SING ME A STORY 4-5

SING ME A STORY

SING ME A STORY

Learning Description

In this lesson, students will explore how music contributes to the meaning of a story through the use of storybooks that were inspired by songs.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: MUSIC & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use musical vocabulary to explain what I hear in a song.
  • I can use good posture, breath support, and accurate pitch while singing.
  • Grade 4: I can explain how images and music add meaning to a story.
  • Grade 5: I can compare and contrast a print text and a multimedia version of the same text.

Essential Questions

  • How does analyzing and evaluating music help me understand its meaning?
  • How can I use my voice to express emotions and communicate a message?
  • Grade 4: What do images and music add to a story?
  • Grade 5: How does reading a text compare to listening to and singing a song?

 

Georgia Standards

Curriculum Standards

Grade 4:

4.P.AC.1.d Describe, analyze, and evaluate the design and organization of the text, explaining how specific formats, structures, patterns, and features influence the audience, contribute to the text’s accessibility, and support the text’s purpose.

 

Grade 5:

5.P.AC.1.d Describe, analyze, and evaluate the design and organization of the text, explaining how specific formats, structures, patterns, and features influence the audience, contribute to the text’s accessibility, and support the text’s purpose.

Arts Standards

ESGM.PR.1 Sing a varied repertoire of music, alone and with others.

ESGM.RE.1 Listen to, analyze, and describe music.

ESGM.RE.2 Evaluate music and music performances.

ESGM.CN.2.c Describe and demonstrate performance etiquette and appropriate audience behavior.

 

South Carolina Standards

Curriculum Standards

Grade 4:

ELA.4.AOR.10.1 Determine and explain how visuals (e.g., illustrations, photographs, maps) and/or multimedia elements (e.g., video, audio) contribute to the meaning of a print or non-print text.

 

Grade 5:

ELA.5.AOR.10.1 Compare and contrast a print format of a text (e.g., literary, informational) to a non-print format (e.g., film, image, performance), explaining each media’s portrayal of the subject.

Arts Standards

Anchor Standard 3: I can sing alone and with others.

Anchor Standard 6: I can analyze music.

Anchor Standard 7: I can evaluate music.

 

Key Vocabulary

Content Vocabulary

  • Determine and explain - Find out and make clear by describing
  • Compare and contrast - Identify what is similar; what is different
  • Texts - Can include, but is not limited to, materials such as books, magazines, newspapers, movies, paintings, television shows, songs, political cartoons, online materials, advertisements, maps, digital media, infographics, podcasts, charts, graphs, diagrams, notes, captions, lab reports, scenarios, and works of art

Arts Vocabulary

  • Lyrics - Words to a song
  • Instrumental - Music with instruments and no lyrics or singing
  • Pitch - The highness or lowness of sound
  • Rhythm - Long and short sounds and silences
  • Dynamics - Loud and soft sounds; volume
  • Tempo - The speed of the beat
  • Timbre -The distinctive quality of sounds; the tone color or special sound that makes one instrument or voice sound different from another
  • Form - The organization of a piece (how the music is put together)
  • Articulation - How a performer moves from one note to the next; how notes are connected or not

 

Materials

  • Projection board with internet access
  • Implements for completing writing assignments
  • Graphic organizer for comparison
  • Printed song lyrics
  • Song recording
  • Story book
  • Harvard Project Zero Thinking Routines

 

 

Instructional Design

Opening/Activating Strategy

Hear, Think, Wonder (modification of See, Think, Wonder Harvard Project Zero Thinking Routine)

  • Prepare students for a “Hear, Think, Wonder” listening activity by telling students they are going to listen to a song excerpt (do not reveal title yet!) (**Song and book suggestions are in the Additional Resources section of the lesson plan) and answer three prompts. Students will need implements for documenting their responses. **Make sure only the music is played without showing the accompanying video! This practice allows deeper analysis of the musical sounds!
    • “I hear”: What sounds are heard, not what they think they hear. Musical sounds can include pitch (high/low sounds), rhythm (long/short), dynamics (loud/soft), tempo (fast/slow), timbre (instruments), form (same [repetition], different [contrasting]), articulation (smooth/detached).
    • “I think”: What does the music make you think about? Draw an appropriate image that the music makes you think about.
    • “I wonder”: What “wonderings” do you have? Wonderings are generally questions.
  • Students listen without talking the first time and answer the first prompt (I hear) using words or images.
    • Tell students to “Turn and Talk” about their response with a neighbor.
    • Call on students to share responses with the class.
      • Restate students’ responses. All responses are acceptable.
    • Students listen without talking a second time and answer the second prompt (“I think” and draw) using words and images.
      • Tell students to “Turn and Talk” about their responses with a neighbor.
      • Call on students to share responses with the class.
        • Restate students’ responses. All responses are acceptable.
        • Ask students, “What did you hear in the music to make you think about …?” or “What did you hear in the music to make you draw…?” to encourage deeper connections to the music.
      • Discuss how students’ drawings help them understand the song’s meaning.
      • Students listen without talking a third time and answer the third prompt (I wonder) using words or images. **The “I think” and I wonder” prompts can be combined into one listening event instead of two separate events.
        • Tell students “Turn and Talk” about their responses with a neighbor.
        • Call on students to share responses with the class.
          • Restate students’ responses. All responses are acceptable.
          • Tell students that they are going to be learning how images, words, and music contribute to the meaning of text.

Work Session

  • Provide students with the printed lyrics of the song they just listened to. Read the lyrics together. Help students annotate key words, phrases and imagery.
    • For younger students, read a selection, such as a verse or a chorus, out loud.
  • Discuss:
    • What message do the lyrics tell?
    • What words or phrases stand out?
    • Discuss how the images help tell the message.
  • Play the full audio version of the song with lyrics. Students listen without talking and answer “How does hearing the music with lyrics add to your understanding of the message?”.
    • Tell students to “Turn and Talk” about their responses with a neighbor.
    • Call on students to share their responses with the class.
      • Restate students’ responses. All responses are acceptable.
    • Play the song with lyrics again while students sing along. Teacher reminds students to demonstrate good posture, breath support, and accurate pitch while singing.
    • Display the storybook that accompanies the song. Tell students that the book was inspired by the song.
      • Play the song version of the book the first time while students listen and watch.
      • Play the song version of the book a second time and encourage students to sing along. Teacher reminds students to demonstrate good posture, breath support, and accurate pitch while singing.
    • Discuss how the visuals in the book help students understand the song’s meaning.
      • Document responses on the board.
    • Ask students which format (printed lyrics only, song with lyrics, illustrations in the book accompanied with music) did they prefer? Why?
      • Students document their responses then share their responses with the class.
    • 4th Grade: Ask students to explain how each media format adds meaning; have them identify what each medium added.
    • 5th Grade: Have students complete a graphic organizer, such as a Venn diagram, comparing the media formats to encourage deeper comparisons of the media’s portrayal and effectiveness.

 

Closing Reflection

  • 4th Grade: Have students explain how each media format adds meaning; have them identify what each medium added.
  • 5th Grade: Have students share their comparisons of the different media’s portrayals.

 

Assessments

Formative

  • Teacher observation of students’ engagement and participation in “Turn and Talk”, class discussions, and singing
  • Responses to Hear, Think, Wonder

Summative

  • Written responses to reflective and discussion questions
  • 5th grade: Completion of comparison graphic organizer

 

 

Differentiation

Accelerated: 

  • Students can create their own short song story with illustrations.

 

Remedial:

  • Provide sentence stems and graphic organizers.
  • Allow multiple listenings to the music.
  • Provide individual copies of the text.
  • Allow students to draw images for responses instead of words.
  • Allow students to work with a partner.

 

Additional Resources

 

Credits

Ideas contributed by: Dr. Rue S. Lee-Holmes

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION 4-5

INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

Learning Description

Integrating dance and choreography into writing can enhance the narrative by adding dynamic expression, rhythm, and movement to the storytelling process. The purpose of integration is for students to watch dance and use context clues to identify the main idea and supporting details. Students will also use brainstorming, identifying a main idea and supporting details, as a device to create choreography.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: DANCE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the main idea and supporting details in a text, conversation, or performance to better understand and explain its overall message.
  • I can use the main idea and supporting details to create choreography.

Essential Questions

  • How can identifying the main idea and supporting details in choreography enhance our understanding and interpretation of a dance performance?

 

Georgia Standards

Curriculum Standards

Grade 4:

4.T.T.1.c Identify and describe common themes in texts (e.g., good vs. evil) that are revealed through details about characters.

4.T.T.1.e Apply narrative techniques (e.g., character, setting, problem, resolution, and dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a conclusion.

 

Grade 5:

5.T.T.1.b Analyze how setting, events, conflict, and characterization contribute to the plot.

5.T.T.1.e Apply narrative techniques (e.g., character, setting, conflict, climax, resolution, and dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a conclusion.

Arts Standards

ESD.CR.1 Demonstrate an understanding of the choreographic process.

ESD.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD.RE.1 Demonstrate critical and creative thinking in dance

ESD.CN.1 Identify connections between dance and other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 4:

ELA.4.OE.3 Make inferences to support comprehension.

ELA.4.AOR.6.1 Summarize a text to enhance comprehension:

a. include plot, theme, and relevant key details for a literary text; and b. include a central idea and relevant supporting details for an informational text.

 

Grade 5:

ELA.5.OE.3 Make inferences to support comprehension.

ELA.5.AOR.1 Evaluate and critique key literary elements that enhance and deepen meaning within and across texts.

ELA.5.AOR.6.1 Summarize a text to enhance comprehension:

a. include plot, theme, and relevant key details for a literary text; and b. include a central idea and relevant supporting details for an informational text.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

  • Author – A writer of a book, article, or report
  • Main idea – The main idea is the central point or message of a text
  • Supporting detail – The statements that support (go along with) the main idea
  • Setting – The place or type of surroundings where something is positioned or where an event takes place
  • Character – A person in a novel, play, or movie

Arts Vocabulary

  • Choreography: The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Choreographer – The person who designs or creates a dance piece
  • Body – The dancer’s body and how it is used
  • Types of energy:
    • Percussive – Refers to the quality of movement characterized by sharp starts and stops;staccato jabs of energy
    • Suspended – Occurs in a moment of resistance to gravity, such as the instant in which a dancer hangs in space at the top of a leap
    • Sustained – Smooth and unaccented; there is not apparent start or stop, only a continuity of energy
    • Swinging – Established by a fall of gravity, a gain in momentum, a loss of momentum,and the repeated cycle of fall and recovery, like that of a pendulum
    • Vibratory – A quality of movement characterized by rapidly repeated bursts of percussive movements like “a jitter”
  • Space:
    • Level – One of the aspects of movement (there are three basic levels in dance: high,middle, and low)
    • Pathway – Designs traced on the floor as a dancer travels across space; the designs traced in the air as a dancer moves various body parts
    • Shape – Refers to an interesting and interrelated arrangement of body parts of one dancer; the visual makeup or molding of the body parts of a singular dancer; the overall visible appearance of a group of dancers
  • Time:
    • Tempo – Refers to the pace or speed of movement
  • Action:
    • Locomotor – A movement that travels through space
    • Non-locomotor – A movement that does not travel through space

 

Materials

  • A selected piece of choreography to watch
  • Brainstorm planning bubbles or concept map
  • Music
  • Paper and pencils

 

 

Instructional Design

Opening/Activating Strategy

  • Discuss the similarities between a choreographer and an author, such as how both are creators and storytellers.
  • Watch a selected piece of choreography.
  • Have students identify the story elements in the choreography–who are the characters? What is the setting? What was the beginning, middle, and end?
  • Have students identify the main idea and supporting details in the choreography.
    • Have students infer what the choreography was about using supporting details from the choreography.

Work Session

  • As a whole group, discuss how choreographers plan choreography just how writers brainstorm for their writing/essay.
  • Practice a brainstorm for choreography together exploring different types of movements, levels, and energy qualities (see Arts Vocabulary).
  • Break students into small groups.
  • Assign or have groups select a main idea/topic for their choreography.
  • Have students brainstorm for their choreography using a concept map, web, brainstorming bubbles, or other type of strategy.
  • Remind students to keep in mind the elements of dance: body, action, space, time, and energy, and how they can be used to help express their thoughts/ideas (see Arts Vocabulary).
    • For younger students, focus on a limited number of elements.
  • Have students create and share their choreography.
  • Have students write and/or illustrate the story of their choreography including the main idea and supporting details displayed in the dance.
    • Stories should have characters, setting, and a beginning, middle, and end.

 

Closing Reflection

  • After watching each group's choreography, the audience (class) will identify the movements they saw in the choreography that were the supporting details of the main idea of the choreography.
  • Students will answer: How did these movements help you understand the main idea/story?

 

Assessments

Formative

  • While groups are working on choreography, ask the students questions about their choreography and choreographic choices.
    • What is the main idea?
    • What supporting details are in your choreography?
    • Have them demonstrate them to you.

Summative

  • Ask the choreographers to tell you or write about their choreographic process and how they selected the movements.
  • Have students write or illustrate the story of their choreography including the main idea and supporting details displayed in the dance.
    • Stories should have characters, setting, and a beginning, middle, and end.

 

 

Differentiation

Accelerated: 

  • Require students to include locomotor and non-locomotor movements.

 

Remedial:

  • Create a dance collaboratively as a class.
  • Teacher will assign the main idea or it can be determined from a text.
  • Have each group create choreography for one of the supporting details
  • As a whole class, arrange the supporting details in a sequence to best support the main idea.

 

Credits

Ideas contributed by: Melissa Dittmar-Joy.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

MOVEMENT BY CHANCE: EXPLORING DANCE AND DATA PATTERNS 4-5

EXPLORING DANCE AND DATA PATTERNS

MOVEMENT BY CHANCE: EXPLORING DANCE AND DATA

Learning Description

Students will explore the concept of chance dance, inspired by Merce Cunningham, while simultaneously developing data interpretation skills. Students will begin by learning about Cunningham’s innovative approach, where movements are determined randomly using dice, coins, or digital tools. Working in small groups, they will create short dance sequences by assigning movements to numbers and rolling dice to determine how many times each movement will be performed. After performing their sequences, students will record data on movement frequency, patterns, and transitions. They will then analyze this data using charts or graphs, discussing trends and drawing conclusions about how randomness influences artistic composition. This lesson merges creative expression with mathematical thinking, encouraging students to see patterns in both dance and data.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: DANCE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can create a chance dance sequence using randomization.
  • I can analyze movement patterns by collecting and interpreting data.

Essential Questions

  • How can we use data interpretation to analyze and understand patterns created through chance dance?

 

Georgia Standards

Curriculum Standards

Grade 4:

4.PAR.3.2 Use input-output rules, tables, and charts to represent and describe patterns, find relationships, and solve problems.

 

Grade 5:

5.MP Display perseverance and patience in problem-solving. Demonstrate skills and strategies needed to succeed in mathematics, including critical thinking, reasoning, and effective collaboration and expression. Seek help and apply feedback. Set and monitor goals.

Arts Standards

ESD.CR.1 Demonstrate an understanding of the choreographic process.

ESD.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD.RE.1 Demonstrate critical and creative thinking in dance

ESD.CN.1 Identify connections between dance and other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 4:

4.MDA.4 Create a line plot to display a data set (i.e., generated by measuring length to the nearest quarter-inch and eighth-inch) and interpret the line plot.

 

Grade 5:

5.MDA.2 Create a line plot consisting of unit fractions and use operations on fractions to solve problems related to the line plot.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

  • Data - Facts and statistics collected together for reference or analysis
  • Analyze - Examine methodically and in detail the constitution or structure of something, especially information, typically for purposes of explanation and interpretation
  • Interpret - Explain the meaning of information, words, or actions
  • Charts - A sheet of information in the form of a table, graph, or diagram
  • Graphs - A diagram showing the relation between variable quantities, typically of two variables, each measured along one of a pair of axes at right angles
  • Fraction - A numerical quantity that is not a whole number

Arts Vocabulary

  • Merce Cunningham - American modern dancer and choreographer who developed new forms of abstract dance movement
  • Chance Dance - Chance dance is a choreography technique that uses chance to determine the order of a sequence of movements. It can also refer to a movement activity where participants create a dance using a random method like rolling dice.
  • Choreography - The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Choreographer - The person who designs or creates a dance piece
  • Form - How a dance/choreography is structured (put together)
  • Level - One of the aspects of movement (there are three basic levels in dance: high, middle, and low)

 

Materials

 

 

Instructional Design

Opening/Activating Strategy

  • Create a short dance with students using a movement list to select from.
    • Example movement list:
      • Jump
      • Hop
      • Clap
      • Turn
      • Slide
      • Change levels
      • Change directions
    • Explain to the students that a piece of choreography is a collection of data.
    • Using the data/choreography, create a chart/graph to represent all the steps in the dance.
    • Explore various types of charts/graphs that can be used to display the data/choreography.

Work Session

  • Watch video/discuss who Merce Cunningham is and how he used the concept of chance to create dances.
  • Discuss how this concept applies to dancers and choreographers.
  • Break class into groups.
  • Give each group and set of movement cards (each group's cards should be the same) and one die.
  • Tell the students to randomly select a card then roll the die to indicate the number of times that movement will be done.
  • Continue until they have used all the cards.
  • Have the students create a graph/chart (ex. tally chart. bar graph, line plot) to represent all the data in their choreography.
  • Share each group's choreography with the whole class.

 

Closing Reflection

  • Facilitate a discussion around the following questions:
    • How was each group's dance different even though each group had the same data to start with?
    • How did chance impact the outcome?

 

Assessments

Formative

  • The teacher will assess student learning throughout the lesson by observing students’ ability to use various movements in dance and their ability to use chance to create a unique piece of choreography.

Summative

  • Students’ data chart they create about their choreography
  • Create a list of questions to ask about the students about the choreography/data–Example questions:
    • How many total movements were in your dance?
    • Which movement did you do the most/least in your dance?
    • Compare all data charts
    • Which group's dance had the most jumps?
    • Which group had the most dance moves in their dance?

 

 

Differentiation

Accelerated: 

  • Have the students collect the data from all groups’ choreography and create various types of charts/graphs representing all the data or comparing the data of different groups.

 

Remedial:

  • Give the students a chart/graph that is already created and have them create choreography from the data.

 

Credits

Ideas contributed by: Melissa Dittmar-Joy

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

ELECTRICITY IGNITES! CIRCUITS 4-5

ELECTRICITY IGNITES! CIRCUITS

ELECTRICITY IGNITES! CIRCUITS

Learning Description

Engage all parts of your students’ minds and bodies as they play circuit games and develop open and closed circuit pantomimes, making learning about electricity dynamic and fun. Their imaginations will be activated when playing Circuit Freeze. By interacting in Circuit Breaker Tag, they will embody the interconnectedness of electrons, batteries, switches, and lightbulbs. These games will set the stage for sparks of collaboration as they create their circuit pantomimes in small groups with VIvant Circuit making. Finally, students give voice to circuit characters by creating a dialogue with an insulator or conductor.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can communicate a story without using my voice.
  • I can exaggerate my body and voice to express scientific ideas and processes.
  • I can work with others to create human circuits.
  • I can create a dialogue between two characters using my imagination.
  • I can empathize with a scientific process.

Essential Questions

  • How does electricity affect my life, family, and school?
  • Does my energy affect others the way energy moves through a closed or open circuit?

 

Georgia Standards

Curriculum Standards

Grade 5:

5P2 Obtain, evaluate, and communicate information to investigate electricity.

S5P2.b Design a complete, simple electric circuit, and explain all necessary components.

S5P2.c Plan and carry out investigations on common materials to determine if they are insulators or conductors of electricity.

S5P3 Obtain, evaluate, and communicate information about magnetism and its relationship to electricity.

Arts Standards

Grade 5:

TA5.CR.1 Organize, design, and refine theatrical work.

a. Use imagination to create a character with specific physical, vocal, and emotional traits.

TA5.PR.1 Act by communicating and sustaining roles in formal and informal environments.

b.Use body and movement to communicate thoughts, ideas, and emotions of a character.

c. Collaborate and perform with an ensemble to present theatre to an audience.

e. Communicate and explore character choices and relationships in a variety of dramatic forms (e.g. narrated story, pantomime, puppetry, dramatic play).

 

South Carolina Standards

Curriculum Standards

Grade 4:

4-PS3-4. Apply scientific ideas to design, test, and refine a device that converts energy from one form to another.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

  • Circuit - A path or a loop that electricity follows to power something
  • Closed circuit - The electrical path is complete, allowing current to flow
  • Open circuit - A break in the path preventing current from flowing
  • Series circuit - A circuit that has components (like light bulbs) connected in a single line
  • Parallel circuit - A circuit that has multiple paths for electricity to flow
  • Resistors - A little gatekeeper that controls how much electricity (or current) can flow through it, preventing too much from flowing and potentially damaging things
  • Electron - A tiny, negatively charged particle that moves through wires and carries electricity, like a tiny stream of energy
  • Battery - A little power plant, providing the "push" (or electricity) that makes the circuit work, allowing things like lights or motors to turn on
  • Wire - A path or road for electricity to travel, connecting the parts of the circuit so the electricity can flow and power something like a light bulb.
  • Insulator - A material that electricity cannot flow through easily, like plastic or rubber
  • Conductor - A material that electricity can flow through easily, like metal wires
  • Electricity - A type of energy that powers things, like lights and appliances; caused by the movement of tiny particles called electrons

Arts Vocabulary

  • Statues - Frozen pictures made by one person with their body and face to help tell a story without words.
  • Pantomime - Using gestures, facial expressions, and body movements to convey a story or narrative without speaking. Often includes pretending to hold, touch, or do something one is not holding, touching, or using.
  • Body - Actors use their body to become a character through body posture and movement. What your mind thinks, what your emotions feel, all of this is supposed to show up in your body.
  • Imagination - Actors use their imagination to envision things that are not real. It is an essential tool in an actor’s ability to bring a character, scene, etc. to life.
  • Facial Expression - Using your face to show emotion
  • Dialogue - A conversation between two or more persons
  • Voice - Actors use their voice to be heard by the audience clearly. Actors must also apply vocal choices such as pitch, tempo, and volume to the character they are dramatizing.

 

Materials

  • Circle colored stickers for resistors in circuit breaker tag
  • Lanyards for name tags–each lanyard/name tag should have one card in it. Cards should be labeled battery, wires, switch, light bulb/motor); one lanyard/nametag/card per student
  • Open/closed cards–each card should have one word on it–either open or closed (one card per group of four students)
  • Insulator conductor cards–each card should have a visual of a conductor or insulator on it (one card per group of four students)
  • Paper and pencils

 

 

Instructional Design

Opening/Activating Strategy

CIRCUIT FREEZE

  • Tell students that statues are frozen poses actors use to tell dramatic stories.
    • A statue is one person freezing.
    • Statues have levels (high, middle, low), interesting shapes, and facial expressions.
  • Ask students to use their bodies and faces to create a statue of the word “open”.
    • Ask them to outstretch their arms really wide and freeze as if they can't move.
    • This represents an open circuit.
  • Then, ask students to use their body and face to create a statue of the word “closed”.
    • Ask them to hook their hands together in front of their body.
    • Encourage them to pulse their body to represent a closed circuit.
  • Tell students they must freeze in the corresponding statue when you call out "1, 2, 3….OPEN FREEZE" or "1, 2, 3….CLOSED FREEZE".
    • Coaching note:
      • Encourage students to use energy in all parts of their body and face, whether frozen or pulsing.
        • Body (gestures, interesting shapes, energy throughout)
        • Face (eyes, mouths, cheeks)
      • Encourage students to have intense freezes like they are being zapped frozen.

 

CIRCUIT BREAKER TAG

  • Choose one student to be the battery.
    • Give that student one color dot.
    • Ask the student to put this dot on their forehead.
    • The battery is “it”.
  • Assign three to four students to be switches.
    • Give these students another color dot.
    • Ask students to put the dots on their foreheads.
    • Switches control when circuits are open or closed.
  • The rest of the students are electrons.
    • Electrons are runners.
  • Explain how the game works.
    • The battery (“it”) will run around tagging electrons.
      • If an electron is tagged, the student will open their arms stretched out wide and freeze in place.
        • They are representing an open circuit.
        • The only way for a frozen electron to move again is if a switch tags them.
          • When a switch tags an electron, the electron can run free again.
            • They represent "flipping the switch”, which closes the circuit.
          • Conclude the game after a set time limit or until most electrons are frozen.
          • You can then move on to different modes of the game.
            • Explain each of the three modes:
              • Series Circuit Mode:
                • Have students hold hands to create a chain.
                  • This represents a series circuit.
                • If one electron in the chain gets tagged by the battery, everyone in that chain must freeze.
                  • This represents a break in the circuit.
                • A switch can tap the frozen players to restore the circuit.
                  • This allows the entire chain to move again.
                • Parallel Circuit Mode:
                  • Students can run freely throughout the space.
                    • This represents separate parallel paths.
                  • If an electron is tagged, only that individual electron freezes.
                    • All other electrons can keep running.
                  • A switch can unfreeze the tagged electron by tapping them.
                    • This restores that part of the circuit.
                  • Resistor Mode:
                    • Assign some students to be resistors.
                      • Resistors cannot run. They can only walk and must move very slowly. This simulates resistance in a circuit.
                        • NOTE: You can give resistors colored stickers on their forehead or wristbands.
                      • Other electrons (runners) can move freely unless tagged.
                      • If a resistor is tagged by the battery, the resistor must freeze like a normal electron.
                      • This demonstrates:
                        • How resistors slow down the flow of electrons in a circuit.
                        • How resistance affects movement (current).
                      • Once students understand the concept of resistors, you can add levels.
                        • Resistance levels:
                          • Have some resistors hop in slow motion.
                          • Have other resistors turn in slow motion.
                          • You can use other slow-motion movements or ask students for suggestions.

Work Session

VIVANT CIRCUIT

  • Explain that pantomime is a dramatic way to tell a story without using your voice.
    • Actors exaggerate their body movements, gestures, and facial expressions to mime stories.
  • Tell students that the class will tell the story of a human circuit using pantomime.
  • Ask the class to make a big movement with their bodies.
    • Tell them that these movements are energy.
  • Next, tell them that they will see how energy moves through a circuit.
  • Demonstrate one circuit.
    • Ask four volunteers to come to the front of the room.
    • Assign each volunteer a role.
      • 1- Battery–the energy source
      • 2- Wires–the connectors
      • 3- Switch–which can open or close the circuit
      • 4- Light bulb/motor–the load
        • The load reacts when the circuit is complete.
      • Have the actors stand in a circle and hold hands.
      • Explain that they have now formed a circuit chain.
      • Ask the battery to make a big energy movement.
        • This energy movement will pass down the line of the circuit.
      • The battery starts the energy by passing the movement down the line.
        • When the movement reaches the wire, the wire activates.
        • When the movement reaches the light bulb, the light bulb reacts or lights up. The actor jumps or spins.
          • This shows that the circuit is complete.
        • The switch can open/close the circuit.
          • Open–breaking, hands outstretched, and frozen pose
          • Closed–rejoining hands and pulsing
        • Explore details about open and closed circuits.
          • Closed circuit: The electrical path is complete, allowing current to flow.
          • Open circuit: There is a break in the path, preventing current from flowing.
        • Have students pantomime both types of circuits. Prompt each by asking students in the audience to shout out "OPEN" or "CLOSED".
        • Add sound:
          • Explain that you will now stop pantomiming and add sound to the circuit.
          • Encourage students to create a sound for their part of the circuit.
          • Their sound activates when the energy reaches them.
        • GROUP CIRCUITS:
          • Hand out lanyards to every student.
          • Tell them that they are now the circuit character listed on their lanyard.
          • Tell them they have two minutes to get into groups of four with each character represented.
          • Allow them time to group themselves without intervening.
          • Once groups are defined, have students create a quick statue of their character.
          • Give each group a closed or open card.
          • Then, tell them they have four minutes to develop a pantomime for their type of circuit.
          • After four minutes, have each group share their pantomime with the rest of the class.
          • Have the audience guess if they were an open or closed circuit.
          • Add sound:
            • After all groups share, have them get back into their circuit groups and create a sound for their character. .
              • Give them two minutes to rehearse bringing their pantomime to life with sounds.
              • When the energy is passed, the character adds their sound.
              • Then call out "1, 2, 3, ACTION" as groups simultaneously add sound and movement to their circuits.
            • SERIES VERSUS PARALLEL
              • When the class has mastered open and closed circuits, you can introduce series versus parallel circuits using pantomime and bring them to life with sound.
                • Some light bulbs turn off, others stay on.

 

EXTENSION: TO CONDUCT OR NOT TO CONDUCT, THAT IS THE QUESTION

  • Discuss insulators and conductors and how they affect circuits.
  • Get students back into their circuit groups.
  • Hand each group a visual of an insulator or conductor.
  • Ask them to identify if it is a conductor or insulator and to write it on the visual card.
  • Give them five minutes to develop four lines of dialogue between the circuit and the insulator/conductor.
    • Encourage students to create character voices.
  • Have students share dialogue with the class.

 

K-4 GRADE APPLICATIONS:

  • Explore the following electricity-related topics by playing charades or having students create a pantomime to bring to life.
    • Kindergarten: Types of motion
    • 1st: Light and sound
    • 2nd: Magnets (push and pull)
    • 3rd: Heat transfer
    • 4th: Balanced and unbalanced forces

 

Closing Reflection

  • Tell students that today they used their bodies to bring electrical circuits to life. Have them show you one thing you learned about circuits without using their voices.
  • Now, have them turn and talk. Students should tell their partners three ways that they use electricity every day.
  • Ask students the following reflection questions:
    • What did you enjoy about pantomiming and creating dialogue?
    • What do circuits have to do with electricity, and why do we need a complete path/loop for electricity to flow?
    • How do you see circuits or connections in human relationships?

 

Assessments

Formative

  • Walk around the room while students create pantomimes and clarify why they chose certain movements through question and answer.
  • Assess students’ ability to use their voice and body to portray characters. Encourage those who are having difficulty.

Summative

  • Have students create a checklist for their pantomime presentation skills that includes use of body, facial expression, and exaggeration.
  • Assess whether students understand the content through their pantomime presentation.

 

Differentiation

Accelerated: 

  • Create monologues from an open or closed circuit point of view, adding the problem or solution of an insulator or conductor.
  • Flesh out the four lines of dialogue into a full scene involving three circuit characters.

 

Remedial:

  • Build circuits with groups coming to the front of the class versus getting into small groups.
  • Have students improvise the dialogue; the teacher will scribe it on the board.

 

Additional Resources

 

Credits

Ideas contributed by: Susie Spear Purcell

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

ECOSYSTEM PRINTMAKING GA FOUNDATIONAL 4-5

ECOSYSTEM PRINTMAKING

ECOSYSTEM PRINTMAKING

Learning Description

Students will explore food chains/webs by researching different ecosystems and identifying the roles of producers, consumers, and decomposers. They will design and carve a styrofoam printing plate that represents an organism’s role in the food chain/web (e.g., producer, consumer or decomposer). Students will create a collaborative class food chain/web, illustrating how energy moves through an ecosystem. This arts-integrated lesson blends science and the visual arts to deepen students’ understanding of food chains/webs while allowing them to express their knowledge through creative printmaking!

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • What are producers, consumers, and decomposers?
  • How does energy flow through a food chain/web?
  • How can printmaking be used to model the relationships between organisms?
  • How do different organisms depend on one another for survival?

Essential Questions

  • I can describe the roles of producers, consumers, and decomposers in an ecosystem.
  • I can explain how energy moves through a food chain/web.
  • I can create a print that represents an organism’s role in a food chain/web.
  • I can collaborate with my classmates to create a food chain/web using printmaking.

 

Georgia Standards

Curriculum Standards

Grade 4:

S4L1. Obtain, evaluate, and communicate information about the roles of organisms and the flow of energy within an ecosystem.

a. Develop a model to describe the roles of producers, consumers, and decomposers in a community.

b. Develop simple models to illustrate the flow of energy through a food web/food chain beginning with sunlight and including producers, consumers, and decomposers.

Arts Standards

VA.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.

VA.CR.3 Understand and apply media, techniques, processes, and concepts of two-dimensional art.

 

South Carolina Standards

Curriculum Standards

Grade 5:

5-LS2-1. Develop a model to describe the movement of matter among plants, animals, decomposers, and the environment.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

  • Ecosystem – A community of living and nonliving things that interact
  • Producer – An organism that makes its own food, like plants
  • Consumer – An organism that eats other organisms for energy
  • Decomposer – An organism that breaks down dead plants and animals
  • Food chain – A sequence showing how energy moves from one organism to another
  • Food web – A network of connected food chains

Arts Vocabulary

  • Printmaking – The art or technique of making prints, especially as practiced in engraving, etching, dry point, woodcut or serigraphy
  • Styrofoam printing plate – A carved surface used to make repeated prints
  • Brayer – A small roller for inking type by hand, usually for making a proof
  • Composition – How an artist arranges the Elements of Art (line, shape, form, value, color, space, texture) to create an artwork

 

Materials

  • Science food chain reference materials
  • Pencils
  • Copy paper
  • Styrofoam sheets
  • Dull pencils or ball point pens
  • Water based printing ink
  • Brayers
  • Newsprint or packing paper
  • Paper for printing (mixed media paper works well)
  • Colored pencils or art sticks
  • Drying rack or space to lay prints
  • Paper towels to wipe ink off of styrofoam plates
  • Trays for ink

 

 

Instructional Design

Opening/Activating Strategy

Engage (Explore the Food Chain)

  • Show a video or diagram of a food chain in different ecosystems, such as forest, ocean, grassland, etc.
  • Have students brainstorm different organisms that would exist in these ecosystems and categorize them as producers, consumers, or decomposers.
  • Discuss how energy moves from the sun to plants/producers, to animals/consumers, and then to decomposers.

Work Session

Explore (Sketch & Plan):

  • Each student will choose an organism from a specific ecosystem.
  • Students will sketch the organism and simplify it into bold shapes for printmaking.
  • Ask students to think of examples of symbols and how symbols represent ideas. Then have them think about how to represent their organism symbolically (e.g., arrows or the sun to represent energy flow).

 

Create (Printmaking Process):

  • Introduce and demonstrate the printmaking process:
    • Carving the styrofoam plate:
      • Draw lightly with a pencil before pressing into the styrofoam to avoid mistakes.
      • Use a dull pencil or ballpoint pen to carve designs—press firmly but avoid puncturing all the way through the styrofoam.
      • Keep lines simple and bold for clear prints; intricate details may not transfer well.
      • Vary line thickness for added depth—thicker lines hold more ink, while thinner lines create subtle details.
    • Inking the plate:
      • Roll out a thin, even layer of ink on a tray before applying to the printing plate with a brayer.
      • Then, using the brayer, roll a thin, even layer of ink over the styrofoam plate. Too much ink can make details disappear!
      • Students should take turns rolling ink on the plate while their partner watches for even coverage
    • Printing process:
      • Carefully place the inked plate face down on paper—one student can hold it while the other presses.
      • Use hands or a clean brayer to press firmly and evenly over the entire plate.
      • Lift the plate slowly to reveal the print!

Students may need to repeat this process, experimenting with different amounts of ink and application of pressure when transferring the print.

  • Cleanup and reflection:
    • Lay prints flat to dry before handling.
    • Have students compare their prints and discuss what worked well.
    • If needed, allow students to re-ink and try again.
    • Once prints are dry, add color and details with art stix, crayons, or colored pencils

 

Classroom Tips:

  • Students can work in pairs to create prints.
  • Encourage students to work carefully.
  • Make sure there is a piece of newsprint under each printmaking station.
  • This process works great as a center. Set up a station and allow student pairs to rotate through to create their prints.

 

Closing Reflection

Reflect (Gallery walk and discussion):

  • As a whole group, arrange the prints in a large food web display.
  • Discuss how each organism connects and how energy moves.
  • Have students write a response to the following reflection question: What role does your organism play? How does it depend on others?

 

Assessments

Formative

  • Review student sketches.
  • Think-Pair-Share: Observe whether students can explain their organism's role in the food chain before printing.

Summative

  • Final print and food web display – Does the print clearly represent an organism in the food web?
  • Written reflection–Students can describe how their organism interacts with others.

 

Differentiation

Accelerated: 

  • Research and incorporate multiple organisms into one print, including producers, consumers, and decomposers.
  • Add habitat details in the background of the print.
  • Create an Interactive Food Web using Google Slides or Canva.

 

Remedial:

  • Provide pre-drawn templates to trace onto styrofoam.
  • Offer sentence starters for the written reflection (e.g., "My organism is a ____. It gets energy from ____.").

 

Additional Resources

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW