
  • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings
  • Scene - A division of a play or act that presents continuous action in one place or setting

Dialogue - The conversation or interaction between characters in a written work

 

Materials

  • Printed photos of events and people related to the American Civil War
  • Index cards and pencils
  • Music and sound source

 

Instructional Design

Opening/Activating Strategy

Classroom Tip: This activity works best in an open space with room for students to move. 

 

  • Begin by playing music from the American Civil War era quietly as you pass out the images (photographs).
    • Each student should have one sheet of paper with two images, an index card, and pencil.  
    • The first picture is of two people engaged in an activity. The name of the country or event should be written at the bottom of the photo. One of the people should be circled so you can pair up the students to act out the scene later. 
    • The second picture is of a prominent figure who played a key role in a specific event related to the American Civil War, such as the Battle of Gettysburg. 
      • The photo should be titled with the reference to the event.
    • Have students write their name in the top right hand corner of their index card.
    • Ask the students to closely observe the person that is circled in the top photo. 
    • Ask questions for them to more deeply embody their character.  
      • They should list the following on the left hand side of the card:  Character’s name, character's age, home country, how does the character feel about what is happening or who is pictured in the second photo and how is it affecting them and their people. 
      • What is the character’s greatest fear?  
      • What is the character’s greatest dream? 
      • Encourage students to use descriptive phrases and relevant details and facts from the unit of study as they complete their cards. 
    • Provide time for students to pair-share or share responses with the class.

 

Work Session

  • Tell students that they will be writing a monologue in the first person introducing themselves as the person in their photograph. 
    • Tell students that a monologue is a speech by a single character in a play, film, or other dramatic work. Monologues are often used to give the audience deeper insight into the character's motivations and feelings. 
    • Tell students to turn the card over and write a monologue in the first person introducing themselves and including all of the elements on the front side of the card. 
      • Tell students to make sure to summarize the paragraph with their character’s greatest dream for themselves and their country.  
      • Turn up the volume of the music while students are writing. Give them a set amount of time to write. This could also be a longer exercise or assignment that they bring in the following class period.  
    • When everyone is finished writing, introduce the next section. 
    • Tell students, “Today we are going to learn about the American Civil War (or a specific event related to the American Civil War) through the eyes of the people who lived through it. Each of you have been brought here to help us explore this time. Welcome!”
    • Tell students, “Using a voice different from your own, the voice of the character in the picture, on a count of three, softly but out loud, tell me what you had for breakfast this morning.  Now sit like your character sits, different from yourself. Imagine your character is wearing an article of clothing that you don’t have on. On a count of three adjust that article of clothing.”  
    • Next, ask a student to walk to the front of the class as that character would walk.  
    • Once they get to the front of the classroom, ask them to pick one person to tell their story to. Ask the student to look at this person as they are telling their story.  Have them read their character’s monologue aloud. 
  • If you desire or time permits, you can open the floor up for questions so the other students can interview the character. Let the class know that they can openly discuss the issues at hand and help the character answer questions that they might know the answers to. 

 

  • Now, tell students to find the classmate who has the other character depicted in the photograph on their page. Pass out two index cards to each pair.
    • Have students read their monologues to each other practicing embodying the character they have created. 
    • Students should then discuss the historical context from the photographs and establish each of their character’s points of view. 
    • On each card, students should write a sentence in the first person with the first thing their character wants to say about the event depicted.
    • When you say “action,” students bring the photo to life using improvisation.
    • Beginning with the first line they previously generated on their index card, students should improvise a scene between the two characters discussing the event. 
    • Say “freeze!” and have students return to their seats.

 

NOTE: Instead of improvising scenes, students can write a script for their scene and present it to the class.

 

Closing Reflection

  • On the back of their index cards students should reflect on the process and how both embodying their character and listening to another character’s point of view helped them gain a deeper understanding of the historical event.
  • Allow students time to share with the whole class.

 

 

Assessments

Formative

Teachers will assess students by observing students’ responses to class discussion around photographs in the opening strategy, consulting with students during the writing process, and observing students’ work with their partners creating improvisational scenes.

 

Summative

  • Students can write a monologue in the first person using photography as inspiration that addresses all parts of the prompt.
  • Students can use historical context and relevant facts to create a realistic first person account of an event related to World War II.
  • Students can work collaboratively to improvise a scene with a partner to investigate a historical context or event.

 

Differentiation

Acceleration: 

  • Challenge students by telling them in the middle of the improvised scene, to swap characters with their partner and continue the scene from the new perspective. This tests their adaptability and understanding of character dynamics.
  • Pair two partner teams together to create a new scene with all four characters.

 

Remediation: 

  • Pair English Language Learning students with native English speakers.
  • When writing the questions about the pictures, provide the students with a graphic organizer on which to write answers and to assist with organization of thoughts and ideas.
  • Have students choose fewer items from the list about the character in the picture. 
  • Conference with students who struggle with writing.

ADDITIONAL RESOURCES

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

 Ideas contributed by:  Susie Spear Purcell. Updated by Katy Betts.

Revised and copyright:  June 2024 @ ArtsNOW

 

CLASSIFICATION OF ANIMALS 4-5

CLASSIFICATION OF ANIMALS

CLASSIFICATION OF ANIMALS

Learning Description

In this lesson, students will classify animals based on their attributes and use their voices and bodies to personify their assigned animals. They will then participate as "Classification Experts" on the game show "Connect Your Animal," helping reunite lost animals with their families. Through scientific inquiry, students will classify their own organisms and assist game contestants in classifying theirs. By engaging in this process, students will become adept at classification, much like real scientists.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can accurately classify assigned animals and identify characteristics used in identification.
  • I can accurately use my voice and body like my assigned animal when performing.

Essential Questions

  • How can theatrical techniques help us understand how animals are classified?
  • How can we classify animals based on their attributes?

 

Georgia Standards

Curriculum Standards

Grade 5:

S5L1. Obtain, evaluate, and communicate information to group organisms using scientific classification procedures. a. Develop a model that illustrates how animals are sorted into groups (vertebrate and invertebrate) and how vertebrates are sorted into groups (fish, amphibian, reptile, bird, and mammal) using data from multiple sources.

Arts Standards

Grade 5

TA5.CR.1 Organize, design, and refine theatrical work.

TA5.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 4:

4-LS1-1. Construct an argument that plants and animals have internal and external structures that function together in a system to support survival, growth, behavior, and reproduction.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Animals - Many-celled organisms that do not make their own food, have no cell walls, and have no chloroplasts
  • Characteristic - A feature passed from a parent to an offspring (scaly skin, fins, rough skin etc)
  • Classification - The systematic grouping of organisms by observed similarities
  • Warm-blooded - Animals whose body temperature is internally regulated
  • Cold-blooded - Animals whose body temperature is not internally regulated
  • Vertebrate - Organisms that have a series of bones joined together with a flexible material called cartilage
  • Invertebrate - Animals that do not have a backbone

Arts Vocabulary

  • Theater - Dramatic literature or its performance; drama
  • Character - A person, an animal or other figure assuming human qualities, in a story
  • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds
  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves
  • Dialogue – Conversation between characters
  • Scene – The dialogue and action between characters in one place for one continuous period of time
  • Improvisation - A creation that is spoken or written without prior preparation
  • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings
  • Ensemble - All the parts of a thing taken together, so that each part is considered
  • Tableau -  A “living picture” in which actors pose and freeze in the manner of a picture or photograph

 

Materials

  • Photos of animals representing a variety of animals (one per student)
  • Game cards with host questions

 

Instructional Design

Opening/Activating Strategy

  • Start with a general physical warm-up to get the students' bodies ready. Use exercises such as:
    • Stretching: Stretch all major muscle groups.
    • Shaking Out Limbs: Shake out arms, legs, and the whole body to release tension.
    • Energy Passes: Stand in a circle and pass a clap or a simple motion around to build group focus and energy.
  • Explain that students will explore different characters by changing their walk and physicality. Encourage them to think about how their character’s age, status, mood, and personality influence their movement.
    • Begin with simple prompts to get students thinking about different ways to walk. Call out various types of characters and ask students to walk around the space embodying those characters. Examples include:
      • An elderly person with a cane
      • A proud soldier
      • A sneaky thief
      • A graceful dancer
  • Have students return to their seats.

 

Work Session

  • Review classification with students:
    • What is classification and why do we classify things? Ask students for examples of things that we classify, such as types of foods or sports.
    • Review the Animal Classification Order - Kingdom, Phylum, Class, Order, Family, Genus, Species.
      • Kingdoms are large groups, encompassing millions of kinds of organisms each. All animals are in one kingdom (called Kingdom Animalia); all plants are in another (Kingdom Plantae).
      • Species are the smallest groups. A species consists of animals of the same type who are able to breed and produce young of the same kind.
    • Some of the ways we classify living things include:
      • Is it single celled?
      • Is the nucleus in the cell?
      • Does it make its own food?
      • Does it eat food?
      • Does it reproduce sexually?
    • Cold blooded vs. warm blooded:
      • Cold blooded animals include fish, amphibians, reptiles, and all invertebrates.
      • Warm blooded animals include birds and animals not in the above list.
    • Vertebrate vs. Invertebrates:
      • Vertebrates are animals with backbones, including humans, dolphins, flamingos, alligators, fish, and frogs. Our vertebrate movement will be:
        • “ver” - clap elbows to hands flat together
        • “te” - thumbs swing out to the side
        • “brate” - both palms touch shoulders/back
  • There are six Vertebrate Groups: Birds, Mammals, Fish, Reptiles, Amphibians, Arthropods (Insects and Arachnids).
    • BIRDS: Animals that have two wings, two feet and are the only animals that have feathers. Some birds fly, some run and some swim. This group includes blue birds, flamingos, macaws, ostriches, chickens, etc.
      • Movement:
        • ”bird” - flap arms like bird wings and stop feet one at a time
    • MAMMALS: An animal that feeds milk to its young and has hair or fur on its body.  Some examples are whitetail deer, squirrel, pig, dog, cat, bears, chimpanzees, dolphin, and whale.
      • Movement:
        • “mam” - hug your body for warmth and rub arm like fur
        • “mal” - pretend to suck thumb
    • FISH: Animals that live in water, breathe with gills, and are covered with scales.
      • Movement:
        • “fish” - hands on cheeks, top of hand to cheek with fingers splayed out for gills; purse lips together and open like fish lips
    • REPTILES: Animals with rough, dry skin that may have scales or hard plates.  Some examples are alligators, turtles, and giant tortoises.
      • Movement:
        • “rep” - cross arms and scratch skin on upper arms
        • “tiles” - knock on top shoulders
    • AMPHIBIANS: Animals with smooth, wet skin that typically begin life in the water, breathing with gills. They metamorphosize into an adult that lives on land, and give birth by laying eggs. Some examples are frogs, toads and salamanders.
      • Movement:
        • “am” - stroke cheeks with both hands
        • “phi” - hands in front and squat like a frog
        • “bian” - come up and stick tongue out to catch a fly then say “ribbit”
  • INVERTEBRATES: Cold blooded animals without backbones. Some examples are butterflies, clams, octopus, worms, starfish, and ants.
    • Movement:
      • “inver” - forearms cross and sway in front of body
      • “te” - arms out like butterfly wings
      • “brate” - fingers at hips like octopus arms
  • Some invertebrate groups:
    • MOLLUSKS: Cold-blooded animals with soft bodies; most have a hard shell.  Some examples include octopus, slugs, snails, squids and clams.
      • Movement:
        • “mol” - arms crossed in front of body like cold
        • “lus” - soft pat on upper arms
        • “ks” - fist knock on back of shoulders
    • ECHINODERM: Cold-blooded animals with bodies with rough skin and sharp spines. Some examples are sea stars, sea urchins and sand dollars.
      • Movement:
        • “echi” - arms crossed in front of body like cold
        • “no” - scratch upper arms
        • “derm” - put fingers out like claws
    • ANNELIDS: Cold-blooded animals with soft bodies with sections. Some examples are worms, leeches and clamworms.
      • Movement:
        • “an” - arms crossed in front of body like cold
        • “ne” - soft pat on upper arms
        • “lid” - palms out front a foot apart and move from right to left (2 times)
    • CNIDARIANS: Cold-blooded animals with symmetrical, sac-like bodies and true mouths; they are able to eat/digest food. Some examples are hydras, polyps, jellyfishes, sea anemones, and corals.
      • Movement:
        • “cni” - forearms together in front of body and hands swing out (symmetry)
        • “dar” - arms bowed out around stomach
        • “ians” - mouth moving like eating
    • ARTHROPODS (means “jointed leg”): Cold blooded animals with exoskeletons and jointed legs. Some examples include spiders, crabs, lobsters, ladybugs, centipedes, and millipedes.
      • Movement:
        • “arth” - knock on stomach
        • “ro” - pointer fingers half up
        • “pod” - pointer finger all the way up and shiver
    • ARACHNIDS: Arthropods with exoskeletons, two different body regions (head and abdomen), and eight legs; includes spiders, scorpions, ticks, mites, harvestmen, and crabs.
      • Movement:
        • “ar” - two fist on top of each other
        • “rach” - eight fingers open
        • “nid” - all fingers wiggling
    • INSECTS: Arthropods with three different body regions (head, thorax, abdomen), six legs attached to thorax (middle), and sometimes wings; includes grasshoppers, bees, butterflies, flies, beetles, and ladybugs.
      • Movement:
        • “in” - three fingers open
        • “sect” - six fingers coming off both sides of chest, then hands become wings
  • Animal Classification: Who am I?
    • Hand out pictures of different types of animals (one per student).
    • Discuss how a scientist or zoologist examines animals.
    • Ask students to observe their animals as if they are zoologists.
    • Students should look at all of the animal’s features so that they can properly classify this animal in the group that it belongs to.
    • Using movement: Now, tell students to sit like their animal sits or stands.  Move like their animal moves. Pretend to eat like their animal eats.
    • Tell students to give their animal a name.
    • Using voice: On the count of three, at the same time and aloud, tell students to say what their animal ate for breakfast using their animal’s voice, which should be different from their own voice (high or low or fast or slow; fast or slow, etc.).
    • Now tell students to sit as their animal would sit and classify their animal.
  • Ask students to write down the answers to these questions on the paper with their animal picture:
    • What animal are you?
    • Is it a vertebrate or invertebrate? Backbone or no backbone?
    • If a vertebrate, go through the types of vertebrates and decide:
      • Are you cold blooded or warm blooded?
      • Describe your skin (hairy, scaly, furry, rough, wet, dry, feathers, etc.).
      • Do you have scales or a hard plate?
      • Do you have wings and two feet?
      • What do you eat?
      • Do you live on land or in the water?
    • If an invertebrate, go through questions that correspond to invertebrates.
    • Now ask students to write down two or three elements that make their animal a part of their classifying group.
    • Sitting like their animal would sit to show the pattern and shape, students should introduce themselves to their neighbor using the name they selected and the voice they created for their animal.
  • “The Animal Kingdom Classification Connection Game”
    • Set up four chairs in the front of the classroom in a line facing the audience/students.
    • Tell students that they are going to participate in a live television game show called “The Animal Kingdom Classification Connection Game” where lost animals are connected back with their loved ones.
    • Ask four students to be the starring animals and walk up and sit in the four seats as their animal would move.
    • The teacher will act as the game show host and will have two assistants Zoologists/students come up to help classify the animals.
    • Ask two students to be the assistant Zoologists.
    • Have them make up names and introduce themselves to the audience using a different voice.
    • Have each animal and each expert say hello to the audience using their animal voice.
    • Say, “Today we are going to classify each animal on our show and get them back home! We will start by talking to one animal at a time. We will ask each animal some questions one at a time to help us identify its group of origin.”
    • Hand the assistant zoologists two sets of questions (one for vertebrates, one for invertebrates):
      • Questions: Are you a vertebrate or an invertebrate?
      • VERTEBRATE LIST:
        • Are you cold blooded or warm blooded?
        • Describe your skin? (hairy, scaly, furry, rough, wet, dry, feathers, etc.)
        • Do you have scales or a hard plate?
        • Do you have wings and two feet?
        • What do you eat?
        • Do you live on land or in the water?
      • INVERTEBRATE LIST:
        • Do you have an exoskeleton?
        • Do you have sharp spines?
        • Do you have joined legs?
        • Do you have a segmented body? If so, how many segments?
        • Do you have wings?
        • Do you have legs? If so, how many legs?
      • After the questions are asked, the experts can state their answer and the audience will make a ding sound if they are correct and make a buzz sound if they are incorrect.
      • If correct, the animal gets to do a dance moving as their animal would move back to his/her seat.

 

Closing Reflection

  • Close the lesson with Animal Families Unite.
  • Have students find the other animals in their classification and go to different areas in the room.
  • Once all groups are together go around the room and have each group chant their classification and then become their animals with sounds.
  • Have the students tell the features that apply to their classification.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, discussion of animal classification, ability to classify animals, and use of body and voice to personify their animal.

 

Summative

CHECKLIST

  • Students can accurately classify assigned animals and identify characteristics used in identification.
  • Students can accurately use their voices and bodies like their assigned animal when performing.

 

DIFFERENTIATION 

Acceleration: Students can write a dialogue between their animals introducing themselves and the characteristics that make them part of their classification group.

Remediation: 

  • Provide a graphic organizer to help students structure their responses and classify their animals.
  • Allow students to work with a partner to classify their animal.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Susie Spear Purcell. Updated by Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Cultural Characters – Paul Revere 4-5

CULTURAL CHARACTERS - PAUL REVERE

CULTURAL CHARACTERS - PAUL REVERE

Learning Description

This lesson invites students to explore the life of Paul Revere through the lens of an illustration of the Midnight Ride. Using the image as a springboard, students write and enact a poem illustrating the event. This exercise is a wonderful tool to increase presentation skills, empathy and ensemble in your classroom.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: THEATRE & SOCIAL STUDIES
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain the events and Acts that led to the American Revolution using descriptive phrases in first person.
  • I can use theatrical skills to take on the perspective of Paul Revere.

Essential Questions

  • How can theatrical skills help us understand historical events?
  • What role did Paul Revere and the Midnight Ride play in the American Revolution?

 

Georgia Standards

Curriculum Standards

Grade 4:

SS4H1 Explain the causes, events, and results of the American Revolution. 

  1. Trace the events that shaped the revolutionary movement in America: French and Indian War, 1765 Stamp Act, the slogan “no taxation without representation,” the activities of the Sons of Liberty, the activities of the Daughters of Liberty, Boston Massacre, and the Boston Tea Party. 
  2. Describe the influence of key individuals and groups during the American Revolution: King George III, George Washington, Benjamin Franklin, Thomas Jefferson, Benedict Arnold, Patrick Henry, John Adams, Paul Revere, and Black regiments. 
  3. Describe the major events of the American Revolution and explain the factors leading to American victory and British defeat; include the Battles of Lexington and Concord, Saratoga, and Yorktown.

Arts Standards

Grade 4:

TA4.CR.1 Organize, design, and refine theatrical work.

TA4.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 4:

Standard 2: Demonstrate an understanding of the identity of a new nation, including the state of South Carolina between 1730-1800.

  1. Explain the causes of the American Revolution as they impacted Georgia; include the French and Indian War, Proclamation of 1763, and the Stamp Act.

 

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • The American Revolution - The war fought by the American colonies to end British rule; it was between the 13 colonies and Great Britain
  • Battles of Lexington and Concord - The beginning of the American Revolution 
  • “Regulars”, or "lobsters" - What the colonists called the British soldiers
  • Patriot - Colonist who was opposed to British rule
  • Minutemen - Volunteer Colonial soldiers who served against the British in the American Revolution; they were said to be ready at a minute's notice 
  • The Stamp Act of 1765 - Colonists were taxed on playing cards, newspapers, books, pamphlets and legal documents like wills 
  • The Sugar Act of 1764 - Colonists were taxed on sugar, wine, coffee, dyes and cloth 
  • The Boston Massacre - A protest in 1770 against British rule in which five American Patriots were killed 
  • The Boston Tea Party - Men disguised as Mohawks threw tea into the harbor to protest the tax on tea in 1773
  • The French & Indian War - The English fought against France for the land in North America; England won but needed to pay off the debts of the war

Arts Vocabulary

  • Ensemble - All the parts of a thing taken together, so that each part is considered only in relation to the whole
  • Theater - Dramatic literature or its performance; drama
  • Improvisation - A creation that is spoken or written without prior preparation
  • Scene - A division of a play or act that presents continuous action in one place or setting

 

Materials

  • Illustrations/artwork of Paul Revere’s Midnight Ride 
  • Illustrations/artwork depicting the Acts and events that led to the American Revolution and major battles of the American Revolution
  • Paper and pencil

 

Instructional Design

Opening/Activating Strategy

*Classroom Tips: This activity works best in an open space with room for students to move.

 

  • Project an illustration or artwork portraying the Midnight Ride of Paul Revere (example from the Smithsonian Magazine).
  • Ask students to work collaboratively to engage in the See, Think, Wonder Artful Thinking Routine. 
    • First, students will identify what they see in the image. Emphasize that they should make objective observations about the image. 
    • Next, ask students to identify what they think about the image. Emphasize that students should be creating inferences using visual evidence from the image. 
    • Finally, ask students what they wonder about the image. 
  • Facilitate a class-wide discussion around students’ observations, inferences, and questions.
  • Provide context for the image stating that it is depicting the Midnight Ride of Paul Revere.

 

 

Work Session

  • Discuss Paul Revere, the Midnight Ride, and his place in American history and the road to Revolution. 
  • Review the Stamp Act, Boston Massacre, Boston Tea Party, Sugar Act and French and Indian War. Show illustrations and paintings related to these events and topics.
  • Pass out Paul Revere photo pages.  
    • Each page will have an illustration/artwork depicting the Midnight Ride as well as a photo of one of the above mentioned events or acts (Stamp Act, Boston Massacre, Boston Tea Party, Sugar Act, French and Indian War).  
    • Explain to students that the first/top picture is of Paul Revere’s Midnight Ride. The second/bottom is of one of the events or acts that were just reviewed.  
      • Each of these events or Acts were important in the leading up to the Midnight Ride and revolution.  
      • Ask students to write down the following: 
        • The name of the event or act under the second/bottom picture 
        • How this event or act made the American colonists feel towards the British
      • Ask the students to study the first/top image and think about: 
        • Where is this place? 
        • What season is it? 
        • What time of day is it? 
        • What sounds and smells would you hear if you were in this picture? (even things you can’t see)
      • Ask students to imagine themselves as Paul Revere riding in the Midnight Ride.  
      • Instruct the students to place the picture in front of them and take the position that Paul Revere is in on the horse. 
      • Then, ask students to close their eyes and take a deep breath of the clean air in this place. Listen to the sounds in the environment. Take another deep breath and smell the aroma. 
      • Now, instruct students to open their eyes.  
      • One at a time, each student should make a sound that they hear in their environment.  
  • Pass out paper and pencils. On the left hand side, ask students to list:  Where – where are you?  When – what time of day and season is it?  Who – who else is in the picture?  What – what are you doing?  How – how do you feel about the event or act pictured at the bottom?  
  • Next, instruct students to write down three descriptive phrases about their image. 
    • Tell students that instead of writing, “the wind”, they should describe the wind. An example would be ”the blowing wind” or “the fierce cry of an eagle”. 
    • Encourage/require students to use adjectives, descriptive and figurative language
  • Students should now write six to eight short lines describing this environment and how this place makes them feel. 
    • Students should include the date of the ride, the three descriptive phrases, a fact about the event or act in the bottom picture and a title for their poem. Students may also include details such as what thoughts are going through their mind. The lines should be written in first person, e.g., “I am standing”, “It makes me feel”.
  • Ask a student to volunteer to come to the front of class and share their work.
    • Have the student choose someone to bring to the front of the class to read their work to. 
  • Tell students that they are now going to bring the picture to life.  
    • Have the student cast their classmates as the three elements from their paragraph. They should announce the element and then choose the person (e.g., the blowing wind). Once a person is chosen, have them come to the front of the class and then show them the picture. Then cast the next element and student, etc. The author will direct the elements, indicating where they will be in the live picture and what sounds they will be making. 
    • On calling action, have the author walk up or “ride” as Paul Revere into their environment and take their place in the live tableau then read their work. As they read the lines, the students who have been cast should make their sounds. 
    • Finally, the student should show the photo around the room or the teacher should project it on the board.

 

Closing Reflection

  • On the back of their papers, students should reflect on the process and how using theatre techniques helped them gain a deeper understanding of the historical event.
  • Allow students time to share with the whole class.

 

Assessments

Formative

Teachers will assess students’ learning by observing students’ responses to class discussion and observing students’ engagement with the photographs through their writing.

 

Summative

CHECKLIST: 

  • Students can explain the event or act depicted in their image using descriptive phrases in first person.
  • Students can use acting techniques to take on the perspective of Paul Revere.

 

Differentiation

Acceleration: 

  • Students can write a monologue from the perspective of Paul Revere as he is on the Midnight Ride.
  • Students can write a scene that includes dialogue between Paul Revere and someone he encountered on his ride. 

 

Remediation: 

  • Allow students to work with a partner throughout the process.
  • Provide a graphic organizer or sentence starters to help students structure their writing.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

 Ideas contributed by: Susie Spear Purcell

Revised and copyright: June 2024 @ ArtsNOW