VISUALIZING ECONOMIC SYSTEMS 6-7

VISUALIZING ECONOMIC SYSTEMS

 

VISUALIZING ECONOMIC SYSTEMS

Learning Description

In this lesson, students will explore how they can express the characteristics of different economic systems through line, shape, and color. Students will then write about their artwork explaining how their artwork shows the different characteristics of each economic system.

 

Learning Targets

GRADE BAND: 6-7
CONTENT FOCUS: VISUAL ARTS & SOCIAL STUDIES
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can describe the characteristics of a command, market, and mixed economy.

  • I can use line, shape, and color to express the characteristics of different economic systems.

  • I can explain the connection between my artwork and the characteristics of different economic systems.

Essential Questions

  • What are the characteristics of a command, market, and mixed economy?

  • How can I use line, shape, and color to express the characteristics of different economic systems?

  • How can I explain the connection between my artwork and the characteristics of different economic systems?

 

Georgia Standards

Curriculum Standards

Grade 6

SS6E, SS6E7, SS6E10 

Analyze different economic systems. a. Compare how traditional, command, and market economies answer the economic questions of 1-what to produce, 2-how to produce, and 3-for whom to produce. b. Explain that countries have a mixed economic system located on a continuum between pure market and pure command.

 

Grade 7

SS7E1, SS7E4, SS7E7

Analyze different economic systems. a. Compare how traditional, command, and market economies answer the economic questions of 1-what to produce, 2-how to produce, and 3-for whom to produce. b. Explain that countries have a mixed economic system located on a continuum between pure market and pure command.

 

Personal Finance and Economics

SSEF3 Analyze how economic systems influence the choices of individuals, businesses, and governments. 

  1. Analyze how command, market and mixed economic systems answer the three basic economic questions (what to produce, how to produce, and for whom to produce) to prioritize various social and economic goals such as freedom, security, equity, growth, efficiency, price stability, full employment, and sustainability.

 

 

 

 

Arts Standards

Grade 6

VA6.CR.1 Visualize and generate ideas for creating works of art. 

VA6.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA6.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

VA6.CR.4 Incorporate formal and informal components to create works of art.

 

Grade 7

VA7.CR.1 Visualize and generate ideas for creating works of art. 

VA7.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA7.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence. 

VA7.CR.4 Incorporate formal and informal components to create works of art.

 

High School

VAHSAD.CR.4 Incorporate formal and informal components to create applied design art products and/or designs.

 

VAHSAD.RE.3 Engage in the process of art criticism to make meaning and increase visual Visual Art Georgia Standards of Excellence 

 

VAHSAH.RE.3 Compare and contrast works of art, artists, cultures, and eras based on visual and contextual evidence.

 

VAHSAH.CN.1 Evaluate the influence of historical, political, economic, social, cultural, religious, and technological factors on the development of selected works of art from prehistoric to contemporary times and in a variety of societies 

 

VAHSCR.CR.1 Visualize and generate ideas for creating works of art. 

 

VAHSAH.PR.1 Identify and discuss related themes throughout the history of art (e.g. power and authority, sacred spaces, human figure, narrative, nature, spiritual objects) as expressed in different media within each culture and time period (e.g. two-dimensional work, three-dimensional work, architecture, multi-media).

 

VAHSAH.RE.1 Identify and describe how artistic expression is conveyed visually through subject matter, media, technique, and design (e.g. composition, color scheme). Visual Art Georgia Standards of Excellence 

 

VAHSAHRE.2 Discuss aesthetic issues (e.g. why humans create, criteria for defining an object as art, the effect of how content affects value, standards of beauty and beauty’s role in defining art, how needs are fulfilled by art in varied societies). 

 

VAHSAH.RE.3 Compare and contrast works of art, artists, cultures, and eras based on visual and contextual evidence. 

 

 

 

 

South Carolina Standards

Curriculum Standards

Economics and Personal Finance

Standard 1: Demonstrate an understanding of fundamental economic concepts at an individual, business, and governmental level.

EPF.1.IN Research and utilize evidence to explain how various economic systems address the basic economic questions regarding distribution of resources.

 

 

Arts Standards

Artistic Processes: Creating- I can make artwork using a variety of materials, techniques, and processes.

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Artistic Processes: Responding- I can evaluate and communicate about the meaning in my artwork and the artwork of others.

Anchor Standard 5: I can interpret (read) and evaluate the meaning of an artwork.

Artistic Processes: Connecting- I can relate artistic ideas and work with personal meaning and external context.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

 

 

 

Key Vocabulary

Content Vocabulary

  • Market economy - An economic system in which all economic questions are answers by consumers and producers
  • Command economy - An economic system in which all economic questions are answered by the government
  • Mixed economy - An economic system in which economic questions are answered by both the government as well as producers and consumers

 

 

Arts Vocabulary

  • Line - One of the Elements of Art; the path of a moving point
  • Shape - One of the Elements of Art; a two-dimensional or flat object; an enclosed line
  • Color - One of the Elements of Art; how light is seen as reflected or absorbed on a surface
  • Symbol - An image that has meaning

 

 

Materials

     

     

    Instructional Design

    Opening/Activating Strategy

    • Display the painting, Chairman Mao en Route to Anyuan by Liu Chunhua (7th grade Social Studies) or The Bolshevik by Boris Kustodiev (6th grade Social Studies). Direct students to engage in the Artful Thinking “Step Inside” protocol. In this protocol, students ask themselves: 
    • Allow students time to discuss in small groups.
    • Provide context for the painting shown: Chairman Mao and the communist revolution in China or the Russian Revolution of 1917. 
    • Engage students in a conversation about what they know about economic systems in communist and socialist countries.

     

    Work Session

    ***Teacher note: If students have not learned about market, command, and mixed economies, pause the arts integrated lesson to teach these economic systems.

    • Provide students with a graphic organizer on the three main economic systems. 
      • One column has the economic system, one has a place for students to write characteristics, and one has a place for students to draw symbols, lines, shapes, and colors that represent characteristics of that economic system.
    • Show students images of lines, shapes, and colors
      • Examples: A straight line might symbolize complete control while a very wavy/curly line might symbolize total freedom; a slightly wavy line would represent a mixture of both a straight and very wavy/curvy line. A solid primary color (red, blue, yellow) or white or black might symbolize something that is absolute while gray or a secondary color, which is a mix of primary colors (orange, purple, green), might symbolize a mix of two economic systems.
      • In collaborative groups, direct students to identify what they think these lines, shapes, and colors represent. 
      • Help students connect these elements of art to characteristics of the three main economic systems. 
    • Show students an example of an abstract artwork such as Cossacks by Wassily Kandinsky versus a representational artwork like Chairman Mao en Route to Anyuan or The Bolshevik
      • Discuss with students how abstract artists use the Elements of Art (line, shape, form, value, space, color, and texture) to communicate meaning while representational artists use recognizable images to communicate meaning. Ask students what they see in Chairman Mao en Route to Anyuan or The Bolshevik that might symbolize meaning.
    • Explain to students that they will use symbols, lines, shapes, and colors to create an artwork that represents each economic system. 
      • Students will use these elements of art to represent something representational or abstract. Whichever they choose, they should be able to explain how their use of symbols, lines, shapes, and colors communicate the characteristics of each economic system.
    • Demonstrate to students how to create a trifold with their paper. Each section will represent a different economic system. 
    • Allow students time to complete their artwork.
    • Students should then write an artist statement in paragraph format that answers the following questions:
      • What are the three economic systems and what are their characteristics?
      • How did you show the characteristics of each economic system using symbols, lines, shapes, and colors (students should  be specific citing each characteristic and how it was represented.

    Closing Reflection

    • After students have created their artwork, students should present in collaborative groups how they represented each economic system using line, shape, and color.

    Assessments

    Formative

    Teachers will assess student learning using the following criteria:

    • Are students able to explain the characteristics of command, market, and mixed economic systems?
    • Are students able to identify symbols, lines, shapes, and colors that represent the characteristics of the economic systems?

     

    Summative

    CHECKLIST

    • Does the student’s final artwork demonstrate an understanding of the three economic systems through the use of symbols, lines, shapes, and colors?
    • Does the artist statement demonstrate a logical connection between the characteristics of each system and the symbols, lines, shapes, and colors that the student used?

    Differentiation

    Acceleration: Students can choose an economic system of one of the countries they are studying. Students will use what they learned in the economic systems artwork to create one large piece of art specifically about their selected country’s economic system. Students can work with partners or independently.

    Remediation: 

    • Provide guided notes in the graphic organizer under the “characteristics” section.
    • Allow students to work in groups of three–each student will create an artwork for one economic system. Students will put their artwork together once they’ve finished.
    • Allow students to explain how they showed the characteristics of their system(s) in their artwork orally.

     

     ADDITIONAL RESOURCES

     

    *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

    Ideas contributed by:  Katy Betts

    Revised and copyright:  2023 @ ArtsNOW

    USING TEXTURE TO CREATE PHYSICAL FEATURES 6-7

    USING TEXTURE TO CREATE PHYSICAL FEATURES

     

    USING TEXTURE TO CREATE PHYSICAL FEATURES

    Learning Description

    In this lesson, students will use the Element of Art, Texture, to create an artwork that shows thephysical and political features of a region that they are studying. Students will be able to predictwhere people live and why based on their knowledge of physical and political features.

     

    Learning Targets

    GRADE BAND: 6-7
    CONTENT FOCUS: VISUAL ARTS & SOCIAL STUDIES
    LESSON DOWNLOADS:

    Download PDF of this Lesson

    "I Can" Statements

    “I Can…”

    • I can identify important physical features, landforms, and political features in an area that I am studying.
    • I can use texture to visually communicate the various physical features I am studying.
    • I can work collaboratively with a group to create a mixed media artwork that shows the various physical and political features I am studying.
    • I can use what I know about physical features to predict where people choose to live and wh

    Essential Questions

    • How can I identify important physical and political features in an area that I am studying?
    • How can I use texture to visually communicate characteristics of various physical features that I am studying?
    • How can I work collaboratively with a group to create a mixed media artwork that shows the various physical features, landforms, and political features I am studying?
    • How can I use what I know about physical features to predict where people choose to live and why?

     

    Georgia Standards

    Curriculum Standards

    Grade 6

    SS6G1 Locate selected features of Latin America.

    SS6G3 Explain the impact of location, climate, distribution of natural resources, and population distribution on Latin America.

    SS6G4 Locate selected features of Canada.

    SS6G5 Explain the impact of location, climate, distribution of natural resources, and population distribution on Canada.

    SS6G7 Locate selected features of Europe.

    SS6G9 Explain the impact of location, climate, natural resources, and population distribution on Europe. 

    SS6G11 Locate selected features of Australia.

    SS6G12 Explain the impact of location, climate, distribution of natural resources, and population distribution on Australia.

     

    Grade 7

    SS7G1 Locate selected features of Africa.

    SS7G3 Explain the impact of location, climate, and physical characteristics on population distribution in Africa.

    SS7G5 Locate selected features in Southwest Asia (Middle East).

    SS7G7 Explain the impact of location, climate, physical characteristics, distribution of natural resources, and population distribution on Southwest Asia (Middle East).

    SS7G9 Locate selected features in Southern and Eastern Asia.

    SS7G11 Explain the impact of location, climate, physical characteristics, distribution of natural resources, and population distribution on Southern and Eastern Asia.

     

     

     

    Arts Standards

    Grade 6

    VA6.CR.1 Visualize and generate ideas for creating works of art. 

    VA6.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

    VA6.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

    VA6.CR.4 Incorporate formal and informal components to create works of art.

     

    Grade 7

    VA7.CR.1 Visualize and generate ideas for creating works of art. 

    VA7.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

    VA7.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence. 

    VA7.CR.4 Incorporate formal and informal components to create works of art.

     

     

     

     

     

    South Carolina Standards

    Curriculum Standards

    Grade 7

    Standard 1: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Africa.

    Standard 2: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Asia.

    Standard 3: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Australia, Oceania, and Antarctica.

    Standard 4: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Europe.

    Standard 5: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary North America.

     

     

     

    Arts Standards

    Artistic Processes: Creating- I can make artwork using a variety of materials, techniques, and processes.

    Anchor Standard 1: I can use the elements and principles of art to create artwork.

    Anchor Standard 2: I can use different materials, techniques, and processes to make art.

    Artistic Processes: Responding- I can evaluate and communicate about the meaning in my artwork and the artwork of others.

    Anchor Standard 5: I can interpret (read) and evaluate the meaning of an artwork.

    Artistic Processes: Connecting- I can relate artistic ideas and work with personal meaning and external context.

    Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

     

     

     

     

    Key Vocabulary

    Content Vocabulary

    • Physical feature - Natural features on the surface of the earth such as mountains and valleys

    • Political feature - A feature on a map that represents human-made boundaries like countries or cities

    • Population distribution - How population is spread throughout a region

     

    Arts Vocabulary

    • Actual texture - How something actually feels (like a sculpture)
    • Implied texture - How something looks like it would feel/how an artist wants the viewer to imagine something might feel if the viewer was there in person (example: textures portrayed in a landscape drawing or painting)
    • Actual texture - How something feels
    • Mixed media - Using different materials in one artwork

     

     

    Materials

      • White butcher paper
      • Markers
      • Pencils
      • Various materials such as aluminum foil, leaves, sticks, napkins, tissue paper, construction paper, plastic wrap, string, cotton balls, plastic bags, sand paper, etc.
      • Teacher tip: Introduce texture in art with students–ask students to bring in scrap/recyclable materials that have a variety of textures; don’t tell students what they will be doing with the materials!
          • Liquid glue
          • Teacher tip: Pour a small amount of liquid glue on a disposable plate; cut up basic kitchen sponges for students to use to apply glue to art
            • Scissors

             

            Instructional Design

            Opening/Activating Strategy

            • Show students the artwork Sphinx’s Atelier by Robert Rauschenberg. Conduct the Harvard Project Zero Artful Thinking Strategy: See, Think, Wonder with students. First, students will identify what they see in the image. Emphasize that they should make objective observations about the artwork (i.e. physical features, colors, textures, etc.). Next, ask students to identify what they think about the image. Emphasize that students should be creating inferences using visual evidence from the artwork. Finally, ask students what they wonder about the image. 
            • Facilitate a class-wide discussion around students’ observations, inferences, and questions.
            • Ask students what they think the artwork would feel like if they could touch it. After students have shared, explain that how something feels or looks like it feels in art is called Texture. Actual texture is when someone can actually feel the texture the artist wants the viewer to see, as in a sculpture. However, actual texture can also be used on artwork like Sphinx’s Atelier because the artist intended the artwork to have a texture that could be felt. Ask students why they think an artist might make this choice.

             

             

            Work Session

              • Show students images of physical features from the regions that they are studying in class. Ask students to identify the textures that they see in the images. Ask students what types of everyday materials could they use to communicate these textures (for example, students might say aluminum foil for the Andes Mountains in South America).
              • Next, explain to students that they will be creating an artwork about a region they are studying. Students will need to have an understanding of the physical and political features present in that region before beginning.
              • Organize students into collaborative groups. Assign each student in the group a different region of the continent, country, or state they are studying. Together, students should label a map of the continent, country or state with the physical features and any important political features such as cities that they are required to know from the standards.
              • Then, students should make notes on their map of what types of textures they would see at each of the physical features. 
              • Next, students should re-draw and label their continent, country, or state on white butcher paper. 
              • Students should then look through the materials available to them and gather materials that they could use to create each of the physical features using glue and scissors.
              • Each student in the group should choose a section of the region about which they will make their artwork. For example, if the students are learning about South America, one student would be responsible for physical and political features in the western region of the continent, such as the Andes Mountains. Another student would be responsible for the eastern region including the Amazon Rainforest. 
              • Each student will create the physical and political features on the portion of the map artwork they chose to represent through in their region

              Closing Reflection

              • Students should write an “artist statement” that includes the following information:  
              • Allow students to conduct a gallery walk comparing and contrasting the way students communicated the physical features in the same region and in different regions. 

              Assessments

              Formative

              • Teacher will assess understanding of learning by determining:

                • Are students able to identify the important physical and political features in the regions they are studying?
                • Are students able to explain what actual texture is and connect it to physical features?

                 

                Summative

                • CHECKLIST

                  • Does students’ artwork: 
                    • Include the important physical and political features in the standards?
                    • Include a range of textures to communicate the various physical features?
                  • Does students’ artist statement explain: 
                    • What they showed in their assigned area of the region and why they used the materials that they chose to represent the physical features
                    • How they used texture to communicate what the region’s physical features are like
                    • Predictions about where most people live and why

                Differentiation

                Acceleration: Students should make a corresponding population density map artwork. Students can choose what they want to use to represent population density–color, shape, line, symbol, etc. Students should then compare the population density map artwork to the physical and political features map artwork and make inferences about why the population is dense in some areas and sparse in others.

                Remediation: 

                • Provide students with a graphic organizer that states the physical feature and guided notes on the description. Add a column on the left for students to write words that describe the textures and colors that they would see.
                • Allow students to work with partners to create their section of the artwork.
                • Provide photos of the region for students to use as a guide as they create their artwork.
                • Allow students to share their artist statement orally.

                 

                 ADDITIONAL RESOURCES

                 

                *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

                Ideas contributed by:  Katy Betts

                Revised and copyright:  2023 @ ArtsNOW

                WATER CYCLE ACTIVATION 6

                WATER CYCLE ACTIVATION

                 

                WATER CYCLE ACTIVATION

                Learning Description

                Students will examine the parts of the water cycle through theatre. After a group of students demonstrates a tableau of the water cycle, the class will break up into groups to enact each part of the cycle and attach vocabulary inherent to each section. The room will be flowing with the water cycle coming to life!

                 

                Learning Targets

                GRADE BAND: 6
                CONTENT FOCUS: THEATRE & SCIENCE
                LESSON DOWNLOADS:

                Download PDF of this Lesson

                "I Can" Statements

                “I Can…”

                • I can work with others to enact the parts of the water cycle.
                • I can demonstrate my understanding of water conservation methods using pantomime.

                Essential Questions

                • How can acting deepen understanding of the water cycle?
                • How can I demonstrate my understanding of water conservation practices using pantomime?

                 

                Georgia Standards

                Curriculum Standards

                Grade 6

                S6E3. Obtain, evaluate, and communicate information to recognize the significant role of water in Earth processes.

                1. Plan and carry out an investigation to illustrate the role of the sun’s energy in atmospheric conditions that lead to the cycling of water. (Clarification statement: The water cycle should include evaporation, condensation, precipitation, transpiration, infiltration, groundwater, and runoff.)

                S6E6. Obtain, evaluate, and communicate information about the uses and conservation of various natural resources and how they impact the Earth.

                1. Design and evaluate solutions for sustaining the quality and supply of natural resources such as water, soil, and air.

                 

                 

                 

                Arts Standards

                TA6.PR.1 Act by communicating and sustaining roles in formal and informal environments.

                 

                 

                 

                 

                South Carolina Standards

                Curriculum Standards

                6-ESS2-4. Develop a model to describe the cycling of water through Earth’s systems driven by energy from the sun and the force of gravity.

                 

                Arts Standards

                Anchor Standard 3: I can act in improvised scenes and written scripts.

                 

                 

                Key Vocabulary

                Content Vocabulary

                • Clouds – Accumulations of particles of water or ice suspended in the air that are visible above the earth’s surface 

                 

                • Collection – The process by which water that returns to the earth’s surface as precipitation gathers in bodies of water; collection happens in oceans, lakes, rivers, and in accumulations of groundwater

                 

                • Condensation – The process by which a gas turns into a liquid; when vapor in the atmosphere gets cold it changes from gas back into liquid in clouds

                 

                • Conservation – Responsible and judicious use of a resource in a way that avoids waste.

                 

                • Cycle – Something that happens over and over again in the same way

                • Evaporation – The process by which a liquid becomes a gas; in the water cycle, liquid water evaporates and turns into water vapor. 

                 

                • Gas – A substance that is able to expand freely to fill the whole of a container, having no fixed shape and no fixed volume; water in gas form is water vapor.

                 

                • Groundwater – Water held underground in the soil or in pores and crevices in rock.

                 

                • Liquid – A substance that flows freely without a firm or consistent shape, but of constant volume: water in liquid form is water.

                • Precipitation – The process by which water returns to the surface of the earth in liquid or solid form; precipitation takes the form of rain, snow, sleet or hail.

                 

                • Solid – A substance that is firm and stable in shape; not liquid or fluid; water in solid form is ice.

                • States of Matter – The forms in which matter can exist: solid, liquid, and gas 

                 

                • Transpiration – The passage of water vapor from a living body into the atmosphere; plants transpire through their leaves; people transpire through sweat.

                • Water Cycle – The sequence of processes by which water circulates between the earth's oceans, atmosphere, and land, involving precipitation as rain and snow, drainage in streams and rivers, and return to the atmosphere by evaporation and transpiration. 

                Arts Vocabulary

                • Act – To pretend; to play a role

                 

                • Collaboration – Working together, teamwork

                 

                • Pantomime – Pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre

                • Tableau – A frozen picture created by actors (plural: Tableaux) 

                 

                Materials

                • 10 sets of photos of the four stages in the water cycle (Condensation, Evaporation, Precipitation, Collection). These should each have two holes punched in top corners and a string through them so that students can wear each photo around their neck to allow their hands and body to move freely.  The photos should have Velcro to attach the words below.
                • 10 sets of paper strips with the following words: Condensation, Evaporation, Precipitation, Rain, Snow, Sleet, Hail, Groundwater, Transpiration, Vapor, Clouds. Each strip should have Velcro on the back so that they can be attached to the pictures above.

                Index cards with the conservation methods written on them. One method for each card.

                 

                Instructional Design

                Opening/Activating Strategy

                WATER CYCLE MOVEMENTS

                • Have students stand up in place.  Teach and lead them through movement sequences for four stages of the water cycle, coordinated with articulating the words.  Describe what each movement signifies:
                  • Evaporation – 

                “E” – arms out like a body of water circled in front of belly (water)

                “vap” – fingers intertwined and rolling like a body of water (liquid)

                “or” – palms flat out like the sun’s rays (sun)

                “a” - fingers wiggles up in front of face (vapors) 

                “tion” – fingers wiggle up above head to disappear (gas)

                • Condensation  – 

                “Con” – wiggly fingers above head (gas)

                “den” – shiver and hands above heads shake (cold)

                “sa” – hands wave fluidly above head (water)

                “tion” – hands grasp together above head (cloud) 

                • Precipitation –

                “Pre” – arms circled above head like a cloud

                “ci” – wiggles fingers down like rain in front of face (rain)

                “pi” – hands blink open, closed like snowflakes (snow)

                “ta” – punch right fist down (sleet)

                “tion” – punch left fist down then left fist (hail) 

                • Collection – 

                “Col” – arms rounded out in front (lake)

                “lec” – hands out like waves (ocean)

                “tion” – hands moving down low (groundwater)

                 

                 

                Work Session

                    • ACTIVATING THE WATER CYCLE
                      • Introduce the concept of tableau – a frozen picture created by actors.  Explain that the class will be creating tableaux of the water cycle.
                      • Invite four students to the front of the class.  Work with the students, with suggestions from the rest of the class, to create a tableau that portrays the water cycle.  
                        • Remind the class that the water cycle is not linear, so the students should not be standing in a line. 
                        • Remind them that there is no proper beginning or end – it’s a continuous cycle.
                        • Encourage the students to be creative in determining how they can use their bodies to convey the cyclical nature of the processes.  As appropriate to the class rules and culture, allow students to take positions up on chairs or down on the floor.
                      • Have students wear the photo that correlates with their part of the cycle.
                      • Ask other students to come up and velcro the appropriate vocabulary word to the appropriate part of the cycle where it belongs.
                      • Activate the cycle by having students adopt movements – heads, hands, arms, legs, full bodies – that convey what is happening in their part of the water cycle, and add in any appropriate sounds. Remind students of the motions they used at the beginning of class.

                       

                      GROUP TABLEAUX

                      • Divide the class into groups of four.  Have each group create and then activate their own tableau of the water cycle.  Encourage them to find different ways, from what was modeled for the class, to position themselves and move for their parts of the water cycle, and to interact with others in their group as well.
                      • Give each group the photo visuals and ask each person to wear one part of the cycle.  Then have them attach the appropriate vocabulary to their part.
                      • Have groups show their cycles to the rest of the class.
                      • Reflect on the different interpretations of the different groups, and how each conveyed concepts about the water cycle.

                       

                      WATER CONSERVATION

                      • Ask the class: “Do you think that we will have water forever?”  Explain: “Water does keep cycling but we can misuse and overuse water and some places are in danger of drought.”
                      • Remind students that, “Water is one of our most important resources.”  Ask students: 
                        • “Why is it so important?  What do we use water for?  Is it important to other organisms as well?”  
                        • Be sure to discuss that we use water to produce and prepare food, clean our bodies, wash our dishes and clothes, process our waste, and manufacture and transport goods; we use it for recreation, and to produce hydroelectric power.  
                        • As individuals, we use large amounts of water:  it is estimated that the average American uses around 180 gallons of water a day.
                      • Discuss Conservation – the responsible and judicious use of a resource in a way that avoids waste.
                      • Introduce and discuss the following list of water conservation practices: 
                      1. Avoid watering the lawn or garden between 10 am and 6 pm.
                      2. Take shorter showers.
                      3. Wash the car over the lawn instead of the driveway.
                      4. Turn off the water when brushing teeth. 
                      5. Use wastewater from cooking to water plants.
                      6. Run the dishwasher and clothes washer only when full.
                      7. Keep water in the refrigerator for cold water.
                      8. Fix leaky faucets and hoses.
                      9. Do not use the toilet as a garbage can.

                      Brainstorm other ideas that the students might have.  Put those on additional cards.

                       

                      WATER CONSERVATION PANTOMIMES

                      • Introduce Pantomime - pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre.
                      • Model and practice a simple pantomime activity (e.g., sweeping the floor, eating a sandwich, swinging a baseball bat, etc.).  
                        • Encourage students to think about the size, weight and shape of the objects in their pantomimes; to be specific with their movements; and to include facial expressions.
                      • Have students come up one at a time, or in small groups, and pick a card with a water conservation practice on it.  
                        • Have the individual or small group pantomime the action on their card. They should not speak during the pantomimes.
                      • Have other students guess which water conservation practice they are showing.  After guessing, have the class describe the specific aspects of the pantomime that conveyed the water conservation practice.

                     

                     

                    Closing Reflection

                    • Review the words and movements for the parts of the water cycle.
                    • Review the drama strategies used – Movement, Tableau, and Pantomime.
                    • Ask students to reflect on how their thinking about water and the water cycle has changed through the lesson.
                    • Ask students to discuss steps they might take in their lives to use water responsibly.

                     

                     

                    Assessments

                    Formative

                    Teacher will assess understanding of the water cycle and methods of water conservation through the opening activity, class discussion, and observation.

                       

                      Summative

                      • CHECKLIST: 
                        • Students can accurately identify the key components of the water cycle and match vocabulary words with steps of the water cycle.
                        • Students can work together cooperatively to create tableaux.
                        • Students can use their bodies expressively, and create tableaus with a variety of angles, shapes, levels, and facial expressions.
                        • Students can pantomime water conservation practices silently and with detailed movements and facial expressions

                         

                        • Have students draw a diagram of the water cycle, with each part labeled accurately.
                        • Have students draw a picture, using stick figures in particular poses, to portray their group’s water cycle tableau.
                        • Have students write a paragraph about their own water use and how they plan to incorporate water conservation practices into their daily lives.

                       

                      Differentiation

                       

                      Acceleration: 

                      • Rather than using predetermined movements for the activator, have students collectively come up with the movements for each syllable.
                      • When adding movement to the tableaux, have students speak a sentence as their part of the water cycle (e.g., “I am precipitation – I love raining down on the mountains and plains, and on cities and towns and making everyone have indoor recess!”)

                       

                      Remediation: 

                      • Encourage groups to come up with alternate ideas for the water cycle tableaux, but allow them to replicate what was done in the model tableau.
                      • Rather than have students guess each other’s pantomimes, work together as a class to develop a short pantomime sequence for each water conservation practice card.

                       

                       ADDITIONAL RESOURCES

                       

                      *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

                       

                      Ideas contributed by:  Barry Stewart Mann and Susie Spear Purcell

                       

                      Revised and copyright:  January 2024 @ ArtsNOW

                      Celebrate Cells 6-8

                      CELEBRATE CELLS

                      CELEBRATE CELLS

                      Learning Description

                      In this lesson, students will demonstrate what they have learned about the parts of a cell through tableau, script-writing and performance. Students will participate in the role of performer, presenting an original scene, as well as audience members, identifying the parts of a cell and their roles.

                       

                      Learning Targets

                      GRADE BAND: 6-8
                      CONTENT FOCUS: THEATRE & SCIECNE
                      LESSON DOWNLOADS:

                      Download PDF of this Lesson

                      "I Can" Statements

                      “I Can…”

                      • I can identify the parts of a cell and explain their roles.

                      • I can use tableau to identify and demonstrate the parts of a cell.

                      • I can write and perform scenes to explain the roles of the parts of a cell.

                      Essential Questions

                      • What are the parts of the cell and what are their roles?

                      • How can theatrical techniques help us understand the parts of a cell?

                       

                      Georgia Standards

                      Curriculum Standards

                      Grade 7

                      S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms.

                      Arts Standards

                      Grade 7: 

                      TA7.CR.1 Organize, design, and refine theatrical work.

                       

                      TA7.PR.1 Act by communicating and sustaining roles in formal and informal environments.

                       

                      TA7.CR.2 Develop scripts through theatrical techniques.

                       

                      TA7.CN.1 Explore how theatre connects to life experience, careers, and other content.

                       

                      South Carolina Standards

                      Curriculum Standards

                      Grade 6

                      6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

                      Arts Standards

                      Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

                       

                      Anchor Standard 3: I can act in improvised scenes and written scripts.

                      Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

                       

                      Key Vocabulary

                      Content Vocabulary

                      • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

                      • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 
                      • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

                      • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell

                      • Membrane - The thin, limiting covering of a cell or cell part
                      • Chloroplast - A plastid containing chlorophyll

                      Arts Vocabulary

                      • Tableau - A frozen picture

                      • Theater - Dramatic literature or its performance; drama

                      • Character - A person, an animal or other figure assuming human qualities, in a story

                       

                      • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds

                       

                      • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves

                       

                      • Dialogue – Conversation between characters

                       

                      • Scene – The dialogue and action between characters in one place for one continuous period of time

                      • Ensemble - All the parts of a thing taken together, so that each part is considered

                       

                      Materials

                      • A copy of a cell diagram for each student
                      • Pencils
                      • Large chart paper (5 pieces)
                      • Markers

                       

                      Instructional Design

                      Opening/Activating Strategy

                      • Divide students into five groups.  
                      • Tell students that they will be making a tableau, a frozen picture, with their bodies. Every member of the group must be a part of the tableau.
                      • Students will be making a tableau of an item, so students must consider what the individual parts of the item are and how they are connected. Some ideas include:
                        • Car
                        • Washing machine
                        • House
                        • Mountain range
                      • Once students are frozen in their tableau, tell them that they will be bringing their item to life using movement and dialogue. 
                        • Discuss some things that the parts of the item might say. 
                          • Tires might say “I go round and round, and help us move”.
                          • The engine might say, “Hit the gas, let’s go!”. 
                          • The headlights might say, “Wow, it’s dark! Glad I can see where we’re going”.

                       

                      Work Session

                      • Tell students that they will be using tableau and dialogue to demonstrate their understanding of a cell.
                      • Assign each group (groups from activator) a part of a cell. It is their job to label their part of the cell on their diagram and explain its role. 
                        • Pass out a diagram of a cell to each student. Students will label their part of the cell on their diagram. Then, on a piece of large chart paper, they will explain the role of their part of the cell. 
                        • Once students are done, they should post their chart paper in the room.
                      • Next, form new groups of five students out of the original five groups. Each group should have one person who can teach the other students about their part of the cell so that all parts of a cell are represented in each group.
                        • Students will now take turns teaching their group members about their part of the cell; group members will label that part on their diagram.
                      • Tell students that now they will create a tableau to demonstrate how the parts of a cell are connected.
                        • Provide time for students to discuss and arrange themselves.
                        • Circulate the room to check for student understanding.
                        • Once groups are done, have each group take turns performing their tableau. 
                        • Ask the audience if they can identify the different parts of the cell.
                        • Debrief after each group presents how the group portrayed each part of the cell with their bodies.
                      • Next, students will create a scene with dialogue between the different parts of the cell.
                        • Students will use their voice to embody the part of the cell. Students should consider the following questions. (Teachers will need to help students think abstractly about how to translate the role of the cell into a voice. For example, since the nucleus is the “boss” of the cell, it might have a big, booming voice.)
                          • Pitch: Is the part of the cell's voice high or low?
                          • Pace: Does the part of the cell speak quickly or slowly?
                          • Volume: Does the part of the cell speak loudly or softly?
                          • Tone: What is the emotional quality of the part of the cell’s voice (e.g., cheerful, gruff, calm)?
                        • Allow time for students to write a short scene between the parts of the cell. Each part should have at least one line.

                       

                      Closing Reflection

                      • Students will perform their scenes for the class. Discuss appropriate audience participation and etiquette prior to performances.
                      • Ask the audience to identify each of the parts of the cell and how they were able to identify them. Ask them what voice qualities the performers used and how they reflect the role of the part of the cell.

                       

                      Assessments

                      Formative

                      Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, group discussion of the parts and roles of a cell, ability to form a tableau and write a scene demonstrating the roles of the parts of a cell.

                       

                      Summative

                      CHECKLIST

                      • Students can identify the parts of a cell and explain their roles.
                      • Students can use tableau to identify and demonstrate the parts of a cell.
                      • Students can write and perform scenes to explain the roles of the parts of a cell.

                       

                      DIFFERENTIATION 

                      Acceleration: Provide students with a scenario, such as an infection or damage to an organism; students should write a scene in which the cell has to respond to the situation. Students’ scenes should demonstrate that they understand the role of a cell in the scenario.

                      Remediation: 

                      • Provide guided notes or graphic organizers for students to complete on the roles of the parts of a cell.
                      • Do whole-group instruction to teach about the parts of the cell. Then have students create their tableaus and scenes.
                      • Provide sentence-starters for scene and dialogue writing.

                      *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

                      Ideas contributed by: Mary Gagliardi and Katy Betts.

                      Revised and copyright: June 2024 @ ArtsNOW

                       

                      Dancing Cells 6-8

                      DANCING CELLS

                      DANCING CELLS

                      Learning Description

                      In this lesson, students will choreograph dances to represent the roles and characteristics of different parts of a cell.

                       

                      Learning Targets

                      GRADE BAND: 6-8
                      CONTENT FOCUS: DANCE & SCIENCE
                      LESSON DOWNLOADS:

                      Download PDF of this Lesson

                      "I Can" Statements

                      “I Can…”

                      •  I can work collaboratively to choreograph a dance that uses the elements of dance and movement qualities to communicate characteristics of the parts of a cell.

                      • I can define the role and characteristics of the parts of a cell.

                      Essential Questions

                      • How can choreography be used to identify and describe the parts of a cell?

                       

                      Georgia Standards

                      Curriculum Standards

                      Grade 7:

                      S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms. 

                      1. Develop a model and construct an explanation of how cell structures (specifically the nucleus, cytoplasm, cell membrane, cell wall, chloroplasts, lysosome, and mitochondria) contribute to the function of the cell as a system in obtaining nutrients in order to grow, reproduce, make needed materials, and process waste.

                      Arts Standards

                      Grade 7:

                      MSD.CR.1 Demonstrate an understanding of the choreographic process.

                       

                      MSD.CR.2 Demonstrate an understanding of dance as a form of communication.

                       

                      MSD.CN.3 Integrate dance into other areas of knowledge.

                       

                      South Carolina Standards

                      Curriculum Standards

                      Grade 6:

                      6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

                       

                      Arts Standards

                      Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

                       

                      Anchor Standard 2: I can choreograph a dance.

                       

                      Anchor Standard 3: I can perform movements using the dance elements. 

                      Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

                       

                      Key Vocabulary

                      Content Vocabulary

                      • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

                       

                      • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 

                       

                      • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

                      • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell 

                       

                      • Membrane - The thin, limiting covering of a cell or cell part

                      • Chloroplast - A plastid containing chlorophyll

                      Arts Vocabulary

                      • Body - The physical instrument used by dancers to express movement, emotion, and artistry

                      • Levels - The height of the movement, which can be low (close to the ground), middle (midway), or high (elevated)

                      • Directions - The direction of movement, such as forward, backward, sideways, diagonal, up, and down

                      • Pathways - The patterns made in space, like straight, curved, zigzag, or circular

                      • Dynamics - The quality of movement, which can be smooth, sharp, sustained, percussive, swinging, or collapsing

                      • Tempo - The speed of movement, which can be fast, moderate, or slow

                      • Choreography - The art and practice of designing and arranging dance movements and sequences
                      • Movement phrase - A sequence of movements that are connected and form a coherent unit of motion, much like a sentence in language  

                       

                      Materials

                      • Sound source and music
                      • Cards with cell parts written on them
                      • Chart paper
                      • Markers

                       

                      Instructional Design

                      Opening/Activating Strategy

                      • Begin by playing the Vocabulary Circle Game with your class.  
                        • Put the vocabulary words (cell parts) on the board and, as a group, discuss adjectives that describe each cell part.  
                        • Next, have students practice creating a movement or body shape to demonstrate that part of the cell. This can become a guessing game with students.

                       

                      Work Session

                      • Next, divide students into small groups. Assign each group a part of the cell.
                      • On chart paper, students should define the role of their part of the cell and use adjectives to describe its characteristics and overall shape.
                      • Tell students that they will be using movement to demonstrate their part of the cell.
                      • Turn on music that has a steady beat.
                      • Introduce dance elements and movement qualities by practicing a typical call and response with students. Continue the call and response adding body movements.
                        • Incorporate some of the aspects of the elements of dance/movement qualities such as levels, pathways, direction, changes in tempo, dynamics, etc. (e.g., shake your hands at a high level quickly; now shake them at a low level slowly).
                        • Debrief the different movements with students asking them how movement can represent meaning.
                      • Now, tell students to create a short movement phrase to represent their part of the cell. 
                        • Remind students to use their adjectives as a guide. 
                        • Students should use two or three dance elements and movement qualities such as body shape and dynamics intentionally in their choreography. 
                        • Students should be able to explain how they used the elements to communicate characteristics of their part of the cell.

                       

                      Closing Reflection

                      • Students will perform their dances for the class. Discuss audience etiquette with students prior to performances. 
                      • After each group performs, the audience should identify which cell part they see in the dance sequence and what cell (plant or animal) it belongs to.
                      • Groups should then explain how they used dance elements and movements qualities to show their part of the cell.

                       

                      Assessments

                      Formative

                      Teachers will assess students’ understanding by observing students’ responses during the activating strategy, ability to identify the role and characteristics of their part of the cell in small groups, contributions to choreography in small groups, and discussion after each performance.

                       

                      Summative

                      CHECKLIST

                      • Students can choreograph a movement phrase that uses the elements of dance and movement qualities to communicate characteristics of their part of the cell.
                      • Students can define the role and characteristics of their assigned part of a cell.

                       

                      DIFFERENTIATION 

                      Acceleration: 

                      • In their groups, students should create a dance in which each student represents a different part of the cell.
                      • Students should write about their dance and explain how the elements they used expressed different characteristics of the cell.

                      Remediation: 

                      • Work together as a whole class to choreograph a movement phrase for one part of the cell before having students do this in small groups.
                      • To help with planning their choreography, provide a graphic organizer where students can write down the specific characteristics of their part of the cell and the dance element/movement quality that they will use to show that characteristic next to it. 

                      *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

                       Ideas contributed by: Melissa Dittmar-Joy. Updated by Katy Betts.

                      Revised and copyright: June 2024 @ ArtsNOW