WATER CYCLE ACTIVATION 6

WATER CYCLE ACTIVATION

 

WATER CYCLE ACTIVATION

Learning Description

Students will examine the parts of the water cycle through theatre. After a group of students demonstrates a tableau of the water cycle, the class will break up into groups to enact each part of the cycle and attach vocabulary inherent to each section. The room will be flowing with the water cycle coming to life!

 

Learning Targets

GRADE BAND: 6
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can work with others to enact the parts of the water cycle.
  • I can demonstrate my understanding of water conservation methods using pantomime.

Essential Questions

  • How can acting deepen understanding of the water cycle?
  • How can I demonstrate my understanding of water conservation practices using pantomime?

 

Georgia Standards

Curriculum Standards

Grade 6

S6E3. Obtain, evaluate, and communicate information to recognize the significant role of water in Earth processes.

  1. Plan and carry out an investigation to illustrate the role of the sun’s energy in atmospheric conditions that lead to the cycling of water. (Clarification statement: The water cycle should include evaporation, condensation, precipitation, transpiration, infiltration, groundwater, and runoff.)

S6E6. Obtain, evaluate, and communicate information about the uses and conservation of various natural resources and how they impact the Earth.

  1. Design and evaluate solutions for sustaining the quality and supply of natural resources such as water, soil, and air.

 

 

 

Arts Standards

TA6.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

 

 

 

South Carolina Standards

Curriculum Standards

6-ESS2-4. Develop a model to describe the cycling of water through Earth’s systems driven by energy from the sun and the force of gravity.

 

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

 

Key Vocabulary

Content Vocabulary

  • Clouds – Accumulations of particles of water or ice suspended in the air that are visible above the earth’s surface 

 

  • Collection – The process by which water that returns to the earth’s surface as precipitation gathers in bodies of water; collection happens in oceans, lakes, rivers, and in accumulations of groundwater

 

  • Condensation – The process by which a gas turns into a liquid; when vapor in the atmosphere gets cold it changes from gas back into liquid in clouds

 

  • Conservation – Responsible and judicious use of a resource in a way that avoids waste.

 

  • Cycle – Something that happens over and over again in the same way

  • Evaporation – The process by which a liquid becomes a gas; in the water cycle, liquid water evaporates and turns into water vapor. 

 

  • Gas – A substance that is able to expand freely to fill the whole of a container, having no fixed shape and no fixed volume; water in gas form is water vapor.

 

  • Groundwater – Water held underground in the soil or in pores and crevices in rock.

 

  • Liquid – A substance that flows freely without a firm or consistent shape, but of constant volume: water in liquid form is water.

  • Precipitation – The process by which water returns to the surface of the earth in liquid or solid form; precipitation takes the form of rain, snow, sleet or hail.

 

  • Solid – A substance that is firm and stable in shape; not liquid or fluid; water in solid form is ice.

  • States of Matter – The forms in which matter can exist: solid, liquid, and gas 

 

  • Transpiration – The passage of water vapor from a living body into the atmosphere; plants transpire through their leaves; people transpire through sweat.

  • Water Cycle – The sequence of processes by which water circulates between the earth's oceans, atmosphere, and land, involving precipitation as rain and snow, drainage in streams and rivers, and return to the atmosphere by evaporation and transpiration. 

Arts Vocabulary

  • Act – To pretend; to play a role

 

  • Collaboration – Working together, teamwork

 

  • Pantomime – Pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre

  • Tableau – A frozen picture created by actors (plural: Tableaux) 

 

Materials

  • 10 sets of photos of the four stages in the water cycle (Condensation, Evaporation, Precipitation, Collection). These should each have two holes punched in top corners and a string through them so that students can wear each photo around their neck to allow their hands and body to move freely.  The photos should have Velcro to attach the words below.
  • 10 sets of paper strips with the following words: Condensation, Evaporation, Precipitation, Rain, Snow, Sleet, Hail, Groundwater, Transpiration, Vapor, Clouds. Each strip should have Velcro on the back so that they can be attached to the pictures above.

Index cards with the conservation methods written on them. One method for each card.

 

Instructional Design

Opening/Activating Strategy

WATER CYCLE MOVEMENTS

  • Have students stand up in place.  Teach and lead them through movement sequences for four stages of the water cycle, coordinated with articulating the words.  Describe what each movement signifies:
    • Evaporation – 

“E” – arms out like a body of water circled in front of belly (water)

“vap” – fingers intertwined and rolling like a body of water (liquid)

“or” – palms flat out like the sun’s rays (sun)

“a” - fingers wiggles up in front of face (vapors) 

“tion” – fingers wiggle up above head to disappear (gas)

  • Condensation  – 

“Con” – wiggly fingers above head (gas)

“den” – shiver and hands above heads shake (cold)

“sa” – hands wave fluidly above head (water)

“tion” – hands grasp together above head (cloud) 

  • Precipitation –

“Pre” – arms circled above head like a cloud

“ci” – wiggles fingers down like rain in front of face (rain)

“pi” – hands blink open, closed like snowflakes (snow)

“ta” – punch right fist down (sleet)

“tion” – punch left fist down then left fist (hail) 

  • Collection – 

“Col” – arms rounded out in front (lake)

“lec” – hands out like waves (ocean)

“tion” – hands moving down low (groundwater)

 

 

Work Session

      • ACTIVATING THE WATER CYCLE
        • Introduce the concept of tableau – a frozen picture created by actors.  Explain that the class will be creating tableaux of the water cycle.
        • Invite four students to the front of the class.  Work with the students, with suggestions from the rest of the class, to create a tableau that portrays the water cycle.  
          • Remind the class that the water cycle is not linear, so the students should not be standing in a line. 
          • Remind them that there is no proper beginning or end – it’s a continuous cycle.
          • Encourage the students to be creative in determining how they can use their bodies to convey the cyclical nature of the processes.  As appropriate to the class rules and culture, allow students to take positions up on chairs or down on the floor.
        • Have students wear the photo that correlates with their part of the cycle.
        • Ask other students to come up and velcro the appropriate vocabulary word to the appropriate part of the cycle where it belongs.
        • Activate the cycle by having students adopt movements – heads, hands, arms, legs, full bodies – that convey what is happening in their part of the water cycle, and add in any appropriate sounds. Remind students of the motions they used at the beginning of class.

         

        GROUP TABLEAUX

        • Divide the class into groups of four.  Have each group create and then activate their own tableau of the water cycle.  Encourage them to find different ways, from what was modeled for the class, to position themselves and move for their parts of the water cycle, and to interact with others in their group as well.
        • Give each group the photo visuals and ask each person to wear one part of the cycle.  Then have them attach the appropriate vocabulary to their part.
        • Have groups show their cycles to the rest of the class.
        • Reflect on the different interpretations of the different groups, and how each conveyed concepts about the water cycle.

         

        WATER CONSERVATION

        • Ask the class: “Do you think that we will have water forever?”  Explain: “Water does keep cycling but we can misuse and overuse water and some places are in danger of drought.”
        • Remind students that, “Water is one of our most important resources.”  Ask students: 
          • “Why is it so important?  What do we use water for?  Is it important to other organisms as well?”  
          • Be sure to discuss that we use water to produce and prepare food, clean our bodies, wash our dishes and clothes, process our waste, and manufacture and transport goods; we use it for recreation, and to produce hydroelectric power.  
          • As individuals, we use large amounts of water:  it is estimated that the average American uses around 180 gallons of water a day.
        • Discuss Conservation – the responsible and judicious use of a resource in a way that avoids waste.
        • Introduce and discuss the following list of water conservation practices: 
        1. Avoid watering the lawn or garden between 10 am and 6 pm.
        2. Take shorter showers.
        3. Wash the car over the lawn instead of the driveway.
        4. Turn off the water when brushing teeth. 
        5. Use wastewater from cooking to water plants.
        6. Run the dishwasher and clothes washer only when full.
        7. Keep water in the refrigerator for cold water.
        8. Fix leaky faucets and hoses.
        9. Do not use the toilet as a garbage can.

        Brainstorm other ideas that the students might have.  Put those on additional cards.

         

        WATER CONSERVATION PANTOMIMES

        • Introduce Pantomime - pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre.
        • Model and practice a simple pantomime activity (e.g., sweeping the floor, eating a sandwich, swinging a baseball bat, etc.).  
          • Encourage students to think about the size, weight and shape of the objects in their pantomimes; to be specific with their movements; and to include facial expressions.
        • Have students come up one at a time, or in small groups, and pick a card with a water conservation practice on it.  
          • Have the individual or small group pantomime the action on their card. They should not speak during the pantomimes.
        • Have other students guess which water conservation practice they are showing.  After guessing, have the class describe the specific aspects of the pantomime that conveyed the water conservation practice.

       

       

      Closing Reflection

      • Review the words and movements for the parts of the water cycle.
      • Review the drama strategies used – Movement, Tableau, and Pantomime.
      • Ask students to reflect on how their thinking about water and the water cycle has changed through the lesson.
      • Ask students to discuss steps they might take in their lives to use water responsibly.

       

       

      Assessments

      Formative

      Teacher will assess understanding of the water cycle and methods of water conservation through the opening activity, class discussion, and observation.

         

        Summative

        • CHECKLIST: 
          • Students can accurately identify the key components of the water cycle and match vocabulary words with steps of the water cycle.
          • Students can work together cooperatively to create tableaux.
          • Students can use their bodies expressively, and create tableaus with a variety of angles, shapes, levels, and facial expressions.
          • Students can pantomime water conservation practices silently and with detailed movements and facial expressions

           

          • Have students draw a diagram of the water cycle, with each part labeled accurately.
          • Have students draw a picture, using stick figures in particular poses, to portray their group’s water cycle tableau.
          • Have students write a paragraph about their own water use and how they plan to incorporate water conservation practices into their daily lives.

         

        Differentiation

         

        Acceleration: 

        • Rather than using predetermined movements for the activator, have students collectively come up with the movements for each syllable.
        • When adding movement to the tableaux, have students speak a sentence as their part of the water cycle (e.g., “I am precipitation – I love raining down on the mountains and plains, and on cities and towns and making everyone have indoor recess!”)

         

        Remediation: 

        • Encourage groups to come up with alternate ideas for the water cycle tableaux, but allow them to replicate what was done in the model tableau.
        • Rather than have students guess each other’s pantomimes, work together as a class to develop a short pantomime sequence for each water conservation practice card.

         

         ADDITIONAL RESOURCES

         

        *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

         

        Ideas contributed by:  Barry Stewart Mann and Susie Spear Purcell

         

        Revised and copyright:  January 2024 @ ArtsNOW

        SNOW AND ONE “COOL” ANIMAL K-1

        SNOW AND ONE “COOL” ANIMAL

        SNOW AND ONE “COOL” ANIMAL

        Learning Description

        In this lesson, students will use what they learn about polar bears and the Elements of Art, Shape, Line, and Texture, to create an artistic representation of a polar bear.

         

        Learning Targets

        GRADE BAND: K-1
        CONTENT FOCUS: VISUAL ARTS, SCIENCE & ELA
        LESSON DOWNLOADS:

        Download PDF of this Lesson

        "I Can" Statements

        “I Can…”

        • I can use what I learned about polar bears to create an artistic representation of a polar bear using the Elements of Art, Line, Shape, and Texture.

        Essential Questions

        • How can I use what I learned about polar bears to create an artistic representation using the Elements of Art, Line, Shape, and Texture?

         

        Georgia Standards

        Curriculum Standards

        Kindergarten:

        ELA

        ELAGSEKRL10 Actively engage in group reading activities with purpose and understanding.

        ELAGSEKRI1 With prompting and support, ask and answer questions about key details in a text.

        Science

        SKL1. Obtain, evaluate, and communicate information about how organisms (alive and not alive) and non-living objects are grouped.

         

        Grade 1:

        ELA

        ELAGSE1RI1 Ask and answer questions about key details in a text.

        ELAGSE1RI2 Identify the main topic and retell key details of a text.

        Science

        S1L1. Obtain, evaluate, and communicate information about the basic needs of plants and animals.

         

         

        Arts Standards

        Kindergarten:

        VAK.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

        VAK.CR.2 Create works of art based on selected themes.

        VAK.CR.3 Understand and apply media, techniques, and processes of two-dimensional art.

        VAK.CN.2 Integrate information from other disciplines to enhance the understanding and production of works of art. 

         

        Grade 1:

        VA1.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

        VA1.CR.2 Create works of art based on selected themes. 

        VA1.CR.3 Understand and apply media, techniques, and processes of two-dimensional art.

        VA1.CN.2 Integrate information from other disciplines to enhance the understanding and production of works of art.

         

         

         

         

        South Carolina Standards

        Curriculum Standards

        Kindergarten:

        ELA

        INQUIRY-BASED LITERARY STANDARDS 

        Standard 2: Transact with texts to formulate questions, propose explanations, and consider alternative views and multiple perspectives.

        2.1 With guidance and support, engage in daily explorations of texts to make connections to personal experiences, other texts, or the environment.

         

        RANGE AND COMPLEXITY 

        Standard 13: Read independently and comprehend a variety of texts for the purposes of reading for enjoyment, acquiring new learning, and building stamina; reflect and respond to increasingly complex text over time.

        13.1 Engage in whole and small group reading with purpose and understanding.

         

        Science

        K-ESS2-2. Construct an argument supported by evidence for how plants and animals (including humans) can change the environment to meet their needs.

         

        Grade 1:

        INQUIRY-BASED LITERARY STANDARDS 

        Standard 2: Transact with texts to formulate questions, propose explanations, and consider alternative views and multiple perspectives.

        2.1 Engage in daily explorations of texts to make connections to personal experiences, other texts, or the environment.

         

        RANGE AND COMPLEXITY 

        Standard 13: Read independently and comprehend a variety of texts for the purposes of reading for enjoyment, acquiring new learning, and building stamina; reflect and respond to increasingly complex text over time.

        13.1 Engage in whole and small group reading with purpose and understanding.

         

        Science

        1-LS1-2. Obtain information from multiple sources to determine patterns in parent and offspring behavior that help offspring survive.

         

         

        Arts Standards

        Artistic Processes: Creating- I can make artwork using a variety of materials, techniques, and processes.

        Anchor Standard 1: I can use the elements and principles of art to create artwork.

        Anchor Standard 2: I can use different materials, techniques, and processes to make art.

         

        Artistic Processes: Responding- I can evaluate and communicate about the meaning in my artwork and the artwork of others.

        Anchor Standard 5: I can interpret (read) and evaluate the meaning of an artwork.

         

        Artistic Processes: Connecting- I can relate artistic ideas and work with personal meaning and external context.

        Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

         

         

         

        Key Vocabulary

        Content Vocabulary

        • Arctic – The northernmost region of the Earth
        • Aquatic – Water
        • Mammal – Animals that have fur, drink their mother’s milk, and are warm-blooded
        • Shore – The land by the edge of the water
        • Seals – Web-footed aquatic mammals that live chiefly in cold seas and whose body shape, round at the middle and tapered at the ends, is adapted to swift and graceful swimming

         

        Arts Vocabulary

        • Line – A short or long narrow mark
        • Texture – The way something feels or looks like it feels (soft, fuzzy, rough, etc.)
        • Shape – A two-dimensional or flat object. In art, it can be organic or geometric.

         

         

        Materials

        • Blue paper plates for each student
        • Construction cut outs of ears and mouth
        • 1 set of googly eyes per student
        • Clothespin paintbrush (clothespin with cotton ball on top)
        • White paint
        • Plastic fork for each student
        • Plastic cup for fake snow
        • Fake snow: 
        • Wet wipes to clean hands

         

        Instructional Design

        Opening/Activating Strategy

        • Show pictures of snowflakes floating. Ask students what they notice about the snowflakes. Direct students towards noticing shapes and lines. Ask students how they imagine they might feel (warm, cold) and what they might smell. 
        • Tell the students they will be learning about using art materials such as white paint and fake snow to create their own “cool” animal, the Polar Bear.

         

        Work Session

        • Show students where they live on a globe or map for reference. Next, show students where the Arctic is located. Ask students what they think it would feel like to be in this place. What colors would they see? What textures would they feel? Would it be warm or cool?
        • Read an informational book such as Polar Bear (Read and Learn: A Day in the Life: Polar Animals) by Katie Marsico. Ask students to connect the information in the book to the photos. Ask students to identify how the photos explain the text.
        • Show the students an image of a polar bear and define mammals, arctic, aquatic, and shore. Briefly identify each word so they are familiar with the vocabulary. 
        • As a whole group, go over what polar bears do, how the different parts of their bodies help them survive, and where they live. Show students photos and briefly provide information.
        • Ask students to identify characteristics of the polar bear such as color, size in relation to other animals, and texture.
          • Explain that next, they will use their art materials to create their own polar bear. 
          • Tell students that artists use color, size, and texture to express their ideas in their art.
        • Show the exemplar of the polar bear art. Ask students to describe the texture, lines, and shapes that they see that make the artwork. 
        • Demonstrate how to make fake snow (see “materials”). 
          • Help students notice what happens when baking soda is mixed with conditioner. 
          • Put some of the fake snow in their plastic cups for them to touch and feel. 
          • Ask them to describe the texture. 
          • (Teacher note: Remind them that the snow is not real, and we never put anything in our mouths.)
        • Go over the directions of how to make the polar bear using a fork to create texture.
          • Place about a tablespoon of white acrylic paint on a paper plate. 
          • Pass out the following materials to each student: plastic fork, blue paper plate (navy works best), two pre-cut/pre-glued shapes for ears and nose/mouth, one set of “googly” eyes. (Give students the choice of what eyes they want to use to personalize their polar bear.)
          • When they have all their materials, explain to students that they will start creating the element of art, texture, by dipping the fork in the white paint and pressing down in the center of the navy-blue plate. When you see their forks in the center, explain that they have to gently press and pull to create the texture look of a polar bear’s fur. They can re-dip when necessary.
          • Explain to the students to keep pressing and pulling until their blue plate is filled up. This will represent the face of the polar bear. 
          • When the students have finished the painting, have them take their nose/mouth and ears and place them where they think a nose/mouth and ears would be on a polar bear. 
          • After the teacher has checked, give students a glue stick to glue the nose/mouth and ears down. 
          • Tell students that next they will “glue” on their googly eyes. Explain that the wet paint will serve as glue for holding down the eyes, nose/mouth.

         

        Closing Reflection

        • Have each student create and write a name for their polar bear. Remind students that proper nouns start with a capital letter.
        • Allow students to verbally introduce their polar bears to their classmates. Have the students say, “Hi, my polar bear’s name is….” The other students will say,

        “Hi, (name of polar bear)”. This reinforces their speaking/communication skills.

         

        Assessments

        Formative

        Observation of:

        • Collaboration
        • Communication
        • Creativity
        • CompletioN

           

          Summative

          CHECKLIST

          • Students can explain what polar bears do, how the different parts of their bodies help them survive in the Arctic, and where they live. 
          • Students can use texture, line, and shape to create a polar bear.

           

           

           

          Differentiation

          Acceleration: 

          • Students can use their completed polar bear to write their bear’s name and a complete sentence about their polar bear.

          Remediation: 

          • The teacher should work with identified children to assist with painting.
          • Allow students to work in pairs; pair students who are higher achieving with students who may struggle.

           

           ADDITIONAL RESOURCES

          • Optional: An informational text such as Polar Bear (Read and Learn: A Day in the Life: Polar Animals) by Katie Marsico

           

          *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

          Ideas contributed by:  Kim Spivey 

          Revised and copyright:  2024 @ ArtsNOW

          Solar System Art 4-5

          SOLAR SYSTEM ART

          SOLAR SYSTEM ART

          Learning Description

          Students will get to know the pop artist, Peter Max, by exploring his solar system art posters. Students will create pop art coloring book pages/posters of the information they learn about the solar system. Students will write their information on the pages, creating individual pages or collaborating to create a class coloring book.

           

          Learning Targets

          GRADE BAND: 4-5
          CONTENT FOCUS: ART & SCIENCE
          LESSON DOWNLOADS:

          Download PDF of this Lesson

          "I Can" Statements

          “I Can…”

          • I can make a coloring book or poster inspired by a master pop artist. 
          • I can Identify line, shape, and space in Peter Max’s artwork.
          • I can explain the solar system and science facts through art.

          Essential Questions

          • How can we explore our Solar System through creative art projects, specifically a creative coloring book page?
          • What elements of art (line, shape, color, etc.) do you see in Max’s work?

           

          Georgia Standards

          Curriculum Standards

          Grade 4:

          S4E1. Obtain, evaluate, and communicate information to compare and contrast the physical attributes of stars and planets. a. Ask questions to compare and contrast technological advances that have changed the amount and type of information on distant objects in the sky. b. Construct an argument on why some stars (including the Earth’s sun) appear to be larger or brighter than others. c. Construct an explanation of the differences between stars and planets. d. Evaluate strengths and limitations of models of our solar system in describing relative size, order, appearance and composition of planets and the sun. 

          S4E2. Obtain, evaluate, and communicate information to model the effects of the position and motion of the Earth and the moon in relation to the sun as observed from the Earth. b. Develop a model based on observations to describe the repeating pattern of the phases of the moon (new, crescent, quarter, gibbous, and full). 

          Grade 5:

          S5E1. Obtain, evaluate, and communicate information to identify surface features on the Earth caused by constructive and/or destructive processes. a. Construct an argument supported by scientific evidence to identify surface features (examples could include deltas, sand dunes, mountains, volcanoes) as being caused by constructive and/or destructive processes (examples could include deposition, weathering, erosion, and impact of organisms). b. Develop simple interactive models to collect data that illustrate how changes in surface features are/were caused by constructive and/or destructive processes.

          Arts Standards

          Grade 4:

          VA4.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning. a. Utilize multiple approaches to plan works of art incorporating imaginative ideas, universal themes, and symbolic images. b. Apply available resources, tools, and technologies to investigate personal ideas through the process of making works of art. c. Produce multiple prototypes in the planning stages for a work of art (e.g. sketches, 3D models). 

          VA4.CR.2 Create works of art based on selected themes. b. Create works of art emphasizing multiple elements of art and/or principles of design.

          VA4.CN.1 Investigate and discover the personal relationships of artists to community, culture, and the world through making and studying art. a. Recognize the unique contributions of contemporary and/or historical art forms, including Georgia artists. c. Discuss how social, political, and/or cultural events inspire art.

          Grade 5:

          VA5.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning. a. Utilize multiple approaches to plan works of art, incorporating imaginative ideas, universal themes, and symbolic images.  c. Produce multiple prototypes in the planning stages for a work of art (e.g. sketches, 3D models). 

          VA5.CR.2 Create works of art based on selected themes. a. Create original works of art that communicate values, opinions, and feelings. b. Create works of art emphasizing multiple elements of art and/or principles of design.

           

          South Carolina Standards

          Curriculum Standards

          Grade 4:

          4.E.3A.1 Develop and use models of Earth’s solar system to exemplify the location and order of the planets as they orbit the Sun and the main composition (rock or gas) of the planets. 

          4.E.3A.2 Obtain and communicate information to describe how constellations (including Ursa Major, Ursa Minor, and Orion) appear to move from Earth’s perspective throughout the seasons.

          Arts Standards

          VA.CR.AL.1 I can create, refine, and communicate ideas based on the elements and principles of design and other compositional strategies and structures

          VA.CR.IH.2.1 I can use a variety of materials, techniques, or processes in response to an artistic problem.

           

          Key Vocabulary

          Content Vocabulary

          • Solar system - A collection of planets and their moons in orbit around a sun.
          • Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, (Pluto)
          • Sun - The star around which the earth orbits.
          • Moon - The natural satellite of a planet.
          • Star - A fixed luminous point in the night sky.
          • Astronomy - The study of  the study of objects and matter outside the earth's atmosphere and of their physical and chemical properties.

          Arts Vocabulary

          • Horizon line - A physical/visual boundary where sky separates from land or water. It is the actual height of the viewer's eyes when looking at an object, interior scene, or an exterior scene.
          • Art media -Tools used to create art like: makers, crayons, colored pencils, oil pastels, etc.
          • Contemporary art - Art—namely, painting, sculpture, photography, installation, performance, and video art—produced from the last 1960’s to present day.  
          • Pop art - Art that refers to popular culture.
          • Coloring books - books with lines and shapes done in black and white to be colored. 
          • Comics - Magazines with illustrationsElements of Art:
          • Color - A way that we describe an object based on the way that it reflects or emits light.
          • Line - A straight, one-dimensional figure that extends endlessly in both directions.
          • Shape - the form of an object or its outline, outer boundary, or outer edge.

           

          Materials

          • 9” x 12” (or larger) white paper, 
          • Sharpie or black crayon
          • A variety of objects to trace to create circles such as candles, plates, coins, cups, etc.
          • Markers or crayons

           

          Instructional Design

          Opening/Activating Strategy

          • Begin the lesson by sharing information about POP art which is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mass-produced cultural objects.
          • Students will look at coloring book pages and the contemporary art works of Peter Max, Perry Milou, Kenny Scharf, Andy Warhol and Roy Lichtenstein. 
          • Ask students what they notice about the illustrations.
          • Introduce the visual art vocabulary as it comes up in the group discussion. 

           

          Work Session

          • Students will create their own POP art inspired coloring book posters that will show what they know about the solar system! They can even make it an Earth Day poster.

          Ideas to share: 

          • Our solar system formed 4.6 billion years ago. 
          • A solar system includes a star (in our case the Sun) and all objects that orbit around it. 
          • The sun contains 99.86% of all of the solar system’s known mass. 
          • There are 8 planets in our solar system. 
          • Neptune was the last planet to be discovered. 
          • Saturn’s ring particles are made almost entirely of water ice particles. 
          • Jupiter is the biggest and heaviest planet in our solar system. 
          • Earth is the only known planet that has oceans (as far as we know for now).

          Teachers will share pertinent information from their grade level standards.

           

          • Students will showcase the solar system, including the Sun and include any of the planets they chose to research such as Mercury, Venus, Earth, Mars, Juniper, Saturn, Uranus, or Neptune. They may also include a variety of stars, asteroids, or a galaxy or planet of their own creation while being inspired by the works of Peter Max and other pop artists. 
          1. Using a straight edge draw a horizontal line across your paper. (Horizon Line) Next, using a large circle template, draw the sun as a semicircle that touches the horizon line.
          2. Using a variety of sizes of circles, trace the planets, orbiting in the space above the sun and horizon line. You may choose to include all 8 or make them larger scale and just show a few. Be sure to consider the size of each in relationship to one another.
          3. Next, sketch in creative details of your own such as sun rays, asteroids, spaceships, astronauts, or other stars. You may choose to draw an environment below the horizon line such as seen in this example by Peter Max. Is the point of view from the moon? On the space station? Or a newly “discovered” planet. Are there people on that planet? Mountains? Water?
          4. Add any public messages or words to your poster in large letters.
          5. After you are finished with your drawing, outline in black crayon or sharpie.

           

          Closing Reflection

          There are several creative ways to complete this project:

          • Have students put their works together and create class coloring books to share
          • Have students share their works to collaboratively color in while sharing what they know 
          • Hang the posters in the hallway for others to color and learn by doing. 

          Since art is the most authentic assessment tool, students will be reflecting on their science learning while creating their artistic coloring book pages/posters.

           

          Assessments

          Formative

          • Engage students in one-on-one or group in-process critiques to gauge student progress and understanding. Teachers will be able to see immediately what solar system information students have retained via their art.

           

          Summative

          Student reflections will gauge student mastery of the standards. Specifically, students will be able to talk about artworks of master pop artists, explain what pop art is, and use this art to showcase their specific learning in the sciences. Students will understand and apply media, techniques, and processes of 2d art using art materials in a safe and appropriate manner to develop skills. The teacher will use art as an authentic assessment tool, seeing how well students filled the space in their art and how effective they were in creating solar system coloring book pages and/or posters. As others color these in, the student’s new knowledge will be shared.

           

          Differentiation

          Acceleration: 

          Students can play with line quality and use a variety of drawing pens to add thin and thick lines around each of their drawings. Students can stipple dots in to create a gradation of shade. 

          Students can create their own coloring books as opposed to only creating a page of a collaborative book. Students can create their own imaginative version of their science facts via these outlined drawings bringing in literacy and storytelling standards.

          Remediation: 

          Students can trace pages of actual scientific / astrology books to help them create their own coloring book page. Remind students that a closed line makes a shape so they can focus on creating the circles to make their planets, stars and suns.

           ADDITIONAL RESOURCES

          Look at the works of Andy Warhol, Annie Leibovitz and Norman Rockwell via the Art of Nasa program: 

          https://www.themarginalian.org/2013/08/29/nasa-art-program/ 

           

          “Peter Max.” Artsy, www.artsy.net/search?term=peter+max. Accessed 28 June 2023. 

          “Make Every Day Earth Day!” Peter Max Store, petermax.com/collections/all/products/make-every-day-earth-day. Accessed 28 June 2023. 

          Crawford, Matt. “Sneak Peak: The Official Outside Lands 2013 Poster.” SF Station | San Francisco’s City Guide, 17 Dec. 2016, www.sfstation.com/2013/08/08/sneak-peak-the-official-outside-lands-2013-poster/. 

          *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

           Ideas contributed by:  Debi West

          Revised and copyright:  August 2022 @ ArtsNOW

          Camouflage and Mimicry 3-4

          CAMOUFLAGE AND MIMICRY IN THE CLASSROOM

          CAMOUFLAGE AND MIMICRY IN THE CLASSROOM

          Learning Description

          Animals are very creative! They adapt to their environments to improve their chances of survival; two types of adaptation are camouflage and mimicry. In this lesson, students will use voice and body, as well as the observational and creative skills of Costume and Set Designers, to use camouflage and mimicry in their own natural habitat – the classroom!

           

          Learning Targets

          GRADE BAND: 3-4
          CONTENT FOCUS: SCIENCE
          LESSON DOWNLOADS:

          Download PDF of this Lesson

          "I Can" Statements

          “I Can…”

          • I can define camouflage and mimicry, and tell the difference between them.
          • I can identify color, shape and pattern in my own clothing and in my classroom environment and make choices that create the effect of camouflage.
          • I can use my voice, body, and simple craft materials to create the effect of mimicry of another organism (a classmate) in my classroom environment.

          Essential Questions

          • What are camouflage and mimicry?
          • How are color, shape and pattern important elements of camouflage and mimicry?
          • How can we use acting and design skills to explore camouflage and mimicry in the classroom?

           

          Georgia Standards

          Curriculum Standards

          Grade 3:

          S3L1 Obtain, evaluate, and communicate information about the similarities anddifferences between plants, animals, and habitats found within geographic regions (Blue Ridge Mountains, Piedmont, Coastal Plains, Valley and Ridge, and Appalachian Plateau) of Georgia.

          b. Construct an explanation of how external features and adaptations (camouflage, hibernation, migration, mimicry) of animals allow them to survive in their habitat.

          Arts Standards

          Grade 3:

          TA3.PR.1 Act by communicating and  sustaining roles in formal and informalenvironments.

          TA3.PR.2 Execute artistic and technical elements of theatre.

           

          South Carolina Standards

          Curriculum Standards

          Grade 4:

          4.L.5B.3 Construct explanations for how structural adaptations (such as methods for defense, locomotion, obtaining resources, or camouflage) allow animals to survive in the environment.

          Arts Standards

          Anchor Standard 2: I can design and use technical elements for improvised scenes and written scripts.

          Anchor Standard 3: I can act in improvised scenes and written scripts.

           

          Key Vocabulary

          Content Vocabulary

          Adaptation - A change by which an organism becomes better suited to its environment.

          Mimicry - An adaptation by which an organism copies the physical or vocal characteristics of another.

          Camouflage - An adaptation by which an organism visually blends into its surroundings by virtue of its shapes, patterns, and coloring.

          Habitat - The natural home or environment of an animal, plant, or other organism.

          Arts Vocabulary

          Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds

          Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves.

          Set Design - The creation of the physical space in which the action of a performed event takes place.

          Costume Design - The creation of clothing and accessories for a character in a performance.

           

          Materials

          • Drum or percussion instrument (optional)
          • Images of camouflage and mimicry in the natural world (from textbook, class resources, or the internet)
          • Sound clips of mimicry (optional)
          • Multi -colored pieces of construction paper
          • Scissors
          • Glue

           

          Instructional Design

          Opening/Activating Strategy

          Animal and Habitat Statues
          Use a drum, percussion instrument, or clapping to establish that students will form statues in response to a single beat and then relax out of the statues in response to a double beat.  Remind students that statues do not move, but that they must allow themselves to breathe and blink.  Provide a series of prompts of animals and habitats that fit with the lesson, e.g., parrot, cheetah, lizard, butterfly, owl, etc.; and rainforest, desert, tundra, prairie, etc.  Use observational language to comment on specific physical choices that students make to create their statues (e.g., “I see that Caitlyn has her chest low like a stalking leopard,” or “Donté’s arms are straight back like a grasshopper’s wings.”

           

          Work Session

          Number Statues

          • Define and discuss camouflage.  Show examples of camouflage from the natural world.
          • Introduce the concept of camouflage in the classroom.  Model by looking for colors and patterns that mirror your own clothes.  Find a place in the classroom where you can approximate blending in.  Prompt students to say, “Where’s Ms. _______?  We can’t see her!”
          • Discuss how, in theatre, television, and film, costume and set designers make intentional choices about costumes and sets used in the production.  Explain that students are going to be like designers, making choices based on colors, shapes, and patterns in the given costumes and settings in the classroom.
          • Invite a volunteer or two to step up.  Have the class identify colors, shapes, and patterns both on the volunteers and around the classroom, and brainstorm ideas for the volunteers to camouflage themselves in the classroom.
          • Model being a predator, looking for prey (the volunteers), and passing them by because they blend into their surroundings.
          • Have students partner up and work together to identify camouflage opportunities for each; when each is camouflaged, have the other act like a deceived predator.
          • Have volunteers share examples of the camouflage opportunities they found around the classroom.
          • Define mimicry; share examples (visual and perhaps aural) from the natural world.
          • Remind students about the roles of designers; explain that they will use simple materials to create external adaptations to mimic other organisms (classmates).
          • Model with construction paper, scissors, and glue.  Select a student to mimic, and use the supplies to quickly create a ‘costume’ piece that mimics what that student is wearing.  Have the student come up and make a random sound.  Stand by the student with the costume piece, and mimic the sound.  Have the class say, “Look, it’s two ______s!”  (i.e., if standing next to and mimicking Tyler, the class says “Look, it’s two Tylers!”).
          • Discuss mimicry as a form of flattery, and impress upon the students that the activity should not be used in order to mock, tease, taunt, make fun of, or bully others.  
          • Have students use materials to create a costume piece to mimic other students’ visual appearance – primarily costuming, but hair is also a possibility.
          • Once students have created their pieces, invite volunteers to come to the front, and invite the classmates on whom they based their mimicry. Have the model make a sound, and have the mimic stand beside them and mimic the sound.  Have the class say, “Listen!  Look!  It’s two ______’s!”
          • Remind students that they worked together to understand mimicry, and have students thank each other for the honor of both mimicking and being mimicked.

           

          Closing Reflection

          Discuss:  How did we use elements of costume and set design – color, shape, and pattern – to bring camouflage and mimicry to life in our classroom ‘habitat.’

          Students will draw a picture of themselves demonstrating camouflage or mimicry in the classroom. Identify the image as an example of either camouflage or mimicry.  Identify the areas and objects in the classroom that were used for camouflage or the classmate on whom the mimicry was based.

           

          Assessments

          Formative

          • Observe student comprehension of camouflage and mimicry as they make artistic decisions in the lesson.
          • Observe how students use color, shape, and pattern to successfully create the effects of camouflage and mimicry.

           

          Summative

          Evaluate the student drawings for evidence of comprehension of camouflage and effective use of design concepts in the lesson activity.

           

          Differentiation

          Acceleration: For mimicry, have students pair up; have one create a distinctive sound and movement, and have the other mimic it as precisely as possible.

          Remediation:  Lead a slow visual tour of the classroom as a class, identifying specific colors, shapes, and patterns, and making connections with individuals to provide ideas to be used for camouflage.

          Allow students to adjust objects in the classroom environment to facilitate the camouflage effect.

          Rather than mimicking one another, have all the students mimic the teacher.

          *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

          Ideas contributed by: Barry Stewart Mann, MFA

          Revised and copyright: August 2022 @ ArtsNOW

          Acting Hot and Cold 2-3

          ACTING HOT AND COLD

          ACTING HOT AND COLD

          Learning Description

          In this lesson, students will explore heating and cooling through pantomime and improvisation. By enacting the effect of sunlight on a snowman and growing seed, students will learn scientific information kinesthetically.

           

          Learning Targets

          GRADE BAND: 2-3
          CONTENT FOCUS: THEATRE & SCIENCE
          LESSON DOWNLOADS:

          Download PDF of this Lesson

          "I Can" Statements

          “I Can…”

          • I can demonstrate my understanding of the effects of the sun through improvisation and pantomime.

          Essential Questions

          • What are the effects of the sun on the earth?

           

          Georgia Standards

          Curriculum Standards

          Grade 3: 

          S3P1. Obtain, evaluate, and communicate information about the ways heat energy is transferred and measured.

          Arts Standards

          Grade 3: 

          TAES3.3: Acting by developing, communicating, and sustaining roles within a variety of situations and environments.

           

           

          South Carolina Standards

          Curriculum Standards

          Grade 2: 

          2-PS1-4. Construct an argument with evidence that some changes caused by heating or cooling can be reversed and some cannot.

          Arts Standards

          Anchor Standard 3: I can act in improvised scenes and written scripts.

          Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

           

          Key Vocabulary

          Content Vocabulary

          • Heat energy - The form of energy that is transferred between systems or objects with different temperatures

          • Physical change - A change in the form or physical properties of a substance without any change in its chemical composition; the molecules themselves are not changed, only the arrangement or state of the molecules

          Arts Vocabulary

          • Pantomime - Conveying a story by body movements or facial expressions only

          • Improvisation - A creation that is spoken or written without prior preparation

           

          Materials

          Optional background music to set the tone 

           

          Instructional Design

          Opening/Activating Strategy

          • Play “Stop, Go”.
          • Tell students to stand up at their tables or desks. 
          • When the teacher says, “Go” and another word or phrase, students should act like that word or phrase.
            • Say, “Go – cold. Go – hot. Go – in a desert. Go – in Alaska. Go – in the snow. Go – in the rain”.
            • Have students return to their seats. 
            • Ask students to share how they moved in different ways to represent feeling cold or hot. Ask them why.
            • Ask them what made things go from cold to hot (location, precipitation, etc.) What makes things hot? 
            • Ask students: 
              • What makes the air hot? Why does the air get cold? If you place an ice cube on concrete in the sun on a summer day, why does it melt?

           

          Work Session

          • Tell students that they will be acting out scenarios that demonstrate the effects that the sun has on the earth. 
            • Discuss heat energy with students and why some changes caused by heating or cooling can be reversed and some cannot.
            • Discuss improvisation and pantomime with students. 
          • Play “The Snowman”.
            • Ask how many students have ever seen a snowman melt when the weather suddenly turns warmer. Show students an image.
            • Ask students to describe what happens to the snowman.
              • Does it change its shape? How? Is this a change that can be reversed by heating or cooling?
            • Ask the students to imagine themselves as snowmen with a hat on their heads, sticks for arms, and a cane in their hand. Ask students to pose as the snowman and freeze in that position. 
            • Tell students that you will narrate a scenario to them and that they should act out the scenario. Say to students:  
              • “The sun begins to shine, and for the first time, your body feels warm. You grow warmer and warmer, and your hat slips, slides and falls off. Now you feel the sun shining on your shoulders. Your arms are melting. Your cane slips from your hand and falls to the ground. Your body no longer holds you up, and you, too, begin to slump. Finally, you are completely melted and become a puddle.”
              • Question the players:  
                • What did it feel like when the sun began to shine on your head? Your shoulders? 
                • Your legs and body?  
                • How did your body feel when you became a puddle?  
                • What happens to the water after a snowstorm, when all the snow melts?
                • Is this a change that can be reversed by heating or cooling?

           

          • Play “Apple Seed” Pantomime. (Teacher note: Be sure to narrate this story slowly enough, and with appropriate pauses, so that the students are able to fully experience each phase as they enact the story.) 
            • Tell students to find their own personal space on the floor and make themselves as small as possible. Again, you will narrate a scenario to them. They should enact the scenario as you narrate. 
            • Tell students, 
              • “You are an apple seed, crammed tightly into your hard seed pod and buried under the cold ground. It is winter and you are barely awake. Above you, snow covers the ground. It is totally dark under the ground. 

           

          Now it is spring. The earth around you is growing a little warmer, and you start to feel more awake. The snow above you melts and the water soaks into the earth around you. The earth feels warmer, and you seem to be able to pull energy out of the soil. It is time to come out of your seed pod. You feel strong and energetic. Using all your strength, you push up against your seed pod and break through, like a bird breaks out of the egg. You reach upwards into the warm earth with your tendrils. The earth around you is moist, and you soak in the life-giving moisture. You don't know why, but you know you want to push upwards. Finally, with one great push, you emerge from the soil and see, for the first time, the SUN! The sun's energy flows into you and you feel stronger and stronger. You stretch upwards and outwards until you are a healthy seedling. The gentle spring rains nourish and refresh you. Just take a moment to enjoy it.

           

          Now let's move ahead a few years. You have grown into a strong young sapling–a tree about the size of a young person. You have beautiful green leaves that soak up the sun and make you strong. But you want to grow taller. You want to be a tree. So you summon all your energy and you push out and up. As the years go by you become a strong, tall apple tree. You stand proud in the sun and enjoy your own strength and beauty.

           

          Now it is fall. You have grown healthy, nourishing apples all over your strong branches. The apples contain seeds which might someday become new apple trees. The apples are heavy. Your branches are strong, but there are so many apples. You feel weighed down. You feel as if your branches might break.  Here come some children. You can't talk to them, but you know they are coming for the apples. They have baskets. They are laughing and singing. The children pick your apples, and your branches feel light. You know they will take them away and eat them. You know they will throw away the seeds, and that some of those seeds might grow to be new apple trees.  Almost all of your apples are gone. But you know you will grow more next year. You feel grateful to those children. You hope they will enjoy the apples. 

           

          Now it is winter. All of your leaves have fallen. But you know you will grow more next spring. Now it is time to rest. You rest. The End. 

           

          • Discuss how the sun made the apple grow. Ask students: 
            • What happens in winter? 
            • Why does the tree lose its leaves?  
            • What if the seed had been dropped in a shady spot where there was very little sun? Ask students to show you what this would look like. 
            • What if the seed had been dropped in Alaska? Ask students to show you what this would look like. 
            • What if the seed had been dropped in the ocean? Ask students to show you what this would look like. Emphasis that the seeds need the sun in order to grow.
            • What if no seeds ever grew? What would happen? Ask students to imagine a world where there is nothing growing.

           

          Closing Reflection

          • Ask students to reflect on the role that heat energy played in each scenario. 
          • Reflect on how the sun provides all heat and energy for the world.

           

          Assessments

          Formative

          The teacher will assess students’ learning by observing students’ responses to class discussion and observing participation in acting out the scenarios. Teachers will observe which students seem to understand the concepts versus which students are simply following the actions of other students.

           

          Summative

          CHECKLIST

          • Students can demonstrate their understanding of the effects of the sun through pantomime and improvisation. 
          • Students can explain the effects that the sun has on various scenarios.

           

          DIFFERENTIATION 

          Acceleration: 

          • Have students illustrate one of the scenarios and explain the effects of heat energy in the scenario.
          • Have students create their own scenario that demonstrates the effects of heat energy.

          Remediation: 

          • Chunk the scenarios. Pause and comment on how students are demonstrating each phase of the scenario to help students who are struggling.

          *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

          Ideas contributed by: Mary Gagliardi 

          Revised and copyright: June 2024 @ ArtsNOW