Acting Hot and Cold 2-3

ACTING HOT AND COLD

ACTING HOT AND COLD

Learning Description

In this lesson, students will explore heating and cooling through pantomime and improvisation. By enacting the effect of sunlight on a snowman and growing seed, students will learn scientific information kinesthetically.

 

Learning Targets

GRADE BAND: 2-3
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can demonstrate my understanding of the effects of the sun through improvisation and pantomime.

Essential Questions

  • What are the effects of the sun on the earth?

 

Georgia Standards

Curriculum Standards

Grade 3: 

S3P1. Obtain, evaluate, and communicate information about the ways heat energy is transferred and measured.

Arts Standards

Grade 3: 

TAES3.3: Acting by developing, communicating, and sustaining roles within a variety of situations and environments.

 

 

South Carolina Standards

Curriculum Standards

Grade 2: 

2-PS1-4. Construct an argument with evidence that some changes caused by heating or cooling can be reversed and some cannot.

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Heat energy - The form of energy that is transferred between systems or objects with different temperatures

  • Physical change - A change in the form or physical properties of a substance without any change in its chemical composition; the molecules themselves are not changed, only the arrangement or state of the molecules

Arts Vocabulary

  • Pantomime - Conveying a story by body movements or facial expressions only

  • Improvisation - A creation that is spoken or written without prior preparation

 

Materials

Optional background music to set the tone 

 

Instructional Design

Opening/Activating Strategy

  • Play “Stop, Go”.
  • Tell students to stand up at their tables or desks. 
  • When the teacher says, “Go” and another word or phrase, students should act like that word or phrase.
    • Say, “Go – cold. Go – hot. Go – in a desert. Go – in Alaska. Go – in the snow. Go – in the rain”.
    • Have students return to their seats. 
    • Ask students to share how they moved in different ways to represent feeling cold or hot. Ask them why.
    • Ask them what made things go from cold to hot (location, precipitation, etc.) What makes things hot? 
    • Ask students: 
      • What makes the air hot? Why does the air get cold? If you place an ice cube on concrete in the sun on a summer day, why does it melt?

 

Work Session

  • Tell students that they will be acting out scenarios that demonstrate the effects that the sun has on the earth. 
    • Discuss heat energy with students and why some changes caused by heating or cooling can be reversed and some cannot.
    • Discuss improvisation and pantomime with students. 
  • Play “The Snowman”.
    • Ask how many students have ever seen a snowman melt when the weather suddenly turns warmer. Show students an image.
    • Ask students to describe what happens to the snowman.
      • Does it change its shape? How? Is this a change that can be reversed by heating or cooling?
    • Ask the students to imagine themselves as snowmen with a hat on their heads, sticks for arms, and a cane in their hand. Ask students to pose as the snowman and freeze in that position. 
    • Tell students that you will narrate a scenario to them and that they should act out the scenario. Say to students:  
      • “The sun begins to shine, and for the first time, your body feels warm. You grow warmer and warmer, and your hat slips, slides and falls off. Now you feel the sun shining on your shoulders. Your arms are melting. Your cane slips from your hand and falls to the ground. Your body no longer holds you up, and you, too, begin to slump. Finally, you are completely melted and become a puddle.”
      • Question the players:  
        • What did it feel like when the sun began to shine on your head? Your shoulders? 
        • Your legs and body?  
        • How did your body feel when you became a puddle?  
        • What happens to the water after a snowstorm, when all the snow melts?
        • Is this a change that can be reversed by heating or cooling?

 

  • Play “Apple Seed” Pantomime. (Teacher note: Be sure to narrate this story slowly enough, and with appropriate pauses, so that the students are able to fully experience each phase as they enact the story.) 
    • Tell students to find their own personal space on the floor and make themselves as small as possible. Again, you will narrate a scenario to them. They should enact the scenario as you narrate. 
    • Tell students, 
      • “You are an apple seed, crammed tightly into your hard seed pod and buried under the cold ground. It is winter and you are barely awake. Above you, snow covers the ground. It is totally dark under the ground. 

 

Now it is spring. The earth around you is growing a little warmer, and you start to feel more awake. The snow above you melts and the water soaks into the earth around you. The earth feels warmer, and you seem to be able to pull energy out of the soil. It is time to come out of your seed pod. You feel strong and energetic. Using all your strength, you push up against your seed pod and break through, like a bird breaks out of the egg. You reach upwards into the warm earth with your tendrils. The earth around you is moist, and you soak in the life-giving moisture. You don't know why, but you know you want to push upwards. Finally, with one great push, you emerge from the soil and see, for the first time, the SUN! The sun's energy flows into you and you feel stronger and stronger. You stretch upwards and outwards until you are a healthy seedling. The gentle spring rains nourish and refresh you. Just take a moment to enjoy it.

 

Now let's move ahead a few years. You have grown into a strong young sapling–a tree about the size of a young person. You have beautiful green leaves that soak up the sun and make you strong. But you want to grow taller. You want to be a tree. So you summon all your energy and you push out and up. As the years go by you become a strong, tall apple tree. You stand proud in the sun and enjoy your own strength and beauty.

 

Now it is fall. You have grown healthy, nourishing apples all over your strong branches. The apples contain seeds which might someday become new apple trees. The apples are heavy. Your branches are strong, but there are so many apples. You feel weighed down. You feel as if your branches might break.  Here come some children. You can't talk to them, but you know they are coming for the apples. They have baskets. They are laughing and singing. The children pick your apples, and your branches feel light. You know they will take them away and eat them. You know they will throw away the seeds, and that some of those seeds might grow to be new apple trees.  Almost all of your apples are gone. But you know you will grow more next year. You feel grateful to those children. You hope they will enjoy the apples. 

 

Now it is winter. All of your leaves have fallen. But you know you will grow more next spring. Now it is time to rest. You rest. The End. 

 

  • Discuss how the sun made the apple grow. Ask students: 
    • What happens in winter? 
    • Why does the tree lose its leaves?  
    • What if the seed had been dropped in a shady spot where there was very little sun? Ask students to show you what this would look like. 
    • What if the seed had been dropped in Alaska? Ask students to show you what this would look like. 
    • What if the seed had been dropped in the ocean? Ask students to show you what this would look like. Emphasis that the seeds need the sun in order to grow.
    • What if no seeds ever grew? What would happen? Ask students to imagine a world where there is nothing growing.

 

Closing Reflection

  • Ask students to reflect on the role that heat energy played in each scenario. 
  • Reflect on how the sun provides all heat and energy for the world.

 

Assessments

Formative

The teacher will assess students’ learning by observing students’ responses to class discussion and observing participation in acting out the scenarios. Teachers will observe which students seem to understand the concepts versus which students are simply following the actions of other students.

 

Summative

CHECKLIST

  • Students can demonstrate their understanding of the effects of the sun through pantomime and improvisation. 
  • Students can explain the effects that the sun has on various scenarios.

 

DIFFERENTIATION 

Acceleration: 

  • Have students illustrate one of the scenarios and explain the effects of heat energy in the scenario.
  • Have students create their own scenario that demonstrates the effects of heat energy.

Remediation: 

  • Chunk the scenarios. Pause and comment on how students are demonstrating each phase of the scenario to help students who are struggling.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Mary Gagliardi 

Revised and copyright: June 2024 @ ArtsNOW

Acting Out the Adverb, But What About the Adjective? 2

ACTING OUT ADVERBS . . . BUT WHAT ABOUT ADJECTIVES?

ACTING OUT ADVERBS . . . BUT WHAT ABOUT ADJECTIVES?

Learning Description

In this lesson, students will compare and contrast adjectives and adverbs. We will explore how acting out an adverb is easier than an adjective. While we can reach for the adjective, they are often difficult to physically demonstrate. As a trick for identifying the difference, we teach students to try to imagine acting them out.

 

Learning Targets

GRADE BAND: 2
CONTENT FOCUS: THEATRE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can differentiate between adjectives and adverbs by trying to act them out.

Essential Questions

  • How can the arts help to clarify language arts concepts?

 

Georgia Standards

Curriculum Standards

Grade 2:

ELACC2L1: Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

  1. Use adjectives and adverbs and choose between them depending on what is to be modified.

Arts Standards

Grade 2:

TA2.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 2:

2WL.4:

Demonstrate command of the conventions of standard English grammar and usage when writing and speaking. 

     4.5 Use adjectives and adverbs, and choose between them depending on what is to be modified.

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

Adjective - A word that modifies a noun.  Adjectives often describe color, shape, size, smell, feel, emotion, or other intrinsic or temporary quality.

Adverb - A word that modifies a verb, an adjective, or another adverb. Adverbs often tell when, where, why, or under what conditions something happens or happened.

Arts Vocabulary

Pantomime - pretending to hold, touch or use something you are not really holding, touching or using; in the theatrical tradition, acting without words

 

Materials

Possibly, a whiteboard for brainstorming ideas

 

Instructional Design

Opening/Activating Strategy

  • Explain that students will be acting out different things in today’s lesson.  Remind them that when acting things out, it is important to stay safe.  Have students each make a ‘space ball’ around themselves. Model and have students follow blowing up a bubble to become the space ball.  Spread it out to the sides, to the front and back, and up above.  Remind them to be careful – not to break or burst the space ball.  Explain that this is the student’s acting space, and that they must not crash their bubbles into one another. They have to keep safe in order to participate.
  • Give students a series of prompts alternating between nouns modified by adjectives and verbs modified by adverbs, such as:
    • become a tall pine tree
    • act out running fast
    • be a cold ice cream cone
    • toss a ball in the air wildly
    • be an interesting book
    • play an instrument gracefully
    • be a lonely dog
    • eat ice cream joyfully
    • be a dirty baseball
    • sway gently in the wind
    • be a loud tuba
    • read a book excitedly

Ask students to recall which prompts were easier to do and which were more challenging.  If necessary, review the list.  Ask them to explain what made the actions easier or harder to do.  Elicit, and/or guide them to the notion that words that told how to do something might have made it easier to act out the idea.

 

Work Session

  • Define or review adjectives and adverbs.  Review the list of prompts to identify adjectives and adverbs.  Use them as examples to reinforce the definitions of adjectives and adverbs.
  • Define or review pantomime – pretending to hold, touch or use something you are not really holding, touching or using; in the theatrical tradition, acting without words.
  • Lead students in simple pantomime activities, such as eating an apple or swinging a baseball bat.  Model for them and instruct them in using careful precise movements, slightly exaggerated, and including their faces and eye focus.
  • Then adapt those activities by adding adjectives and adverbs.  E.g., eat a red (soft, sour) apple and swing a wooden (long, heavy) baseball bat, and then eat an apple quickly (furiously, disgustedly) and swing a baseball bat powerfully (awkwardly, carelessly).  Reflect on the ease or difficulty of showing the adjectives and the adverbs.  Ask: why is it easier to act out actions that involve adverbs?  (Because adverbs often tell us how to do things, while adjectives often only tell us what a thing is like.)  Remind students that this reflects the difference between nouns and verbs – nouns are things, but verbs often imply action, and by definition action is easier to act out.
  • Have students pair up.  Have pairs decide on an action that can be pantomimed, involving an object of some sort.  (They can choose actions involving food, sports, school, music, art, the outdoors, chores, etc.).  Have them develop a pantomime for their activity.  Remind them that pantomime should involve precise and detailed movements, be slightly exaggerated, and engage the face and eyes as well as the body.
  • Have each pair show another pair what they developed.
  • Have them next add adjectives.  Remind them that adjectives modify nouns – describing the person, place or thing they are enacting.  If appropriate, brainstorm categories of adjectives (size, shape, color, taste, etc.) or even specific adjectives (gigantic, slow, loud, pink, striped, round, etc.).
  • Have them rework their pantomimes trying to reflect the added adjective.
  • Have each pair show another pair what their pantomime looks like, and discuss the changes they made.
  • Have them next add adverbs.  Remind them that adverbs modify verbs, adjectives, and other adverbs.  Instruct them to use an adverb to modify the verb of their pantomime – describing the way the action is to be enacted.  Remind them that adverbs usually (but not always) end in ‘-ly.’  If appropriate, brainstorm categories of adverbs (speed, emotion, effort, etc.) or even specific adverbs (sadly, rapidly, angrily, recklessly, carefully, grumpily, etc.)
  • Have each pair show another pair what their pantomime looks like, and discuss the changes they made.
  • Possibly, have pairs volunteer to share their pantomimes with the class.

    Extension:  Have students fold a piece of paper in half, and on one side draw a picture of their phrase with an adjective, and on the other a picture of their pantomime phrase with an adverb.  Reflect on how, when drawing, the adjective is likelier easier to convey than the adverb.

    Classroom Tip:  This lesson will have to be carefully delivered so as not to further confuse students. Using adjectives and adverbs can help us to better act out a phrase.  But adverbs, because they focus on the action word. are easier to act out than the adjectives.  Therefore, ‘actability’ might be one test we use to determine if a word is an adjective or an adverb.

    Closing Reflection

    Ask students to restate the definitions of adjectives and adverbs.

    Ask students which were easier to act out – adjectives or adverbs – and why.

    Ask students to reflect on how they used their bodies (hands, arms, legs, full bodies, faces, eyes) through pantomime to act out their chosen phrases.

     

    Assessments

    Formative

    • Students should be able to correctly differentiate between adjectives and adverbs.
    • Students should be able to correctly provide examples of adjectives and adverbs.
    • Students should participate in the pantomime exercise while maintaining control of their bodies and personal space.

     

    Summative

    Assign various addition problems to the students at the level reflected in the lesson, and gauge their ability to visualize and complete the problems.

     

    DIFFERENTIATION

    Acceleration:

    • Have pairs develop pantomimes of several adjectives and several adverbs
    • Ask students to describe which types of adjectives and adverbs are easier or harder to convey through pantomime (e.g., color and texture might be hard; speed and emotion might be easy).

    Remediation: 

    • Model several sequences together
    • Do more brainstorming and record the brainstormed ideas on the whiteboard
    • Rather than having students work in pairs, take student ideas but have the class develop the pantomimes all together

     ADDITIONAL RESOURCES

    Hairy, Scary, Ordinary:  What is an Adjective?, by Brian P. Cleary

    Quirky, Jerky, Extra Perky:  More About Adjectives, by Brian P. Cleary

    Many Luscious Lollipops, A Book About Adjectives, by Ruth Heller

    If You Were an Adjective, by Michael Dahl

    Dearly, Nearly, Insincerely: What Is an Adverb?, by Brian P. Cleary

    Lazily, Crazily, Just a Bit Nasally:  A Book About Adverbs, by Brian P. Cleary

    Up, Up and Away:  A Book About Adverbs, by Ruth Heller

    Suddenly Alligator:  An Adverbial Tale, by Rick Walton

    *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

    Ideas contributed by: Mary Gagliardi and updated by Barry Stewart Mann

    Revised and copyright:  August 2022 @ ArtsNOW

    Becoming History 4-5

    BECOMING HISTORY

    BECOMING HISTORY

    Learning Description

    In this lesson, students will act out a chosen biography through a written monologue, focusing on their life, hardships, and triumphs.

     

    Learning Targets

    GRADE BAND: 4-5
    CONTENT FOCUS: THEATRE & ELA
    LESSON DOWNLOADS:

    Download PDF of this Lesson

    "I Can" Statements

    “I Can…”

    • I can write a monologue from the perspective of my historical figure.

    • I can accurately depict the life events of my historical figure in my monologue using relevant details from his/her biography. 

    • I can use my voice and body to portray my historical figure accurately.

    Essential Questions

    • How can theatre techniques help us understand historical figures better?

     

    Georgia Standards

    Curriculum Standards

    Grade 4

    ELAGSE4RI3 Explain events, procedures, ideas, or concepts in a historical, scientific, or technical text, including what happened and why, based on specific information in the text.

     

    ELAGSE4W3 Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. 

     

    ELAGSE4W9 Draw evidence from literary or informational texts to support analysis, reflection, and research.

     

    ELAGSE4SL4 Report on a topic or text, tell a story, or recount an experience in an organized manner, using appropriate facts and relevant, descriptive details to support main ideas or themes; speak clearly at an understandable pace.

     

    Grade 5 

    ELAGSE5W3 Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences.

     

    ELAGSE5W9 Draw evidence from literary or informational texts to support analysis, reflection, and research.

     

    ELAGSE5SL4 Report on a topic or text or present an opinion, sequencing ideas logically and using appropriate facts and relevant, descriptive details to support main ideas or themes; speak clearly at an understandable pace.

    Arts Standards

    Grade 4:

    TA4.CR.1 Organize, design, and refine theatrical work.

    TA4.PR.1 Act by communicating and sustaining roles in formal and informal environments.

     

    Grade 5

    TA5.CR.1 Organize, design, and refine theatrical work.

    TA5.PR.1 Act by communicating and sustaining roles in formal and informal environments.

     

    South Carolina Standards

    Curriculum Standards

    Grade 4

    READING – Informational Text

    Meaning and Context

    Standard 5: Determine meaning and develop logical interpretations by making predictions, inferring, drawing conclusions, analyzing, synthesizing, providing evidence, and investigating multiple interpretations. 

    5.1 Ask and answer inferential questions to analyze meaning beyond the text; refer to details and examples within a text to support inferences and conclusions

     

    Standard 6: Summarize key details and ideas to support analysis of central ideas.

    6.1 Summarize multi-paragraph texts using key details to support the central idea. 

     

    WRITING - Meaning, Context, and Craft

    Standard 2: Write informative/explanatory texts to examine and convey complex ideas and information clearly and accurately through the effective selection, organization, and analysis of content.

    2.1 Write informative/explanatory texts that: 

    1. introduce a topic clearly; c. group related information in paragraphs and sections; e. develop the topic with facts, definitions, concrete details, quotations, or other information and examples related to the topic; g. use paraphrasing, quotations, and original language to avoid plagiarism; h. link ideas within categories of information using words and phrases; i. use precise language and domain-specific vocabulary to inform or explain the topic; j. develop a style and tone authentic to the purpose; and k. provide a concluding statement or section related to the information or explanation presented.

     

    COMMUNICATION - Meaning and Context

    Standard 2: Articulate ideas, claims, and perspectives in a logical sequence using information, findings, and credible evidence from sources.

    2.1 Articulate ideas, perspectives and information with details and supporting evidence in a logical sequence with a clear introduction, body, and conclusion.

     

    Grade 5

    READING – Informational Text

    Meaning and Context

    Standard 5: Determine meaning and develop logical interpretations by making predictions, inferring, drawing conclusions, analyzing, synthesizing, providing evidence, and investigating multiple interpretations. 

     

    Standard 6: Summarize key details and ideas to support analysis of central ideas.

    6.1 Summarize a text with two or more central ideas; cite key supporting details.

     

    WRITING - Meaning, Context, and Craft

    Standard 2: Write informative/explanatory texts to examine and convey complex ideas and information clearly and accurately through the effective selection, organization, and analysis of content.

    2.1 Write informative/explanatory texts that: a. introduce a topic clearly; b. use relevant information from multiple print and multimedia sources; c. provide a general observation and focus; d. group related information logically; e. use credible sources; g. develop the topic with facts, definitions, concrete details, quotations, or other information and examples related to the topic; i. use paraphrasing, quotations, summarizing, and original language to avoid plagiarism; j. link ideas within and across categories of information using words, phrases, and clauses; k. use precise language and domain-specific vocabulary to inform or explain the topic; l. develop a style and tone authentic to the purpose; and m. provide a concluding statement or section related to the information or explanation presented.

     

    COMMUNICATION - Meaning and Context (

    Standard 2: Articulate ideas, claims, and perspectives in a logical sequence using information, findings, and credible evidence from sources.

    2.1 Analyze ideas, perspectives and information using examples and supporting evidence related to the topic.

    Arts Standards

    Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

     

    Anchor Standard 3: I can act in improvised scenes and written scripts.

    Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

     

    Key Vocabulary

    Content Vocabulary

    • Expository Writing - Writing with the purpose to inform or explain

    • Biography - An account of someone's life written by someone else

    Arts Vocabulary

    • Theater - Dramatic literature or its performance; drama

    • Character - A person, an animal or other figure assuming human qualities, in a story

     

    • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds

     

    • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves

    • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings

     

    Materials

    • Biographies
    • Paper 
    • Pencil

     

    Instructional Design

    Opening/Activating Strategy

    Classroom Tips: This strategy is great for small group or individual work and easily differentiated. 

    • Start with a general physical warm-up to get the students' bodies ready. Use exercises such as:
      • Stretching: Use gentle stretches starting from the head and moving to the toes (e.g., head circles, shoulder shrugs, toe touches, etc.).
      • Shaking out limbs: Shake out arms, legs, and the whole body to release tension.
      • Energy passes: Stand in a circle and pass a clap or a simple motion around to build group focus and energy.
    • Explain that students will explore different characters by changing their walk and physicality. Encourage them to think about how their character’s age, status, mood, and personality influence their movement.
      • Begin with simple prompts to get students thinking about different ways to walk. Call out various types of characters and ask students to walk around the room embodying those characters. Examples include:
        • An elderly person with a cane
        • A proud soldier
        • A sneaky thief
        • A graceful dancer
    • Have students return to their seats.

     

    Work Session

    Student pre-work: Students will be assigned or choose a grade level appropriate biography to read.  

     

    • Tell students that now that they have researched the person from their biography, they will write a monologue that reflects on that person’s life in first person.
      • Tell students that a monologue is a speech by a single character in a play, film, or other dramatic work; it is often used to give the audience deeper insight into the character's motivations and feelings.
      • Show students a clip of a monologue or have students read a monologue from a play or other work.
        • Example: The Lion King (1994) - Simba’s Monologue
          • Context: Simba has grown up away from his kingdom but is reminded of his responsibility and legacy by Rafiki and Mufasa’s spirit.
          • Monologue: "I know what I have to do. But going back means I’ll have to face my past. I’ve been running from it for so long. It’s just, my father’s death is so hard to talk about. I thought I couldn’t live up to his expectations. But now I understand. The past can hurt. But the way I see it, you can either run from it or learn from it. I’m ready to take my place in the circle of life."
      • Ask students how they think a monologue is different from other types of writing. 
      • In their monologues, students should retell the major life events of the biography and be sure to mention the biographical focus (Example: Abraham Lincoln’s role in the Civil War).  
    • After writing, tell students that they will practice presenting their monologues with a partner.
      • Group students in pairs. 
      • Have students experiment with their figure’s voice. Consider the following elements:
        • Pitch: Is the figure’s voice high or low?
        • Pace: Does the figure speak quickly or slowly?
        • Volume: Does the figure speak loudly or softly?
        • Tone: What is the emotional quality of the figure’s voice (e.g., cheerful, gruff, nervous)?
        • Ask students to practice saying a few lines or phrases from their monologue in their figure’s voice.
      • Have students explore their figure’s physicality using their bodies. Consider the following elements:
        • Posture: Does the figure stand upright, slouch, or have a distinctive stance?
        • Movement: How does the figure walk? Are their movements fluid, jerky, slow, or quick?
        • Gestures: What kind of gestures does the figure use when speaking? Are they expressive, restrained, repetitive?
        • Facial Expressions: What are the figure’s common facial expressions?
        • Ask students to practice saying a few lines or phrases from their monologue in their figure’s voice again, but this time, they should add physicality. 
    • Allow time for students to practice their monologues with their partners using their voice and body. 
    • Time permitting, ask for a few student volunteers to present to the class. Discuss appropriate audience participation and etiquette prior to performances.
      • Classmates can then interview the historical figure.

     

    Closing Reflection

    • Bring the class together and discuss the experience.
    • Ask students to share something interesting they learned about their figure or their partner’s figure.
    • Discuss how incorporating voice and body helped them understand and portray their figures more deeply.
    • Have students write a short reflection on how they felt embodying their figure with voice and body language and what new insights they gained.

     

    Assessments

    Formative

    Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, conferencing with students during the writing process, and observing students use voice and body to portray their historical figures.

     

    Summative

    CHECKLIST

    • Students can accurately depict the life events of their historical figure in their monologue using relevant details from their biographies. 
    • Students can use their voices and bodies to act in a manner in which they portray their historical figure accurately.

     

    DIFFERENTIATION 

    Acceleration: 

    • Students can write a scene between their figures. They should include dialogue. 
    • With a partner, students can act as journalists interviewing each other’s figure. Encourage journalists to ask open-ended questions to draw out more detailed responses. Have the pairs switch roles so that each student has a chance to be both the journalist and the figure.
    • Have students research portraits of historical figures and create their own for their historical figure.

    Remediation: 

    • Provide graphic organizers to help students structure their writing.
    • Provide sentence starters for monologues.

     

    *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

    Ideas contributed by: Carolynn Stoddard and Katy Betts.

    Revised and copyright: June 2024 @ ArtsNOW

     

    Bringing Our Reading to Life 2-3

    BRINGING READING TO LIFE

    BRINGING READING TO LIFE

    Learning Description

    In this lesson, students will form tableaux (frozen pictures) representing what they are reading or hearing. This is a great way to bring a story to life and to check for comprehension.

     

    Learning Targets

    GRADE BAND: 2-3
    CONTENT FOCUS: THEATRE & ELA
    LESSON DOWNLOADS:

    Download PDF of this Lesson

    "I Can" Statements

    “I Can…”

    • I can demonstrate my understanding of a story through tableau and improvisation.

    • I can demonstrate my understanding of a story excerpt through a written summary.

    Essential Questions

    • How can theatre techniques increase reading comprehension?

     

    Georgia Standards

    Curriculum Standards

    Grade 2: 

    ELAGSE2RL1 Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text. ELAGSE2RL2 Recount stories, including fables and folktales from diverse cultures, and determine their central message, lesson, or moral.

     

    Grade 3: 

    ELAGSE3RL1 Ask and answer questions to demonstrate understanding of a text, referring explicitly to the text as the basis for the answers. 

     

    ELAGSE3RL2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text.

    Arts Standards

    TA5.CR.1 Organize, design, and refine theatrical work.

    TA5.PR.1 Act by communicating and sustaining roles in formal and informal environments.

     

    South Carolina Standards

    Curriculum Standards

    Grade 2:

    READING – Literary Text (RL)

    Meaning and Context (MC)

    Standard 6: Summarize key details and ideas to support analysis of thematic development.

    6.1 Use information gained from illustrations and words in a print or multimedia text to demonstrate understanding of its characters, setting, or plot.

     

    Standard 7: Analyze the relationship among ideas, themes, or topics in multiple media, formats, and in visual, auditory, and kinesthetic modalities.

    7.1 Retell the sequence of major events using key details; determine the theme in a text heard or read.

     

    GRADE 3:

    READING – Literary Text (RL)

    Meaning and Context (MC)

    Standard 6: Summarize key details and ideas to support analysis of thematic development.

    6.1 Determine the theme by recalling key details that support the theme.

    Arts Standards

    Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

     

    Anchor Standard 3: I can act in improvised scenes and written scripts.

    Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

     

    Key Vocabulary

    Content Vocabulary

    • Summary - A short version of a text that highlights key points and main ideas

    Arts Vocabulary

    • Ensemble - All the parts of a thing taken together, so that each part is considered only in relation to the whole

    • Tableau - A “living picture” in which actors pose and freeze in the manner of a picture or photograph

    • Improvisation - A creation that is spoken or written without prior preparation

     

    Materials

    • Story excerpts
    • Note cards with scenarios written on them: A train robbery, seeing a big bear, shopping at the grocery store, etc.

     

     

    Instructional Design

    Opening/Activating Strategy

    Classroom Tips: If each of the activities are taking too long, have the students make one or two examples from “Family Portraits” at the same time as a whole class.

     

    • Play “Family Portraits”. 
      • Break the students into groups. Each group must go on to the rug and make a family portrait. 
      • The leader calls out a type of family and they must pose as that family. They have 3 seconds to get into pose and freeze when the teacher indicates (use a drum, a clap pattern, etc.).  
        • Types of families could include: Crazy family, sick family, magical family, loving family, fighting family, goofy family, circus family, dancing family, rock’n’roll family, gymnastics family, swimming family, movie star family, athletic family, lion family, teacher family.

     

    Work Session

    • Discuss the meaning of tableau. A tableau is a “living picture” in which a group of people takes on various poses and maintains the poses silently in order to illustrate an idea or communicate an image.  
    • With the note cards that have different scenarios written on them, have the students pull different situations randomly from a bucket: 
      • A train robbery  
      • Seeing a big bear  
      • Shopping at the grocery store 
    • Students will practice making tableaux in their same groups from the activator demonstrating these scenarios.
    • Tell students that they will now be applying the concept of tableau to the stories they are reading in class. 
      • Read an excerpt from a story. Ask students to listen for the key points of the story, answering the questions who, what, when, where, how, and why.  
      • After reading the excerpt, ask each group to take several minutes to plan their tableau.
      • After a short (5 minutes maximum) planning time, announce, “On a count of three show me your tableau–1, 2, 3, freeze!”. 
      • Move around the room and discuss the success of each of the tableaux and how they show a summary of the passage.  
      • Read another excerpt and repeat the process. Give them very little time to make the next picture.
      • Read another excerpt and repeat, but plan to have this tableau come to life.  
        • Once the students are frozen, ask one student to say a line that the character would say at this point in the story. Then ask another student to do the same. Tell students that this is called improvisation.

     

    Closing Reflection

    Have students write a summary of one of the scenes that they enacted using tableau. Allow students time to share with other students who summarized the same scene. Students will then revise their summary with any information that they realized they did not include.

     

    Assessments

    Formative

    Teachers will observe students’ group participation and tableaux to express ideas and excerpts from a passage.

     

    Summative

    CHECKLIST

    • Students can demonstrate their understanding of a story excerpt through tableau and improvisation.
    • Students can demonstrate their understanding of a story excerpt through a written summary.

     

    DIFFERENTIATION 

    Acceleration: 

    • Students can write a script for their improvised scene.
    • Assign each group a different scene from a story. Each group will create a tableau to demonstrate that scene. Allow the class to guess which scene the group is enacting based on their tableau.

    Remediation: Allow students to dictate their summary rather than write it.

    *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

    Ideas contributed by: Mary Gagliardi 

    Revised and copyright: June 2024 @ ArtsNOW