EXPLORING THEMES THROUGH PRINTMAKING 9-12

EXPLORING THEMES THROUGH PRINTMAKING

EXPLORING THEMES THROUGH PRINTMAKING

Learning Description

Students will analyze a text to determine a universal theme and track its development over the course of the text. They will then design and carve a symbolic representation of the theme onto a styrofoam plate for printmaking. Each student will contribute their individual print to a class-wide gallery display that visually represents diverse perspectives on universal themes.This high school printmaking lesson encourages critical literary analysis while allowing students to express their understanding through symbolic artwork. It fosters collaboration, creativity, and deeper engagement with universal themes in literature.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: VISUAL ARTS & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can determine and analyze a universal theme in a literary text.
  • I can explain how key details contribute to a theme’s development.
  • I can create a symbolic representation of a theme through printmaking.
  • I can critique and compare my artistic interpretation with my peers'.

Essential Questions

  • How do authors develop universal themes in literature?
  • How can symbols visually communicate abstract literary themes?
  • How does artistic interpretation deepen our understanding of literature?
  • What connections can we draw between literary themes and contemporary issues?

 

Georgia Standards

Curriculum Standards

9th Grade Literature and Composition:

ELAGSE9-10RL2 Determine a theme and/or central idea of text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

 

10th Grade Literature and Composition:

ELAGSE9-10RL2 Determine a theme and/or central idea of text and closely analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

Arts Standards

VAHSVA.CR.1.a Generate and conceptualize artistic ideas and work.

VAHSVA.CR.1.b Consider multiple options, weighing consequences, and assessing results.

VAHSVA.CR.3 Engage in an array of processes, media, techniques, and technology through experimentation, practice, and persistence.

South Carolina Standards

Curriculum Standards

ELA.AOR.2: Evaluate and critique the development of themes and central ideas within and across texts.

English I:

ELA.E1.AOR.2.1 Determine a universal theme(s) and explain how key details contribute to its development over the course of a literary text.

English II:

ELA.E2.AOR.2.1 Analyze the development of universal themes across literary texts from different time periods, places, and/or cultures.

English III:

ELA.E3.AOR.2.1 Evaluate the development of universal themes across literary texts from different time periods, places, and/or cultures.

English IV:

ELA.E4.AOR.2.1 Evaluate and critique the development of universal themes across literary texts from different time periods, places, and/or cultures.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 5: I can interpret and evaluate the meaning of an artwork.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Theme – The central idea or underlying message in a text
  • Symbolism – The use of images or objects to represent deeper meanings

Arts Vocabulary

  • Printmaking – The art or technique of making prints, especially as practiced in engraving, etching, dry point, woodcut or serigraphy
  • Relief print – A printmaking technique in which a design is carved into a material and inked for printing
  • Brayer – A tool used to roll ink evenly onto the printing plate
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork
  • Contrast – The arrangement of opposite elements in a composition (light vs. dark, rough vs. smooth, etc.); similar to variety, which refers to the differences in a work, achieved by using different shapes, textures, colors and values

 

Materials

  • Literary text (short stories, poems, novel excerpts)
  • Sketchbooks/pencils
  • Styrofoam sheets
  • Dull pencils or ball point pens
  • Brayers
  • Water based printing ink
  • Printing paper (white, colored, textured)
  • Colored pencils or art sticks
  • Drying racks or designated drying space

 

 

Instructional Design

Opening/Activating Strategy

Engage (Text Selection & Theme Analysis)

  • Students will read and analyze a short story, poem, or novel excerpt (e.g., Of Mice and Men, The Great Gatsby, Fahrenheit 451, Othello).
  • As they read, students will annotate how key details develop the theme over time.
  • In groups, they will identify a universal theme (e.g., power and corruption, isolation, identity, loss of innocence, resilience, fate versus free will) and discuss its relevance.

Work Session

Explore (Symbol Development & Sketching):

  • Students will brainstorm symbols that represent their theme (e.g., a broken clock for time’s passage, a tree with missing branches for loss, etc.).
  • Each student will sketch at least two possible symbols, refining their designs through peer feedback.
  • The class will discuss how symbols communicate deeper meaning in both literature and art.

 

Create (Printmaking Process):

  • Follow the printmaking process below.
  • Prepping the Styrofoam Plate:
    • Use a dull pencil or ballpoint pen to carve designs—press firmly but avoid puncturing all the way through.
    • Encourage students to sketch lightly first before carving to avoid mistakes.
  • Carving Techniques:
    • Keep lines simple and bold for clear prints; intricate details may not transfer well.
    • Reverse letters or numbers if including text, as prints will be a mirror image.
    • Vary line thickness for added depth—thicker lines hold more ink, while thinner lines create subtle details.
  • Inking the Plate:
    • Roll out a thin, even layer of ink on a tray before applying to the plate with a brayer.
    • Make sure ink covers the entire design, but avoid excessive ink, which can cause smudging.
    • Test prints on scrap paper before the final collaborative print.
  • Printing Process:
    • Place the inked plate face down on the final paper and press evenly with hands or a clean brayer.
    • Avoid shifting or sliding the plate while printing to prevent smudging.
    • Lift the plate carefully to reveal the design.
    • Encourage students to appreciate the imperfections as part of the artistic process!
  • Creative Enhancements:
    • Try different colors – Experiment with layering multiple prints in different colors.
    • Overlap prints – Print the same design multiple times on one page to create patterns.
    • Use mixed media – Combine printmaking with drawing, collage, or watercolor backgrounds for unique effects.

 

Classroom Tips:

  • Encourage students to work carefully.
  • Make sure there is a piece of newsprint under each printmaking station.

 

Extension:

  • Virtual Gallery: Upload finished prints to Padlet or Google Sites for peer review.
  • Video Reflection: Students can record a short video explaining their theme and artistic choices using Flipgrid or Canva Video.

 

Closing Reflection

Reflect (Gallery walk and discussion):

  • Students will display their final prints in a class gallery.
  • They write a reflection explaining their theme, symbol choice, and how it connects to the text in paragraph form.
  • Students will participate in a peer critique, providing constructive feedback on how effectively their peers' work communicates meaning.

 

Assessments

Formative

  • Class Discussions: Check for theme identification and text analysis through guided questions.
  • Sketch and peer review: Monitor symbol development before carving begins.

Summative

  • Final print and reflection: Students submit their printmaking piece with a written analysis of their symbol, theme, and artistic choices.
  • Gallery walk participation: Students will evaluate and compare different artistic interpretations of universal themes.

 

 

Differentiation

Accelerated: 

  • Encourage students to layer multiple prints to represent contrasting themes within one text.
  • Compare themes across two different texts and create a dual print composition.
  • Research how historical artists have used printmaking to explore social themes (eg: José Guadalupe Posada).

 

Remedial:

  • Provide graphic organizers to help break down theme development step by step.
  • Offer symbol examples and guided sketching activities.
  • Allow students to work in pairs to carve a shared printing plate.

 

Additional Resources

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

EXPLORING THEMES THROUGH PRINTMAKING 6-8

EXPLORING THEMES THROUGH PRINTMAKING

EXPLORING THEMES THROUGH PRINTMAKING

Learning Description

Students will work in groups to analyze a short story, identify one or more themes, and examine how they develop over the course of the text. Each student will design and carve a symbol that represents their group's chosen theme. The group will then collaboratively print their symbols on a single piece of paper, visually representing their analysis through art.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: VISUAL ARTS & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can determine and analyze the theme of a literary text.
  • I can provide an objective summary of a text.
  • I can design and carve a symbol that represents a theme in a story.
  • I can collaborate with my peers to create a unified visual representation of a literary theme.

Essential Questions

  • How do authors develop themes in literature?
  • How can multiple themes emerge in a single text?
  • How can symbols visually represent a theme?
  • How does collaboration enhance artistic and literary interpretation?

 

Georgia Standards

Curriculum Standards

Grade 6:

ELAGSE6RL2 Determine a theme and/or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.

Grade 7:

ELAGSE7RL2 Determine a theme and/or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

Grade 8:

ELAGSE8RL2 Determine a theme and/or central idea of a text and analyze its development over the course of the text, including its relationship to the characters, setting, and plot; provide an objective summary of the text.

Arts Standards

VA.CR.1 Visualize and generate ideas for creating works of art.

VA.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

VA.PR.1 Plan, prepare, and present completed works of art.

 

South Carolina Standards

Curriculum Standards

ELA.AOR.2: Evaluate and critique the development of themes and central ideas within and across texts.

Grade 6:

ELA.6.AOR.2.1 Analyze how key details contribute to the development of a theme(s) over the course of a literary text.

Grade 7:

ELA.7.AOR.2.1 Compare two or more themes within a literary text(s) and how each is developed over the course of a text(s).

Grade 8:

ELA.8.AOR.2.1 Analyze how key details contribute to the development of two or more themes within and across literary texts.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Theme – The central idea or underlying message in a text
  • Symbolism – The use of images or objects to represent deeper meanings

Arts Vocabulary

  • Symbol – A visual representation of an idea or theme
  • Printmaking – The art or technique of making prints, especially as practiced in engraving, etching, dry point, woodcut or serigraphy
  • Brayer – A tool used to roll ink evenly onto the printing plate
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork
  • Collaboration – Working together to achieve a common goal

 

Materials

  • Selected short stories
  • Pencils
  • Copy paper
  • Styrofoam sheets
  • Ball point pen or dull pencils
  • Water based printing ink
  • Brayers
  • Large sheets of paper for group prints
  • Colored pencils or art sticks
  • Drying rack or space to lay prints

 

 

Instructional Design

Opening/Activating Strategy

Engage (Research & Discussion)

  • Divide students into small groups.
  • Assign each group a short story to read and analyze (e.g., "The Lottery" by Shirley Jackson, "Thank You, Ma'am" by Langston Hughes, "The Necklace" by Guy de Maupassant).
  • In their groups, students will discuss and identify one or more themes present in the story.
  • Groups will create an objective summary of the text, focusing on how the theme develops over time.

Work Session

Explore (Sketch & Plan):

  • Each student will sketch a symbol that represents the identified theme.
  • Students will collaborate with their groups to refine their individual symbols to ensure coherence in their final composition.

 

Create (Printmaking Process):

  • Follow the printmaking process below.
  • After students have created their symbols on styrofoam plates, they will print their individual symbols onto a shared sheet of paper, creating a collective representation of their theme.
  • Review these printmaking tips with students:
    • Prepping the styrofoam plate:
      • Use a dull pencil or ballpoint pen to carve designs—press firmly but avoid puncturing all the way through.
      • Encourage students to sketch lightly first before carving to avoid mistakes.
    • Carving techniques:
      • Keep lines simple and bold for clear prints; intricate details may not transfer well.
      • Reverse letters or numbers if including text, as prints will be a mirror image.
      • Vary line thickness for added depth—thicker lines hold more ink, while thinner lines create subtle details.
    • Inking the plate:
      • Roll out a thin, even layer of ink on a tray before applying to the printing plate with a brayer.
      • Make sure ink covers the entire design, but avoid excessive ink, which can cause smudging.
      • Test prints on scrap paper before the final collaborative print.
    • Printing process:
      • Place the inked plate face down on the final paper and press evenly with hands or a clean brayer.
      • Avoid shifting or sliding the plate while printing to prevent smudging.
      • Lift the plate carefully to reveal the design.
      • Encourage students to appreciate the imperfections as part of the artistic process!
    • Final Touches:
      • Allow prints to dry completely before handling.
      • Once dry, encourage students to add color and hand-drawn details.

 

Classroom Tips:

  • Encourage students to work carefully.
  • Make sure there is a piece of newsprint under each printmaking station.

 

Extension:

  • Virtual Gallery: Upload finished prints to Padlet or Google Sites for peer review.
  • Video Reflection: Students can record a short video explaining their theme and artistic choices using Flipgrid or Canva Video.

 

Closing Reflection

Reflect (Gallery walk and discussion):

  • Groups will present their collaborative prints, explaining their theme choice, how it was developed in the text, and how their symbols represent it.
  • Students will write an exit ticket explaining how their symbol represents the theme in paragraph form.
  • Facilitate a class discussion on the effectiveness of visual symbolism in interpreting literature.

 

Assessments

Formative

  • Group discussions and teacher observation during analysis and sketching phases

Summative

  • Final collaborative print with a written reflection on the theme’s development and symbolic representation
  • Group presentation assessing comprehension and understanding of thematic analysis

 

 

Differentiation

Accelerated: 

  • Encourage students to incorporate multiple symbols within their group’s composition to represent nuanced themes.
  • Have advanced students compare themes across different texts and integrate symbols accordingly.

 

Remedial:

  • Provide graphic organizers to help students track how the theme develops over the story.
  • Provide examples of symbols to help students visualize their ideas.

 

Additional Resources

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

EXPLORING INTERDEPENDENCE IN ECOSYSTEMS THROUGH PRINTMAKING 6-8

EXPLORING INTERDEPENDENCE IN ECOSYSTEMS THROUGH PRINTMAKING

PRINTMAKING ECOSYSTEMS: CARRYING CAPACITY AND BIODIVERSITY

Learning Description

Students will research ecosystem interactions and choose a biotic or abiotic factor to represent in a collaborative printmaking project. Each student will create a styrofoam print of a key component of an ecosystem (e.g., a producer, consumer, decomposer, or abiotic factor like water or sunlight). Then, students will combine their prints to create a large-scale class ecosystem print that visually represents interdependence and energy flow.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can describe the interdependence between organisms and their environment.
  • I can develop a model showing the flow of energy in an ecosystem.
  • I can create a print that symbolizes an important ecosystem component.
  • I can collaborate with my peers to construct a visual representation of an ecosystem.

Essential Questions

  • How do organisms interact with one another and their environment?
  • How do abiotic factors influence ecosystems?
  • How does resource availability affect populations within an ecosystem?
  • How can we represent scientific relationships through visual symbols?

 

Georgia Standards

Curriculum Standards

Grade 7:

S7L4. Obtain, evaluate, and communicate information to examine the interdependence of organisms with one another and their environments.

a. Construct an explanation for the patterns of interactions observed in different ecosystems in terms of the relationships among and between organisms and abiotic components of the ecosystem.

b. Develop a model to describe the cycling of matter and the flow of energy among biotic and abiotic components of an ecosystem.

Arts Standards

VA7.CR.1 Visualize and generate ideas for creating works of art.

VA7.PR.1 Plan, prepare, and present completed works of art.

 

South Carolina Standards

Curriculum Standards

Grade 7:

7-LS2-2. Construct an explanation that predicts patterns of interactions among organisms across multiple ecosystems.

7-LS2-3. Develop a model to describe the cycling of matter and flow of energy among living and nonliving parts of an ecosystem.

Additional Science standards that can be taught using this Visual Arts strategy:

 

Grade 6:

6-LS1-3. Use arguments supported by evidence for how the body is a system of interacting subsystems composed of groups of cells.

 

Grade 8:

8-LS1-5. Construct a scientific explanation based on evidence for how environmental and genetic factors influence the growth of organisms.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Interdependence – The way organisms rely on each other and their environment
  • Ecosystem – A community of interacting organisms and their physical environment
  • Biotic factors – Living components of an ecosystem (plants, animals, fungi, bacteria)
  • Abiotic factors – Nonliving components of an ecosystem (sunlight, water, soil)

Arts Vocabulary

  • Symbol – A visual representation of an idea or theme
  • Printmaking – The art or technique of making prints, especially as practiced in engraving, etching, dry point, woodcut or serigraphy
  • Styrofoam printing plate – A carved surface used to make repeated prints
  • Brayer – A small roller for inking type by hand, usually for making a proof
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork
  • Collaboration – Working together to achieve a common goal

 

Materials

  • Pencils
  • Copy paper
  • Styrofoam sheets
  • Ball point pen or dull pencils
  • Water based printing ink
  • Brayers
  • Paper for printing (mixed media paper works well)
  • Colored pencils or art sticks
  • Drying rack or space to lay prints
  • Paper towels to wipe ink off of styrofoam plates
  • Trays for ink

 

 

Instructional Design

Opening/Activating Strategy

Engage (Research & Discussion)

  • Divide students into groups.
  • Students will research different ecosystems (rainforest, desert, ocean, tundra, etc.) and analyze how organisms interact with their environment.
  • Each group will choose an ecosystem and each student will choose a component to represent (e.g., a predator, a tree, a river).
  • Ask students to sketch a symbol that represents their chosen organism or abiotic factor.

Work Session

Explore (Planning & Design)

  • Discuss what a symbol is. Discuss how symbols are visual representations of an idea or theme.
  • Ask students to create detailed sketches of their component, ensuring their symbol visually represents its role in the ecosystem.
  • Ask students to discuss how their organisms interact (e.g., a rabbit and a fox, a tree providing oxygen).

 

Create (Printmaking Process):

  • Review these printmaking tips with students.
    • Prepping the styrofoam plate:
      • Use a dull pencil or ballpoint pen to carve designs—press firmly but avoid puncturing all the way through.
      • Encourage students to sketch lightly first before carving to avoid mistakes.
    • Carving techniques:
      • Keep lines simple and bold for clear prints; intricate details may not transfer well.
      • Reverse letters or numbers if including text, as prints will be a mirror image.
      • Vary line thickness for added depth—thicker lines hold more ink, while thinner lines create subtle details.
    • Inking the plate:
      • Roll out a thin, even layer of ink on a tray before applying to the printing plate with a brayer.
      • Roll the inked brayer over the styrofoam plate. Make sure ink covers the entire design, but avoid excessive ink, which can cause smudging.
      • Test prints on scrap paper before the final collaborative print.
    • Printing process:
      • Place the inked plate face down on the final paper and press evenly with hands or a clean brayer.
      • Avoid shifting or sliding the plate while printing to prevent smudging.
      • Lift the plate carefully to reveal the design.
      • Encourage students to appreciate the imperfections as part of the artistic process!

 

Final Touches:

  • Allow prints to dry completely before handling.
  • Once dry, encourage students to add color and hand-drawn details using colored pencils or art sticks.

 

Collaboration:

Instruct students to assemble their prints to represent an ecosystem, visually showing relationships like predator-prey, competition, and symbiosis.

 

Closing Reflection

  • Students will participate in a gallery walk, observing and discussing the ecosystem prints.
  • Groups will present their components and explain how they contribute to the ecosystem.
  • Students write a reflection on how their organism depends on others and how resource availability impacts populations.

 

Assessments

Formative

  • Observe students’ research on how their component interacts with others (option to have students complete a graphic organizer).
  • Peer discussions – Students explain their symbols before carving to ensure accurate representation.

Summative

  • Final print and presentation – Students will submit their individual prints and written reflections of their ecosystem’s energy flow.
  • RUBRIC

A rubric table for grades 6-8 assessing Ecosystem understanding, Printmaking effort, Collaboration, and Reflection and writing—each rated from 4-Excellent to 1-Incomplete with specific criteria like interdependence in ecosystems.

 

 

Differentiation

Accelerated: 

  • Students research and depict more complex interactions (e.g., symbiosis, keystone species).
  • Reflection Essay – Students write an analysis of ecosystem relationships, including the impact of resource availability.
  • Students photograph their prints and use Google Slides or Canva to create a digital food web or ecosystem model.
  • Students can animate their food web interactions in Scratch to show energy flow.

 

Remedial:

  • Provide pre-drawn symbol templates for inspiration.
  • Use sentence starters for the reflection writing portion.

 

Additional Resources

Virtual Field Trip

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

PRINTMAKING ECOSYSTEMS: CARRYING CAPACITY AND BIODIVERSITY 9-12

CARRYING CAPACITY AND BIODIVERSITY

PRINTMAKING ECOSYSTEMS: CARRYING CAPACITY AND BIODIVERSITY

Learning Description

In this lesson, students will explore how biotic and abiotic factors influence ecosystems, species distribution, and carrying capacity. Through printmaking, students will create a visual representation of species interactions in a chosen biome, considering competition, predation, and resource availability. Each print will contribute to a collaborative class ecosystem model, showing how species coexist and how environmental changes impact populations.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain how biotic and abiotic factors influence species distribution and biodiversity.
  • I can describe the carrying capacity of an ecosystem and how it limits populations.
  • I can create a print that represents species interactions in an ecosystem.
  • I can analyze how competition and resource availability affect populations.
  • I can collaborate with my peers to create a visual model of an ecosystem.

Essential Questions

  • How do biotic and abiotic factors affect the distribution of species in an ecosystem?
  • What is carrying capacity, and how does it influence populations?
  • How do species interact within an ecosystem (competition, predation, resource availability)?
  • How can printmaking be used to visually represent complex scientific concepts?
  • What happens when an ecosystem's carrying capacity is exceeded?

 

Georgia Standards

Curriculum Standards

Ecology:

SEC1 Obtain, evaluate, and communicate information on how biotic and abiotic factors interact to influence the distribution of species and the diversity of life on Earth.

a. Develop a model describing the organizational structure of a habitat within an ecosystem. Ask questions to gather and synthesize information from multiple sources to differentiate between Earth’s major terrestrial biomes (i.e., tropical rainforest, savanna, temperate forest, desert, grassland, taiga, and tundra) and aquatic ecosystems (i.e., freshwater, estuaries, and marine).

Biology:

SB5 Obtain, evaluate, and communicate information to assess the interdependence of all organisms on one another and their environment.

Environmental Science:

SEV1.a Develop and use a model to compare and analyze the levels of biological organization including organisms, populations, communities, ecosystems, and biosphere.

Arts Standards

VAHSVA.CR.1.a Generate and conceptualize artistic ideas and work.

VAHSVA.CR.1.b Consider multiple options, weighing consequences, and assessing results.

 

South Carolina Standards

Curriculum Standards

Biology:

B-LS2-1. Use mathematical and/or computational representations to support explanations of biotic and abiotic factors that affect carrying capacity of ecosystems at different scales.

B-LS2-3. Construct and revise an explanation based on evidence for the cycling of matter and flow of energy in aerobic and anaerobic conditions.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Carrying capacity – The maximum number of organisms an ecosystem can support
  • Biotic factors – Living components of an ecosystem (plants, animals, fungi)
  • Abiotic factors – Nonliving components of an ecosystem (water, temperature, soil)
  • Biodiversity – The variety of life in an ecosystem
  • Predation – A biological interaction where one organism feeds on another
  • Competition – Organisms competing for limited resources

Arts Vocabulary

  • Printmaking – The art or technique of making prints, especially as practiced in engraving, etching, dry point, woodcut or serigraphy
  • Relief print – A printmaking technique in which a design is carved into a material and inked for printing
  • Brayer – A small roller for inking type by hand, usually for making a proof
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork
  • Contrast – The arrangement of opposite elements in a composition (light vs. dark, rough vs. smooth, etc.) Similar to variety, which refers to the differences in a work, achieved by using different shapes, textures, colors and values

 

Materials

  • Sketchbooks or STEAM journals/pencils
  • Styrofoam sheets
  • Dull pencils or ball point pens
  • Brayers
  • Water based printing ink
  • Printing paper (white, colored, textured; mixed media paper works well)
  • Colored pencils or art sticks
  • Drying racks or designated drying space
  • Paper towels to wipe ink off of styrofoam plates
  • Colored index cards
  • Trays for ink
  • Optional: Colored pencils. art sticks, watercolors and paint brushes, etc.

 

 

Instructional Design

Opening/Activating Strategy

Activator: The "Survival Game"

  • Objective: Help students understand carrying capacity and competition for resources.
  • Activity instructions:
    • Set the scene:
      • Tell students they are deer living in a forest. The classroom represents their habitat.
      • They must "find food" (colored index cards scattered around the room).
    • Rules:
      • When the teacher says "Go", students must pick up only one card at a time and bring it back to their seat.
      • After each round, some students will be "eliminated" (didn’t find food).
      • Increase competition by adding/removing "food" cards in each round.
      • Introduce a "predator" (teacher or student) who can "tag" students (eliminating them from the population).
    • Reflection: Discuss what happens to the population when resources become scarce or competition increases.
  • Connect to lesson: This game simulates carrying capacity—when resources run out, populations decline.
    • Ask students, “How does this apply to real ecosystems?”. Transition into a class discussion about biotic and abiotic factors that influence populations.

 

Discussion Questions:

  1. What factors determine how many organisms an ecosystem can support?
  2. How do species interact in ecosystems (predation, competition, symbiosis)?
  3. What happens when a species population grows too large?

Work Session

Research & Brainstorm: 

  • As a class, students will choose one of Earth’s major biomes or aquatic ecosystems:
    • Tropical Rainforest
    • Desert
    • Grassland
    • Taiga
    • Tundra
    • Freshwater
    • Estuary
    • Marine
  • Students will research the biotic and abiotic factors in their chosen biome.
  • Students will then sketch a food web/chain with at least:
    • One producer (plant)
    • Two primary consumers (herbivores)
    • One predator
    • One decomposer
  • Before students begin their printmaking, they will complete a short written response:
    • What biome did you choose?
    • Which biotic and abiotic factors did you include?
    • How will your print show interactions in the ecosystem?

 

Give students the following instructions to create their prints:

  • Create a Printing Plate:
    • Choose one species from your ecosystem and sketch it on paper.
    • Use a dull pencil or ballpoint pen to carve design into the foam—press firmly but avoid puncturing all the way through.
    • Encourage students to sketch lightly first before carving to avoid mistakes.
    • Add textural details to represent how the species interacts with the ecosystem.
  • Carving Techniques:
    • Keep lines simple and bold for clear prints; intricate details may not transfer well.
    • Reverse letters or numbers if including text, as prints will be a mirror image.
    • Vary line thickness for added depth—thicker lines hold more ink, while thinner lines create subtle details.
  • Inking the Plate:
    • Roll out a thin, even layer of ink on a tray before applying to the styrofoam plate with a brayer.
    • Roll the inked brayer over the styrofoam plate. Make sure ink covers the entire design, but avoid excessive ink, which can cause smudging.
    • Test prints on scrap paper before making the final print.
  • Printing Process:
    • Place the inked plate face down on the final paper and press evenly with hands or a clean brayer.
    • Avoid shifting or sliding the plate while printing to prevent smudging.
    • Lift the plate carefully to reveal the design.
    • Encourage students to appreciate the imperfections as part of the artistic process!
  • Creative Enhancements:
    • Try different colors – Experiment with layering multiple prints in different colors.
    • Overlap prints – Print the same design multiple times on one page to create patterns.
    • Use mixed media – Combine printmaking with drawing, collage, or watercolor backgrounds for unique effects.

 

Collaborative Ecosystem Model:

  • Assemble a class biome display:
    • Each student’s print represents one species in the biome.
    • Arrange prints based on interactions (e.g., predator near prey, plants near decomposers, etc.).
    • Use labels or speech bubbles to explain each species’ role in the ecosystem.

 

Closing Reflection

  • Facilitate a discussion around the following questions:
    • How does your species interact with others in the ecosystem?
    • What factors affect the ecosystem’s population size (predation, competition, disease, etc.)?
    • How does your print visually represent the species’ role?
    • What happens when the carrying capacity is exceeded in this biome?
  • Students will complete a short reflection (written or through video) explaining:
    • What biotic and abiotic factors are represented in your collaborative ecosystem model?
    • How does your print demonstrate carrying capacity, competition, or species interactions?
    • What challenges did you face in printmaking, and how did you overcome them?

 

Assessments

Formative

Think-Pair-Share (during brainstorming)

  • After students sketch their food web or ecosystem interactions, students will pair up and explain their choices.
  • Teacher circulates to assess understanding of content and the printmaking process.

 

Mini-Checkpoint Questions (before printing)

  • Before students carve their print, they must complete a short written response:
    • What biome did you choose?
    • Which biotic and abiotic factors did you include?
    • How will your print show interactions in the ecosystem?

Summative

Final Print and Reflection (Written or Video)

  • Students will create a short reflection explaining:
    • What biotic and abiotic factors are represented in your collaborative ecosystem model?
    • How does your print demonstrate carrying capacity, competition, or species interactions?
    • What challenges did you face in printmaking, and how did you overcome them?

 

Differentiation

Accelerated: 

  • Create multi-layered prints with multiple species interacting.
  • Research and add how climate change affects the chosen biome.
  • Create a digital ecosystem infographic.
    • Using Canva, Google Slides, or Adobe Express, students can create a digital infographic explaining the ecosystem they represented.
    • It must include:
      • Their print
      • Key species and roles
      • A description of carrying capacity

 

Remedial:

  • Provide visual examples for reference.
  • Allow students to present their reflections orally.

 

Additional Resources

Virtual Field Trip

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

ECOSYSTEM PRINTMAKING GA FOUNDATIONAL 4-5

ECOSYSTEM PRINTMAKING

ECOSYSTEM PRINTMAKING

Learning Description

Students will explore food chains/webs by researching different ecosystems and identifying the roles of producers, consumers, and decomposers. They will design and carve a styrofoam printing plate that represents an organism’s role in the food chain/web (e.g., producer, consumer or decomposer). Students will create a collaborative class food chain/web, illustrating how energy moves through an ecosystem. This arts-integrated lesson blends science and the visual arts to deepen students’ understanding of food chains/webs while allowing them to express their knowledge through creative printmaking!

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • What are producers, consumers, and decomposers?
  • How does energy flow through a food chain/web?
  • How can printmaking be used to model the relationships between organisms?
  • How do different organisms depend on one another for survival?

Essential Questions

  • I can describe the roles of producers, consumers, and decomposers in an ecosystem.
  • I can explain how energy moves through a food chain/web.
  • I can create a print that represents an organism’s role in a food chain/web.
  • I can collaborate with my classmates to create a food chain/web using printmaking.

 

Georgia Standards

Curriculum Standards

Grade 4:

S4L1. Obtain, evaluate, and communicate information about the roles of organisms and the flow of energy within an ecosystem.

a. Develop a model to describe the roles of producers, consumers, and decomposers in a community.

b. Develop simple models to illustrate the flow of energy through a food web/food chain beginning with sunlight and including producers, consumers, and decomposers.

Arts Standards

VA.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA.CR.3 Understand and apply media, techniques, processes, and concepts of two-dimensional art.

 

South Carolina Standards

Curriculum Standards

Grade 5:

5-LS2-1. Develop a model to describe the movement of matter among plants, animals, decomposers, and the environment.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

  • Ecosystem – A community of living and nonliving things that interact
  • Producer – An organism that makes its own food, like plants
  • Consumer – An organism that eats other organisms for energy
  • Decomposer – An organism that breaks down dead plants and animals
  • Food chain – A sequence showing how energy moves from one organism to another
  • Food web – A network of connected food chains

Arts Vocabulary

  • Printmaking – The art or technique of making prints, especially as practiced in engraving, etching, dry point, woodcut or serigraphy
  • Styrofoam printing plate – A carved surface used to make repeated prints
  • Brayer – A small roller for inking type by hand, usually for making a proof
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork

 

Materials

  • Science food chain reference materials
  • Pencils
  • Copy paper
  • Styrofoam sheets
  • Dull pencils or ball point pens
  • Water based printing ink
  • Brayers
  • Newsprint or packing paper
  • Paper for printing (mixed media paper works well)
  • Colored pencils or art sticks
  • Drying rack or space to lay prints
  • Paper towels to wipe ink off of styrofoam plates
  • Trays for ink

 

 

Instructional Design

Opening/Activating Strategy

Engage (Explore the Food Chain)

  • Show a video or diagram of a food chain in different ecosystems, such as forest, ocean, grassland, etc.
  • Have students brainstorm different organisms that would exist in these ecosystems and categorize them as producers, consumers, or decomposers.
  • Discuss how energy moves from the sun to plants/producers, to animals/consumers, and then to decomposers.

Work Session

Explore (Sketch & Plan):

  • Each student will choose an organism from a specific ecosystem.
  • Students will sketch the organism and simplify it into bold shapes for printmaking.
  • Ask students to think of examples of symbols and how symbols represent ideas. Then have them think about how to represent their organism symbolically (e.g., arrows or the sun to represent energy flow).

 

Create (Printmaking Process):

  • Introduce and demonstrate the printmaking process:
    • Carving the styrofoam plate:
      • Draw lightly with a pencil before pressing into the styrofoam to avoid mistakes.
      • Use a dull pencil or ballpoint pen to carve designs—press firmly but avoid puncturing all the way through the styrofoam.
      • Keep lines simple and bold for clear prints; intricate details may not transfer well.
      • Vary line thickness for added depth—thicker lines hold more ink, while thinner lines create subtle details.
    • Inking the plate:
      • Roll out a thin, even layer of ink on a tray before applying to the printing plate with a brayer.
      • Then, using the brayer, roll a thin, even layer of ink over the styrofoam plate. Too much ink can make details disappear!
      • Students should take turns rolling ink on the plate while their partner watches for even coverage
    • Printing process:
      • Carefully place the inked plate face down on paper—one student can hold it while the other presses.
      • Use hands or a clean brayer to press firmly and evenly over the entire plate.
      • Lift the plate slowly to reveal the print!

Students may need to repeat this process, experimenting with different amounts of ink and application of pressure when transferring the print.

  • Cleanup and reflection:
    • Lay prints flat to dry before handling.
    • Have students compare their prints and discuss what worked well.
    • If needed, allow students to re-ink and try again.
    • Once prints are dry, add color and details with art stix, crayons, or colored pencils

 

Classroom Tips:

  • Students can work in pairs to create prints.
  • Encourage students to work carefully.
  • Make sure there is a piece of newsprint under each printmaking station.
  • This process works great as a center. Set up a station and allow student pairs to rotate through to create their prints.

 

Closing Reflection

Reflect (Gallery walk and discussion):

  • As a whole group, arrange the prints in a large food web display.
  • Discuss how each organism connects and how energy moves.
  • Have students write a response to the following reflection question: What role does your organism play? How does it depend on others?

 

Assessments

Formative

  • Review student sketches.
  • Think-Pair-Share: Observe whether students can explain their organism's role in the food chain before printing.

Summative

  • Final print and food web display – Does the print clearly represent an organism in the food web?
  • Written reflection–Students can describe how their organism interacts with others.

 

Differentiation

Accelerated: 

  • Research and incorporate multiple organisms into one print, including producers, consumers, and decomposers.
  • Add habitat details in the background of the print.
  • Create an Interactive Food Web using Google Slides or Canva.

 

Remedial:

  • Provide pre-drawn templates to trace onto styrofoam.
  • Offer sentence starters for the written reflection (e.g., "My organism is a ____. It gets energy from ____.").

 

Additional Resources

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW