ART BOTS SC FOUNDATIONAL 4-5

ART BOTS

ART BOTS

Learning Description

In this integrated STEAM lesson, students explore motion and energy by designing and building simple “Art Bots” using battery packs, hobby motors, pool noodles, and markers. As they construct their bots, students observe how an electric circuit powers movement and how unbalanced design causes wobbling motion that produces abstract art.

After building and testing their robots, students will personify their bot in a creative writing prompt: “What do you think your Art Bot would say if it could talk?”.

They will write a narrative describing their bot’s personality, drawing style, and movement patterns. This encourages the use of descriptive language while reinforcing the science concepts of energy and motion. Students conclude with a gallery walk, where they display their robot-generated artwork.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: STEAM & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can build a simple circuit to power a motor.
  • I can explain how unbalanced forces affect motion.
  • I can use the engineering design process to create and improve my Art Bot.
  • I can analyze how design choices impact the movement and artwork created by my bot.
  • I can create a character for my Art Bot.
  • I can write a fictional narrative inspired by my Art Bot.

Essential Questions

  • How do unbalanced forces affect motion?
  • How do a motor and battery work together to power movement?
  • How can I use the engineering design process to improve my Art Bot?
  • What design choices influence how my bot moves and draws?
  • How can creating an Art Bot character inspire narrative writing?

 

Georgia Standards

Curriculum Standards

SCIENCE

Grade 4:

S4P3: Obtain, evaluate, and communicate information about the relationship between balanced and unbalanced forces and the motion of an object.

Grade 5:

S5P3: Obtain, evaluate, and communicate information about magnetism and electric circuits.

ELA

Grade 4:

4.T.T.1.e Apply narrative techniques (e.g., character, setting, problem, resolution, and dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a conclusion.

Grade 5:

5.T.T.1.e Apply narrative techniques (e.g., character, setting, conflict, climax, resolution, and dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a conclusion.

Arts Standards

VA.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA.CR.4 Understand and apply media, techniques, and processes of three-dimensional art.

 

South Carolina Standards

Curriculum Standards

SCIENCE

Grade 4:

4-PS3-2. Make observations to provide evidence that energy can be transferred from place to place by sound, light, heat, and electric currents.

4-PS3-4. Apply scientific ideas to design, test, and refine a device that converts energy from one form to another.

ELA

Grade 4: ELA.C.3: Write narratives to develop real or imagined experiences using effective techniques.

ELA.4.C.3.1 Write narratives developing real or imagined experiences. When writing: a. establish a situation and setting; b. introduce a narrator and/or characters; c. organize a plot structure; d. use narrative techniques such as dialogue, descriptive language, and sensory details to develop events, setting, and characters; e. use a variety of transitional words and phrases to sequence events; and f. provide an ending that follows from the narrated experiences or events.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Circuit – A complete path through which electricity flows
  • Motor – A device that converts electrical energy into movement
  • Unbalanced force – A force that causes an object to start moving, stop moving, or change direction
  • Vibration – A rapid back-and-forth motion that can create movement

Arts Vocabulary

  • Line – A continuous mark made on some surface by a moving point. It may be two dimensional, like a pencil mark on a paper or it may be three dimensional (wire) or implied (the edge of a shape or form) often it is an outline, contour or silhouette.
  • Shape – A flat, enclosed line that is always two-dimensional and can be either geometric or organic
  • Pattern – Repetition of specific visual elements such as a unit of shape or form
  • Texture (visual) – The surface quality, or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture.
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork
  • Collaboration – Working together to create something new
  • Abstract art – Art that does not try to represent real life realistically; often made with shapes, colors, and lines

 

Materials

  • Hobby motors
  • Battery packs (with AA batteries)
  • Pool noodles (cut into smaller sections)
  • Thin markers
  • Tape (masking or electrical)
  • Small weights (paperclips, washers, etc.)
  • Scissors
  • Googly eyes
  • Pipe cleaners
  • Foam shapes

 

 

Instructional Design

Opening/Activating Strategy

  • Engage:
    • Hook: Show a short video of a scribble bot or demonstrate an Art Bot in action.
    • Discussion–Ask students:
      • What do you notice about how it moves?
      • What might be making it move this way?
      • How could we create something similar?

Work Session

Explore – Building the Art Bots

  • Ask: What materials and design choices will help us create a wobbling Art Bot?
  • Imagine: Have students brainstorm ideas for how to make an artbot using the provided materials.
  • Plan: Students sketch their design and label the parts and materials they will use.
  • Create: Show students how to create their bots.
    • Attach a motor to a small battery pack.
    • Insert the motor into the center of a pool noodle piece.
    • Tape thin markers as "legs" to hold the bot upright.
    • Add weights to one side of the motor shaft to create an unbalanced motion.
  • Have students place their bot on plain white paper. Turn on the motor and test the movement.

Explain – Connecting to Science Concepts

  • Discuss how the unbalanced forces created by the off-center motor make the bot wobble.
  • Relate the motion to concepts like vibration, force, and circuits.
  • Ask students to describe what happened when they turned their bot on.

Improving the Design

  • Improve: Students analyze their bot’s movement and adjust its design to change the motion or artwork produced.
  • Encourage experimentation:
    • Change marker placement for different drawing effects.
    • Add or remove weights to alter movement.
    • Adjust motor positioning to control wobbling direction.
  • Ask your students to think of their Art Bot as an artistic partner! Ask students what they could add to this artwork to bring it to life. Could they turn the bot's movements into something meaningful or funny or beautiful?
    • Students will use crayons, colored pencils, or markers to transform the bot’s random motion drawings into imaginative creations (e.g., turning loops into flowers, zig-zags into roller coasters, spirals into galaxies).
  • Ask students to name their collaborative artwork.
  • Have students respond to the following writing prompt: What do you think your Art Bot would say if it could talk? Describe its personality, how it moves, and what kind of art it creates. Be creative and use descriptive details.
    • Encourage students to:
      • Give their bot a name and voice.
      • Use descriptive language to explain the movement (e.g., wiggle, spin, shake).
      • Describe the bot’s drawing style (e.g., messy, circular, zigzaggy).

Have students write a fictional narrative in which the art bot is the main character. Students’ writing should have a setting, plot structure, characters, descriptive words and phrases, and a clear ending.

 

Closing Reflection

  • Turn your classroom into a gallery!
    • Lay artworks on desks or hang them around the room.
    • Have students walk through the gallery, viewing each other’s bot collaborations.

 

Assessments

Formative

  • Teachers will assess student learning through:
    • Observation of student engagement and participation.
    • Questioning during discussions to check understanding.
    • Peer discussions about design choices.

Summative

  • Art Bot demonstration: Each student will showcase their bot and explain how design choices impacted movement answering the following questions.
    • How did unbalanced forces affect your bot’s motion?
    • What design change improved your bot the most?
  • Students’ written response to the prompt and students’ narratives.
  • Reflection: Students’ will complete a written or oral discussion of how they followed the engineering design process and what they would do differently next time.

 

Differentiation

Accelerated: 

  • Ask students to modify their bot to create a specific pattern or shape.
  • Challenge students to:
    • Write a first-person narrative from the Art Bot’s point of view.
    • Use figurative language (similes/metaphors).
    • Add a conflict or challenge: e.g., “My markers ran out of ink in the middle of my masterpiece!”.
    • Create a dialogue between their Art Bot and another Bot.
  • Introduce Scratch: Students can create digital “bot” animations or stories reflecting the movement of their physical bots.

 

Remedial:

  • Provide pre-wired circuits to simplify the process.
  • Provide extended time for building and reflecting.
  • Offer verbal instructions paired with written guides.
  • Allow for alternative methods of documentation (photos, audio).
  • Provide a sentence starter template: “My Art Bot’s name is ____. It moves like a ____. It draws with ____. If it could talk, it would say,’”
  • Use a word bank with words like: Spin, shake, draw, color, happy, silly, messy, fast, slow
  • Allow oral storytelling
  • Use a partner storytelling activity where students build the story with peer support.

 

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

MAIL YOUR TROUBLES AWAY 5

MAIL YOUR TROUBLES AWAY

MAIL YOUR TROUBLES AWAY

Learning Description

Students will create a postcard representing a problem or worry that they will “mail” away. The postcard will include imagery of the problem, solution to the problem, or both. On the back, students will write a note about the problem to be “mailed” away.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: VISUAL ARTS & HEALTH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use artistic processes to help regulate, manage, and find solutions for emotions.
  • I can use imagery and color to communicate ideas.

Essential Questions

  • How can visualizing problems help us manage them?
  • How can imagery and color be used as a tool for communication?

 

Georgia Standards

Curriculum Standards

HE5.1 Students will comprehend concepts related to health promotion and disease prevention to enhance health.

HE5.1.c Describe and apply the basic health concept of mental and emotional well-being.

HE5.4 Students will demonstrate the ability to use interpersonal communication skills to enhance health and avoid or reduce health risks.

HE5.4.a Apply effective verbal and nonverbal communication skills to enhance health.

Arts Standards

VA5.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA5.PR.1 Plan and participate in appropriate exhibition(s) of works of art to develop identity of self as artist.

VA5.CR.5 Demonstrate an understanding of the safe and appropriate use of materials, tools, and equipment for a variety of artistic processes.

VA5.RE.1 Use a variety of approaches for art criticism and to critique personal works of art and the artwork of others to enhance visual literacy.

VA5.CN.3 Develop life skills through the study and production of art (e.g. collaboration, creativity, critical thinking, communication).

 

South Carolina Standards

Curriculum Standards

Standard 1: “Students will comprehend concepts related to health promotion and disease prevention to enhance health” (NHES, 2007).

M-5.1.1 Describe coping strategies to promote mental health.

Standard 6: “Students will demonstrate the ability to use goal-setting skills to enhance health” (NHES, 2007).

M-5.6.1 Develop a plan to reduce and manage stress.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Benchmark VA.CR I can combine several elements of art to express ideas.

Indicator VA.CR NM.1.2 I can combine several elements of art to construct 2D or 3D artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Benchmark VA.CR NM.2 I can use some materials, techniques, and tools to create artwork.

Indicator VA.CR NM.2.1 I can use two-dimensional art materials to explore ways to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

Benchmark VA.P NL.4 I can show and describe the idea of my artwork.

Indicator VA.P NL.4.2 I can describe my artwork.

 

Key Vocabulary

Content Vocabulary

  • Problem - A situation, question, or condition that needs to be addressed, solved, or improved because it creates difficulty, uncertainty, or an obstacle to a desired goal
  • Solution - The answer, method, or action that successfully addresses a problem, removes an obstacle, or meets a need

Arts Vocabulary

  • Imagery - The pictures, symbols, or visual representations that communicate ideas, emotions, or stories
  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc.; 2) Intensity: the purity and strength of the color (brightness or dullness); 3) Value: the lightness or darkness of the color (shades and tints)

 

Materials

  • Cardstock cut to the size of a postcard
  • Pencils
  • Markers, colored pencils, or other drawing materials
  • Examples of postcards

 

 

Instructional Design

Opening/Activating Strategy

  • Arrange various postcards around the room. Have students stand by the one that resonates the most with how they are feeling at the moment.
  • Provide time for students to discuss with those who chose the same postcard why they chose it.
  • As a whole class, discuss the various postcards and what messages/emotions they convey. Ask students how the colors and imagery contribute to their meaning.

Work Session

  • Have students reflect on a problem that they wish they could “mail away”.
  • In their sketchbooks, have students brainstorm ideas for imagery that either represent the problem, the solution to their problem, or both.
  • After students have generated several ideas, have them narrow them down to the best idea.
  • Have them draw out a “rough draft” in their sketchbook. Remind students that they should be intentional about color and space in their composition.
    • Students should either use color or label color in their plans.
  • Once students have finished their rough drafts, they will begin their final draft on postcard sized cardstock. Students should begin in pencil and then finish with drawing materials.
  • On the reverse side of their “postcard”, students will write a note about the problem. It could be worded as a description or as a note to themselves or someone else.

 

Closing Reflection

  • Have students gather in a circle or display the postcards on a wall or table.
  • Ask students who wish to, to share their artwork and, if they feel comfortable, read or summarize the message they wrote on the reverse side.
  • As a symbolic gesture, have students “mail” their postcards into a box or envelope, representing the act of releasing the problem.
  • End with a short reflection on how creating art may have shifted their perspective or lightened their emotional load.

 

Assessments

Formative

  • Observe whether students can use imagery and color to reflect their ideas during the planning process.
  • Observe students’ discussion/responses during the activator.

Summative

 

Differentiation

Accelerated: 

  • Have students create a postcard series that represents the problem and solution. The descriptions on the back should “tell the story” of the problem and solution.

 

Remedial:

  • Brainstorm imagery together as a class.
  • Allow students to use a different medium, such as collage.

 

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL Grant Teacher Leaders–Chad Itnyre, Kristen Alvarez, Leah Patel, Lucerito Gonzalez, Tamu Clayton, Sandra Cash, Erin Smullen, Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  August 2025 @ ArtsNOW

 

THE MASKS WE WEAR 5

THE MASKS WE WEAR

THE MASKS WE WEAR

Learning Description

Students will discuss how people “wear” masks to cover their true feelings. Students will view masks of various cultures and how color, line, shape, and expression are used in masks.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: VISUAL ARTS & HEALTH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can create a mask using the elements of art that depict a feeling or emotion.

Essential Questions

  • How can I use the elements of art to create a mask that represents a feeling or emotion?

 

Georgia Standards

Curriculum Standards

HE5.1 Students will comprehend concepts related to health promotion and disease prevention to enhance health.

HE5.1.c Describe and apply the basic health concept of mental and emotional well-being.

Arts Standards

VA5.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA5.PR.1 Plan and participate in appropriate exhibition(s) of works of art to develop identity of self as artist.

VA5.CR.5 Demonstrate an understanding of the safe and appropriate use of materials, tools, and equipment for a variety of artistic processes.

VA5.RE.1 Use a variety of approaches for art criticism and to critique personal works of art and the artwork of others to enhance visual literacy.

VA5.CN.3 Develop life skills through the study and production of art (e.g. collaboration, creativity, critical thinking, communication).

 

South Carolina Standards

Curriculum Standards

Standard 1: “Students will comprehend concepts related to health promotion and disease prevention to enhance health” (NHES, 2007).

M-5.1.1 Describe coping strategies to promote mental health.

Standard 7: “Students will demonstrate the ability to practice health-enhancing behaviors and avoid or reduce health risks” (NHES, 2007).

M-5.7.1 Model behaviors that promote healthy relationships with family and peers.

M-5.7.2 Demonstrate positive self-management skills.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Benchmark VA.CR I can combine several elements of art to express ideas.

Indicator VA.CR NM.1.2 I can combine several elements of art to construct 2D or 3D artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Benchmark VA.CR NM.2 I can use some materials, techniques, and tools to create artwork.

Indicator VA.CR NM.2.2 I can use three-dimensional art materials to explore ways to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

Benchmark VA.P NL.4 I can show and describe the idea of my artwork.

Indicator VA.P NL.4.2 I can describe my artwork.

 

Key Vocabulary

Content Vocabulary

  • Emotions - The feelings we experience in response to what happens around us or inside our minds
  • Expression -  The movement or arrangement of facial muscles that conveys a person’s emotions, intentions, or reactions—such as smiling, frowning, raising eyebrows, or widening eyes

Arts Vocabulary

  • Symmetry - A sense of balance and harmony created when elements on one side of a composition mirror or correspond to elements on the other side
  • Balance - This is a sense of stability in the body of work. Balance can be created by repeating the same shapes and by creating a feeling of equal visual weight.
  • Contrast - The arrangement of opposite elements in a composition (light vs. dark, rough vs. smooth, etc.) Similar to variety, which refers to the differences in a work, achieved by using different shapes, textures, colors and values.
  • Symbolism - The use of images, colors, objects, or figures to represent ideas, emotions, or concepts beyond their literal meaning
  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc.; 2) Intensity: the purity and strength of the color (brightness or dullness); 3) Value: the lightness or darkness of the color (shades and tints)
  • Line - A continuous mark made on some surface by a moving point. It may be two dimensional, like a pencil mark on a paper or it may be three dimensional (wire) or implied (the edge of a shape or form) often it is an outline, contour or silhouette.
  • Shape - A flat, enclosed line that is always two-dimensional and can be either geometric or organic
  • Value - This describes the lightness or darkness of a color. Value is needed to express volume.
  • Texture - The surface quality, or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture.

 

Materials

 

 

Instructional Design

Opening/Activating Strategy

  • Show students expressive masks from various cultures such as African tribal masks, Japanese Noh masks, Greek theater masks, etc.
    • Ask students:
      • What emotions do you think these masks are showing?
      • What do you see (colors, lines, shapes) that makes you say that?
      • Facilitate a discussion about the role of masks–why do people wear them? Ask students if we “wear” masks in our daily lives. Ask them to discuss with a partner a time when they wore a “mask” and what purpose it served.

Work Session

  • Discuss the Elements of Art and have students explore the elements and how they can show emotions in their sketchbooks.
    • Line: jagged for anger, wavy for calm, swirly for confusion, etc.
    • Color: red for anger, blue for sadness, yellow for joy, etc.
    • Shape/Form: sharp vs. soft shapes to convey intensity or gentleness
    • Texture: rough = tension, smooth = peace
    • Value: light/dark contrast to show drama or calm
  • Provide or have students brainstorm a list of emotion/feeling words. Have each student select one to convey in their mask.
  • In their sketchbooks, students should plan out their designs for their masks. Students should label how they’ll use each element to express that emotion.
  • After students have designed their masks, students should use the mask templates, collage materials, and/or drawing tools to bring their masks to life.
    • Encourage creative texture and layering for depth and dimension.

 

Closing Reflection

  • Gallery walk: Display masks around the room. Have students circulate and observe how their classmates conveyed emotions through masks; students should leave sticky notes with feedback about how students used the Elements of Art to convey emotion.
  • Artist statement: Each student should write or present a short reflection:
    • What emotion does your mask represent?
    • Which Elements of Art did you use to express it?
    • What other design choices did you make and why?

 

Assessments

Formative

  • Observe students’ responses to the opening discussion.
  • Circulate the room and guide students in the creative process. Observe whether students can use the Elements of Art to convey their chosen emotion.

Summative

 

Differentiation

Accelerated: 

  • Have students design a character to go with their mask. Students should continue to use the Elements of Art to design their characters. Students can then name their characters.

 

Remedial:

  • Create a short list of emotions for students to choose from.
  • Brainstorm as a class how the Elements of Art can be used to convey emotion. Create anchor charts of each element to post on the walls.
  • Provide students with pre-cut masks.
  • Limit student materials to a manageable amount.

 

Additional Resources

  • Color chart showing common color uses for feelings and emotions.
  • Line chart that shows common uses for color and emotions.

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL Grant Teacher Leaders–Chad Itnyre, Kristen Alvarez, Leah Patel, Lucerito Gonzalez, Tamu Clayton, Sandra Cash, Erin Smullen

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  August 2025 @ ArtsNOW

 

TRANSFORMATION COLLAGE 5

TRANSFORMATION COLLAGE

TRANSFORMATION COLLAGE

Learning Description

Students will create a collage that takes a concrete written thought about themselves or the world and change it. Each student will write down thoughts on a square and must transform that square into a collage that is positive.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: VISUAL ARTS & HEALTH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use the art of collage to express myself and create meaning.
  • I can change objects and thoughts.
  • I can use artistic processes to help me transform my thoughts and feelings.

Essential Questions

  • How can we change objects or thoughts?
  • How can we apply artistic processes to assist us in transforming our thoughts and feelings?

 

Georgia Standards

Curriculum Standards

HE5.1 Students will comprehend concepts related to health promotion and disease prevention to enhance health.

HE5.1.c Describe and apply the basic health concept of mental and emotional well-being.

Arts Standards

VA5.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA5.PR.1 Plan and participate in appropriate exhibition(s) of works of art to develop identity of self as artist.

VA5.CR.5 Demonstrate an understanding of the safe and appropriate use of materials, tools, and equipment for a variety of artistic processes.

VA5.RE.1 Use a variety of approaches for art criticism and to critique personal works of art and the artwork of others to enhance visual literacy.

VA5.CN.3 Develop life skills through the study and production of art (e.g. collaboration, creativity, critical thinking, communication).

 

South Carolina Standards

Curriculum Standards

Standard 1: “Students will comprehend concepts related to health promotion and disease prevention to enhance health” (NHES, 2007).

M-5.1.1 Describe coping strategies to promote mental health.

Standard 6: “Students will demonstrate the ability to use goal-setting skills to enhance health” (NHES, 2007).

M-5.6.1 Develop a plan to reduce and manage stress.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Benchmark VA.CR I can combine several elements of art to express ideas.

Indicator VA.CR NM.1.2 I can combine several elements of art to construct 2D or 3D artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Benchmark VA.CR NM.2 I can use some materials, techniques, and tools to create artwork.

Indicator VA.CR NM.2.1 I can use two-dimensional art materials to explore ways to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

Benchmark VA.P NL.4 I can show and describe the idea of my artwork.

Indicator VA.P NL.4.2 I can describe my artwork.

 

Key Vocabulary

Content Vocabulary

  • Feelings - Conscious experiences we have in response to emotions, thoughts, or sensory input
  • Thoughts - The mental processes we use to make sense of information—such as ideas, opinions, beliefs, and problem-solving
  • Change - The process of becoming different, whether in form, nature, or condition

Arts Vocabulary

  • Collage - A composition developed by gluing colored paper, photographs, magazine pictures, fabric, and other two-dimensional materials onto a flat surface
  • Watercolor wash - A painting technique where a thin, diluted layer of watercolor paint is applied evenly across the paper to create a smooth background or base of color

 

Materials

  • 9X12 black paper
  • 6X6 mixed media paper
  • Pencils
  • Permanent markers
  • Glue
  • Oil pastels
  • Chart paper–one for each word–each labeled with “happiness”, “sadness”, “fear”, “anger”, and “surprise”
  • Paint chip samples or other colored papers in a variety of shades
  • The Perfect Square by Michael Hall read aloud (Story Time in the Galleries)
  • Sketchbook
  • Watercolor paints
  • Paint brushes
  • Water cups
  • Paper towels
  • Optional: Scissors

 

 

Instructional Design

Opening/Activating Strategy

  • Direct students’ attention to the chart paper posted around the room labeled with the following emotions: happiness, sadness, fear, anger, and surprise.
  • Pass out paint chip samples–one per student. Have students write a feeling/emotion word on it. Students should choose words other than the ones on the chart paper.
  • Have students post their paint chip on poster paper with the emotion that it most relates to.
  • Provide students several minutes to circulate and read the various words. Ask them to observe whether they see any similarities among the colors chosen for each of the emotions.

Work Session

  • Have students spend a few minutes reflecting on what makes them feel sad, angry, or fearful. Students should write down words associated with these things.
  • Next, pass out square pieces of paper. Have students use permanent markers to write their feeling words on the paper.
  • Have students identify colors that are associated with these feelings.
    • Using watercolors, students should use a watercolor wash to paint their entire square paper in the color(s) they identified.
  • While their paper is drying, read The Perfect Square with students.
    • Facilitate a discussion about how the square changed throughout the story.
  • Next, have students tear their paper into small pieces.
  • They will then rearrange the pieces into something positive (it can be representational or nonrepresentational) and glue them down on 9X12 paper.
    • Students should plan their composition in their sketchbooks and play with placement before gluing the pieces down.
    • Provide students with oil pastels to add details to their collages.

 

Closing Reflection

  • Provide students the opportunity to share their original feelings/emotions written on the paper and what they transformed them into.
  • Encourage students to share their design process.

 

Assessments

Formative

  • Teachers will observe whether students can identify feeling-related words and associate them with colors.
  • Teachers will observe students during the planning and artmaking process.

Summative

 

Differentiation

Accelerated: 

  • Have students add a written component to their work, such as an artist statement or poem.

 

Remedial:

  • Provide students with/create a class list of examples of positive symbols to choose from.

 

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL Grant Teacher Leaders–Chad Itnyre, Kristen Alvarez, Leah Patel, Lucerito Gonzalez, Tamu Clayton, Sandra Cash, Erin Smullen

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  August 2025 @ ArtsNOW

 

SHOE FOR YOU 5

SHOE FOR YOU

SHOE FOR YOU

Learning Description

Students will design a shoe for a classmate that reflects their personal qualities. They will use lines, shapes, colors, and symbols to show the traits and characteristics that make that peer unique.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: VISUAL ARTS & HEALTH
LESSON DOWNLOADS:

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"I Can" Statements

“I Can…”

  • I can create a shoe that conveys another person’s personality and character traits using the Elements of Art.
  • I can use lines, colors, shapes, and symbols to communicate meaning.

Essential Questions

  • How can we use the Elements of Art to design a shoe that conveys another person’s personality and character traits?

 

Georgia Standards

Curriculum Standards

HE5.1 Students will comprehend concepts related to health promotion and disease prevention to enhance health.

HE5.1.c Describe and apply the basic health concept of mental and emotional well-being.

HE5.4 Students will demonstrate the ability to use interpersonal communication skills to enhance health and avoid or reduce health risks.

HE5.4.a Apply effective verbal and nonverbal communication skills to enhance health.

Arts Standards

VA5.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA5.PR.1 Plan and participate in appropriate exhibition(s) of works of art to develop identity of self as artist.

VA5.CR.5 Demonstrate an understanding of the safe and appropriate use of materials, tools, and equipment for a variety of artistic processes.

VA5.RE.1 Use a variety of approaches for art criticism and to critique personal works of art and the artwork of others to enhance visual literacy.

VA5.CN.3 Develop life skills through the study and production of art (e.g. collaboration, creativity, critical thinking, communication).

 

South Carolina Standards

Curriculum Standards

Standard 1: “Students will comprehend concepts related to health promotion and disease prevention to enhance health” (NHES, 2007).

M-5.1.1 Describe coping strategies to promote mental health.

Standard 7: “Students will demonstrate the ability to practice health-enhancing behaviors and avoid or reduce health risks” (NHES, 2007).

M-5.7.1 Model behaviors that promote healthy relationships with family and peers.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Benchmark VA.CR I can combine several elements of art to express ideas.

Indicator VA.CR NM.1.2 I can combine several elements of art to construct 2D or 3D artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Benchmark VA.CR NM.2 I can use some materials, techniques, and tools to create artwork.

Indicator VA.CR NM.2.1 I can use two-dimensional art materials to explore ways to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

Benchmark VA.P NL.4 I can show and describe the idea of my artwork.

Indicator VA.P NL.4.2 I can describe my artwork.

 

Key Vocabulary

Content Vocabulary

  • Personal attributes - The qualities, traits, or characteristics that make up an individual’s personality and behavior
  • Identity - The set of characteristics, beliefs, experiences, and qualities that make a person or group unique and recognizable

Arts Vocabulary

  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc.; 2) Intensity: the purity and strength of the color (brightness or dullness); 3) Value: the lightness or darkness of the color (shades and tints)
  • Line - A continuous mark made on some surface by a moving point. It may be two dimensional, like a pencil mark on a paper or it may be three dimensional (wire) or implied (the edge of a shape or form) often it is an outline, contour or silhouette.
  • Shape - A flat, enclosed line that is always two-dimensional and can be either geometric or organic
  • Value - This describes the lightness or darkness of a color. Value is needed to express volume.
  • Texture - The surface quality, or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture.
  • Space - The distance or area between, around, above or within things. Positive space refers to the subject or areas of interest in an artwork, while negative space is the area around the subject of an artwork. It can be a description for both two and three-dimensional portrayals.
  • Form - An object that is three-dimensional and encloses volume (cubes, spheres, and cylinders are examples of various forms)

Materials

A collection of 14 colorful, hand-drawn high-heeled shoe designs, each uniquely decorated with various patterns, symbols, and themes, are displayed in a grid on a white background.

A grid of 16 hand-drawn, uniquely decorated sneakers, each with colorful, imaginative patterns and themes, including animals, nature, holidays, and abstract designs. A website link appears at the bottom.

 

 

Instructional Design

Opening/Activating Strategy

  • Display examples of shoe art from the Bata Shoe Museum.
    • Ask students what they see, what they think, and what they wonder about the designs.
    • Have students identify the Elements of Art that they see in the shoes.
    • Facilitate a discussion about what the different designs communicate and how the artist used the Elements of Art to do that.
      • Have students discuss what they think the artist’s inspiration and process might have been.
    • Have students pair up (the teacher can assign partners, have them choose, or draw from a hat) and interview each other to discover their personal likes, dislikes, hobbies, etc.
      • The following is a sampling of questions students could ask:
        • What are your hobbies?
        • Do you collect anything?
        • What's your favorite color?
        • What's your favorite animal?
        • Who is your hero?
        • What is something that always makes you smile?

Work Session

  • Tell students that they will use this information to create a shoe that represents their partner.
  • Show various examples of shoes, such as the ones in the “Materials” section. Have students discuss what they think the artist’s process was to design the shoe.
    • Students should identify where they see the Elements of Art in the shoe designs.
  • Have students brainstorm and generate ideas for their shoes in their sketchbooks.
    • Discuss how the information that they gathered about their partner can be expressed visually. Have students explore different ways to visually communicate information in their sketchbooks.
    • Students should narrow down their ideas and select their favorite.
  • Pass out final artwork paper and shoe templates (if you are using them), and have students draw their shoe outlines and designs using pencil.
  • Then, have students use markers or colored pencils to add color and interest to their shoes.

 

Closing Reflection

  • Hang the finished pieces of artwork and have students guess who each shoe is representing based on the designs.
  • Provide students the opportunity to share their shoe designs and describe their process.

 

Assessments

Formative

  • The teacher will observe students’ ability to identify the Elements of Art in shoe artwork.
  • The teacher will observe whether students can use color, shape, line, and symbols to communicate meaning about their partner throughout the planning and creation process.

Summative

 

Differentiation

Accelerated: 

  • Provide students with a choice of materials, including paint, markers, oil pastels.
  • Have students create a sculpture of their shoe instead of a drawing.
  • Have students draw their shoes by hand rather than use a template.
  • Have students add value to their shoes to make them look three-dimensional.

 

Remedial:

  • Provide students with shoe templates.
  • Brainstorm as a class how to represent ideas through visuals.

 

Additional Resources

  • Color chart showing common color uses for feelings and emotions
  • Symbols chart that shows common uses for color and emotions

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: SAIL Grant Teacher Leaders–Chad Itnyre, Kristen Alvarez, Leah Patel, Lucerito Gonzalez, Tamu Clayton, Sandra Cash, Erin Smullen

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  August 2025 @ ArtsNOW