WATER CYCLE ACTIVATION 6

WATER CYCLE ACTIVATION

 

WATER CYCLE ACTIVATION

Learning Description

Students will examine the parts of the water cycle through theatre. After a group of students demonstrates a tableau of the water cycle, the class will break up into groups to enact each part of the cycle and attach vocabulary inherent to each section. The room will be flowing with the water cycle coming to life!

 

Learning Targets

GRADE BAND: 6
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can work with others to enact the parts of the water cycle.
  • I can demonstrate my understanding of water conservation methods using pantomime.

Essential Questions

  • How can acting deepen understanding of the water cycle?
  • How can I demonstrate my understanding of water conservation practices using pantomime?

 

Georgia Standards

Curriculum Standards

Grade 6

S6E3. Obtain, evaluate, and communicate information to recognize the significant role of water in Earth processes.

  1. Plan and carry out an investigation to illustrate the role of the sun’s energy in atmospheric conditions that lead to the cycling of water. (Clarification statement: The water cycle should include evaporation, condensation, precipitation, transpiration, infiltration, groundwater, and runoff.)

S6E6. Obtain, evaluate, and communicate information about the uses and conservation of various natural resources and how they impact the Earth.

  1. Design and evaluate solutions for sustaining the quality and supply of natural resources such as water, soil, and air.

 

 

 

Arts Standards

TA6.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

 

 

 

South Carolina Standards

Curriculum Standards

6-ESS2-4. Develop a model to describe the cycling of water through Earth’s systems driven by energy from the sun and the force of gravity.

 

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

 

Key Vocabulary

Content Vocabulary

  • Clouds – Accumulations of particles of water or ice suspended in the air that are visible above the earth’s surface 

 

  • Collection – The process by which water that returns to the earth’s surface as precipitation gathers in bodies of water; collection happens in oceans, lakes, rivers, and in accumulations of groundwater

 

  • Condensation – The process by which a gas turns into a liquid; when vapor in the atmosphere gets cold it changes from gas back into liquid in clouds

 

  • Conservation – Responsible and judicious use of a resource in a way that avoids waste.

 

  • Cycle – Something that happens over and over again in the same way

  • Evaporation – The process by which a liquid becomes a gas; in the water cycle, liquid water evaporates and turns into water vapor. 

 

  • Gas – A substance that is able to expand freely to fill the whole of a container, having no fixed shape and no fixed volume; water in gas form is water vapor.

 

  • Groundwater – Water held underground in the soil or in pores and crevices in rock.

 

  • Liquid – A substance that flows freely without a firm or consistent shape, but of constant volume: water in liquid form is water.

  • Precipitation – The process by which water returns to the surface of the earth in liquid or solid form; precipitation takes the form of rain, snow, sleet or hail.

 

  • Solid – A substance that is firm and stable in shape; not liquid or fluid; water in solid form is ice.

  • States of Matter – The forms in which matter can exist: solid, liquid, and gas 

 

  • Transpiration – The passage of water vapor from a living body into the atmosphere; plants transpire through their leaves; people transpire through sweat.

  • Water Cycle – The sequence of processes by which water circulates between the earth's oceans, atmosphere, and land, involving precipitation as rain and snow, drainage in streams and rivers, and return to the atmosphere by evaporation and transpiration. 

Arts Vocabulary

  • Act – To pretend; to play a role

 

  • Collaboration – Working together, teamwork

 

  • Pantomime – Pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre

  • Tableau – A frozen picture created by actors (plural: Tableaux) 

 

Materials

  • 10 sets of photos of the four stages in the water cycle (Condensation, Evaporation, Precipitation, Collection). These should each have two holes punched in top corners and a string through them so that students can wear each photo around their neck to allow their hands and body to move freely.  The photos should have Velcro to attach the words below.
  • 10 sets of paper strips with the following words: Condensation, Evaporation, Precipitation, Rain, Snow, Sleet, Hail, Groundwater, Transpiration, Vapor, Clouds. Each strip should have Velcro on the back so that they can be attached to the pictures above.

Index cards with the conservation methods written on them. One method for each card.

 

Instructional Design

Opening/Activating Strategy

WATER CYCLE MOVEMENTS

  • Have students stand up in place.  Teach and lead them through movement sequences for four stages of the water cycle, coordinated with articulating the words.  Describe what each movement signifies:
    • Evaporation – 

“E” – arms out like a body of water circled in front of belly (water)

“vap” – fingers intertwined and rolling like a body of water (liquid)

“or” – palms flat out like the sun’s rays (sun)

“a” - fingers wiggles up in front of face (vapors) 

“tion” – fingers wiggle up above head to disappear (gas)

  • Condensation  – 

“Con” – wiggly fingers above head (gas)

“den” – shiver and hands above heads shake (cold)

“sa” – hands wave fluidly above head (water)

“tion” – hands grasp together above head (cloud) 

  • Precipitation –

“Pre” – arms circled above head like a cloud

“ci” – wiggles fingers down like rain in front of face (rain)

“pi” – hands blink open, closed like snowflakes (snow)

“ta” – punch right fist down (sleet)

“tion” – punch left fist down then left fist (hail) 

  • Collection – 

“Col” – arms rounded out in front (lake)

“lec” – hands out like waves (ocean)

“tion” – hands moving down low (groundwater)

 

 

Work Session

      • ACTIVATING THE WATER CYCLE
        • Introduce the concept of tableau – a frozen picture created by actors.  Explain that the class will be creating tableaux of the water cycle.
        • Invite four students to the front of the class.  Work with the students, with suggestions from the rest of the class, to create a tableau that portrays the water cycle.  
          • Remind the class that the water cycle is not linear, so the students should not be standing in a line. 
          • Remind them that there is no proper beginning or end – it’s a continuous cycle.
          • Encourage the students to be creative in determining how they can use their bodies to convey the cyclical nature of the processes.  As appropriate to the class rules and culture, allow students to take positions up on chairs or down on the floor.
        • Have students wear the photo that correlates with their part of the cycle.
        • Ask other students to come up and velcro the appropriate vocabulary word to the appropriate part of the cycle where it belongs.
        • Activate the cycle by having students adopt movements – heads, hands, arms, legs, full bodies – that convey what is happening in their part of the water cycle, and add in any appropriate sounds. Remind students of the motions they used at the beginning of class.

         

        GROUP TABLEAUX

        • Divide the class into groups of four.  Have each group create and then activate their own tableau of the water cycle.  Encourage them to find different ways, from what was modeled for the class, to position themselves and move for their parts of the water cycle, and to interact with others in their group as well.
        • Give each group the photo visuals and ask each person to wear one part of the cycle.  Then have them attach the appropriate vocabulary to their part.
        • Have groups show their cycles to the rest of the class.
        • Reflect on the different interpretations of the different groups, and how each conveyed concepts about the water cycle.

         

        WATER CONSERVATION

        • Ask the class: “Do you think that we will have water forever?”  Explain: “Water does keep cycling but we can misuse and overuse water and some places are in danger of drought.”
        • Remind students that, “Water is one of our most important resources.”  Ask students: 
          • “Why is it so important?  What do we use water for?  Is it important to other organisms as well?”  
          • Be sure to discuss that we use water to produce and prepare food, clean our bodies, wash our dishes and clothes, process our waste, and manufacture and transport goods; we use it for recreation, and to produce hydroelectric power.  
          • As individuals, we use large amounts of water:  it is estimated that the average American uses around 180 gallons of water a day.
        • Discuss Conservation – the responsible and judicious use of a resource in a way that avoids waste.
        • Introduce and discuss the following list of water conservation practices: 
        1. Avoid watering the lawn or garden between 10 am and 6 pm.
        2. Take shorter showers.
        3. Wash the car over the lawn instead of the driveway.
        4. Turn off the water when brushing teeth. 
        5. Use wastewater from cooking to water plants.
        6. Run the dishwasher and clothes washer only when full.
        7. Keep water in the refrigerator for cold water.
        8. Fix leaky faucets and hoses.
        9. Do not use the toilet as a garbage can.

        Brainstorm other ideas that the students might have.  Put those on additional cards.

         

        WATER CONSERVATION PANTOMIMES

        • Introduce Pantomime - pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre.
        • Model and practice a simple pantomime activity (e.g., sweeping the floor, eating a sandwich, swinging a baseball bat, etc.).  
          • Encourage students to think about the size, weight and shape of the objects in their pantomimes; to be specific with their movements; and to include facial expressions.
        • Have students come up one at a time, or in small groups, and pick a card with a water conservation practice on it.  
          • Have the individual or small group pantomime the action on their card. They should not speak during the pantomimes.
        • Have other students guess which water conservation practice they are showing.  After guessing, have the class describe the specific aspects of the pantomime that conveyed the water conservation practice.

       

       

      Closing Reflection

      • Review the words and movements for the parts of the water cycle.
      • Review the drama strategies used – Movement, Tableau, and Pantomime.
      • Ask students to reflect on how their thinking about water and the water cycle has changed through the lesson.
      • Ask students to discuss steps they might take in their lives to use water responsibly.

       

       

      Assessments

      Formative

      Teacher will assess understanding of the water cycle and methods of water conservation through the opening activity, class discussion, and observation.

         

        Summative

        • CHECKLIST: 
          • Students can accurately identify the key components of the water cycle and match vocabulary words with steps of the water cycle.
          • Students can work together cooperatively to create tableaux.
          • Students can use their bodies expressively, and create tableaus with a variety of angles, shapes, levels, and facial expressions.
          • Students can pantomime water conservation practices silently and with detailed movements and facial expressions

           

          • Have students draw a diagram of the water cycle, with each part labeled accurately.
          • Have students draw a picture, using stick figures in particular poses, to portray their group’s water cycle tableau.
          • Have students write a paragraph about their own water use and how they plan to incorporate water conservation practices into their daily lives.

         

        Differentiation

         

        Acceleration: 

        • Rather than using predetermined movements for the activator, have students collectively come up with the movements for each syllable.
        • When adding movement to the tableaux, have students speak a sentence as their part of the water cycle (e.g., “I am precipitation – I love raining down on the mountains and plains, and on cities and towns and making everyone have indoor recess!”)

         

        Remediation: 

        • Encourage groups to come up with alternate ideas for the water cycle tableaux, but allow them to replicate what was done in the model tableau.
        • Rather than have students guess each other’s pantomimes, work together as a class to develop a short pantomime sequence for each water conservation practice card.

         

         ADDITIONAL RESOURCES

         

        *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

         

        Ideas contributed by:  Barry Stewart Mann and Susie Spear Purcell

         

        Revised and copyright:  January 2024 @ ArtsNOW

        Celebrate Cells 6-8

        CELEBRATE CELLS

        CELEBRATE CELLS

        Learning Description

        In this lesson, students will demonstrate what they have learned about the parts of a cell through tableau, script-writing and performance. Students will participate in the role of performer, presenting an original scene, as well as audience members, identifying the parts of a cell and their roles.

         

        Learning Targets

        GRADE BAND: 6-8
        CONTENT FOCUS: THEATRE & SCIECNE
        LESSON DOWNLOADS:

        Download PDF of this Lesson

        "I Can" Statements

        “I Can…”

        • I can identify the parts of a cell and explain their roles.

        • I can use tableau to identify and demonstrate the parts of a cell.

        • I can write and perform scenes to explain the roles of the parts of a cell.

        Essential Questions

        • What are the parts of the cell and what are their roles?

        • How can theatrical techniques help us understand the parts of a cell?

         

        Georgia Standards

        Curriculum Standards

        Grade 7

        S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms.

        Arts Standards

        Grade 7: 

        TA7.CR.1 Organize, design, and refine theatrical work.

         

        TA7.PR.1 Act by communicating and sustaining roles in formal and informal environments.

         

        TA7.CR.2 Develop scripts through theatrical techniques.

         

        TA7.CN.1 Explore how theatre connects to life experience, careers, and other content.

         

        South Carolina Standards

        Curriculum Standards

        Grade 6

        6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

        Arts Standards

        Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

         

        Anchor Standard 3: I can act in improvised scenes and written scripts.

        Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

         

        Key Vocabulary

        Content Vocabulary

        • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

        • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 
        • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

        • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell

        • Membrane - The thin, limiting covering of a cell or cell part
        • Chloroplast - A plastid containing chlorophyll

        Arts Vocabulary

        • Tableau - A frozen picture

        • Theater - Dramatic literature or its performance; drama

        • Character - A person, an animal or other figure assuming human qualities, in a story

         

        • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds

         

        • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves

         

        • Dialogue – Conversation between characters

         

        • Scene – The dialogue and action between characters in one place for one continuous period of time

        • Ensemble - All the parts of a thing taken together, so that each part is considered

         

        Materials

        • A copy of a cell diagram for each student
        • Pencils
        • Large chart paper (5 pieces)
        • Markers

         

        Instructional Design

        Opening/Activating Strategy

        • Divide students into five groups.  
        • Tell students that they will be making a tableau, a frozen picture, with their bodies. Every member of the group must be a part of the tableau.
        • Students will be making a tableau of an item, so students must consider what the individual parts of the item are and how they are connected. Some ideas include:
          • Car
          • Washing machine
          • House
          • Mountain range
        • Once students are frozen in their tableau, tell them that they will be bringing their item to life using movement and dialogue. 
          • Discuss some things that the parts of the item might say. 
            • Tires might say “I go round and round, and help us move”.
            • The engine might say, “Hit the gas, let’s go!”. 
            • The headlights might say, “Wow, it’s dark! Glad I can see where we’re going”.

         

        Work Session

        • Tell students that they will be using tableau and dialogue to demonstrate their understanding of a cell.
        • Assign each group (groups from activator) a part of a cell. It is their job to label their part of the cell on their diagram and explain its role. 
          • Pass out a diagram of a cell to each student. Students will label their part of the cell on their diagram. Then, on a piece of large chart paper, they will explain the role of their part of the cell. 
          • Once students are done, they should post their chart paper in the room.
        • Next, form new groups of five students out of the original five groups. Each group should have one person who can teach the other students about their part of the cell so that all parts of a cell are represented in each group.
          • Students will now take turns teaching their group members about their part of the cell; group members will label that part on their diagram.
        • Tell students that now they will create a tableau to demonstrate how the parts of a cell are connected.
          • Provide time for students to discuss and arrange themselves.
          • Circulate the room to check for student understanding.
          • Once groups are done, have each group take turns performing their tableau. 
          • Ask the audience if they can identify the different parts of the cell.
          • Debrief after each group presents how the group portrayed each part of the cell with their bodies.
        • Next, students will create a scene with dialogue between the different parts of the cell.
          • Students will use their voice to embody the part of the cell. Students should consider the following questions. (Teachers will need to help students think abstractly about how to translate the role of the cell into a voice. For example, since the nucleus is the “boss” of the cell, it might have a big, booming voice.)
            • Pitch: Is the part of the cell's voice high or low?
            • Pace: Does the part of the cell speak quickly or slowly?
            • Volume: Does the part of the cell speak loudly or softly?
            • Tone: What is the emotional quality of the part of the cell’s voice (e.g., cheerful, gruff, calm)?
          • Allow time for students to write a short scene between the parts of the cell. Each part should have at least one line.

         

        Closing Reflection

        • Students will perform their scenes for the class. Discuss appropriate audience participation and etiquette prior to performances.
        • Ask the audience to identify each of the parts of the cell and how they were able to identify them. Ask them what voice qualities the performers used and how they reflect the role of the part of the cell.

         

        Assessments

        Formative

        Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, group discussion of the parts and roles of a cell, ability to form a tableau and write a scene demonstrating the roles of the parts of a cell.

         

        Summative

        CHECKLIST

        • Students can identify the parts of a cell and explain their roles.
        • Students can use tableau to identify and demonstrate the parts of a cell.
        • Students can write and perform scenes to explain the roles of the parts of a cell.

         

        DIFFERENTIATION 

        Acceleration: Provide students with a scenario, such as an infection or damage to an organism; students should write a scene in which the cell has to respond to the situation. Students’ scenes should demonstrate that they understand the role of a cell in the scenario.

        Remediation: 

        • Provide guided notes or graphic organizers for students to complete on the roles of the parts of a cell.
        • Do whole-group instruction to teach about the parts of the cell. Then have students create their tableaus and scenes.
        • Provide sentence-starters for scene and dialogue writing.

        *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

        Ideas contributed by: Mary Gagliardi and Katy Betts.

        Revised and copyright: June 2024 @ ArtsNOW

         

        Dancing Cells 6-8

        DANCING CELLS

        DANCING CELLS

        Learning Description

        In this lesson, students will choreograph dances to represent the roles and characteristics of different parts of a cell.

         

        Learning Targets

        GRADE BAND: 6-8
        CONTENT FOCUS: DANCE & SCIENCE
        LESSON DOWNLOADS:

        Download PDF of this Lesson

        "I Can" Statements

        “I Can…”

        •  I can work collaboratively to choreograph a dance that uses the elements of dance and movement qualities to communicate characteristics of the parts of a cell.

        • I can define the role and characteristics of the parts of a cell.

        Essential Questions

        • How can choreography be used to identify and describe the parts of a cell?

         

        Georgia Standards

        Curriculum Standards

        Grade 7:

        S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms. 

        1. Develop a model and construct an explanation of how cell structures (specifically the nucleus, cytoplasm, cell membrane, cell wall, chloroplasts, lysosome, and mitochondria) contribute to the function of the cell as a system in obtaining nutrients in order to grow, reproduce, make needed materials, and process waste.

        Arts Standards

        Grade 7:

        MSD.CR.1 Demonstrate an understanding of the choreographic process.

         

        MSD.CR.2 Demonstrate an understanding of dance as a form of communication.

         

        MSD.CN.3 Integrate dance into other areas of knowledge.

         

        South Carolina Standards

        Curriculum Standards

        Grade 6:

        6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

         

        Arts Standards

        Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

         

        Anchor Standard 2: I can choreograph a dance.

         

        Anchor Standard 3: I can perform movements using the dance elements. 

        Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

         

        Key Vocabulary

        Content Vocabulary

        • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

         

        • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 

         

        • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

        • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell 

         

        • Membrane - The thin, limiting covering of a cell or cell part

        • Chloroplast - A plastid containing chlorophyll

        Arts Vocabulary

        • Body - The physical instrument used by dancers to express movement, emotion, and artistry

        • Levels - The height of the movement, which can be low (close to the ground), middle (midway), or high (elevated)

        • Directions - The direction of movement, such as forward, backward, sideways, diagonal, up, and down

        • Pathways - The patterns made in space, like straight, curved, zigzag, or circular

        • Dynamics - The quality of movement, which can be smooth, sharp, sustained, percussive, swinging, or collapsing

        • Tempo - The speed of movement, which can be fast, moderate, or slow

        • Choreography - The art and practice of designing and arranging dance movements and sequences
        • Movement phrase - A sequence of movements that are connected and form a coherent unit of motion, much like a sentence in language  

         

        Materials

        • Sound source and music
        • Cards with cell parts written on them
        • Chart paper
        • Markers

         

        Instructional Design

        Opening/Activating Strategy

        • Begin by playing the Vocabulary Circle Game with your class.  
          • Put the vocabulary words (cell parts) on the board and, as a group, discuss adjectives that describe each cell part.  
          • Next, have students practice creating a movement or body shape to demonstrate that part of the cell. This can become a guessing game with students.

         

        Work Session

        • Next, divide students into small groups. Assign each group a part of the cell.
        • On chart paper, students should define the role of their part of the cell and use adjectives to describe its characteristics and overall shape.
        • Tell students that they will be using movement to demonstrate their part of the cell.
        • Turn on music that has a steady beat.
        • Introduce dance elements and movement qualities by practicing a typical call and response with students. Continue the call and response adding body movements.
          • Incorporate some of the aspects of the elements of dance/movement qualities such as levels, pathways, direction, changes in tempo, dynamics, etc. (e.g., shake your hands at a high level quickly; now shake them at a low level slowly).
          • Debrief the different movements with students asking them how movement can represent meaning.
        • Now, tell students to create a short movement phrase to represent their part of the cell. 
          • Remind students to use their adjectives as a guide. 
          • Students should use two or three dance elements and movement qualities such as body shape and dynamics intentionally in their choreography. 
          • Students should be able to explain how they used the elements to communicate characteristics of their part of the cell.

         

        Closing Reflection

        • Students will perform their dances for the class. Discuss audience etiquette with students prior to performances. 
        • After each group performs, the audience should identify which cell part they see in the dance sequence and what cell (plant or animal) it belongs to.
        • Groups should then explain how they used dance elements and movements qualities to show their part of the cell.

         

        Assessments

        Formative

        Teachers will assess students’ understanding by observing students’ responses during the activating strategy, ability to identify the role and characteristics of their part of the cell in small groups, contributions to choreography in small groups, and discussion after each performance.

         

        Summative

        CHECKLIST

        • Students can choreograph a movement phrase that uses the elements of dance and movement qualities to communicate characteristics of their part of the cell.
        • Students can define the role and characteristics of their assigned part of a cell.

         

        DIFFERENTIATION 

        Acceleration: 

        • In their groups, students should create a dance in which each student represents a different part of the cell.
        • Students should write about their dance and explain how the elements they used expressed different characteristics of the cell.

        Remediation: 

        • Work together as a whole class to choreograph a movement phrase for one part of the cell before having students do this in small groups.
        • To help with planning their choreography, provide a graphic organizer where students can write down the specific characteristics of their part of the cell and the dance element/movement quality that they will use to show that characteristic next to it. 

        *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

         Ideas contributed by: Melissa Dittmar-Joy. Updated by Katy Betts.

        Revised and copyright: June 2024 @ ArtsNOW

         

        Exploring Social Studies Through Playwriting 6

        Description

        Students use photos of people in real life events from the Zapatistas Movement as a springboard to write dialogue between the people in photograph. Students are paired up and create a scene that addresses the issues surrounding the Zapatistas Movement. By allowing your students to explore their knowledge of the Zapatistas Movement through the eyes of someone who was there, they learn empathy and better embody the subject matter. This exercise is a wonderful tool to increase presentation skills, empathy and ensemble in your classroom.

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