Moving Motion

MOVING MOTION

MOVING MOTION

Learning Description

Move to learn! Students will create movement sequences to represent and better understand the impact of force on different types of motion.

 

Learning Targets

GRADE BAND: K
CONTENT FOCUS: DANCE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use dance to communicate ideas about science.
  • I can identify patterns and pathways that a dancer makes when performing movements.
  • I can copy the movements of a dancer to make patterns using my own body.

Essential Questions

  • How can dance/movement demonstrate science concepts?
  • What are different ways we can represent call and response in choreography?
  • What are the different ways we use patterns in locomotor movements?

 

Georgia Standards

Curriculum Standards

Kindergarten:

SKP2. Obtain, evaluate, and communicate information to compare and describe differenttypes of motion.a. Plan and carry out an investigation to determine the relationship between an object’s physical attributes and its resulting motion (straight, circular, back and forth, fast and slow, and motionless) when a force is applied. (Examples could include toss, drop, push, and pull.)

Arts Standards

Kindergarten:

ESDK.CR.1 Demonstrate an understanding of the choreographic process.a. Explore working independently and collaboratively with others.b. Create and perform a dance sequence.c. Explore dance elements through structured improvisation and play (e.g. body, space,time, energy).d. Respond to a variety of stimuli through movement (e.g. scarves, songs, sounds, images).

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology indance.a. Identify and demonstrate basic creative and locomotor movements and body isolations.b. Demonstrate the difference between personal and general space.c. Demonstrate the ability to perform simple movements in response to oral instruction.

ESDK.PR.2 Understand and model dance etiquette as a classroom participant, performer,and observer.a. Demonstrate attentiveness, full participation, and awareness of others in the dancelearning and performance environments.b. Understand and demonstrate appropriate behaviors as a dance performer, and as anaudience member.

ESDK.PR.3 Recognize the relationship between human anatomy and movement.a. Identify basic body parts and how they move.

 

South Carolina Standards

Curriculum Standards

Kindergarten:

K.PS.2.1. Plan and conduct an investigation to compare the effects of different strengths or different directions of pushes and pulls on the motion of an object.

Arts Standards

Kindergarten:

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

Move - To change place or position.

Motionless - Without movement.

Push - To press something away from you.

Pull - To tug something closer to you.

Arts Vocabulary

Locomotor skills - Movements that make the body travel in one direction, or a combination of directions, from one point to another, i.e., walking, skipping, jumping.

Axial skills - Stationary movements that happen in place, without a body traveling from one point to another.

Pathway - The pattern that a body or body part takes during a movement, i.e., straight, zigzag, round and round, back and forth, up and down.

Choreographer - A person who creates dances.

 

Materials

  • Music recordings
  • Method of playing the recordings including speaker, Bluetooth, HDMI, mp3 
  • Printed images
  • Projector (to show images of shapes if they are not printed)

 

Instructional Design

Opening/Activating Strategy

  • Project a selection of photos that show objects in motion, and ask students to name objects, motions, and/or pathways that they see in the photos.
  • Warm-up with students for approximately three minutes.
  • During dance warm-up, use movements that convey movements and pathways that can be identified using science vocabulary, i.e., rolling, zig-zag, motionless, push, and pull.
  • Use a handle question to prompt students to look for motions and pathways as they dance and then name them when the warm up is completed.

 

Work Session

Process

  • Compare and contrast locomotor and stationary movements, pathways, and motionless objects.
  • Identify movements that can be made with the body that represent the ways objects travel when in motion, including patterns, pathways, and speed.
  • Divide students into groups to create a choreography based on call and response.
  • Ask group members to select one kind of motion and one pathway (i.e., roll, zig zag, slide, etc.).
  • Ask one member of each group to be the “Force Director,” who will initiate the call(s) in the choreography, which would be either a pull or a push. The force director will use a push or pull movement with one or more body parts to elicit a response from one or more team member.
  • Upon receiving the call from the Force Director, team members put their bodies in motion as per movement/elements selected in #1 above.
  • Ask the Force Director to use a fast and sharp push/pull and ask team members to imagine how that adjustment would modify their responses. Repeat with a slow and soft push/pull. Repeat with a small push/pull. Repeat with a very large push/pull.
  • Ask group members to consider rhythm, distance traveled, and number of repetitions in a phrase (i.e., skip along a curved path) with each of the modifications in #4 above.
  • Ask groups to select three movements to perform in a sequence; this results in an ABAB pattern of call, response, call, response, call, response.
  • Ask the audience to explain the actions of the Force Director and the resulting responses of the group members in the choreography, with a rationale to substantiate their answers.

 

Closing Reflection

  • Ask students to name the body parts they used for movements.
  • Ask students why they chose their selected elements in the call and response activity.
  • Ask students to describe the connection between science and dance that they experienced in this lesson.
  • Ask students to describe what a choreographer does.
  • Ask students to explain how they worked as choreographers during this lesson.

 

Assessments

Formative

  • Students should correctly perform the type of motion with the correct body part.  
  • Students in the audience should be able to correctly identify the type of motion and body part used in the performance.  
  • Call and response dances should include appropriate relationships between force of push/pull and the resulting “response” or motions made by group members.

 

Summative

  • Students identify movements, patterns, and pathways that dancers, including their peers, make when moving their bodies.
  • Students create pathways and locomotor movements using their own movements.
  • Students create and remember a short choreography.
  • Students perform choreography clearly showing shapes in movement.
  • Students move to the beat of a musical rhythm.

 

Differentiation

Acceleration: Ask students to dance to a different song with a different or faster/slower beat. Ask students to consider including stationary/axial movements in their dances as a layer of contrast. Ask students to include both push and pull “calls” in their dances.

Remediation: Ask students to name, describe, and demonstrate their movements and their relationships to the push/pull forces that initiate them.

Additional Resources

Classroom Tips:  Set up chairs and tables in a circular format to maximize students’ engagement and ability to see their peers during the activity and performance. Remind students about rules of movement; they are in control of their bodies and you want to see that movement does not require our mouths. Also establish parameters for acceptable movement choices and discuss audience behavior/etiquette with students.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed and updated by:  Melissa Dittmar-Joy and Julie Galle Baggenstoss

Revised and copyright: August 2022 @ ArtsNOW

Moving Shapes K-1

MOVING SHAPES

MOVING SHAPES

Learning Description

These activities will allow students to discover the concepts of geometry through shape exploration and the creation of choreographic sequences.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: DANCE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify shapes that a dancer makes when performing movements. 
  • I can copy the movements of a dancer to make shapes using my own body. 
  • I can perform movements so that other people can see shapes in my body when I dance.

Essential Questions

  • How can I create shapes by moving my body?

 

Georgia Standards

Curriculum Standards

Kindergarten:

MGSEK.G.2 Correctly name shapes regardless of their orientations or overall size.

MGSEK.G.3 Identify shapes as two-dimensional (lying in a plane, “flat”) or three-dimensional (“solid”).

MGSEK.G.4 Analyze and compare two- and three-dimensional shapes, in different sizes and orientations, using informal language to describe their similarities, differences, parts (e.g., number of sides and vertices/“corners”) and other attributes (e.g., having sides of equal length).

MGSEK.G.5 Model shapes in the world by building shapes from components (e.g., sticks and clay balls) and drawing shapes.

Grade 1:

MGSE1.G.1 Distinguish between defining attributes (e.g., triangles are closed and three-sided) versus non-defining attributes (e.g., color, orientation, overall size); build and draw shapes to possess defining attributes.

MGSE1.G.2 Compose two-dimensional shapes (rectangles, squares, trapezoids, triangles, half-circles, and quarter-circles) or three-dimensional shapes (cubes, right rectangular prisms, right circular cones, and right circular cylinders) to create a composite shape, and compose new shapes from the composite shape. This is important for the future development of spatial relations which later connects to developing understanding of area, volume, and fractions.

Arts Standards

Kindergarten

ESDK.CR.1 Demonstrate an understanding of the choreographic process.

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology in

dance.

ESDK.PR.2 Understand and model dance etiquette as a classroom participant, performer,

and observer.

ESDK.PR.3 Recognize the relationship between human anatomy and movement.

  1. Identify basic body parts and how they move.

Dance Georgia Standards of Excellence

ESDK.PR.4 Understand and apply music concepts to dance.

ESDK.RE.1 Demonstrate critical and creative thinking in dance.

Grade 1:

ESD1.CR.1 Demonstrate an understanding of the choreographic process.

ESD1.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

ESD1.PR.4 Understand and apply music concepts to dance.

ESD1.RE.1 Demonstrate critical and creative thinking in dance.

 

South Carolina Standards

Curriculum Standards

Kindergarten:

K.G.2 Identify and describe a given shape and shapes of objects in everyday situations to include two-dimensional shapes (i.e., triangle, square, rectangle, hexagon, and circle) and three-dimensional shapes (i.e., cone, cube, cylinder, and sphere).

K.G.3 Classify shapes as two-dimensional/flat or three-dimensional/solid and explain the reasoning used.

K.G.4 Analyze and compare two- and three-dimensional shapes of different sizes and orientations using informal language.

Grade 1:

1.G.1 Distinguish between a two-dimensional shape’s defining (e.g., number of sides) and non-defining attributes (e.g., color).

1.G.2 Combine two-dimensional shapes (i.e., square, rectangle, triangle, hexagon, rhombus, and trapezoid) or three-dimensional shapes (i.e., cube, rectangular prism, cone, and cylinder) in more than one way to form a composite shape.

1.G.3 Partition two-dimensional shapes (i.e., square, rectangle, circle) into two or four equal parts.

1.G.4 Identify and name two-dimensional shapes (i.e., square, rectangle, triangle,

hexagon, rhombus, trapezoid, and circle).

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance

Anchor Standard 3: I can perform movements using the dance elements. 

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

Curved Shape - Shape with no angles or vertices. 

Angular Shape - Shape with one or more angles.

Two-dimensional - A flat figure or shape that does not have any thickness.

Three-dimensional - A figure or shape that has length, width, and depth.

Position - The place where something or someone is located.

Arts Vocabulary

Choreographer - A person who creates dances.

Beat - Basic unit of musical time; can be heard as a regular pulse underlying music.

Pathway - Patterns created in the air or on the floor by the body or body parts, as a dancer moves in and through space. 

Locomotor - Movements that travel through space. 

Non-locomotor - A movement that does not travel through space.

 

Materials

  • Music recordings
  • Method of playing the recordings including speaker, Bluetooth, HDMI, mp3 
  • Printed images of shapes 
  • Projector (to show images of shapes if they are not printed)

 

Instructional Design

Opening/Activating Strategy

  • Project a selection of dance photos, and ask students to name shapes that they see in the photos.
  • Warm-up with students for approximately three minutes.
  • During dance warm-up, use movements that convey shapes that can be identified using mathematical vocabulary, i.e., circle, square, curved, angular.
  • Use a handle question to prompt students to look for shapes as they dance and then name them when the warm up is completed.

 

Work Session

PROCESS

  • Discuss and explore the concepts of curved and angular shapes, as well as pathways. 
  • Identify shapes like circle, square, oval, or triangle as curved or angular. 
  • Divide students into groups and have them create “shape dances” in which the pathways traveled and shapes created correspond to an assigned shape. Students will then perform their “shape dances” for the class. 
  • During the performances, the audience will identify shapes presented with a rationale to substantiate their answers.

 

Closing Reflection

  • Ask students to name the body parts they used to create shapes.
  • Ask students why they chose the shapes that they selected to show with movement.
  • Ask students to describe the connection between math and dance that they experienced in this lesson.
  • Ask students to describe what a choreographer does.
  • Ask students to explain how they worked as choreographers during this lesson.

 

Assessments

Formative

  • Students perform/move to a steady beat. 
  • Students’ dances match shape criteria appropriately. 
  • Students identify the shapes being performed.

 

Summative

  • Students identify shapes that dancers, including their peers, make when moving their bodies.
  • Students create shapes using their own movements, including pathways.
  • Students create and remember a short choreography.
  • Students perform choreography clearly showing shapes in movement.
  • Students move to the beat of a musical rhythm.

 

Differentiation

Acceleration: 

  • Ask students to dance to a different song with a different or faster/slower beat. 
  • Ask students to turn 2D shapes into 3D shapes or visa-versa. 
  • Ask students to create shapes in pairs of students, by using pathways, levels, and partner relationships. 
  • Ask students to partition two-dimensional shapes into two or four equal parts and then modify their dances accordingly to reflect the partitions. 

Remediation: Ask students to name, describe, and demonstrate their shapes.

 ADDITIONAL RESOURCES

Classroom Tips:  Clear desks to have an open space and be tolerant of noise and excitement- it is “working noise!” 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

 Ideas contributed and updated by: Melissa Dittmar-Joy and Julie Galle Baggenstoss

 Revised and copyright:  August 2022 @ ArtsNOW

Moving With Fractions 4

Description

The students will use movement phrases to model common fractions and decimal fractions with like denominators. Students will compare the fraction of locomotor and non-locomotor movements in a movement phrase. Students will then create their own movement phrase and use fractions and decimals to describe their performance. Students will recognize that fractions are used in many aspects of our world including the arts.

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