Microorganism Freeze Frame 4-5

MICROORGANISM FREEZE FRAME

MICROORGANISM FREEZE FRAME

Learning Description

Students will explore the concepts of beneficial and harmful microorganisms using their bodies to act in scenes and tableaux. By enacting different bacteria and viruses, students will learn scientific information kinesthetically.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can demonstrate my understanding of tableau by freezing and moving when appropriate.
  • I can demonstrate my understanding of the difference between bacteria and viruses using tableaux.
  • I can demonstrate my understanding of helpful and harmful bacteria by identifying the type of bacteria represented in each group performance.
  • I can use my body to demonstrate my understanding of viruses and bacteria (both helpful and harmful).

Essential Questions

  • How can theatre techniques be used to understand microorganisms?
  • How are viruses and bacteria different?

 

Georgia Standards

Curriculum Standards

Grade 5

S5L4. Obtain, evaluate, and communicate information about how microorganisms benefit or harm larger organisms.

Arts Standards

Grade 5

TA5.CR.1 Organize, design, and refine theatrical work.

TA5.CR.2 Develop scripts through theatrical techniques.

TA5.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 5

5.L.4B.3 Construct explanations for how organisms interact with each other in an ecosystem (including predators and prey, and parasites and hosts).

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Microorganisms - Living organisms so small that we need a powerful microscope to see them. They include bacteria, viruses, fungi, protozoa, and algae.
  • Bacteria - Single celled spherical, spiral, or rod-shaped organisms. Bacteria can be helpful or harmful to humans.
  • Viruses - The smallest of the microorganisms, viruses are infectious agents that can only replicate inside the cells of other living things. They cause infectious diseases like chickenpox and measles.

Arts Vocabulary

  • Theater - Dramatic literature or its performance; drama
  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves
  • Scene – The dialogue and action between characters in one place for one continuous period of time
  • Improvisation - A creation that is spoken or written without prior preparation
  • Ensemble - All the parts of a thing taken together, so that each part is considered
  • Tableau -  A “living picture” in which actors pose and freeze in the manner of a picture or photograph

 

Materials

  • Notecards with helpful and harmful bacteria listed on them
  • Pictures of bacteria and viruses
  • Chart/poster paper and markers

 

Instructional Design

Opening/Activating Strategy

  • Start with a general physical warm-up to get the students' bodies ready. Use exercises such as:
    • Stretching: Stretch all major muscle groups.
    • Shaking Out Limbs: Shake out arms, legs, and the whole body to release tension.
    • Energy Passes: Stand in a circle and pass a clap or a simple motion around to build group focus and energy.
  • Begin the lesson by introducing the basics of tableau.
    • Stop/go: Tell students that when you say, “Go”, they should walk around the classroom. When you say, “Stop”, they should freeze in place. Repeat several times.
    • Now, tell students that when you say, “Stop”, they should freeze in place, but that you will tell them how you want them to freeze (happy, sad, angry, etc.). Repeat several times.
    • Now, tell students that when you say, “Stop”, you will tell them what you want them to be (car, tree, wall, cat, dog, etc.). Repeat several times.
    • Now, tell students that when you say, “Stop”, you want them to freeze as if they are doing something (eating, running, kicking a ball, planting a plant, cooking). Repeat several times.
    • Tell students that in this activity, they were making a tableau. A tableau is a frozen living picture.
  • Have students return to their seats.

 

Work Session

  • Review/teach about microorganisms, the smallest living things.
    • Review two types of microorganisms: bacteria and viruses.
    • Divide students into small groups of 2, 4, or 6. Provide each group with chart/poster paper and markers. Students should divide their paper into two sections: bacteria and viruses.
      • With their groups, students should write down characteristics of each type of microorganism.
      • Provide time for groups to share and revise their work.
      • Next, groups should discuss how they could use movement to demonstrate the different characteristics of each.
      • For example, as a bacteria, students are able to completely take care of themselves; they are able to feed themselves and they are able to replicate.
      • As viruses, they must find other ways to eat and get energy because they are not self-sufficient. They must find other living cells in which to replicate.
      • Tell students that in their groups, students will act out each type of microorganism when prompted.
        • An example of what this might look like is two students moving the same way close together as a single bacterium and then splitting off into separate entities to show replication.
    • Next, assign each group to be bacteria or viruses.
    • Have the students make a tableaux of their microorganisms. Establish a cue to tell students to come to life.
    • Circulate the room discussing how the different groups demonstrated their microorganism, pointing out the differences between viruses and bacteria.
  • Helpful and Harmful Microorganisms
    • Introduce the concept that some bacteria are helpful and some bacteria are harmful.
    • Discuss examples of helpful bacteria, such as live bacteria in yogurt, bacteria that breaks down organic material and turns it into compost, bacteria that breaks down chemical waste to help the environment, etc.
    • Discuss examples of harmful bacteria, such as bacteria living on raw meat, bacteria living on dirty hands after touching a public handrail or a cell phone, bacteria that can cause an infection when you hurt yourself and don’t clean the injury, etc.
    • Pass out cards to groups with each of these types of bacteria on them.
    • Ask the group to use their bodies to act out the location and the type of bacteria that would be found there (harmful or beneficial). Remind students to use their facial expressions and whole bodies as tools of communication in their scenes.
    • Provide time for students to plan and practice. Circulate to support students and check for understanding.

 

Closing Reflection

  • Each group will perform for the class. Discuss appropriate audience participation and etiquette prior to performances.
  • The class will decide if the group is showing helpful bacteria or harmful bacteria based on what they see. Ask the class to give a thumbs up if it is helpful or thumbs down if it is harmful.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the tableau activator, review of microorganisms, and use of movement and tableau to demonstrate their understanding of microorganisms.

 

Summative

CHECKLIST

  • Students can demonstrate their understanding of the difference between bacteria and viruses using their created tableaux.
  • Students can demonstrate their understanding of helpful and harmful bacteria by identifying the type of bacteria represented in each group performance.
  • Students can use their bodies to demonstrate their understanding of viruses and bacteria (both helpful and harmful).

 

DIFFERENTIATION 

Acceleration: 

  • Students can write a scene that uses dialogue to demonstrate harmful or helpful bacteria. The setting for the scene would be where the bacteria lives (cell phone surface, yogurt, etc.). Students can take this one step further by turning their scenes into shadow puppet performances.
  • Students can write and illustrate a story (can be in the form of a comic strip) that uses dialogue to demonstrate their understanding of bacteria and viruses. An example could be creating a villain who is harmful bacteria causing an infection and a superhero who is white blood cells fighting the bacteria villain.

Remediation: 

  • Provide a graphic organizer or guided notes for students instead of having students write about viruses and bacteria on chart paper. Students could also use printed strips of paper with characteristics on them that they glue down under headings of bacteria or viruses.
  • Scaffold this lesson by pausing throughout the lesson to brainstorm movements as a class to represent viruses and bacteria. This will help students who might struggle with ideas when they work in their groups.

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Mary Gagliardi. Updated by Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Moving Sound 4-5

MOVING SOUND

MOVING SOUND

Learning Description

Guide your students in using movement and dance composition to aid their comprehension of sound waves and how they transmit energy.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS:  DANCE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain and define vocabulary related to sound and sound waves.
  • I can communicate the meaning of vocabulary related to sound and sound waves through movement.
  • I can use the elements of dance intentionally and meaningfully to communicate how sound waves transmit energy.

Essential Questions

  • How can dance/movement be a tool to communicate how sound waves transmit energy?

 

Georgia Standards

Curriculum Standards

S4P2. Obtain, evaluate, and communicate information about how sound is produced and changed and how sound and/or light can be used to communicate.

  1. Plan and carry out an investigation utilizing everyday objects to produce sound and predict the effects of changing the strength or speed of vibrations. b. Design and construct a device to communicate across a distance using light and/or sound.

Arts Standards

ESD4.CR.1 Demonstrate an understanding of the choreographic process.

 

ESD4.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESD4.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESD4.RE.1 Demonstrate critical and creative thinking in dance.

 

South Carolina Standards

Curriculum Standards

4-PS4-3. Generate and compare multiple solutions that use patterns to transmit information.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

 

Key Vocabulary

Content Vocabulary

  • Absorb - To receive without echo
  • Amplitude - The measure of a sound wave
  • Echo - A reflection of sound
  • Pitch - How high or low a sound is; determined by the frequency of the vibration
  • Reflection - The return of light or sound waves from a surface
  • Reverberation - A sound that echoes
  • Transmit - To send or convey from one place to another
  • Vibrations - A rapid back and forth movement
  • Sound wave - Sound travels in a wave, which is a moving pattern of high and low pressure or vibrations
  • Volume - How much sound energy reaches the ear

Arts Vocabulary

  • Choreography - The art of composing dances and planning and arranging the movements, steps, and patterns of dancers
  • Level - One of the aspects of the movement element space; in dance there are three basic levels: High, middle and low
  • Body - the physical aspect of the dancer's form and movement
  • Action - The movements that the dancer performs; these movements can be divided into two main categories: non-locomotor (axial) and locomotor
  • Non-locomotor (axial) movements – Movements that occur around the axis of the body without traveling from one place to another
  • Locomotor movements - Movements that involve traveling from one place to another
  • Space - The area in which the dance takes place and how the dancer interacts with this area
  • Time - Use and manipulation of temporal aspects to create rhythm, pacing, and duration in movement
  • Energy - The quality and dynamics of movement, including the force, flow, and intensity
  • Dynamics - The quality of movement in terms of energy, intensity, and speed; movements can be sharp or smooth, fast or slow, strong or gentle

 

Materials

  • Sound source and music
  • Cards with sound terminology written on them

 

Instructional Design

Opening/Activating Strategy

Classroom Tips: Set up chairs and tables in a circular format to maximize students’ engagement and ability to see their peers during the activity and performance. Also establish parameters for acceptable movement choices and discuss audience behavior/etiquette with students. 

  • Begin the lesson by engaging students in movement that introduces students to the Elements of Dance: Body, action, space, time and energy.
    • Have students arrange themselves in a circle with enough personal space to move freely without touching a neighbor.
    • Turn on instrumental music with a steady beat.
    • First, have students bring awareness to their bodies by leading them through gentle stretches starting from the head and moving to the toes (e.g., head circles, shoulder shrugs, toe touches, etc.).
    • Next, bring students’ awareness to the space in the room by having them march in place to the beat of the music with high knees and swing their arms side to side. Select a “leader” who will guide students in a movement as students walk in a circle around the room. This will allow students to explore traveling movements and pathways (straight, zigzag, circular).
    • Now, direct students to go back to their place; they will explore energy variations with different movement qualities such as sharp movements–quick, precise actions like punches or snaps, and smooth movements–slow, flowing actions like waves or circles with arms.
    • Finally, bring students’ attention to levels (high, middle, low) and directions (forward, backward, sideways) with movements such as stretching up high and moving on tiptoes, moving low to the ground and crawling forwards and backwards, and bouncing in place at a medium level.

 

Work Session

  • As a class, discuss or review concepts of sound and how sound waves transmit energy.
  • Arrange students in small groups.
  • Pass out vocabulary cards to each group with vocabulary such as volume, absorb, amplitude, echo, pitch, reflect, reverberate, transmit, vibrate and sound wave.
  • Ask each group to consider the meaning of their card and how they could use movement to represent it. Remind students of the movements they used in the activator.
    • Allow groups to share their word and movement with the class.
    • Have each group write one to two sentences explaining how sound waves transmit energy.
  • Now, tell groups that they will be creating a short movement phrase that demonstrates how sound waves transmit energy. Students should use the dance concepts that they have learned and practiced in their movement phrase.
  • Students should be prepared to perform their dances.

 

Closing Reflection

  • Before students perform their dances, discuss audience participation and etiquette. The groups will then perform their movement phrases.
  • Ask the audience to identify and discuss how the group showed how sound waves transmit energy using dance. Students should reference characteristics of energy, levels, pathways, etc.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, responses in class discussion, ability to create a movement to communicate the meaning of a vocabulary term, and ability to collaborate with their groups to create a movement phrase demonstrating how sound waves transmit energy.

 

Summative

CHECKLIST

  • Students can explain and define content vocabulary.
  • Students can communicate the meaning of content vocabulary through movement.
  • Students can use the elements of dance intentionally and meaningfully to communicate how sound waves transmit energy.

 

DIFFERENTIATION 

Acceleration: 

  • Have students incorporate additional characteristics to their final dances such as variations in volume.
  • Require students to use certain elements of dance in their choreography.
  • Allow students to select their own music or sound to accompany their dance. Their dance should reflect the sound qualities in the music (volume, echo, etc.).

Remediation: Instead of creating a dance in small groups to demonstrate how sound waves transmit energy, work as a whole class to create one dance that students can perform together.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Melissa Dittmar-Joy. Updated by Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Music and Acoustics 4-5

MUSIC AND ACOUSTICS

MUSIC AND ACOUSTICS

Learning Description

Students will work together creatively to compose a rhythmic piece using cups, demonstrating their ability to identify and understand the relationship between force, size and sound. Throughout the lesson, students will apply musical skills such as improvisation, composition, listening, and playing.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: MUSIC & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify high, medium, and low sounds and loud, medium, and soft sounds aurally.
  • I can describe the impact of size and force on sound.
  • I can create and perform an 8-beat rhythmic pattern.
  • I can identify the pitch and dynamics of peers’ compositions verbally and through notation.

Essential Questions

  • How can music listening and composing support learning in other curricular areas?
  • What is the relationship between size and sound and force and sound?

 

Georgia Standards

Curriculum Standards

Grade 4:

S4P2. Obtain, evaluate, and communicate information about how sound is produced and changed and how sound and/or light can be used to communicate.

 

  1. Plan and carry out an investigation utilizing everyday objects to produce sound and predict the effects of changing the strength or speed of vibrations.

Arts Standards

Grade 4:

ESGM4.CR.1 Improvise melodies, variations, and accompaniments.

 

ESGM4.CR.2 Compose and arrange music within specified guidelines.

 

ESGM4.PR.2 Perform a varied repertoire of music on instruments, alone and with others.

 

ESGM4.RE.1 Listen to, analyze, and describe music.

 

ESGM4.CN.1 Connect music to the other fine arts and disciplines outside the arts.

 

South Carolina Standards

Curriculum Standards

Grade 4: 

4-PS4-3. Generate and compare multiple solutions that use patterns to transmit information.

Arts Standards

Anchor Standard 1: I can arrange and compose music.

Anchor Standard 2: I can improvise music.

Anchor Standard 4: I can play instruments alone and with others.

Anchor Standard 6: I can analyze music.

Anchor Standard 9: I can relate music to other arts disciplines, other subjects, and career paths.

 

Key Vocabulary

Content Vocabulary

  • Sound wave - A vibration that travels through a medium (such as air, water, or solid materials) as a result of oscillating particles
  • Pattern - A repeated arrangement of elements or events, often following a specific order or sequence
  • Transmit - To send or pass something

Arts Vocabulary

  • Acoustics - The branch of physics that deals with sound and sound waves
  • Body percussion - Sounds produced by striking or scraping parts of the body; typically includes snapping, clapping, patting, and stamping
  • Dynamics - Volume of sound (loudness, quietness)
  • Texture - The thickness or thinness of sound
  • Pitch - The highness or lowness of sound

 

Materials

  • Audio recording of drum composition (examples can be found on iTunes, Spotify, YouTube, etc.)
  • Sound source (computer and speakers)
  • Drums of three different sizes (improvise with other objects, such as buckets or pots, that can be used in place of a drum if you do not have drums available)
  • Plastic cups of three different sizes
  • 8-beat visual (numbers 1-8 spaced evenly)
  • Pencils
  • “Pitch detective” charts for each student
  • “Pitch detective” visual on board

 

Instructional Design

Opening/Activating Strategy

Classroom Tips: Arrange student groups throughout the room so that they can move far enough apart during the creating process to enable careful listening and minimize distraction from other groups. Perform compositions out of sight of “audience,” so students rely on listening rather than sight to identify sounds heard. 

 

  • Play a recording of drums as students enter the room.
  • Have students listen and then discuss with a partner what they heard.
  • Introduce musical terms (e.g., instrument names, dynamics, pitch, texture, etc.) as students make observations.

 

Work Session

  • Take out three different sized drums (or buckets turned over). Demonstrate different pitches (high, medium, low) of various size drums (using the same relative force when you hit each drum).
  • Ask students if they can determine the relationship between sound and drum size.
  • Now change the force used on one drum–soft, medium, and hard. Ask students to determine the relationship between force and sound.
  • Now, transfer these acoustical principles to various size plastic cups.
  • Play a listening game with students. Out of students’ sight, perform 4- or 8-beat rhythmic patterns (or beats) on different drums and/or cups.
  • Challenge students to identify what was heard (e.g., three sounds on a small drum and one sound on a medium drum).
  • Have students echo the pattern, using body percussion (e.g., clap for high drum, pat for medium drum, stamp for large drum).
  • Perform an 8-beat rhythmic pattern using low, medium, and/or high sounds, and have students identify what they heard (high, medium, and low).
    • Keep the patterns simple by using quarter notes (one sound for each beat) and eighth notes (two sounds on each beat only).
    • Using an 8-beat visual (see below) may be helpful to guide student responses.

1    2    3    4    5    6    7    8

  • Vary the performance by changing the dynamics (loud, medium and soft). Have students identify the dynamics and how changing the dynamics changed the composition.
  • Divide students into groups of four to six students, with each student having a cup. Have students create an 8-beat pattern using cups.
    • Remind them to include everyone in the composing and performing process.
    • Have students try changing the dynamics of their performances as they rehearse.
  • Distribute pencils and “pitch detective” charts. While each group performs (out of the sight of their classmates), the other students will be “pitch detectives” and notate what they hear on their charts.
    • For example, using a blank 8x3 table (such as appears below), students could write an “X” in the appropriate boxes based on what they hear. The boxes below would demonstrate four high sounds, two medium sounds, and two low sounds.
  • Have groups perform again; this time students will use a key to indicate the dynamics of the sound–loud, medium or soft. For example, students could circle the X’s for loud, draw a triangle around the X’s for medium, and underline the X’s for soft.

 

Closing Reflection

  • Compare and contrast student compositions, discussing the differences in pitches, dynamics and rhythms.
  • Finally, have students complete a written reflection on the relationships between force and sound and size and sound.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator; ability to use musical vocabulary to describe music; ability to identify high, medium, and low sounds and loud, medium, and soft sounds; and collaboration with group members to create an 8-beat pattern using cups.

 

Summative

CHECKLIST

  • Students can identify high, medium, and low sounds and loud, medium, and soft sounds aurally.
  • Students can describe the impact of size and force on sound.
  • Students can create and perform an 8-beat rhythmic pattern.
  • Students can identify pitch and dynamics of peers’ compositions verbally and through notation.

 

DIFFERENTIATION 

Acceleration: 

  • Provide students with a variety of materials (including but not limited to cardboard boxes, plastic hangers, foil, rubber bands in different sizes, etc). Ask students to build (or design) new instruments that play different pitches. Allow students to research and explore how instruments are made. Having different students research different instruments will allow for discussion on how they make different sounds.
  • Combine two student compositions into a 16-beat phrase.
  • Combine two student compositions simultaneously, producing a thicker texture.
  • Alter dynamics and/or tempo of student compositions.
  • Have students write compositions for others to perform using various notational systems.
    • Write 1-2 Xs in each cell of a 3x8 table.
    • Use other symbols (triangle, square, circle) to represent high, medium, and low sounds.
  • Have students write sequential steps for generating new compositions.

Remediation:

  • When performing rhythmic patterns, have students perform a four beat pattern.
  • Group students into pairs as they complete their “pitch detective” charts.
  • Make the “pitch detective” charts 4x3.

ESOL Modifications and Adaptations:

  • Ensure that students have a clear understanding of the concepts of steady beat and pitch, along with the music vocabulary words texture, dynamics, acoustics, and body percussion prior to teaching this lesson.

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Maribeth Yoder-White. Modifications, Extensions, and Adaptations Contributed by: Candy Bennett, Patty Bickell, Vilma Thomas, and Lori Young. Updated by: Katy Betts.

Revised and copyright: September 2024 @ ArtsNOW

 

Phases of the Moon 4

Description

This lesson builds on the class’s prior knowledge of the solar system and the planet’s positions. Having students use their bodies to model the day/night cycles of the Sun and Earth allows them to become these elements. Next we discuss the moon’s role in the solar system and explore the eight phases of the moon through acting out a story. Finally, a song brings it all together to deepen the learning.

SHARE
FACEBOOK

Proficient Puppeteers 3-5

Description

Learn more about the Georgia Habitats through a lively script and create puppets inspired by the characters in the script. Enhance your reading skills and knowledge of Georgia plant and animal adaptations as well as your knowledge of the art of puppetry. Showcase each plant or animal’s adaptations in your design. Bring your puppets to life with expressive and entertaining reading!

SHARE
FACEBOOK