The Art of Storytelling K-1

THE ART OF STORYTELLING

THE ART OF STORYTELLING

Learning Description

Introduce students to the ancient art of storytelling through the use of a Mayan folktale. Invite students to use art to recall narrative elements as they design story panels. Encourage them to reconstruct the story sequence through interpretive dance movements.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: THEATRE & DANCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the beginning, middle, and end of a story.
  • I can show the beginning, middle, and end of a story through illustration and choreography.

Essential Questions

  • How can art and movement be used to help answer questions about essential narrative elements (e.g., beginning-middle-end, setting, characters, problems, events, resolutions) in a text?

 

Georgia Standards

Curriculum Standards

Kindergarten: 

ELAGSEKRL3 With prompting and support, identify characters, settings, and major events in a story.

 

Grade 1: 

ELAGSE1RL2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. ELAGSE1RL3 Describe characters, settings, and major events in a story, using key details.

Arts Standards

Kindergarten: 

ESDK.CR.1 Demonstrate an understanding of the choreographic process.

 

ESDK.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESDK.RE.1 Demonstrate critical and creative thinking in dance.

 

Grade 1:

ESD1.CR.1 Demonstrate an understanding of the choreographic process.

 

ESD1.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESD1.RE.1 Demonstrate critical and creative thinking in dance.

 

South Carolina Standards

Curriculum Standards

Kindergarten: 

ELA.K.AOR.1.1 Identify and describe the main character(s), setting, and events that move the plot forward.

ELA.K.AOR.6.1 Retell a text orally to enhance comprehension: a. include main character(s), setting, and important events for a story.

 

Grade 1: 

ELA.1.AOR.1.1 Identify and describe the main story elements, such as character(s), setting, and events that move the plot forward.

ELA.1.AOR.2.1 Retell a story using main story elements and identify a lesson in a literary text.

ELA.1.AOR.6.1 Retell a text orally and in writing to enhance comprehension: a. include main story elements at the beginning, middle, and end for a literary text.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Fable - A short story that often uses animals and characters to teach a lesson
  • Character - A person, an animal or other figure assuming human qualities, in a story
  • Setting - The time and place in which a story takes place
  • Plot - The events that happen in a story
  • Cause - The reason something happened
  • Effect - What happens because of the cause

Arts Vocabulary

  • Body - The instrument of dance
  • Space - The area covered by dance movements
  • Time - Fast or slow (tempo); even or uneven (beat); and long or short (duration) the movement is
  • Energy - How the body moves

 

Materials

  • The Bird Who Cleans the World and Other Mayan Fables, by Victor Montejo (or other folktale or fable)
  • Sound source and music with a steady beat
  • Brown craft paper
  • Colored chalk

 

Instructional Design

Opening/Activating Strategy

  • Introduction and Theme:
    • Introduce the activity telling students that they will be using dance to tell a story.
    • Have students spread out in the room finding their own space where they can move without touching their neighbors.
    • Begin by introducing the theme or story. This could be something simple, like a day at the beach, a journey through a forest, or even a well-known fairy tale.
    • Briefly explain the sequence of events in the story.
  • Gentle Stretching:
    • Start with light stretching to prepare the body.
    • Incorporate dynamic stretches that mimic movements related to the story. For example, if the story involves the wind, include arm stretches that mimic the wind.
  • Introduce Basic Movements:
    • Introduce basic movements that will be part of the story. These could include jumping, swaying, spinning, or specific gestures.
  • Character Exploration:
    • Have participants embody different characters or elements of the story. For example, they might move like waves, trees, or animals.
    • Encourage expressive movements that convey the character's emotions or actions.
  • Sequencing:
    • Start to piece together the story by arranging the basic movements and character explorations into a sequence.
    • Work through the story chronologically, asking participants to interpret each part.
    • Perform a complete run-through of the story, from beginning to end, as a group.
    • Emphasize the flow and connection between each part of the story.

 

Work Session

  • Invite students to recall stories they have been told by a family member.
  • List titles and discuss similarities and differences among the stories.
  • Share how many cultures have a history of passing down stories from generation to generation.
  • Share history of the Mayan people (or other applicable history) with the class:
    • The Maya originated in Yucatan, Mexico, in the area where the resort beach city of Cancun is today. Show students where this is on a map in relation to where they are.
    • The ancient Maya established their cities in the rainforest, played games that went on for days, and are famous for their knowledge of the stars. The idea of time fascinated them.
    • They developed astronomy, calendar systems, and writing.
    • They chewed gum, filed their teeth and raised bees without stingers.
    • Like the Egyptians, they built pyramids, often elaborately adorned with murals and elaborate architectural details.
    • They built elaborate pyramids and observatories without the use of metal tools.
    • Scholars agree that the Maya were the most advanced of all ancient Mesoamerican cultures.
    • They were highly skilled as potters and weavers.
    • The ancient Maya appreciated beauty, storytelling and drama. Archaeologists can tell this by examining their sculptures, ceramics, mosaics, painting, weaving, clothing and costume design.
  • Tell students that they will be reading a Mayan fable called “The First Monkeys”. Tell students that a fable is a short story that often uses animals and characters to teach a lesson.
  • Read the story “The First Monkeys” from The Bird Who Cleans the World and Oher Mayan Fables, by Victor Montejo (or other folktales).
    • Review the elements of a story such as setting and characters. Invite students to recall story details–what was the setting? Who were the characters?
    • Discuss the beginning, middle, and end of the story.
  • Divide students into groups of three or four.
    • Provide craft paper folded into thirds and chalk.
    • Invite students to work together to create scenes illustrating the beginning, middle, and end of the story.
  • When pictures are complete, tell students that they will use dance and movement to tell the beginning, middle, and end of the story.
    • Remind students of how they interpreted a story through movement in the activator.
    • Students’ choreography should have three parts–a beginning, middle, and end.
    • Scaffold the lesson by brainstorming ways to use dance to show the beginning of the story before having students work in groups to develop choreography.
    • Circulate the room to work with students and check for understanding as they choreograph their dances.

 

Closing Reflection

  • Students will perform their dances for their classmates. Discuss appropriate audience participation and etiquette prior to performances.
  • After each performance, the audience will determine how each group showed the beginning, middle, and end of the story through their choreography.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, discussion of stories and story elements, discussion of “The First Monkeys”, and collaboration with their groups to illustrate and create a dance that tells the story.

 

Summative

CHECKLIST

  • Students can identify the beginning, middle, and end of a story.
  • Students can show the beginning, middle, and end of a story through illustration and choreography.

 

DIFFERENTIATION 

Acceleration: Students will design their own fable with beginning, middle and end that contains a clear moral.

Remediation: Use a graphic organizer to help students identify the beginning, middle, and end of the fable. Divide the class into three small groups. Each group will be responsible for one panel and accompanying movement.

ESOL Modifications and Adaptations: Introduce and explain narrative elements and cause and effect. Using a story previously read in class, students will identify the narrative elements in the story, cause and effect, and review the beginning-middle-end of the story.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Peggy Barnes. Modifications, Extensions, and Adaptations Contributed by: Peggy Barnes, Candy Bennett, Lindsey Elrod, Jennifer Plummer, and Vilma Thomas Reviewed by Emily Threlkeld. Updated by: Katy Betts.

Revised and copyright: July 2024 @ ArtsNOW

REVOLUTIONARY PERSPECTIVES 4-5

REVOLUTIONARY PERSPECTIVES

REVOLUTIONARY PERSPECTIVES

Learning Description

In this lesson, students will explore a historical issue by creating characters who support opposing sides. They will write and speak from these perspectives, using theatrical techniques to bring their characters to life. This approach will help students gain a deeper understanding of the issue by engaging empathetically with different viewpoints.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: THEATRE & SOCIAL STUDIES
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use my voice and body to embody a fictional or real character from the historical time period.
  • I can evaluate both sides of a historical issue.
  • I can write two speeches that present both sides of a historical issue.

Essential Questions

  • How can students utilize theatrical skills to increase comprehension of historical events?

 

Georgia Standards

Curriculum Standards

Grade 4:

SS4H1 Explain the causes, events, and results of the American Revolution.

  1. Trace the events that shaped the revolutionary movement in America: French and Indian War, 1765 Stamp Act, the slogan “no taxation without representation,” the activities of the Sons of Liberty, the activities of the Daughters of Liberty, Boston Massacre, and the Boston Tea Party.
  2. Describe the influence of key individuals and groups during the American Revolution: King George III, George Washington, Benjamin Franklin, Thomas Jefferson, Benedict Arnold, Patrick Henry, John Adams, Paul Revere, and Black regiments.
  3. Describe the major events of the American Revolution and explain the factors leading to American victory and British defeat; include the Battles of Lexington and Concord, Saratoga, and Yorktown.

Arts Standards

Grade 4:

TA4.CR.1 Organize, design, and refine theatrical work.

TA4.CR.2 Develop scripts through theatrical techniques.

TA4.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 4:

Standard 2: Demonstrate an understanding of the identity of a new nation, including the state of South Carolina between 1730-1800.

  1. Explain the causes of the American Revolution as they impacted Georgia; include the French and Indian War, Proclamation of 1763, and the Stamp Act.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • The American Revolution - The war fought by the American colonies to end British rule; it was between the 13 colonies and Great Britain
  • Patriots - Colonist who was opposed to British rule
  • The Stamp Act of 1765 - Colonists were taxed on playing cards, newspapers, books, pamphlets and legal documents like wills
  • The Sugar Act of 1764 - Colonists were taxed on sugar, wine, coffee, dyes and cloth
  • The Boston Massacre - A protest in 1770 against British rule in which five American Patriots were killed
  • The French & Indian War - The English fought against France for the land in North America; England won but needed to pay off the debts of the war

Arts Vocabulary

  • Theater - Dramatic literature or its performance; drama
  • Character - A person, an animal or other figure assuming human qualities, in a story
  • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds
  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves
  • Dialogue – Conversation between characters
  • Scene – The dialogue and action between characters in one place for one continuous period of time
  • Improvisation - A creation that is spoken or written without prior preparation
  • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings
  • Ensemble - All the parts of a thing taken together, so that each part is considered
  • Tableau -  A “living picture” in which actors pose and freeze in the manner of a picture or photograph

 

Materials

  • Large poster paper
  • Markers
  • Sticky notes
  • Paper
  • Pencils

 

Instructional Design

Opening/Activating Strategy

  • Start with a general physical warm-up to get the students' bodies ready. Use exercises such as:
    • Stretching: Stretch all major muscle groups.
    • Shaking Out Limbs: Shake out arms, legs, and the whole body to release tension.
    • Energy Passes: Stand in a circle and pass a clap or a simple motion around to build group focus and energy.
  • Explain that students will explore different characters using their voices and bodies. Encourage them to think about how their character’s age, status, mood, and personality influence their movement.
    • Begin with simple prompts to get students thinking about different ways to walk. Call out various types of characters and ask students to walk around the space embodying those characters. Examples include:
      • An elderly person with a cane
      • A proud soldier
      • A sneaky thief
      • A graceful dancer
    • Next, ask students to use their voices to introduce their characters. Have students use their voices and bodies to introduce themselves to a neighbor.
    • Have students return to their seats.

 

Work Session

    • Discuss perspective with students. For example, students want recess but the teacher wants to teach the lesson. Both feel strongly about their perspective and both have valid reasons for their desire.
      • Ask students for other examples of perspective.
    • Explain to students that understanding perspective can also help us understand the nuances of historical events.
    • Divide students into small groups. Assign each group an issue related to the cause of the Revolutionary War such as taxes (taxation without representation versus Britain’s need to pay debts accrued from the French and Indian War), the Boston massacre (protestors versus British soldiers), etc.
      • Students will create a character (fictional or real) that would have been supporting one side of the issue. They should create a character profile that includes a name, age and brief background.
      • Each group will choose a spokesperson. That spokesperson will “become” their character from the era using their bodies and voices.
      • Students will collaborate to write a two minute speech arguing for their issue.
      • After a designated amount of preparation time, several groups will present their speeches. They should use their movements and voices to embody their character.
  • Teacher note: Discuss appropriate audience participation and etiquette prior to performances. 
  • Students will return to their groups and follow the same process, except this time, they should represent the opposite side of the issue.
  • Groups who didn’t perform the first round should perform the second round. Groups should choose a new spokesperson to present.
  • Pass out sticky notes to students. On their sticky notes, students should write the reasons supporting each side of their issue.

Students will post the sticky notes on large poster paper hung in the classroom. (Teacher prework: Label each poster with the issue and divide it into two sections for each perspective on the issue.)

 

Closing Reflection

  • Debrief the experience with students by having them write down three things they learned, two things they found interesting, and one question that they still have. This can be about their issue or one of the other issues.
  • Students will submit this as a ticket-out-the-door.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, discussion of perspective, collaboration with groups to evaluate both sides of an issue, and conferencing with students during the writing process.

 

Summative

CHECKLIST

  • Students can use their voices and bodies to embody a fictional or real character from the historical time period.
  • Students can evaluate both sides of a historical issue.
  • Students can write two speeches that present both sides of a historical issue.

 

DIFFERENTIATION 

Acceleration: Students can write a scene using dialogue between two characters–one from each side of the issue.

Remediation: 

  • Provide an example speech or sentence starters for students to use as a guide.
  • Have all groups evaluate the same issue and analyze together as a class.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Mary Gagliardi and Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW