POLYGON PERSPECTIVES – MATH MEETS CREATIVITY | POLYGON FAMILIES 5

POLYGON FAMILIES

POLYGON PERSPECTIVES–MATH MEETS CREATIVITY:POLYGON FAMILIES

Learning Description

Students will assume roles as different polygons to explore the relationships among categories of polygons.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: THEATRE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can engage in drama activities involving polygons.
  • I can play a role as a polygon.
  • I can work with a group to create a simple performance piece about polygons.

Essential Questions

  • What are the properties and defining attributes of various polygons?
  • How can we enact polygons to more clearly understand their attributes and relationships?

 

Georgia Standards

Curriculum Standards

5.GSR.8.1 Classify, compare, and contrast polygons based on properties.

5.GSR.8.2 Determine, through exploration and investigation, that attributes belonging to a category of two-dimensional figures also belong to all subcategories of that category.

Arts Standards

TA5.PR.1  Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

5.G.3 Understand that attributes belonging to a category of two-dimensional figures also belong to all subcategories of that category.

5.G.4 Classify two-dimensional figures in a hierarchy based on their attributes.

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

  • Polygon - A plane figure enclosed by line segments called sides
  • Regular polygon – A polygon whose sides are all equal and whose interior angles are all congruent
  • Parallel lines - Lines in the same plane that never intersect, no matter how far they are extended
  • Perpendicular lines - Lines that intersect at a 90-degree angle, forming right angles where they meet
  • Triangle – A polygon with three sides and three angles
  • Equilateral triangle – A triangle with three equal sides and three congruent triangles
  • Isosceles triangle – A triangle with two equal sides and two congruent angles
  • Scalene triangle – A triangle with three different sides and three incongruent angles
  • Right triangle – A triangle in which one angle is a right angle
  • Acute triangle – A triangle with three acute (less than ninety degree) angles
  • Obtuse triangle – A triangle with one obtuse (greater than ninety degree) angle
  • Quadrilateral – A polygon with four sides
  • Trapezoid – A quadrilateral with only one set of parallel sides
  • Isosceles trapezoid – A trapezoid whose non-parallel sides are equal in length
  • Rectangle – A quadrilateral with four right angles
  • Square – A quadrilateral with four right angles and four equal sides
  • Parallelogram – A four-sided plane rectilinear figure with opposite sides parallel.
  • Rhombus - A parallelogram with opposite equal acute angles, opposite equal obtuse angles, and four equal sides
  • Pentagon – A five-sided polygon
  • Hexagon – A six-sided polygon
  • Octagon – An eight-sided polygon

(Note: This list can be revised and curated depending on the teacher's discretion and the particular polygons under study.)

Arts Vocabulary

  • Role – A part played by an actor in a scene, play, movie or other performance.
  • Collaboration – Working together as a team
  • Unison – Speaking or reciting as one

 

Materials

 

Instructional Design

Opening/Activating Strategy

Statues in the Garden:

  • Lead students in “Statues in the Garden” (also sometimes known as “Night at the Museum”): One actor is the guard wandering through the garden, while the other actors assume poses as statues in the garden. When an actor senses that the guard will not see them, they can change their pose.  If the guard sees the statue move, they say, “I saw you move” and that actor steps out.

Play Statues in the Garden with the added rule that every statue must have a polygon in it.  Actors can form the polygons with their fingers, arms, legs, or any other part of their bodies, or in collaboration with other actors. Appoint a student to be the guard, and then during the game ask actors, “Tell me about your statue,” to have them describe the polygons in their statues. Play several rounds with a different guard each time, and encourage variety and creativity in the formation of the polygons.

Work Session

Who Am I?

  • Review with students the definition of a polygon, and types of polygons under study (i.e., the polygons included in the set of name tags).
  • With the class set of name tags, distribute one to each student, instructing them that they can look at it but must not let others see what they have.
  • Have each student clip the tag they have onto another student’s back, so that each student ends up with an unknown tag on their back. The tags should be placed so that the identity is easily visible to others.
  • Give each student an index card and writing utensil. Have them write their name on their card.
  • Tell students they will try to determine their identity by asking yes/no questions of other students.
    • Brainstorm the types of questions that can be asked, such as, “Do I have any right angles?”; “Do I involve the number three?”; “Do I have any obtuse angles?”; “Do I have any equivalent sides?”; etc.
    • If students are stuck, questions can also be about the words: “Do I have two words in my name?  Do I have an ‘a’ in my name?” (Note: Questions should be in first person – “Do I . . .?” or “Am I . . .” rather than about the tag – “Is my shape . . . ?”)
  • Instruct students to find another student, ask each other one question and answer each other’s question, and make a note of what they have learned about their identity. Their notes can be in their own shorthand (e.g., “no equiv. angles,” “‘> 4 sides,” “triangle”).
  • Then have them repeat the process with other partners, each time adding information until they have discovered their identity. When they get to that point, they can ask, “Am I a pentagon?”, “Am I a scalene triangle?”, etc., and if the answer is “Yes,” they can take the name tag off of their back and put it on their front, ideally on the torso or upper sleeve where it will be easily visible.
  • Teacher discretion: Have the entire list of polygons available on a screen or poster for students to refer to as they are trying to determine their identity.
  • If most students have figured out their identity, but some have not, allow partners to give hints. It is also fine to stop the activity and simply have students move their tags from back to front and see what they have on their tag.
  • Once all students have discovered their identity, tell them that the tag gives them their role – it is the character they are playing.
  • Collect the index cards.

Meet-and-Greet:

  • Direct students to move about meeting and greeting one another in character as their polygon, exploring what they have in common and what differentiates them. Remind them to use polygon vocabulary: Sides, angles, equivalent, congruent, parallel, right, acute, obtuse, etc. Encourage them to speak in character (first person) and to meet several other polygon characters.

Polygon Family Groups:

  • Have the students get into polygon family groups: Triangles, Quadrilaterals, and Others (polygons with more than four sides, possibly referred to as ‘N-gons’ where N represent the number of sides).
  • Display graphics (teacher’s choice) that show the Hierarchy of Polygons and Polygon Families – these can be from the class text or curriculum or from the internet (some sites listed in “Materials” above).
  • Instruct them to work as a group to create a chant, rap, poem, or song that conveys information about what distinguishes their group, and also about the sub-groups or individuals in the group.
    • Instruct them to include parts that are spoken in unison, and also an individual part for each member of the group.
    • Encourage them to have fun and be creative but to be sure to include defining information.
    • Remind them of relevant vocabulary terms: Sides, angles, equivalent, congruent, parallel, right, acute, obtuse, etc.
    • The groups can write out their chant, rap, poem or song; they can also model it on a familiar tune or text.
  • Have students rehearse their pieces. Remind them to take their time, to rehearse the group parts together, and to speak clearly. Encourage them to add in simple movements and gestures – this will enhance the performance, and also facilitate memorization and clarity.
  • Move from group to group to coach as needed.
  • Have each group share/perform their piece. Discuss appropriate audience participation and etiquette prior to performances.

Lead reflection in which the other students can provide positive feedback about what the group did well, in terms

Closing Reflection

Have students reflect on and share responses to the following question: How did you work together to compose your pieces?  How did you decide on the information to include in your piece? What was most challenging about this lesson? How did you and/or your group overcome the challenge?

 

Assessments

Formative

  • In the “Statues in the Garden,” “Who am I?,” and “Meet-and-Greet” activities, students demonstrate understanding of the attributes of polygons.
  • In the composition and rehearsal process, students demonstrate understanding of the relationships and differences among the polygons in their groups.
  • In the composition and rehearsal process, students work together creatively and respectfully, and use creativity to develop their pieces.

Summative

  • The group pieces convey accurate information about the polygons in their polygon family, regarding both the characteristics that define the group as a whole and the characteristics that differentiate the individual members.
  • The group performs their chant, rap, song or poem with clarity – they speak loudly and clearly, and they work together effectively. (Note: As these will have been minimally rehearsed, they are not expected to be polished or perfect, but they should show evidence of collaboration and solid rehearsal.)
  • Each group speaks/raps/sings some parts chorally (in unison), and also a part spoken by each individual voice.
  • The collected index cards demonstrate evidence of comprehension of polygons in the notes the students took to determine their identities.

 

Differentiation 

Acceleration: 

  • Include a larger selection of polygons, including irregular polygons and polygons with higher number of sides (e.g., nonagon, dodecahedron, pentadecagon, concave hexagon, etc.).
  • Add a requirement that the group piece composed must have a rhyme scheme.

Remediation:

  • Reduce the number of polygons in the group under study.
  • Write the brainstormed questions on the board for easy reference.
  • As needed, coach individual students and give them hints during the “Who am I?” activity.

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Barry Stewart Mann, MFA

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

POLYGON PERSPECTIVES – MATH MEETS CREATIVITY | SHAPE IT UP WITH POLYGONS 5

SHAPE IT UP WITH POLYGONS

POLYGON PERSPECTIVES–MATH MEETS CREATIVITY:SHAPE IT UP WITH POLYGONS

Learning Description

In this lesson, students will learn how the human body can be used to create expressive shapes and forms. After watching a video of Pilobolus' Shadowland and discussing the use of colors, shapes, and lines, students work in small groups to complete a Hierarchy of Shapes handout. Next, students create a body shape movement phrase in AB form that expresses different types of polygons (quadrilaterals and triangles). Students will incorporate levels and must be able to explain their shape choices and attributes. Groups will create, practice, and perform their movement phrases for each other with the audience identifying the shapes and their attributes. The lesson concludes with an exit ticket where students reflect on the main categories of polygons and describe their attributes.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: DANCE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can create a movement phrase in AB form that expresses different types of polygons using body shapes and levels.
  • I can classify polygons based on their attributes.

Essential Questions

  • What are the properties and defining attributes of various polygons?
  • How can we connect geometric understanding with creative movement to demonstrate our knowledge of polygon attributes?

 

Georgia Standards

Curriculum Standards

5.GSR.8.1 Classify, compare, and contrast polygons based on properties.

5.GSR.8.2 Determine, through exploration and investigation, that attributes belonging to a category of two-dimensional figures also belong to all subcategories of that category.

Arts Standards

ESD5.CR.1.a Create shapes and levels through movement.

ESD5.CR.1.c Demonstrate knowledge of compositional elements through movement (e.g. beginning, middle, end, transitions).

ESD5.CN.3 Integrate dance into other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

5.G.3 Understand that attributes belonging to a category of two-dimensional figures also belong to all subcategories of that category.

5.G.4 Classify two-dimensional figures in a hierarchy based on their attributes.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Polygon - A plane figure enclosed by line segments called sides
  • Regular polygon – A polygon whose sides are all equal and whose interior angles are all congruent
  • Parallel lines - Lines in the same plane that never intersect, no matter how far they are extended
  • Perpendicular lines - Lines that intersect at a 90-degree angle, forming right angles where they meet 
  • Triangle – A polygon with three sides and three angles
  • Equilateral triangle – A triangle with three equal sides and three congruent triangles
  • Isosceles triangle – A triangle with two equal sides and two congruent angles
  • Scalene triangle – A triangle with three different sides and three incongruent angles
  • Right triangle – A triangle in which one angle is a right angle
  • Acute triangle – A triangle with three acute (less than ninety degree) angles
  • Obtuse triangle – A triangle with one obtuse (greater than ninety degree) angle
  • Quadrilateral – A polygon with four sides
  • Trapezoid – A quadrilateral with only one set of parallel sides
  • Isosceles trapezoid – A trapezoid whose non-parallel sides are equal in length
  • Rectangle – A quadrilateral with four right angles

Arts Vocabulary

  • Levels - how high or low you are dancing (high, middle, low)
  • Body shape - a frozen statue created by the body
  • AB Form - a two-part sequence, the second part different from the first

 

Materials

 

Instructional Design

Opening/Activating Strategy

  • Provide students with background information on Pilobolus Dance Company.
    • Modern dance company founded in 1971
    • Collaborates with other artists to create performance works, including MIT, OK Go and Radiolab
    • Performances focus on using the human body as a medium for expression – often using contortion and gymnastics to create new shapes.
  • Watch Pilobolus Shadowland
  • After watching, engage in Colors, Shapes, Lines Thinking Strategy.
    • Instruct students to look at the artwork or object for a moment. Ask them the following:
      • What colors do you see?
      • What shapes do you see?
      • What lines do you see?
      • Focus particularly on the Body Shapes seen in the video.

Work Session

  • Divide the class into small groups of four to five students.
  • In their groups, students should complete the Hierarchy of Shapes
    • After a designated period (around seven to ten minutes), review the Hierarchy of Shapes handout for accuracy as a class.
  • Explain that students will now create a Body Shape Movement Phrase in ‘AB Form’ that expresses different types of Polygons.
  • The Polygon Type Movement Phrase should Include:
    • ‘AB Form’
      • Part A: Quadrilaterals
        • Group of body shapes that represent at least three different types of quadrilaterals
      • Part B: Triangles
        • Group of body shapes that represent at least three different types of triangles
      • All three levels (high, middle, and low)
    • Students should be able to defend their choices for each part (Why is this a quadrilateral and not a triangle? What are the names of the different shapes in each part? What are the shape's attributes?).
    • Allow students time to practice their movement phrases.
    • After a designated period, have all groups perform their phrase in a dress rehearsal (all groups perform their movement phrase at the same time).
    • Invite groups to perform their phrases individually in front of the class.
      • Prior to performances, discuss appropriate audience participation and etiquette.
      • After each group, have the audience identify the types of polygons and how they knew it was that shape (attributes expressed in the body shape).

Closing Reflection

  • Have students complete the following exit ticket:
    • What are the two main categories of polygons? What attributes do shapes in each category share?
    • Identify two types of shapes in each category and describe the attributes of those shapes.
    • How did you use your body to express the attributes of polygons?

 

Assessments

Formative

  • Pre-assessment: Responses during ‘Colors, Shapes, Lines’ thinking strategy to see the shapes that students already know
  • Hierarchy of Shapes Handout
  • Individual group check-ins during group work time
  • Exit Ticket

Summative

Polygon Type Movement Phrase in AB Form Rubric

 

Differentiation

Acceleration: 

Students record in writing each shape of their phrase noting its name and defining attributes.

Remediation:

Focus the phrase on quadrilaterals or triangles.

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Christopher Crabb

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

ARTFUL EQUATIONS – ADDING AND SUBTRACTING WITH UNLIKE DENOMINATORS | FRACTION SCULPTURES 5

FRACTION SCULPTURES

ARTFUL EQUATIONS–ADDING AND SUBTRACTING WITH UNLIKE DENOMINATORS:FRACTION SCULPTURES

Learning Description

In this lesson, students will explore fractions through a hands-on, art-integrated math activity inspired by the sculpture "Seven Magic Mountains". This hands-on activity encourages collaboration, creativity, and the application of mathematical concepts.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: VISUAL ARTS & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can build a sculpture using colored materials and identify the fraction of each color used in my design.
  • I can compare and contrast fractions from different sculptures created by other groups.
  • I can work collaboratively with my group to design and build a balanced sculpture inspired by "Seven Magic Mountains”.

Essential Questions

  • How do we add and subtract fractions with like and unlike denominators?
  • How can I use fractions to represent different parts of a whole in a piece of art?
  • How does comparing fractions help us understand similarities and differences in artworks?

 

Georgia Standards

Curriculum Standards

5.NR.3.3 Model and solve problems involving addition and subtraction of fractions and mixed numbers with unlike denominators.

Arts Standards

VA5.CR.2 Create works of art based on selected themes.

VA5.CR.4 Understand and apply media, techniques, processes, and concepts of three-dimensional works of art.

 

South Carolina Standards

Curriculum Standards

5.NSF.1 Add and subtract fractions with unlike denominators (including mixed numbers) using a variety of models, including an area model and number line.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

 

Key Vocabulary

Content Vocabulary

  • Fraction - A number that represents a part of a whole
  • Numerator - The number above the line that indicates how many parts of a whole are being counted
  • Denominator - The number below the line that indicates the total number of equal parts in the whole
  • Addition - Combining two or more numbers to find a total or sum
  • Equation - A mathematical sentence that has two equal sides separated by an equal signFractions

Arts Vocabulary

  • Sculpture - A three-dimensional work of art that can be made from a variety of materials, such as wood, clay, metal, or stone.
  • Form - An object that is three-dimensional and encloses volume (cubes, spheres, and cylinders are examples of various forms)
  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc., 2) Intensity: the purity and strength of the color (brightness or dullness), 3) Value: the lightness or darkness of the color (shades and tints)
  • Pattern - Repetition of specific visual elements such as a unit of shape or form

 

Materials

 

Instructional Design

Opening/Activating Strategy

  • Introduction to "Seven Magic Mountains": Show images of Ugo Rondinone's sculpture "Seven Magic Mountains" using See, Think, Wonder Artful Thinking Routine.
  • Show the following video to students: The Making of Seven Magic Mountains
  • Discuss the process of creating a sculpture. How does Rondinone use color and form?
  • Discuss how each sculpture can be seen as a “whole”, made up of smaller parts (colors), which represents fractions.

Work Session

  • Divide students into small groups. Each group will receive colored corn packing peanuts and a damp sponge.
  • Ask students to sketch out their ideas for a sculpture using at least four colors of packing peanuts inspired by “Seven Magic Mountains”.
  • Once students have designed their sculptures, they will build their design according to their sketch by pressing each peanut onto the damp sponge and then adhering it to another peanut.

Identifying Fractions:

  • After completing their sculptures, groups will count the total number of peanuts used in their design.
  • They will then count how many peanuts of each color were used and express this as a fraction of the total sculpture (e.g., if there are 30 peanuts and 10 are blue, then 10/30 or 1/3 of the sculpture is blue).
  • Have students complete the first two columns of the chart for their own sculpture.

Comparing and Adding Fractions:

  • Review how to compare fractions with like and unlike denominators.
  • Each group will compare the fractions of their sculpture’s colors with those of another group recording their findings on the chart
  • Then, have students add their fractions of like colors together and record them in the last column of the chart.

Closing Reflection

  • Reflect on how the sculptures are similar or different in their color compositions.
  • Highlight how fractions are a way to describe these differences mathematically.
  • Students will write a brief reflection on how they used fractions in their sculpture and what they learned about comparing and adding fractions with different denominators.

 

Assessments

Formative

  • Observe students during the creation of their sculptures and discussions within groups about fractions.
  • Use questioning to assess their understanding of fractions as parts of a whole and their ability to compare fractions.

Summative

  • Each group will record the total number of peanuts, the fraction of each color, and the comparison of fractions with another group.
  • Completed sculpture fraction chart with correct sums of fractions
  • Sculpture reflection: Students will write a brief reflection on how they used fractions in their sculpture and what they learned about comparing and adding fractions with different denominators.

 

Differentiation 

Acceleration: 

  • Set a minimum number of packing peanuts students must use in their sculptures.
  • Have students choose a denominator that is not a multiple of ten or five.

Remediation:

  • Limit the number of total packing peanuts students can use in their sculptures to a denominator students can manage.
  • Pair groups together of differing ability levels when adding and comparing fractions to support students with lower level skills.
  • Model the process of converting fractions.
  • Have students choose a denominator that is a multiple of ten or five.

 

Additional Resources

https://sevenmagicmountains.com

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Shannon Green. Edited by: Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

ARTFUL EQUATIONS – ADDING AND SUBTRACTING WITH UNLIKE DENOMINATORS | IT’S ABOUT THE, LIKE, DENOMINATORS 5

IT’S ABOUT THE, LIKE, DENOMINATORS

ARTFUL EQUATIONS–ADDING AND SUBTRACTING WITH UNLIKE DENOMINATORS:IT’S ABOUT THE, LIKE, DENOMINATORS

Learning Description

Students will embody fractions, with awareness of their multiple equivalent expressions, to explore adding and subtracting with other fractions with like and unlike denominators.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: THEATRE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can determine the best way to add and subtract fractions based on their denominators.
  • I can imagine being a fraction and interacting with other fractions to convey math concepts.

Essential Questions

  • How do we add and subtract fractions with like and unlike denominators?
  • How do we work with partners to actively embody and express mathematical concepts?

 

Georgia Standards

Curriculum Standards

5.NR.3.3 Model and solve problems involving addition and subtraction of fractions and mixed numbers with unlike denominators.

Arts Standards

TA5.PR.1  Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

5.NSF.1 Add and subtract fractions with unlike denominators (including mixed numbers) using a variety of models, including an area model and number line.

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

  • Fraction - A number that represents a part of a whole
  • Numerator - The number above the line that indicates how many parts of a whole are being counted
  • Denominator - The number below the line that indicates the total number of equal parts in the whole
  • Addition - Combining two or more numbers to find a total or sum
  • Equation - A mathematical sentence that has two equal sides separated by an equal sign

Arts Vocabulary

  • Recite – To speak or read a text out loud in a formal or performative manner
  • Role – A part played by an actor in a play, scene or drama activity
  • Unison – All together at once

 

Materials

  • Name tags with equivalent fractions groupings (Fraction Role Cards Template)
  • Individual dry erase boards or note paper and utensils, if needed
  • Image of fraction chant

 

Instructional Design

Opening/Activating Strategy

Count-Up

  • Class tries to count up from the number one, one voice at a time, randomly. If two people say the same number, a new round starts. Emphasize that it is a listening game. Establish the rule that the same person can’t say the first number two rounds in a row. Stop the game and start a new round if a pattern of students participating emerges.
  • After Counting Up 1-2-3-etc., count by twos, threes, fours and sixes.
  • After Counting Up with whole numbers, use fractions:
    • Unit fractions: 1/2, 1/3, 1/4, 1/5, etc.
    • Equivalent fractions: 1/2, 2/4, 3/6, 4/8, etc.

Explain that these number and fraction sequences will be useful in the day’s lesson.

Work Session

Like Denominators Chant:

  • Discuss/review how to add and subtract fractions.
  • Introduce the following chant (as a projection, handout, or both):

With like denominators, we just add our numerators: And keep the original shared denominator.

With unlike denominators, we’ll wait to add later: After we find our common denominator.

With like denominators, we subtract the lesser numerator: From the greater, and keep the same denominator.

With unlike denominators – we can’t subtract:  Till we find our common denominator, that’s a fact.

  • Work with students to find the best rhythm for the language of the chant. Establish a beat and recite the chant in unison.
  • Possibly, assign lines to individuals or pairs to recite rhythmically.

Role-Play:

  • Assign each student a fraction role with a name tag. Depending on numbers, the same identity may be assigned to two or even three students.  Use the accompanying template or create tags for the following:

Hi I’m 1/2, 2/4, 3/6, 4/8

Hi I’m 1/3, 2/6, 3/9, 4/12

Hi I’m 2/3, 4/6, 6/9, 8/12

Hi I’m 1/4, 2/8, 3/12, 4/16

Hi I’m 3/4, 6/8, 9/12, 12/16

Hi I’m 1/6, 2/12, 3/18, 4/24

Hi I’m 5/6, 10/12, 15/18, 2/24

Hi I’m 1/8, 2/16, 3/24, 4/32

Hi I’m 3/8, 6/16, 9/24, 12/32

Hi I’m 5/8, 10/16, 15/24, 20/32

Hi I’m 7/8, 14/16, 21/24, 28/32

  • Have students practice introducing themselves using ‘aka’ or ‘also known as’ or, simply, ‘or.’ g., “Hi, I’m 3/4, aka 6/8, aka 9/12, aka 12/16.”  Let them introduce themselves to one another randomly.
  • Have students pair up. After introducing themselves to their partner, have them decide which of their identities to assume. Instruct them that their goal is to add themselves together. Redirect them to the chant and tell them to determine which couplet applies:

 

With like denominators, we just add our numerators:  And keep the original shared denominator.

With unlike denominators, we’ll wait to add later:  After we find our common denominator.

  • If they have a common denominator, each using one of their several identities, they will use the first couplet. If they have chosen fractions without a common denominator, but can switch to equivalent fractions with a common denominator, they can do that, reciting the second couplet, and then the first. If they cannot find a common denominator, they will use the second couplet.  Each pair should recite the appropriate couplet in unison.
  • With individual dry erase boards or note paper and utensils, have students write out the calculations that reflect their simple scene. E.g., “3/4 + 3/24 = ?; 9/16 + 2/16 = 11/16”.
  • This process can be repeated with several partners.
  • Then have the students repeat the process but with the instruction that their goal is to subtract. Remind them that they will have to look for common denominators, and also determine which fraction has the greater value and which the lesser.  Have them select and recite from the third and fourth couplets:

With like denominators, we subtract the lesser numerator: From the greater, and keep the same denominator.

With unlike denominators – we can’t subtract:  Till we find our common denominator, that’s a fact.

Optional: Have students trade roles, so they engage in the process with a new set of equivalent fractions.

Closing Reflection

  • Ask students: What was easy or hard about the activity? What was fun or interesting?
  • Ask students: How do we add and subtract fractions with like denominators? With unlike denominators?

 

Assessments

Formative

  • The teacher will observe how/whether:
    • Student pairs interact, choose fraction identities, and select and recite the appropriate couplet.
    • Students work together effectively and collaboratively.
    • Students use their voices to speak the couplets clearly.
    • Students readily assume the roles of fractions.

Summative

Students accurately write out the equations that reflect their process.

 

Differentiation 

Acceleration: 

  • Add mixed numbers to the collection of fraction roles.

Remediation:

  • Direct several pairs in front of the class to model the process clearly.
  • Reduce the number of possible roles to simplify the range of choices.

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Barry Stewart Mann, MFA

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

ARTFUL EQUATIONS – ADDING AND SUBTRACTING WITH UNLIKE DENOMINATORS | FRACTIONS IN MOTION 5

FRACTIONS IN MOTION

ARTFUL EQUATIONS–ADDING AND SUBTRACTING WITH UNLIKE DENOMINATORS:FRACTIONS IN MOTION

Learning Description

In this lesson, students will create addition equations using fractions with unlike denominators. They will work in groups to express this equation in written form and through a movement sequence. The lesson will close with a self-reflection on the project.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: DANCE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can create and express a fraction addition problem (with unlike denominators) in a written equation and a movement sequence that utilizes body shapes, levels, different types of movements, and varying relationships with other dancers.

Essential Questions

  • How do we add and subtract fractions with like and unlike denominators?
  • How can we represent the process of adding fractions with unlike denominators through written equations and movement?
  • How can we collaborate with others to show the relationship between fractions in a dance sequence?

 

Georgia Standards

Curriculum Standards

5. NR.3.3 Model and solve problems involving addition and subtraction of fractions and mixed numbers with unlike denominators.

Arts Standards

ESD5.CR.1 Demonstrate an understanding of the choreographic process.

ESD5.CN.3 Integrate dance into other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

5.NSF.1 Add and subtract fractions with unlike denominators (including mixed numbers) using a variety of models, including an area model and number line.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Fraction - A number that represents a part of a whole
  • Numerator - The number above the line that indicates how many parts of a whole are being counted
  • Denominator - The number below the line that indicates the total number of equal parts in the whole
  • Addition - Combining two or more numbers to find a total or sum
  • Equation - A mathematical sentence that has two equal sides separated by an equal sign

Arts Vocabulary

  • Movement sequence - A series of movements; a short dance
  • Levels - One of the aspects of movement (there are three basic levels in dance: high, middle, and low)
  • Body shape - Refers to an interesting and interrelated arrangement of body parts of one dancer; the visual makeup or molding of the body parts of a singular dancer; the overall visible appearance of a group of dancers (they may be curved/angular, symmetrical/asymmetrical, positive/negative)
  • Locomotor movement - A movement that travels through space
  • Non-locomotor movement - A movement that does not travel through space (e.g. shaking, bending, stretching, twisting, turning & more)
  • Relationship (self to others) - How dancers interact with other dancers in the space (close to, far away from, facing each other, facing different ways, etc.)

 

Materials

  • Upbeat instrumental music
  • Speaker or other device w/the ability to play music
  • Index cards with various fractions written on them

 

Instructional Design

Opening/Activating Strategy

Move It! Shape It!

  • Provide a vocabulary word or concept to express through movement.
  • When the music plays, students will move in their personal space, to express the vocabulary provided.
    • Teacher tip: Upbeat instrumental music is best.
  • When the music stops, students will freeze in a body shape.
  • Introduce levels (high–standing tall, middle, and low–low to the ground) and locomotor and non-locomotor movements.
  • Repeat as needed.

Vocabulary to utilize: Numerate, denominator, addition, equation, various locomotor movements, various non-locomotor movements, low level, middle level, high level, facing other students, not facing others, close proximity to others, far proximity to others

Work Session

  • Review adding fractions with like denominators. Next, review how to convert fractions that have different denominators into fractions that have like denominators.
  • Divide students into small groups of three to four.
    • Give each group a pair of fraction cards.
    • Each group will write an addition equation with their fraction cards including the sum.
    • Each group will choreograph a movement sequence that expresses their equation. Movement sequences should include the following:
      • Movements:
        • Movement for numerator of Fraction A
        • Movement for denominator of Fraction A
        • Movement for numerator of Fraction B
        • Movement for denominator of Fraction B
        • Movement to represent for converting fractions to find the same denominator
        • Movement for the NEW numerator of Fraction A
        • Movement for the NEW denominator of Fraction A
        • Movement for NEW numerator of Fraction B
        • Movement for NEW denominator of Fraction B
        • Movement for the Sum
      • Students must also include the following when choreographing their movements:
        • Two types of relationships: Self to others (near/far, facing/not facing)
        • At least two non-locomotor movements
        • At least one locomotor movement
        • All three levels (high, middle, and low)
      • Before allowing groups to choreograph, ask them to think about how they would use levels, locomotor/non-locomotor movements, and relationships to express the mathematical concepts.
        • For example, students may say that locomotor movements may show converting fractions; students may say that a high level would represent a numerator and a low level would represent a denominator.
      • After work time, all groups will have a ‘dress rehearsal’. (All groups perform at the same time and may need two dress rehearsals so that the teacher can assess their work.)
        • After the rehearsals, have each group share their equation.
      • Invite groups that would like to perform their dance for the whole class to do so.
        • Review audience etiquette: Still, silent, supportive.
        • After each performance, have students analyze/give feedback on the group’s sequence. Students can comment on:
          • Interesting movements
          • Where they saw certain sequence requirements, etc.
          • How the group used the dance concepts to communicate the mathematical concepts

Closing Reflection

  • Have students complete the following exit ticket by answering one or more of the following reflection questions:
    • Describe how your movements expressed the fraction addition equation.
    • What steps did you use to solve the equation?
    • What was the easiest and most challenging part of this project?
    • What did your group do to be successful in this project?
    • What would you change or improve to be more successful?
    • Describe what you learned in this project.

 

Assessments

Formative

  • Teacher observation of students during “Move It! Shape It!” to check for understanding of vocabulary
  • Individual group check-ins during group work time
  • Exit Ticket

Summative

  • Checklist for “Fraction Addition Equation and Movement Sequence”
    • Was the fraction addition equation written accurately?
    • Was the sum of the fraction addition equation correct?
    • Did the movement sequence include a movement for each part of the equation? (Fraction A, Fraction B, and Sum)
    • Did the sequence express two types of relationship: Self to others (near/far, facing/not facing)?
    • Did the sequence include at least two non-locomotor movements?
    • Did the movement sequence include at least one locomotor movement?
    • Did the movement sequence include all three levels (low, middle, and high)?

 

Differentiation 

Acceleration: 

  • Include mixed fractions
  • Reduce group size

Remediation:

  • Simplify fractions given
  • Intentional grouping

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Christopher Crabb

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW