EARTH’S CHANGING SURFACE EXPLORING LANDFORMS THROUGH TEXTURE AND COLLAGE 5-6

EXPLORING LANDFORMS THROUGH TEXTURE AND COLLAGE

EXPLORING LANDFORMS THROUGH TEXTURE AND COLLAGE

Learning Description

Students will demonstrate their understanding of the constructive and destructive forces that create landforms by using additive and subtractive techniques in collage art. Students will incorporate the element of texture to demonstrate how these forces impact the surface of landforms.

 

Learning Targets

GRADE BAND: 5,6
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain how constructive and destructive forces change and shape Earth’s surface.
  • I can create a collage to demonstrate the effects of constructive or destructive processes.

Essential Questions

  • How do constructive forces change or shape Earth’s surface?
  • How can I use collage to demonstrate the forces that create landforms?

 

Georgia Standards

Curriculum Standards

Grade 5:

S5E1. Obtain, evaluate, and communicate information to identify surface features on the Earth caused by constructive and/or destructive processes.

a. Construct an argument supported by scientific evidence to identify surface features (examples could include deltas, sand dunes, mountains, volcanoes) as being caused by constructive and/or destructive processes (examples could include deposition, weathering, erosion, and impact of organisms).

b. Develop simple interactive models to collect data that illustrate how changes in surface features are/were caused by constructive and/or destructive processes.

Arts Standards

Grade 5:

VA5.CR.2 Create works of art based on selected themes.

VA5.CR.3 Understand and apply media, techniques, processes, and concepts of two-dimensional art.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-ESS2-2. Construct an explanation based on evidence for how geoscience processes have changed Earth’s surface at varying time and spatial scales.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

 

Key Vocabulary

Content Vocabulary

  • Constructive force - A natural process that builds up the Earth's surface, creating new landforms and adding to existing ones
  • Destructive force - A natural process that breaks down or wears away the Earth's surface, destroying or altering landforms
  • Weathering - The breakdown of rocks into smaller fragments without changing their chemical composition; it can be caused by wind, rain, hail, snow, water
  • Erosion - The natural process by which soil, rock, or other surface materials are worn away and transported from one location to another by agents such as water, wind, ice, or gravity
  • Deposition - The geological process by which sediments, soil, and rocks that are transported by wind, water, ice, or gravity are dropped or settled in a new location

Arts Vocabulary

  • Texture - The surface quality, or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture.
  • Shape - A flat, enclosed line that is always two-dimensional and can be either geometric or organic
  • Form - An object that is three-dimensional and encloses volume (cubes, spheres, and cylinders are examples of various forms) 
  • Collage - A composition developed by gluing colored paper, photographs, magazine pictures, fabric, and other two-dimensional materials onto a flat surface
  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc.; 2) Intensity: the purity and strength of the color (brightness or dullness); 3) Value: the lightness or darkness of the color (shades and tints)
  • Depth - How near or far something appears
  • Space - The distance or area between, around, above or within things. Positive space refers to the subject or areas of interest in an artwork, while negative space is the area around the subject of an artwork. It can be a description for both two and three-dimensional portrayals.
  • Additive techniques - Adding materials together to build up texture
  • Subtractive techniques - Removing material using techniques such as tearing or carving

 

Materials

 

Instructional Design

Opening/Activating Strategy

Teacher Note: In order to be successful in this unit students should be able to define constructive and destructive forces. Students should understand that landforms can change quickly or slowly over time. Students should be able to identify surface features caused by constructive and destructive forces.

  • Review science vocabulary.
  • Show students an example of a landform collage (slide two on landform collages slides).
  • Using this artwork, engage students in the See, Think, Wonder Artful Thinking Routine.
    • Tell students: Look at the artwork for a moment.
    • Ask students:
      • What do you see?
      • What do you think about what you see?
      • What do you wonder about?
      • Why would the artist display these landforms?
      • What material do you think the artist used?
      • Does this artwork show a constructive or destructive force?
      • How is the space being used in this artwork?

 

Work Session

  • Discuss the elements of art using the Elements of Art handout.
  • The teacher will display another example of a collage that shows a landform (slide three on landform collages slides).
    • Divide students into small groups. Assign each group a different element of art. Have each group identify where they see the element in the artwork. Share out as a class.
  • The teacher will display two pieces of artwork (waterfall and volcano–slide four on landform collages slides) and have students compare and contrast the art elements of texture, shape, and form found within.
    • Discuss how these pieces show different attributes: Constructive and destructive forces.
  • Display all types of landforms (slide one on landform collages slides) and discuss with students how they are formed. Allow students to share their understanding.
  • Show students an example of an additive relief sculpture and a subtractive relief sculpture. Ask students to think about how they could use subtractive techniques (like tearing away the top of corrugated cardboard) and additive techniques (layering materials to build up texture and form) to show constructive and destructive forces.
    • Ask students which technique would show constructive (additive) and which technique would show subtractive (destructive).
  • Explain to students that they will pick a landform and create their own collage using a variety of materials such as colored paper, construction paper, scrapbook paper, textured paper, sand paper, (corrugated cardboard can be good for destructive forces–tearing off the top surface), etc.
    • Tell students that they will be tearing materials rather than cutting them using scissors.
    • Students will focus on how they will use texture to show destructive and constructive forces.
    • Students will focus on how they can use additive and subtractive techniques (like layering and tearing) to correspond to destructive and constructive forces.
  • Label one side of the classroom “Constructive Forces” and the other side of the room “Destructive Forces”. Have students display their artwork on the correct wall.
  • Provide time for students to conduct a gallery walk to observe both constructive and destructive force collages.
  • Have students share their artwork with a partner and explain how their collage shows either a constructive or destructive force using texture and additive and subtractive techniques.

 

Closing Reflection

  • Have students complete a brief artist statement describing how they showed a constructive or destructive force using additive or subtractive techniques and texture. Students should explain why they chose the materials they did for their collage.

 

Assessments

Formative

  • Teacher observation of student discussion
  • Student planning for collage

 

Summative

  • Student collage with artist statement

DIFFERENTIATION 

Accelerated: 

  • Students will create a Flipgrid to explain the art method and the scientific process that is portrayed in their artwork.
  • Students can create two collages–one to show a destructive force and one to show a constructive force.

Remedial:

  • Partner students together to create the collage.
  • Allow students to orally present their artist statement rather than writing it.

 

CREDITS 

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL grant teacher leaders; Shannon Greene

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

EARTH’S CHANGING SURFACE THAT’S A RAP: CONSTRUCTIVE AND DESTRUCTIVE FORCES 5-6

THAT'S A RAP: CONSTRUCTIVE AND DESTRUCTIVE FORCES

THAT'S A RAP: CONSTRUCTIVE AND DESTRUCTIVE FORCES

Learning Description

Students will demonstrate their understanding of rhyme schemes to create a rap on constructive and destructive forces using stanzas, verses, and a chorus. Students will perform their raps for other students to identify rhyming words/vocabulary words.

 

Learning Targets

GRADE BAND: 5,6
CONTENT FOCUS: MUSIC & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain how constructive and destructive forces change or shape Earth’s surface.
  • I can understand and create lyrics using a simple rhyme scheme (AABB).
  • I can understand music has different sections and that some repeat (chorus) and some change (verse).
  • I can create a rap incorporating constructive/destructive vocabulary.

Essential Questions

  • How do constructive forces change or shape Earth’s surface?
  • How can music be used to represent constructive/destructive forces?
  • How can levels in dance be used to represent place value?

 

Georgia Standards

Curriculum Standards

Grade 5:

S5E1. Obtain, evaluate, and communicate information to identify surface features on the Earth caused by constructive and/or destructive processes.

a. Construct an argument supported by scientific evidence to identify surface features (examples could include deltas, sand dunes, mountains, volcanoes) as being caused by constructive and/or destructive processes (examples could include deposition, weathering, erosion, and impact of organisms).

b. Develop simple interactive models to collect data that illustrate how changes in surface features are/were caused by constructive and/or destructive processes.

Arts Standards

Grade 5:

M5GM.1 Singing, alone and with others, a varied repertoire of music.

M5GM.5 Composing and arranging music within specified guidelines.

M5GM.8 Understanding relationships between music, the other arts, and disciplines outside the arts.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-ESS2-2. Construct an explanation based on evidence for how geoscience processes have changed Earth’s surface at varying time and spatial scales.

Arts Standards

Anchor Standard 1: I can arrange and compose music.

Anchor Standard 3: I can sing alone and with others.

 

Key Vocabulary

Content Vocabulary

  • Constructive force - A natural process that builds up the Earth's surface, creating new landforms and adding to existing ones
  • Destructive force - A natural process that breaks down or wears away the Earth's surface, destroying or altering landforms
  • Weathering - The breakdown of rocks into smaller fragments without changing their chemical composition; it can be caused by wind, rain, hail, snow, water
  • Erosion - The natural process by which soil, rock, or other surface materials are worn away and transported from one location to another by agents such as water, wind, ice, or gravity
  • Deposition - The geological process by which sediments, soil, and rocks that are transported by wind, water, ice, or gravity are dropped or settled in a new location

Arts Vocabulary

  • Form/Composition - The organization of a piece (how the music is put together)
  • Rondo - A musical form in which one section (A) repeats between two or more contrasting sections
  • Tempo - The speed of the beat
  • Beat - The pulse underlying music
  • Rhythm - Long and short sounds and silences
  • Dynamics - Loud and soft sounds; volume

 

Materials

 

Instructional Design

Opening/Activating Strategy

In order to be successful in this unit students should be able to define constructive and destructive forces.  Students should understand that landforms can change quickly or slowly over time. Students should be able to identify surface features caused by constructive and destructive forces.

  • Review science vocabulary with students.
  • Discuss the following musical terms:
    • Beat - The pulse underlying music
    • Tempo - The speed of the beat
    • Rhythm - Long and short sounds and silences
    • Dynamics - Loud and soft sounds; volume
  • Have students join in with you creating a steady beat with claps. Continue with an eight count of snaps, taps, and stomps. Vary the tempo and the dynamics. Ask students what you are doing as you make these changes.
    • Tell students that body percussion is using your body to make sounds, such as clapping, snapping, stomping, etc.
  • Model for students how to use a simple sentence to form an eight count beat (My name is Chloe, and I like to play disc golf). It may help to write 1 2 3 4 5 6 7 8 on the board and point to each beat as you say the sentence rhythmically.
  • Have students work with a partner to create their own sentence spoken to an eight count.

 

Work Session

  • Show students a section of a Flocabulary on forces.
  • Discuss with students how the rap is delivered to the audience.
    • Ask students to make observations about the rhythm, beat, tempo, and dynamics.
  • Play the Flocabulary again and have students write down examples of rhyming words found throughout.
  • Review with students how a stanza rhyme scheme is formated (AABB).
    • Remind students of soft rhyming words (taste and place).
  • Work collaboratively as a class to write a chorus for the class song about constructive and destructive forces.
    • The chorus must:
      • Have four lines of eight beats each.
      • Follow the rhyme scheme AABB.
    • Next, tell students that they will work in small groups to create a verse about either a constructive or destructive force.
      • The verse must:
        • Have four lines of eight beats each.
        • Follow the rhyme scheme AABB.
        • Include relevant vocabulary words correctly.
      • Circulate to work with students as they compose their verses.
    • Explain to students that rondo form in music is a form in which one section (A) repeats between two or more contrasting sections.
      • For example, the chorus is Section A, verse one is Section B, verse two is Section C, and so on. The chorus, or section A, repeats between each verse, so the form looks like this: Section A, Section B, Section A, Section C, Section A, Section D…
    • Tell students that they will perform their class song in rondo form.
      • Together as a whole class, the class should perform the chorus (Section A) then take turns performing the verses.
      • Have the class keep a steady beat using body percussion throughout the performance.

 

Closing Reflection

  • Ask students to complete a 3-2-1 ticket out the door:
    • Three things they learned about constructive and destructive forces
    • Two musical terms they used and how they used them
    • One question they still have (about the musical or scientific terms)

 

Assessments

Formative

  • Teacher observation of students’ discussion and ability to identify musical elements in the Flocabulary rap
  • Teacher observation and “check-ins” throughout students’ composition time
  • 3-2-1 ticket out the door

 

Summative

  • Students will be assessed by the teacher using a rubric to identify the elements of their rap

DIFFERENTIATION 

Accelerated: 

  • Students will use Incredibox to compose a beat to accompany their rap.
  • Two groups will create a new choreographic sequence that compares their numbers to each other, digit by digit.

Remedial:

  • Allow students access to sentence stems if needed.

 

CREDITS 

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL grant teacher leaders

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

EARTH’S CHANGING SURFACE EXPLORING CONSTRUCTION AND DESTRUCTION THROUGH MUSIC AND MOOD 5-6

EARTH’S CHANGING SURFACE EXPLORING CONSTRUCTION AND DESTRUCTION THROUGH MUSIC AND MOOD

EARTH’S CHANGING SURFACE EXPLORING CONSTRUCTION AND DESTRUCTION THROUGH MUSIC AND MOOD

Learning Description

Students will listen to a variety of musical compositions and identify the tone and mood. Students will analyze how musical sounds relate to constructive or destructive processes using a four or eight count beat. Then, students will create an original composition that demonstrates constructive and destructive forces.

 

Learning Targets

GRADE BAND: 5-6
CONTENT FOCUS: MUSIC & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify surface features caused by destructive and constructive processes.
  • I can explain destructive and constructive processes shaping Earth’s crust through music

Essential Questions

  • What are the constructive/destructive processes that shape the Earth’s crust?
  • How can I use music to model the impact of destructive processes on Earth’s surface?

 

Georgia Standards

Curriculum Standards

Grade 5:

S5E1. Obtain, evaluate, and communicate information to identify surface features on the Earth caused by constructive and/or destructive processes.

a. Construct an argument supported by scientific evidence to identify surface features (examples could include deltas, sand dunes, mountains, volcanoes) as being caused by constructive and/or destructive processes (examples could include deposition, weathering, erosion, and impact of organisms).

b. Develop simple interactive models to collect data that illustrate how changes in surface features are/were caused by constructive and/or destructive processes.

Arts Standards

Grade 5:

ESGM5.RE.1 Listen to, analyze, and describe music.

a. Distinguish between repeating and contrasting sections, phrases, and formal structures (e.g. AB, ABA, verse/refrain, rondo, introduction, coda, theme/variations). b. Describe music using appropriate vocabulary (e.g. fortissimo/pianissimo, presto/largo/moderato/allegro/adagio, legato/staccato, major/minor), intervals (e.g. step, skip, repeat, leap), timbre adjectives (e.g. dark/bright), and texture (e.g. unison/harmony).

ESGM5.PR.2 Perform a varied repertoire of music on instruments, alone and with others. a. Perform rhythmic patterns with body percussion and a variety of instruments using appropriate technique.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-ESS2-2. Construct an explanation based on evidence for how geoscience processes have changed Earth’s surface at varying time and spatial scales.

Arts Standards

Anchor Standard 6: I can analyze music.

Anchor Standard 4: I can play instruments alone and with others.

 

Key Vocabulary

Content Vocabulary

  • Constructive force - A natural process that builds up the Earth's surface, creating new landforms and adding to existing ones
  • Destructive force - A natural process that breaks down or wears away the Earth's surface, destroying or altering landforms
  • Weathering - The breakdown of rocks into smaller fragments without changing their chemical composition; it can be caused by wind, rain, hail, snow, water
  • Erosion - The natural process by which soil, rock, or other surface materials are worn away and transported from one location to another by agents such as water, wind, ice, or gravity
  • Deposition - The geological process by which sediments, soil, and rocks that are transported by wind, water, ice, or gravity are dropped or settled in a new location

Arts Vocabulary

  • Tempo - The speed of the beat
  • Beat - The pulse underlying music.
  • Form/Composition - The organization of a piece (how the music is put together)
  • Dynamics - Loud and soft sounds; volume
    • Crescendo - Get louder
    • Decrescendo - Get softer (synonymous with diminuendo)

 

Materials

Two educational posters explain Earth’s changing surface. The left poster lists rapid (volcano, earthquake, tsunami, landslide) and slow changes (weathering, erosion). The right poster illustrates construction and destruction with clear drawings.

Chart showing quarter notes (1, 2, 3, 4) and eighth notes (1 + 2 + 3 + 4 +), illustrating how music and mood are shaped by rhythm—building and breaking patterns like construction and destruction.

Four illustrations labeled

A musical note on the left equals two musical notes connected by a beam on the right, illustrating that two eighth notes equal one quarter note.

https://www.libertyparkmusic.com/how-to-count-8th-notes-and-16th-notes/

https://www.incredibox.com/demo/ and https://musiclab.chromeexperiments.com/Shared-Piano/#3u3j9FYWb for acceleration

 

Instructional Design

Opening/Activating Strategy

In order to be successful in this unit students should be able to define constructive and destructive forces.  Students should understand that landforms can change quickly or slowly over time. Students should be able to identify surface features caused by constructive and destructive forces.

    • The teacher will display the following picture with the class to open discussion. Students and teacher will used “Think-Pair-Share” strategy to discuss the following guided questions (See/Think/Wonder Artful Thinking Routine):
      • Have students silently observe the image.
      • Ask students:
        • What do you see?
        • What do you think caused this to happen?
        • What do you wonder? Do you think this happened quickly or slowly over time? Why?

A large crack runs through the middle of a paved road, caused by an earthquake. People gather around the damaged area, inspecting the deep fissure and the surrounding destruction.

  • The teacher will give a brief description (definition) of the difference between a constructive and destructive force.
  • Students will listen to the teacher’s definition and then identify from the picture, which geological process would this be identified as (constructive or deconstructive). Students will state the reason for their choice.
  • Students will orally give their own definition of a constructive or destructive process to build their understanding.
  • Students will then engage in a variation of the See/Think/Wonder strategy using Hear/Think/Wonder as they respond to a song.
    • Tell the students we will listen to a piece composed by Gustov Holst entitled, “Mars” from The Planet. Play the first 1:20 minutes.
      • First time: Hear–Ask students to just listen to the sample and reflect on how the example makes them feel. What emotions come up? What instruments/sounds did they hear? What was the tempo?
      • Second time: Think–Ask students to listen for structural clues. How do the sections/sounds relate to one another (or do they)? Are there musical/sound questions posed and answered? Are any sounds/music repeating? What would it look like if the sounds were captured on paper?
      • Third time: Wonder–Ask questions about context. The composer wrote this music to represent a specific environment. What do you think he was thinking of and why?

 

Work Session

  • Review science and music vocabulary including tempo, beat, and dynamics.
  • Demonstrate the difference between quarter notes and eighth notes using body percussion and/or instruments. An eighth note would be played faster and four count would be played slower changing the tempo of the piece.
    • Show students the following image for clarity.

Chart showing quarter notes (1, 2, 3, 4) and eighth notes (1 + 2 + 3 + 4 +), illustrating how music and mood are shaped by rhythm—building and breaking patterns like construction and destruction.

  • Lead students in an echoing exercise using body percussion.
    • Perform an eight count of claps (one eighth note per clap). Students echo.
    • Perform an eight count of snaps (one eighth note per snap). Students echo.
    • Perform an eight count of alternating claps and snaps (one eighth note per each). Students echo.
    • Now, slow the tempo down so that each clap is a quarter note (four claps total). Students echo.
    • Using quarter notes, alternate claps and stomps (clap-stomp-clap-stomp). Students echo.
  • Next, add dynamics (how loud or soft a sound is).
    • Perform an eight count of claps (one eighth note per clap) starting loud and getting soft. This is called a decrescendo. Students echo.
    • Perform an eight count of alternating claps and stomps (one eighth note per each) starting soft and getting loud. This is called a crescendo. Students echo.
  • Show a couple images of constructive and destructive forces.
    • Ask students whether they think this shows a process that happens quickly or slowly. Then ask students whether they would compose a body percussion piece with eighth notes or quarter notes. Would they use a combination (starting fast and gradually slowing down)?
    • Ask students what the volume would be. Would they use a crescendo or a decrescendo?
  • Divide students into small groups. Tell students that they will compose a body percussion piece to demonstrate a constructive or destructive force.
  • Assign groups a constructive or destructive force to show.
    • Students should consider what the force would sound like and choose body percussion based on that information.
    • Pass out musical note cards to students (one set per group–eight cards total). Students must use four cards total in their composition.
      • Ask students to think about how fast or slow the constructive or destructive force occurs. Does it slow down over time like a volcano? Or speed up?
      • Remind students that two eighth notes equals one quarter note.

A musical note on the left equals two musical notes connected by a beam on the right, illustrating that two eighth notes equal one quarter note.

  • Students must decide the dynamics of their piece (how loud or soft) and if it should have a crescendo or decrescendo. Does the constructive or destructive force get louder or softer as it occurs?
  • Both the dynamics and the choice of composition (eighth notes and quarter notes) should directly connect to the constructive or destructive force they are showing.
  • Students will share their performance and receive peer feedback to improve their performance.
  • Students will go back to make necessary changes to improve their performance.
  • Allow time for students to rehearse.

 

Closing Reflection

  • Students will record finished performances using Flipgrid to later share with their peers. After performing, students should explain how they showed the constructive or destructive force through dynamics and tempo.
  • Alternatively, students can present in person. The audience can then identify how the group showed their force through dynamics and tempo.

 

Assessments

Formative

  • Teacher will observe students’ responses during See, Think, Wonder and Hear, Think, Wonder.
  • Teacher will observe students’ ability to distinguish between an eighth note and a quarter note.
  • Teacher will check-in with students as they compose their pieces to determine if they understand the connection between musical concepts, such as dynamics and tempo, and their assigned constructive or destructive force.

 

Summative

  • Students can create an original composition that demonstrates that they understand their assigned constructive or destructive force through their use of tempo and dynamics.
  • Students can verbally explain their constructive or destructive force and how they used tempo and dynamics to communicate the force’s process.

 

DIFFERENTIATION 

Accelerated: 

Remedial:

    • Students will use picture cards (see materials) to create their compositions. Students can sort the cards to represent the movement that would represent a constructive/destructive force of their choice.

 

Credits:

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL grant teacher leaders

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

THE ELEMENTS OF ART & NATURE 6-8

THE ELEMENTS OF ART & NATURE

THE ELEMENTS OF ART & NATURE

Learning Description

Air, Fire, Earth, and Water are four natural elements that have captivated the imagination for thousands of years. These elements are often used as inspiration for artists and authors because words and images associated with them can serve as symbolic representations of various aspects of life, such as emotion, personality, and even spiritual feelings. French artist Claude Monet’s iconic “Water Lilies” painting represents something that can’t be seen, reflection, tranquility, and serenity, in the beauty of nature surrounding his environment. In this lesson, students will create written and illustrated compositions using a variety of literacy and visual arts elements and processes.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: VISUAL ARTS & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use figurative language to describe theelements of nature in a short phrase.

  • I can write about my artwork and my artisticprocess clearly.
  • I can use color, shape, value and imagery toillustrate an element of nature.

Essential Questions

  • How can I use literacy strategies to write aboutan element of nature?

  • How can I use imagery and the Elements of Artof color, shape and value to illustrate anelement of nature?

 

Georgia Standards

Curriculum Standards

Grade 6:ELAGSE6W2 Write informative/explanatorytexts to examine a topic and convey ideas,concepts, and information through theselection, organization, and analysis ofrelevant content. a. Introduce a topic; organizeideas, concepts, and information, usingstrategies such as definition, classification,comparison/contrast, and cause/effect; includeformatting (e.g., headings), graphics (e.g.,charts, tables), and multimedia when useful toaiding comprehension. b. Develop the topicwith relevant facts, definitions, concretedetails, quotations, or other information andexamples. c. Use appropriate transitions toclarify the relationships among ideas andconcepts. d. Use precise language anddomain-specific vocabulary to inform about orexplain the topic. e. Establish and maintain aformal style. f. Provide a concluding statementor section that follows from the information orexplanation presented.ELAGSE6L5 Demonstrate understanding offigurative language, word relationships, andnuances in word meanings.

Grade 7:ELAGSE7W2 Write informative/explanatorytexts to examine a topic and convey ideas,concepts, and information through theselection, organization, and analysis ofrelevant content. a. Introduce a topic clearly,previewing what is to follow; organize ideas,concepts, and information, using strategiessuch as definition, classification,comparison/contrast, and cause/effect; includeformatting (e.g., headings), graphics (e.g.,charts, tables), and multimedia when useful toaiding comprehension. b. Develop the topicwith relevant facts, definitions, concretedetails, quotations, or other information andexamples. c. Use appropriate transitions tocreate cohesion and clarify the relationshipsamong ideas and concepts. d. Use preciselanguage and domain-specific vocabulary toinform about or explain the topic. e. Establishand maintain a formal style. f. Provide a concluding statement or section that followsfrom and supports the information orexplanation presented.ELAGSE7L5 Demonstrate understanding offigurative language, word relationships, andnuances in word meanings.

Grade 8:ELAGSE8W2 Write informative/explanatorytexts to examine a topic and convey ideas,concepts, and information through theselection, organization, and analysis ofrelevant content. a. Introduce a topic clearly,previewing what is to follow; organize ideas,concepts, and information into broadercategories; include formatting (e.g., headings),graphics (e.g., charts, tables), and multimediawhen useful to aiding comprehension. b.Develop the topic with relevant, well-chosenfacts, definitions, concrete details, quotations,or other information and examples. c. Useappropriate and varied transitions to createcohesion and clarify the relationships amongideas and concepts. d. Use precise languageand domain-specific vocabulary to informabout or explain the topic. e. Establish andmaintain a formal style. f. Provide a concludingstatement or section that follows from andsupports the information or explanationpresented.ELAGSE8L5 Demonstrate understanding offigurative language, word relationships, andnuances in word meanings.

Arts Standards

Grade 6:VA6.CR.1 Visualize and generate ideas forcreating works of art.VA6.CR.3 Engage in an array of processes,media, techniques, and/or technology throughexperimentation, practice, and persistence.VA6.CR.4 Incorporate formal and informalcomponents to create works of art.

Grade 7:VA7.CR.1 Visualize and generate ideas forcreating works of art.VA7.CR.3 Engage in an array of processes,media, techniques, and/or technology throughexperimentation, practice, and persistence.VA7.CR.4 Incorporate formal and informalcomponents to create works of art.

Grade 8:VA8.CR.1 Visualize and generate ideas forcreating works of art.VA8.CR.3 Engage in an array of processes,media, techniques, and/or technology throughexperimentation, practice, and persistence.VA8.CR.4 Incorporate formal and informalcomponents to create works of art.

 

South Carolina Standards

Curriculum Standards

Grade 6:WRITING - Meaning, Context, and CraftStandard 2: Write informative/explanatory textsto examine and convey complex ideas andinformation clearly and accurately through theeffective selection, organization, and analysisof content.1.1 Write arguments that: a. introduce afocused claim and organize reasons and evidence clearly; b. use information frommultiple print and multimedia sources; c.support claims with clear reasons and relevantevidence, using credible sources anddemonstrating an understanding of the topic ortext; d. use an organizational structure thatprovides unity and clarity among claims,reasons, and evidence; e. develop andstrengthen writing as needed by planning,revising, editing, rewriting; f. paraphrase,quote, and summarize, avoiding plagiarismand providing basic bibliographic informationfor sources; g. establish and maintain a formalstyle; and h. provide a conclusion that followsfrom and supports the argument.

Grade 7:WRITING - Meaning, Context, and CraftStandard 2: Write informative/explanatory textsto examine and convey complex ideas andinformation clearly and accurately through theeffective selection, organization, and analysisof content.1.1 Write arguments that: a. introduce claims,acknowledge alternate or opposing claims,and organize the reasons and evidencelogically; b. use relevant information frommultiple print and multimedia sources; c.support claims with logical reasoning andrelevant evidence, using accurate, crediblesources and demonstrating an understandingof the topic or text; d. use an organizationalstructure that provides unity and clarity amongclaims, reasons, and evidence; e. develop theclaim providing credible evidence and data foreach; f. develop and strengthen writing asneeded by planning, revising, editing,rewriting; g. paraphrase, quote, andsummarize, avoiding plagiarism and followinga standard format for citation; h. establish andmaintain a formal style and objective tone; andi. provide a concluding statement or sectionthat follows from and supports the argument.

Grade 8:WRITING - Meaning, Context, and CraftStandard 2: Write informative/explanatory textsto examine and convey complex ideas andinformation clearly and accurately through the effective selection, organization, and analysisof content.1.1 Write arguments that: a. introduce claims,acknowledge and distinguish the claims fromalternate or opposing claims, and organize thereasons and evidence logically; b. use relevantinformation from multiple print and multimediasources; c. support claims using validreasoning and a variety of relevant evidencefrom accurate, verifiable sources; d. use anorganizational structure that provides unity andclarity among claims, counterclaims, reasons,and evidence; e. develop the claim andcounterclaims providing credible evidence anddata for each; f. develop and strengthenwriting as needed by planning, revising,editing, rewriting; g. paraphrase, quote, andsummarize, avoiding plagiarism and followinga standard format for citation; h. establish andmaintain a formal style and objective tone; andi. provide a concluding statement or sectionthat follows from and supports the argument.

Arts Standards

Anchor Standard 1: I can use the elements andprinciples of art to create artwork.

Anchor Standard 2: I can use differentmaterials, techniques, and processes to makeart.

Anchor Standard 4: I can organize work forpresentation and documentation to reflectspecific content, ideas, skills, and or media.

Anchor Standard 7: I can relate visual artsideas to other arts disciplines, content areas, andcareers.

 

Key Vocabulary

Content Vocabulary

● Figurative language - Language enriched by word images and figures of speech

● Imagery – Imagery is a literary device that refers to the use of figurative language to evoke a sensoryexperience or create a picture with words for a reader

● Symbolism - Symbolism is a literary device in which a writer uses one thing—usually a physical object orphenomenon—to represent something more abstract.

Arts Vocabulary

● Color – Color in art refers to the way we see different shades and tones in pictures or paintings. It’s created when light waves hit an object’s surface and are then reflected back to our eyes.

● Shape - An enclosed line; it is two-dimensional and can be geometric or organic

● Value - The range of tone between blackand white (light and dark) that underlines color

● Illustration - A picture or diagram that explains or decorates

 

Materials

  • Colored copies of book pages, Water Can Be by Laura Purdie Salas (see “Additional Resources”) 
  • Pencils and erasers 
  • Brainstorming graphic organizer
  • White copy paper or writing journals for image brainstorming 
  • Black markers (thin, medium) 
  • White mixed media paper or cardstock for final artwork (teacher choice for size) ● Oil pastels 
  • Colored pencils, markers and/or crayons for image brainstorming

 

Instructional Design

Opening/Activating Strategy

  • Start with students gathered in a common area to analyze and respond to some of the works of French artist, Claude Monet.
  • Display several of Monet’s paintings incorporating water and ask students to engage in the See, Think, Wonder artful thinking routine about the paintings. ● After five minutes ask the students to turn and talk to another student about their thoughts and wonders. Students should notice that the commonality in all the paintings is water. ● Provide a few minutes to share their responses and jot them down on a “Wonder Wall” to capture their ideas. 
  • Explain to students that water is one of four elements found in nature (air, earth, fire and water) that are the building blocks of our existence and serve as inspiration for authors and artists around the world. 
  • Explain to students that part of the artistic process is responding to art, which includes how people feel when they see/create it. 
  • Facilitate a class discussion around the following questions. This can be done as a Think Pair Share/Turn and Talk. 

○ Did you have the same feelings about the paintings? 

○ Why did some make you feel a certain way? 

○ Did you SEE any feelings or emotions in the paintings? 

○ How did the artist represent emotions without actually putting them in the painting? ○ What pictures in your mind (imagery) did you see when thinking and wondering about the paintings? 

○ What specific images stood out to you, and what do those images

 

Work Session

  • Conduct a read-aloud with the book, Water Can Be (Optional: watch a read aloud video with the Author) by author Laura Purdie Salas and illustrator Violetta Dabija. ● Explain that the author and illustrator use symbolism and imagery in the book to encourage readers to visualize (imagery) the meaning of words. 
  • Watch a brief video on Symbolism in Literature. 
  • Use one of the book pages (see examples in “Additional Resources”) to model the process of determining meaning using imagery (optional video) or symbolism. ● Discuss the Elements of Art, color, shape, and value and provide examples using the Elements of Art handout. 

○ Ask students to identify where they see these elements in the illustration. ● Form small groups of students and distribute a different printed book page to each group.

○ With the teacher’s guidance, repeat the process from above and assess students’ understanding of the symbolism and elements within the illustration. 

  • Pass out blank white paper. Have students fold it into fourths so that they have four sections. Ask the students to practice drawing the four elements of nature using the elements of color (crayons, markers, or colored pencils), shape (organic, which is what we see in nature), and value (lightness and darkness). 

○ Remind students of how Monet’s paintings and the illustrations from Water Can Be were stylized and didn’t look exactly like what we would see in the real world. 

Explain the final artwork to students. 

  • Students will create an illustration of their selected element of nature using imagery and the Elements of Art of color, shape and value. 
  • Students will write a descriptive, informative, or creative phrase (no more than two words) using figurative language (symbolism) about the nature element they selected. Once the phrase is completed, students will add their written phrase neatly and creatively to the final illustrated composition. 

Teach/Model/Practice 

  • Display the following image: 
  • Ask students to look carefully and think about what they see, then solicit a few responses. ● Explain to students that this is an “illustration/artwork” of all four elements of nature. ● Discuss how the “illustrator/artist” created artwork using all the natural elements. Point out 

different parts of the artwork that stand out, such as the tree in the center, the use of warm and cool colors (show students a color wheel so that they understand warm and cool colors), the movement of organic shapes, etc. Provide a couple additional examples (see “Additional Resources”) so that students are clear about the expectations of their artwork. 

  • Tell students that in the artwork that they create, they will be selecting one element to depict instead of all four. 
  • Tell that students will be using oil pastels to create their illustrations. Explain the texture, vibrancy, and the ease of blending with this type of medium. 

○ Provide time for students to experiment with oil pastels on scratch paper creating: ■ Striking and vivid colors 

■ Intense shades of color 

■ Crisp lines and clear contrast 

■ Movement in organic shapes 

  • Distribute white paper and a couple of different oil pastel colors. 

Ask the students to draw one medium-sized organic shape and practice adding color and value to that shape. Tell students to practice blending their oil pastels by overlapping them. Explain that this medium is forgiving, but the pastels can’t erase if they make a mistake.

The mistake can be covered with other colors, but the students need to think about their plan for use before they just dive in to use the medium. 

Final Student Task Launch Activity (Whole Group) 

  • Provide each student with the brainstorming graphic organizer for writing down thoughts, words, imagery sketch ideas, or symbols. 
  • Display vivid photographs or images of the four elements (examples of elements of nature illustrations) and spend time analyzing, questioning, providing examples, and guiding the students. Discuss the elements of art and emphasize the ones they will incorporate in their final illustration. 
  • List the four elements of nature and ask each team to select one element that would inspire them. 

Final Student Task Application (Teams) 

  • In their groups, students will analyze and discuss the content of each team member’s graphic organizer and use a highlighter to emphasize great ideas, words, or representations that could be used to create the artwork or students’ phrases. 
  • Remind students that they will write a descriptive, informative, or creative phrase (no more than two words) using figurative language (symbolism) about the nature element they selected. Note: Each student is responsible for completing every task individually, but the final written phrase will be the same for each member of the team. 
  • Allow students to use resources such as an online thesaurus to create their phrases. Their phrases must meet the following requirements: 

○ Use no more than two words for the final phrase 

○ Use powerful and unique words that serve as a symbol for the element of nature or unique words that best represent the element of nature 

○ Write the final phrase neatly and creatively on the final illustration 

  • Students should take out their illustrations of the four elements that they previously created and share them with their teammates. They can discuss how each of them represented the different elements of nature. 

Creating Elements of Nature Artwork 

  • Pass out mixed media paper/cardstock, oil pastels, pencils, and black markers to students. 
  • Students can use their sketch for the final illustration that should align with the completed written phrase of their element of nature. 
  • Encourage students to sketch out their design in pencil before beginning with oil pastels. ● Remind students of the benefit of using oil pastels to emphasize color and value in their artwork. 
  • Tell students that if they want to use a thin or medium black marker before they use the oil pastels, they may do so. 
  • Students should add the final written phrase neatly and creatively to the illustration as if it were another page in the book they explored. 

Writing Artist Statements 

  • Students will write an artist statement about their work. Tell students that when artists show their artwork at galleries, they often include an artist statement to tell the viewer about their work. This is especially helpful for artwork that is abstract or uses lots of symbolism.
    • Students’ artist statements must include:

      ○ What inspired their artwork/why did they choose the element of nature that they did ○ What their two word phrase is and why they chose it 

      ○ What their artwork shows and how they showed it (e.g., using warm colors and curling lines to show the heat and movement of fire) 

      ○ How they made their artwork–this is where students will explain their process using sequential terms like first, next, last 

      • Allow time for students to engage in a peer review, editing and revising process.

 

Closing Reflection

● Allow either volunteers to share their artwork with their peers or display work and allow students to view each other's art through a gallery walk. This can be done with artist statements displayed next to students’ artwork.

 

Assessments

Formative

Teachers will assess students’ understanding through observing students’ responses during the activating strategy, discussion of symbolism in literature and art, ability to identify the Elements of Art, practice drawings exploring the different elements of nature, collaboration with groups to create a phrase about their element using imagery, planning and execution of final artwork, and conferencing with students during the writing process.

 

Summative

CHECKLIST 

  • Students can use figurative language to describe an element of nature in a short phrase. ● Students can use color, shape, value, and imagery to illustrate an element of nature. ● Students can write about their artwork and their process clearly meeting grade level standards and criteria.

 

Differentiation

Acceleration: 

  • Integrate with a STEAM Project: 

○ Provide students with a basket of everyday small household or nature items to build a new use for water. (Several ideas for materials include: bark, leaves, twigs, rubber bands, pipe cleaners, paper clips, or thimbles.) 

○ Ask students to draw a prototype of the new use and share it with the class. ○ Ask students to create a sales flier using the elements of line, color, and shape to market their new use for water. 

Remediation: 

  • Allow students to work with a partner to create their artwork. 
  • Provide a graphic organizer to help students structure their writing.

ADDITIONAL RESOURCES

Helpful Video Links 

● Symbolism in Literature 

Water Can Be read aloud by the author 

● What is Imagery Video 

Documents 

● Brainstorming graphic organizer 

● Examples of elements of nature illustrations 

Examples of book pages from Water Can Be

Otter feeder” Valley cloaker” “Salmon hIghway” “Bruise shrinker” 

Note: Copies of pages extracted/displayed from the book, Water Can Be, are only used to assist with content understanding.

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards. 

Ideas contributed by: Kim Spivey 

Revised and copyright: June 2024 @ ArtsNOW

REIMAGINING HISTORICAL FIGURES THROUGH PORTRAIT ART 6-8

REIMAGINING HISTORICAL FIGURES THROUGH PORTRAIT ART

REIMAGINING HISTORICAL FIGURES THROUGH PORTRAIT ART

Learning Description

In this lesson, students will compare and contrast the artwork of Kehinde Wiley to the artwork that inspired it. Similar to Wiley, students will creatively reinterpret a historical figure from their unit of study within the framework of another portrait artist’s work.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: VISUAL ARTS & SOCIAL STUDIES
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can compare and contrast Kehinde Wiley’s artwork to the artwork that inspired it.

  • I can create a unique work of art that reinterprets a historical figure from my unit of study within the framework of another portrait artist’s work.

  • I can explain how historical context impacts dynamics of power.

  • I can explain how replacing a figure from a portrait with a new figure changes the meaning of the artwork.

Essential Questions

  • How is Kehinde Wiley’s artwork similar and different to the artwork that inspired it?

  • How does historical context impact dynamics of power?

  • How does replacing a figure from a portrait with a new figure change the meaning of the artwork?

 

Georgia Standards

Curriculum Standards

Social Studies

This lesson can be used to teach any social studies standard that deals with power dynamics between two people groups. Listed below are example standards. 

 

Grade 6

SS6H1 Explain conflict and change in Latin America. 

  1. Describe the influence of African slavery on the development of the Americas.

SS6H2 Describe Quebec’s independence movement.

 

SS6H3 Explain conflict and change in Europe.

  1. Explain the rise of Nazism including preexisting prejudices, the use of propaganda, and events which resulted in the Holocaust.

 

SS6H4 Explain the impact of English colonization on current Aboriginal basic rights, health, literacy, and language.

 

Grade 7

SS7H1 Analyze continuity and change in Africa. 

  1. Explain how the Pan-African movement and nationalism led to independence in Kenya and Nigeria. 
  2. Explain the creation and end of apartheid in South Africa and the roles of Nelson Mandela and F.W.de Klerk.

 

SS7H3 Analyze continuity and change in Southern and Eastern Asia.

  1. Explain the historical factors contributing to the establishment of the modern State of Israel in 1948; include the Jewish religious connection to the land, antisemitism, the development of Zionism in Europe, and the aftermath of the Holocaust.

 

SS7H3 Analyze continuity and change in Southern and Eastern Asia.

  1. Describe how nationalism led to independence in India. b. Describe the impact of Mohandas Gandhi’s belief in non-violent protest. c. Explain the role of the United States in the rebuilding of Japan after WWII. d. Describe the impact of communism in China in terms of Mao Zedong, the Great Leap Forward, the Cultural Revolution, and Tiananmen Square.

 

Grade 8

SS8H1 Evaluate the impact of European exploration and settlement on American Indians in Georgia.

 

SS8H4 Explain significant factors that affected westward expansion in Georgia between 1789 and 1840.

  1. Analyze how key people (John Ross, John Marshall, and Andrew Jackson) and events (Dahlonega Gold Rush and Worcester v. Georgia) led to the removal of the Cherokees from Georgia known as the Trail of Tears.

 

SS8H6 Analyze the impact of Reconstruction on Georgia.

 

SS8H7 Evaluate key political, social, and economic changes that occurred in Georgia during the New South Era.

  1. Analyze how rights were denied to African Americans or Blacks through Jim Crow laws, Plessy v. Ferguson, disenfranchisement, and racial violence, including the 1906 Atlanta Race Massacre. c. Explain the roles of Booker T. Washington, W. E. B. DuBois, and Alonzo Herndon in advancement of the rights of African Americans or Blacks in the New South Era. d. Examine antisemitism and the resistance to racial equality exemplified in the Leo Frank case.

 

SS8H11 Evaluate the role of Georgia in the modern civil rights movement. 

  1. Explain Georgia’s response to Brown v. Board of Education including the 1956 flag and the Sibley Commission. b. Describe the role of individuals (Martin Luther King, Jr. and John Lewis), groups (SNCC and SCLC) and events (Albany Movement and March on Washington) in the Civil Rights Movement. c. Explain the resistance to the 1964 Civil Rights Act, emphasizing the role of Lester Maddox.

 

ELA

Grade 6

ELAGSE6W2 Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.

 

Grade 7

ELAGSE7W2 Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.

 

Grade 8

ELAGSE8W2 Write informative/explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.

Arts Standards

Grade 6

VA6.CR.1 Visualize and generate ideas for creating works of art. 

VA6.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA6.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

VA6.CR.4 Incorporate formal and informal components to create works of art.

 

Grade 7

VA7.CR.1 Visualize and generate ideas for creating works of art. 

VA7.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA7.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence. 

VA7.CR.4 Incorporate formal and informal components to create works of art.

 

Grade 8

VA8.CR.1 Visualize and generate ideas for creating works of art. 

VA8.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA8.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

VA8.CR.4 Incorporate formal and informal components to create works of art.

 

South Carolina Standards

Curriculum Standards

Social Studies

This lesson can be used to teach any social studies standard that deals with power dynamics between two people groups. Listed below are example standards. 

 

Grade 6

Standard 3: Demonstrate an understanding of the development of the Atlantic World from the invention of the printing press to the Industrial Revolution (i.e., 1450–1760). 

6.3.P Summarize the impact of the Transatlantic Slave Trade on ideological, political, and social systems in the Atlantic World.

6.3.CX Contextualize the experience of indigenous peoples due to expansion and the conflict that arose from it.

 

Standard 5: Demonstrate an understanding of the development of global interdependence from 1920 to the present. 

6.5.CO Compare the global movements that resulted in the advancement or limitation of human rights during the 20th and 21st centuries. 

6.5.CE Explain the impact of nationalism on global conflicts and genocides in the 20th and 21st centuries. 

 

Grade 8

Standard 1: Demonstrate an understanding of the development of South Carolina during the settlement and colonization of North America in the period of 1500– 1756. 

8.1.CC Analyze the changes and continuities of the Native Americans’ experiences prior to and as a result of settlement and colonization. 

 

Standard 2: Demonstrate an understanding of how South Carolinians and Americans created a revolutionary form of government during the period of 1757– 1815.

8.2.CC Analyze the continuities and changes of how different groups immigrated to and migrated within South Carolina. 

 

Standard 5: Demonstrate an understanding of the impact of world events on South Carolina and the United States from 1929 to present. 

8.5.CX Analyze the correlation between the Modern Civil Rights Movement in South Carolina and the U.S. 

 

ELA

WRITING (W) - Meaning, Context, and Craft (MCC)

Standard 2: Write informative/explanatory texts to examine and convey complex ideas and information clearly and accurately through the effective selection, organization, and analysis of content.

Arts Standards

Artistic Processes: Creating- I can make artwork using a variety of materials, techniques, and processes.

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

 

Artistic Processes: Responding- I can evaluate and communicate about the meaning in my artwork and the artwork of others.

Anchor Standard 5: I can interpret (read) and evaluate the meaning of an artwork.

 

Artistic Processes: Connecting- I can relate artistic ideas and work with personal meaning and external context.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Napoleon Bonaparte - A French military general who rose to prominence during the French Revolution and later became the Emperor of France. Napoleon is known for his strategic military prowess, leading France to numerous victories in battles across Europe.

  • Slavery - A historical and social institution where individuals are treated as property and are forced to work without personal freedom or compensation
  • Colonization - A historical process in which a powerful nation or group of people establishes control over a territory, often distant from their own, with the intention of exploiting its resources, economy, and people for monetary gain
  • Independence movement - ​​A collective effort by a group or community to assert and achieve political autonomy, sovereignty, and freedom from the control or rule of another political entity
  • Persecution - The act of unfairly and systematically mistreating or harassing individuals or a group based on their beliefs, ethnicity, race, or other distinguishing characteristics

Arts Vocabulary

  • Portrait - An artwork that is a representation of a person; it is a visual depiction that aims to capture the likeness, personality, and sometimes the mood or emotions of the individual being portrayed

  • Kehinde Wiley - An African American contemporary portrait artist
  • Master Painters - European painters who were considered the experts and authority on art at the time and depicted the height of civilization in the Western World; examples include Leonardo da Vinci, Michelangelo, and Rembrandt
  • Composition - How an artist uses the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork

 

Materials

  • White paper
  • Pencils
  • Markers, colored pencils, oil pastels, or paint

 

Instructional Design

Opening/Activating Strategy

  • Display Kehinde Wiley’s painting Napoleon Leading the Army over the Alps, 2005.
  • Ask students to work collaboratively to engage in the See, Think, Wonder protocol.
    • First, students will identify what they see in the image. Emphasize that they should make objective observations about the sculpture (i.e. physical features, colors, textures, etc.). 
    • Next, ask students to identify what they think about the image. Emphasize that students should be creating inferences using visual evidence from the artwork. 
    • Finally, ask students what they wonder about the image. 
  • Facilitate a class-wide discussion around students’ observations, inferences, and questions.

 

Work Session

SESSION 1

  • Display Jacques-Louis David’s painting Napoleon Crossing the Alps, 1801, and Napoleon Leading the Army over the Alps by Kehinde Wiley, 2005, side by side.
  • Using a Venn diagram, students should work collaboratively to compare and contrast the two artworks.
  • Briefly discuss who Napoleon was, what he did, and what his goals were for context. 
  • Next, explain who Kehinde Wiley is.
    • Wiley is an African American contemporary portrait artist. His father is from Nigeria and his mother from the United States.
    • Wiley uses many European artworks from the 18th and 19th centuries painted by the European master painters and reimagines them with people of color, sometimes from pop culture, such as the hip hop artist, Ice T.
      • Ask students to discuss in groups why they think Wiley does this.
      • In whole-class discussion, help students understand the cause and effect relationship between European colonization and independence movements and civil rights movements.
        • For example, connect European colonization with slavery (such as in the Transatlantic Slave Trade or wiping out indigenous cultures and people such as with the Aborigines in Australia or the Native Americans in the Americas, or Apartheid in South Africa). Help students then connect this to independence movements and civil rights movements in various countries.
  • Ask students how replacing a figure from a portrait with a new figure changes the meaning of the artwork.
  • Provide students with options for other artworks of Kehinde Wiley to compare and contrast to the artwork that inspired it.

 

SESSION 2

  • Tell students that they will be reimagining a real or fictional historical figure from their unit of study by reinterpreting a portrait like Kehinde Wiley does in his artwork.
    • Explain to students that a portrait in art is a visual depiction of a person in art. All of the artworks students looked at previously in the lesson were examples of portraits.
    • A real historical figure could be someone like Dr. Martin Luther King, Jr. if students are studying the Civil Rights Movement. If students are studying the independence movement in India, students might select someone like Mohandas Gandhi. If students are creating a fictional person, such as an indigenous person in a colonized territory, that person should be someone who could realistically be from the historical context.
    • Students should first select a painting to use as a basis for their artwork.
    • Next, students should create a rough sketch of their new artwork on blank white paper. Encourage students to think about how the artists of the artworks that they looked at used the whole space/canvas in their composition, paying attention to the positive space (subject/person) and negative space (background).
    • Once they’ve created a rough sketch, they should draw their final draft in pencil. Using colored pencils, markers, or another art material like oil pastels or paint, students should add color to their artwork.
    • Finally, students should write a paragraph that explains how they used the original artwork and reimagined it with a new historical figure. Students should explain who the historical figure is, the historical context, and how they reimagined the figure. Students should explain how replacing a figure from the artwork that they chose with a new figure changed the meaning of the artwork.

 

Closing Reflection

  • In small groups of four to five, students should present their portraits to their classmates.
    • Students should explain who they depicted, the historical context, and how they used the original artwork as a basis for their artwork. 
    • Students should also explain why they picked that artwork to reimagine and how replacing a figure from the artwork that they chose with a new figure changed the meaning of the artwork.

 

Assessments

Formative

Teachers will assess students’ understanding by observing whether students can compare and contrast two artworks, identify an important historical figure and explain why she or he was influential, and explain how replacing one figure with another figure can change the meaning of an artwork.

 

Summative

CHECKLIST

  • Students can reimagine a real or fictional historical figure from their unit of study by creating a portrait of this person in the context of another painting.
  • Students are able to explain who the historical figure is, the historical context, and how they reimagined the figure.

 

DIFFERENTIATION 

Acceleration: Students should research the original painting that they are using to reimagine their historical figure. Students should learn about the artist and the historical and social context for the artwork. Students should then evaluate how replacing the figure from the portrait with a new figure changes the meaning of the artwork. Students can create a presentation about the artwork in the medium of their choice–written form, PowerPoint, visual art, etc. 

Remediation: 

  • Allow students to compare and contrast two artworks using a Venn diagram or another type of graphic organizer as an assessment instead of a written paragraph.
  • Allow students to work together to compare and contrast two artworks using a Venn diagram or another type of graphic organizer.
  • Provide a graphic organizer/sentence starters for students to write their paragraphs.

 

 ADDITIONAL RESOURCES

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Katy Betts

Revised and copyright:  May 2024 @ ArtsNOW