Explore the Solar System with Theater 3-5

Description

This lesson helps build upon prior knowledge of the nine planets in the solar system by allowing students to become aliens living on the planets. By creating an imaginary alien who lives on a planet, students embody the planet and its characteristics, thereby increasing their understanding of the planets. Sharing their work with each other allows students to develop presentation skills and comfort when speaking their own thoughts and ideas.

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Exploring Habitats Through Music Composition 2-3

EXPLORING HABITATS THROUGH MUSIC COMPOSITION

EXPLORING HABITATS THROUGH MUSIC COMPOSITION

Learning Description

Through composition of original speech pieces, students will develop skills and understandings in science, language arts, and music. Teamwork and creativity are necessary to create a chant that demonstrates understanding of plant and animal life in various habitats. Musical skills addressed in this lesson include improvising, composing, listening, speaking, and moving.

 

Learning Targets

GRADE BAND: 2-3
CONTENT FOCUS: MUSIC & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can create and accurately perform an original speech composition in rondo form about my assigned habitat.
  • I can create and accurately perform a body percussion ostinato to accompany my speech composition.
  • I can aurally and visually identify rondo form in musical compositions.

Essential Questions

  • How can music composition help us understand and remember habitats?

 

Georgia Standards

Curriculum Standards

Grade 3:

S3L1. Obtain, evaluate, and communicate information about the similarities and differences between plants, animals, and habitats found within geographic regions (Blue Ridge Mountains, Piedmont, Coastal Plains, Valley and Ridge, and Appalachian Plateau) of Georgia.

 

  1. Construct an explanation of how external features and adaptations (camouflage, hibernation, migration, mimicry) of animals allow them to survive in their habitat.
  2. Use evidence to construct an explanation of why some organisms can thrive in one habitat and not in another.

Arts Standards

Grade 2:

ESGM2.CR.1 Improvise melodies, variations, and accompaniments.

 

ESGM2.CR.2 Compose and arrange music within specified guidelines.

 

ESGM2.PR.2 Perform a varied repertoire of music on instruments, alone and with others.

 

ESGM2.RE.1 Listen to, analyze, and describe music.

 

ESGM2.RE.2 Evaluate music and music performances.

 

ESGM2.CN.1 Connect music to the other fine arts and disciplines outside the arts.

 

Grade 3:

ESGM3.CR.1 Improvise melodies, variations, and accompaniments.

 

ESGM3.CR.2 Compose and arrange music within specified guidelines.

 

ESGM3.PR.2 Perform a varied repertoire of music on instruments, alone and with others.

 

ESGM3.RE.1 Listen to, analyze, and describe music.

 

ESGM3.RE.2 Evaluate music and music performances.

 

ESGM3.CN.1 Connect music to the other fine arts and disciplines outside the arts.

 

South Carolina Standards

Curriculum Standards

Grade 3:

3-LS3-1. Analyze and interpret data to provide evidence that plants and animals have inherited traits that vary within a group of similar organisms.

3-LS4-3. Construct an argument with evidence that in a particular habitat some organisms can thrive, struggle to survive, or fail to survive.

Arts Standards

Anchor Standard 1: I can arrange and compose music.

Anchor Standard 2: I can improvise music.

Anchor Standard 4: I can play instruments alone and with others.

Anchor Standard 6: I can analyze music.

Anchor Standard 7: I can evaluate music.

Anchor Standard 9: I can relate music to other arts disciplines, other subjects, and career paths.

 

Key Vocabulary

Content Vocabulary

  • Habitat - The natural environment of an organism; place that is natural for the life and growth of an organism
  • Organism - A living thing, like an animal, plant, fungus, bacterium, or protist
  • Adaptation - How organisms change or adjust to new conditions
  • Environment - All external conditions, influences, and factors that affect and interact with living organisms

Arts Vocabulary

  • Rondo - A form of composition in which the first section recurs throughout the piece, alternating with different sections (e.g., A-B-A-B-A or A-B-A-C-A, etc.); this form is found especially in compositions of the Baroque and Classical eras
  • Ostinato - A repeated pattern (plural: ostinati)
  • Body percussion - Sounds produced by striking or scraping parts of the body; typically includes snapping, clapping, patting, and stomping
  • Phrase - Musical sentence or unit, commonly a passage of four or eight measures; a dependent division of music, much like a single line of poetry in that it does not have a sense of completion in itself; usually two or more phrases balance each other
  • Texture - The thickness or thinness of sound

 

Materials

  • Habitat cards (individual cards with one habitat on each)
  • Cutouts of shapes (or shapes can be written on the board)
  • Visual of A section text (to be displayed after chant is learned)
  • Sound source (computer and speakers)
  • Recording of musical composition in rondo form (this could be a song that is structured verse-chorus-verse-chorus)
  • Large paper and markers

 

Instructional Design

Opening/Activating Strategy

Classroom Tips: Arrange groups so that students can move away from each other during the creating process to enable careful listening and minimize distraction from other groups.

 

  • Play a musical composition in rondo form, challenging students to listen for repeated sections. (NOTE: Music with text may facilitate students’ discernment of repetition and contrast.)
  • Identify form heard in composition as rondo form.
  • Demonstrate different body percussion techniques, such as snapping, clapping, patting, and stomping. Have students follow your movements.
  • Challenge students to establish a simple two, four, or eight beat body percussion ostinato.

 

Work Session

  • Explain that students will now become composers of their own speech piece to illustrate rondo form.
  • While students perform the body percussion ostinato that they created, teach the following chant by rote (teacher speaks, students echo).

Habitats define life and growth within a place
Where animals and plants naturally live in their space.
Each is connected by the environment in which they live; 

Contributing uniquely, they all have something to give.

 

  • To facilitate student success in learning the chant aurally, begin by speaking the entire chant, then speak the first phrase (first eight beats) and have students echo.
  • Continue speaking each phrase and having students echo. Then combine two phrases (16 beats) and have students echo.
  • Once students are comfortable with 8- and 16-beat phrases, speak the entire chant.
  • This becomes the A section of the class composition.
  • Analyze the structure of the chant (32 beats long with the last word on beat 31).
  • A visual such as follows may be helpful in guiding students’ analysis.
  • To help students understand the chant’s length and structure, point to each number while speaking the chant.
  • Analyze the rhyme scheme of the chant, marking on the visual of the chant to facilitate understanding.
  • Divide students into small groups and give each group a habitat card (such as mountains, marsh/swamp, coast, etc.).
  • Working in small groups, have students create a chant about their habitat.
  • Their chant must be the same length and use the same rhyme scheme as the A section.
  • Once students are satisfied with their composition, have them write it down (text only) on large paper.
  • Encourage students to write their composition in four lines to facilitate understanding of the four phrases.

 

Closing Reflection

  • Combine group compositions with the original chant to create a rondo form.
  • The original chant is the A section while student creations become the alternating sections.
  • Use shapes drawn on board or cut from construction paper (or cogni-tiles) and letters to illustrate each section in rondo form.
  • Allow time for students to comment on the compositional efforts of others, perhaps noticing distinctive rhythms and/or word choice.
  • Discuss the characteristics of each of the habitats performed.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, ability to repeat and learn the A section of the habitat chant, analysis of rhyme scheme, and collaboration with their groups to create their own habitat chant.

 

Summative

CHECKLIST

  • Students can create and accurately perform an original speech composition using the prescribed form and content (assigned habitat).
  • Students can create and accurately perform a body percussion ostinato to accompany the speech composition.
  • Students aurally and visually identify rondo form in musical compositions.

 

DIFFERENTIATION 

Acceleration: 

  • Have students record their creations and evaluate their work.
  • Challenge students to create simple melodies to accompany their text.
  • Have students transfer their spoken text to body percussion (e.g., clap the rhythm of the words rather than speaking the words). Experiment with and discuss various textures. For example, have half the students maintain the ostinato while the other group performs their chant on body percussion; then have only the chant performed on body percussion. Discuss what happens to the texture of the sound as other parts are added or deleted.
  • After students have transferred their spoken text to body percussion, have two (or more) groups superimpose (perform simultaneously) their chants. Discuss the texture changes this compositional device creates.
  • To connect to dance, have students create movement compositions demonstrating plants and/or animals found in their habitats. Then have other students guess the habitat demonstrated through movement.
  • To connect to theater, have students create dialogues between plants and/or animals found in various habitats. Dialogues should not include the name of the habitat so that after performing their dialogues, other students can guess the habitat being discussed.

Remediation: 

  • Scaffold the lesson by working collaboratively as a class to create a chant about a habitat. Then release students to create their own.
  • Reduce the number of lines students are required to create in their chant.
  • Provide sentence starters to help students structure their chants.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Maribeth Yoder-White. 

Revised and copyright:  September 2024 @ ArtsNOW

 

Exploring Habitats Through Music Composition 3-5

Description

Through composition of original speech pieces, students will develop skills and understandings in science, language arts, and music. Teamwork and creativity are necessary to create a chant that demonstrates understanding of plant and animal life in various habitats. Musical skills addressed include improvising, composing, listening, speaking, and moving.

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HABITATS ON AIR 2-3

HABITATS ON AIR

HABITATS ON AIR

Learning Description

In this lesson, students will explore habitats using movement. They will work in teams to show their classmates ways to conserve when playing “Conservation Charades”. Students will then write Public Service Announcements through the eyes of a local animal whose habitat has been tainted by pollution. Having students to embody the endangered species helps them to empathize with the animal in order to work towards solutions.

 

Learning Targets

GRADE BAND: 2-3
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can accurately identify local habitats and organisms.
  • I can recognize pollution types, their effects on habitats, and identify various conservation methods.
  • I can use my voice and body to embody the organisms in a local habitat and the impact pollution has on that habitat.

Essential Questions

  • How can theatre techniques be used to understand local habitats and the impact of pollution and conservation on these habitats?

 

Georgia Standards

Curriculum Standards

Grade 2: 

S2E3. Obtain, evaluate, and communicate information about how weather, plants, animals, and humans cause changes to the environment.

 

Grade 3: 

S3L2. Obtain, evaluate, and communicate information about the effects of pollution (air, land, and water) and humans on the environment.

Arts Standards

Grade 2:

TA2.CR.1 Organize, design, and refine theatrical work.

TA2.CR.2 Develop scripts through theatrical techniques.

TA2.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

Grade 3:

TA3.CR.1 Organize, design, and refine theatrical work.

TA3.CR.2 Develop scripts through theatrical techniques.

TA3.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 3: 

3-LS4-4. Make a claim about the effectiveness of a solution to a problem caused when the environment changes and affects organisms living there.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Habitat - A living thing's home
  • Ecosystem - A community of living organisms (plants, animals, and microorganisms) interacting with each other and their physical environment (such as soil, water, and air)
  • Adaptation - A change that a living thing goes through so it fits in better with its environment
  • Thrive - When a living thing lives well and flourishes
  • Endangered - Living organisms that are threatened with extinction
  • Natural resources - All of the "nature made" assets that are useful in your environment
  • Pollution - Contamination of water, air, or land with garbage, noise, or chemicals
  • Conservation - The act of protecting our resources including the land, water, plants, animals and air
  • Litter - Waste products that have been disposed of improperly, typically by being discarded on the ground or in other open environments instead of being placed in designated trash or recycling containers
  • Public Service Announcements (PSA) - A type of advertisement featured on television, radio, print or other media intended to change the public interest by raising awareness of an issue, affecting public attitudes, and potentially stimulating action

Arts Vocabulary

  • Theater - Dramatic literature or its performance; drama
  • Character - A person, an animal or other figure assuming human qualities, in a story
  • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds
  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves
  • Dialogue – Conversation between characters
  • Scene – The dialogue and action between characters in one place for one continuous period of time
  • Improvisation - A creation that is spoken or written without prior preparation

 

  • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings
  • Ensemble - All the parts of a thing taken together, so that each part is considered
  • Tableau -  A “living picture” in which actors pose and freeze in the manner of a picture or photograph

 

Materials

  • Conservation charades index cards with one of the following activities listed on each: Recycle soda cans, turn off water, pick up litter, plant a tree, carpool
  • Habitat pages with pictures of animals and plants
  • Types of pollution list with pictures of harmed habitats
  • Habitat visuals with three pictures - healthy habitat, polluted habitat, harmed animal

 

Instructional Design

Opening/Activating Strategy

  • Start with a general physical warm-up to get the students' bodies ready. Use exercises such as:
    • Stretching: Stretch all major muscle groups.
    • Shaking Out Limbs: Shake out arms, legs, and the whole body to release tension.
    • Energy Passes: Stand in a circle and pass a clap or a simple motion around to build group focus and energy.
  • Explain that students will explore different characters by changing their movements and physicality.
    • Call out simple prompts to get students thinking about different ways to move. Call out various types of characters and ask students to walk around the space embodying those characters. Examples include:
      • A squirrel looking for acorns
      • A tree blowing in the wind
      • A fish swimming in the river

 

Work Session

LOCAL HABITATS

  • Facilitate a discussion around what students know about habitats.
    • Ask students: What makes up a habitat? (Food, water, shelter, air)
    • Name some of the habitats in your state. For example, Georgia’s habitats would include the Piedmont, Mountains, Swamp Marsh, Coastal, and Atlantic Ocean. Write them on the board.
    • Ask students to make the following movements every time they hear these words (replace these habitats with those of your your state):
      • Piedmont – left arm salutes at chest level, right elbow up with forearm pointing down, both pointer fingers pointing at each other to the area between the arms
      • Mountains – hands flat, touching with arms making a downward V in front of chest
      • Swamp marsh –
        • Swamp - flat hands come in front of chest, moving like boggy water
        • Marsh - use hands as if opening a little window in front of your face (like moving the swamp grass out of your way)
      • Coastal – hold both elbows with opposite hands (as if a border) then wiggle hands out like a wave running back into the ocean
      • Atlantic Ocean – use both hands as if waves rolling in front of body
    • Discuss with students how each habitat has different characteristics, so different organisms will live in different habitats. For example, ask students if a bear is able to live in the ocean.
      • Organisms cannot live in every habitat. They have specific places that they live because they need specific things that the different habitats provide.
    • Review the different habitats that are local to your state. Discuss which organisms will thrive in each habitat and which would fail to survive and why.
    • Example of Georgia habitats:
      • Piedmont - area of land made up of rolling hills and occasional mountains. A plateau between the coastal plain and the Appalachian Mountains.
        • Land animals - squirrels, red foxes, opossum, raccoons, deer, rabbits
        • Water animals - reptiles, snakes, salamanders, frogs, and lizards. Because they are reptiles and amphibians, they like to be near water! Additionally, beavers and ducks live here.
        • Plants and trees - oak tree, hickory tree, pine tree, azaleas, dogwoods, iris
      • Mountains - area of land that has rocky soil, mountains, forests, and a cold climate. The trees and plants are the same as those in the Piedmont region.
        • Land animals - bear, bobcat, squirrel, red fox, opossum, raccoon, deer, rabbit
        • Water animals - fish, frogs, otters
        • Birds - owls, bats, eagles
      • Swamp marsh - an area of wet, low land usually containing large amounts of grass and no trees. Located near the coast.
        • Trees - giant tupelos and bald cypresses
        • Plants - pitcher plant, bladderwort, cypress tree
        • Land animals - bear, deer, raccoon
        • Water animals - water moccasin, alligator, river otter
        • Water birds - osprey, egret, sandhill crane
      • Coastal (Coastal Plain) - where the ocean meets the land portion of the coastline that separates the plains from the sea.
        • Plants - wiregrass, grasslands
        • Trees - live oak trees, Spanish mosses, cypress trees, saw palmetto
        • Birds - egrets, pelicans, cranes
        • Animals - turtles, sea turtles, snakes
      • Atlantic Ocean - large body of salt water to the east
        • Land animals - Loggerhead sea turtles
        • Marine animals - dolphin, whale, jellyfish, crab, shark
        • Trees - cordgrass, wax myrtle morning glories, sea oats, pennyworts, anemones

 

WHY ARE HABITATS IMPORTANT?

  • Discuss why habitats are important. Ask students what they think happens when the habitats change. Ask students what impact they think that animals moving or dying would have on the ecosystem.
    • For example:
      • If there were no more plants, then the butterflies couldn’t eat.
      • If there were no more flies then the frogs couldn’t survive.
    • Tell students that in order to keep ecosystems healthy, we need to take care of our habitats.
      • During the past hundred years, due to new technologies, the world has changed in many ways. Some changes have improved the quality of life and health for many people. Others have affected people’s healthcare adversely causing different kinds of pollution that have harmed the environment. Ask students if they can think of any examples of the way technology has impacted the environment.
      • Ask students what they think of when you say the word, “pollution”. Examples of types of pollution:
        • Air - Air pollution is caused by cars and factories. Harmful gasses and tiny particles (like carbon dioxide, nitrogen dioxide and sulfur dioxide) pollute the air. The smoke released from burning fuel from factories and cars, are the major sources of air pollution.
        • Water - Our water gets polluted because of the dirty water from our house that drains through the pipes into the rivers and oceans dirtying the water. Trash and oil spills also contribute to water pollution.
        • Land - Garbage is thrown on the street every day because we don't always recycle or reuse things. All of the toxic chemicals and waste that is left or dumped on our land causes it to become polluted. All types of waste can be found on land. Some is left behind after human activities and some is washed ashore from boats and sewage outlets. Plastic and dirt also causes land pollution.
      • Tell students to do the following movements every time they hear or say these words:
        • Air - forearms waving back and forth
        • Water - fingers rain down
        • Land - forearms flat on top of each other in front of chest

 

CONSERVATION/POLLUTION SOLUTIONS 

  • Discuss the concept of conservation with the class.
  • Reduce, Reuse, Recycle - Do the following movements every time that you say the phrases:
    • Reduce – both thumbs down and traveling from shoulder height to belly button
    • Reuse – cups inside of left hand on top of cupped right hand and then switch
    • Recycle – twirl forearms in front of chest
  • Ask students if anyone knows what this phrase means. Tell students that it is a motto that is extremely helpful to the environment. It encourages everyone to cut down on the waste that they throw away.
    • Recycle – to change something so it can be used again and again
    • Reuse – to use an object more than once to help save the world
    • Reduce – to stop using or reduce use of products that hurt the environment
  • Tell students that many of the resources we use in our everyday lives are disposed of quickly. Ask students for examples of things that they throw away on a daily basis. For example, food is wrapped in paper or plastic bags, drinks are in disposable bottles or cans, and batteries are disposed of after a short life.
    • Ask students what we could do to help with this problem. Students may respond with things like using reusable water bottles instead of plastic ones.
  • Tell students that pollution is a responsibility and concern of all people in every community. Ask students to brainstorm some ways that they could help to stop pollution. (Write class ideas on the board. For example: Don’t put garbage into the lakes and streams, walk or ride bikes whenever possible, and pick up litter.)

 

CONSERVATION CHARADES

  • Tell students that they are now going to play a game called Conservation Charades. Ask students if anyone has ever played charades. Explain that in this game the participants use their bodies and gestures but not words.
  • Divide students into small groups. Give each group a Conservation Charades index card with an activity on it. Tell students that they will need to work together to show the rest of the class that activity dealing with conservation using their bodies and gestures but not words.
  • Give students a few minutes to decide how they will show their activity. Circulate to work with students and check for understanding.
  • Have each group show their activity and allow the other groups to guess what they are acting out.
  • When all groups have had a turn, discuss the conservation tip on each card and how they help save our resources.

 

HABITAT PUBLIC SERVICE ANNOUNCEMENT – CRIES FOR HELP 

  • Ask students, what do you think some of the animals who live in polluted habitats think and feel?
  • Students should remain in their groups. Each member of the group will get a habitat visual page for the same habitat. Each student will also need a blank piece of paper. Ask each student to look at the three pictures.
    • One picture is a healthy habitat; collaborating with their groups, ask students to identify and write the name of the habitat on their blank piece of paper.
    • Ask students to discuss with their groups what is different about the second image. They should observe that it is polluted. Tell students to write down the type of pollution. Ask students, what could humans do to help with that pollution? Students should discuss with their groups and write down their ideas on their paper.
    • Tell students to now look at the animal in the picture (students in groups can have the same or different animal). Tell students to give their animal a name and write it down.
    • Ask students to look at their picture and think about the following:  What sounds do you hear in your habitat?  What things do you see in your habitat? Other animals? Plants?  What do you smell in your habitat?  How does your animal feel about the pollution in the habitat? Provide time for students to discuss in their groups.
    • Now, ask students to sit or stand like their animal would sit or stand. Using a voice different from their own, like they are the animal, ask students to say out loud what they had for their animal breakfast. This exercise will help students embody their animals.
  • Next, ask students what they think of when they hear “Public Service Announcement”.
    • Tell students that a Public Service Announcement (or PSA) is a type of advertisement featured on television, social media, print or other format that is intended to change the public interest by raising awareness of an issue, affecting public attitudes, and potentially stimulating action.
    • Now, tell students to write a PSA in which their animal is persuading local people to help save their habitat.
    • Tell students that they must include the name of their habitat/region, a description of how pollution has affected them as the animal, and how people can help.
    • Teachers should demo an example.
    • Give students some time to write their PSAs; students can work individually or in their groups.
    • When complete, ask one student to walk to the front of the room as their animal.  Have them read their PSA to the class using their body and voice to act as their animal.

 

ACTING OUT THE HABITAT

  • In their groups, have students create a scene that demonstrates the animal, its habitat, and the impact of pollution on the habitat. Students should use their bodies and voices to bring the scene to life.
  • Students will perform their habitats for their classmates.
  • Provide time for students to practice their scenes. Circulate to work with students and check for understanding.

 

Closing Reflection

  • Students will perform their scenes for the class. Discuss appropriate audience participation and etiquette prior to performances.
  • Before performing, students should share their habitat. After each performance ask the audience to identify which characters they see in the habitat and what impact pollution has on the environment.
  • Review the types of habitats and pollution using the movements that students learned at the beginning of the lesson.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator; discussion of local habitats, pollution, and conservation methods; collaboration with their groups on the PSA and scenes enacting the effects of pollution on their habitats.

 

Summative

CHECKLIST

  • Students can accurately identify local habitats and organisms.
  • Students can recognize pollution types, their effects on habitats, and identify various conservation methods.
  • Students can use their voices and bodies to embody the organisms in a local habitat and the impact pollution has on that habitat.

 

DIFFERENTIATION 

Acceleration: Have students write a monologue from the point of view of their character in the habitat explaining how pollution has impacted them.

Remediation: 

  • Reduce the number of activities to focus on mastery.
  • Allow students to select from the activities, like a choice board, rather than having students complete all activities.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Susie Spear Purcell. Updated by Katy Betts.

Revised and copyright: July 2024 @ ArtsNOW

 

Getting To Know Your Fossils 2-3

GETTING TO KNOW YOUR FOSSILS

GETTING TO KNOW YOUR FOSSILS

Learning Description

Explore the world of fossils by bringing them to life through stories. Students will jump from a picture of a fossil into becoming the fossil itself. They will use scientific observation and imagination to create the life and past of their fossil through monologue. Students will share their monologues using voice, body, mind and heart bringing scientific content to life in new and exciting ways.

 

Learning Targets

GRADE BAND: 2-3
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can write and perform a monologue as a prehistoric animal using my voice and body to embody the animal.
  • I can make observations and draw logical conclusions about the animal from which my fossil was formed.

Essential Questions

  • How can theatre techniques help us understand the origins of fossils?
  • How can studying fossils help us understand prehistoric animals?

 

Georgia Standards

Curriculum Standards

Grade 3: 

S3E2. Obtain, evaluate, and communicate information on how fossils provide evidence of past organisms.

  1. Construct an argument from observations of fossils (authentic or reproductions) to communicate how they serve as evidence of past organisms and the environments in which they lived.

Arts Standards

Grade 3:

TA3.CR.1 Organize, design, and refine theatrical work.

TA3.CR.2 Develop scripts through theatrical techniques.

TA3.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Grade 3:

3-LS4-1. Analyze and interpret data from fossils to provide evidence of organisms and the environments in which they lived long ago.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Organism - A living thing
  • Extinct - A group of living things that no longer living
  • Preserved - To maintain something in its original or existing state
  • Fossil - The preserved remains of a plant or animal that lived long ago
  • Paleontologist - A scientist who studies fossils and organisms that lived long ago
  • Sedimentary rocks - Rocks that form close to surface in layers in which most fossils are found
  • Minerals - Material that replaces the remains of animals/ plants, forming a fossil of the hard skeletal body parts
  • Imprint fossils - Formed when an animal's tracks or a decayed plant leaves an impression in clay and silt sediment
  • Cast fossils - Formed when a mold is filled with minerals, sand, or mud which hardens to the shape of the empty mold. It looks exactly like the actual organism
  • Mold fossils - Formed when an organism is buried in mud which hardens to rock; when the organism decays, it leaves its empty shape in the rock
  • Petrified wood - Fossils formed when minerals take the place of rotting wood, creating a rock form of the tree
  • Amber fossils - Formed when small animals, such as insects, are trapped in hardened tree sap

Arts Vocabulary

  • Theater - Dramatic literature or its performance; drama
  • Character - A person, an animal or other figure assuming human qualities, in a story
  • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds
  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves
  • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings

 

Materials

  • One picture of an animal fossil per student

 

Instructional Design

Opening/Activating Strategy

  • Start with a general physical warm-up to get the students' bodies ready. Use exercises such as:
    • Stretching: Stretch all major muscle groups.
    • Shaking Out Limbs: Shake out arms, legs, and the whole body to release tension.
    • Energy Passes: Stand in a circle and pass a clap or a simple motion around to build group focus and energy.
  • Explain that students will explore different characters by changing their walk and physicality. Use simple prompts to get students thinking about different ways to move. Call out various types of characters and ask students to walk around the room embodying those characters. Examples include:
    • A hungry T-Rex
    • A butterfly fluttering from flower to flower
    • A squirrel gathering acorns for winter
  • Have students return to their seats.

 

Work Session

  • Ask students what comes to mind when they hear the word “paleontologist”?
    • Tell students that a paleontologist is a scientist who studies fossils and organisms that lived long ago.
  • Ask students what fossils are.
    • When most people think of fossils, they think of dinosaurs. It is true that we would not know about the past existence of dinosaurs if it were not for fossils.
    • A fossil is any remnant of a plant or animal that has been preserved in the earth’s crust from a past geologic or prehistoric time.
    • This evidence of past life is most commonly found as bones or teeth, but can also be imprints such as footprints.
    • There are all kinds of fossils of many different plants and animals. Any living thing could potentially one day become a fossil.
    • Fossils may look the same as when the plant or animal was alive but it has changed to stone.
  • Ask students if they know how fossils are made.
    • Fossils are made by replacing the original material with minerals. They are not bones.
    • For a fossil to be formed it must first be covered in sediment.
  • Ask students if they know how old fossils are.
    • The usual time frame for fossilization is anywhere from 10,000 years to 500,000, 000 years. However, some mammoth remains have been found that were only 3,000 years old (they were not completely fossilized).
  • Ask students if they know where fossils can be found.
    • Fossils can be found anywhere, including high on mountains, underwater, in the desert, on the beaches or deep underground. Fossils can be found hidden in rocks.
    • They often become exposed during mining or the construction of roads.
    • Most fossils are found in sedimentary rock.
  • Share other information about fossils with students:
    • Scientists have learned through studying fossils that one of the most common plants on earth were ferns.
    • There are more animal fossils than plant fossils because plants have softer body parts than animals. We can’t tell what many plants looked like because they rotted away before they could be fossilized.
  • Ask students why they think studying fossils could be useful and what paleontologists could learn from studying fossils.
    • Paleontologists can learn many details about extinct organisms by examining fossils, including: What food the animal ate, how long ago the animal was alive, sometimes if it was male or female, the size of the animal, if it walked on two or four legs or had any legs at all, etc. For example, if a fossil has sharp teeth, scientists can infer that the animal ate meat.

 

FOSSILS IN ACTION  

  • Tell students that today, they will be paleontologists. Pass out photo pages of fossils. Have students write their name on the top right hand corner of the visual.
  • Ask students to closely observe the fossil pictured as a paleontologist. Ask students what type of fossil is pictured.
  • Ask students to sit or stand like they imagine the animal would have sat or stood, make the sound of the animal, and then make sounds that existed in this animal's habitat.
  • Ask students to become the animal that this fossil was from and walk or move like the animal. Ask students to eat like the animal.
  • Now, using a voice different from their own, ask students to share what they had for breakfast in the animal’s voice. Students can do this simultaneously by sharing with a partner.
  • Have students sit down as their animals.
  • Ask students to list the following on the left hand side of the photo:
    • What type of animal are you?
    • What do you eat?
    • Where did you live? (water, land,etc.)
    • When were you alive?
    • What is your animal’s name? Age? What did you, as your animal, like best about living when you did?
    • How did you die?

 

PREHISTORIC FOSSILS TALK IT UP

  • Ask students if anyone knows what the word “monologue” means?
  • Tell students that a monologue is a long uninterrupted speech by one actor. It tells about their life, feelings and helps the audience get to know the character.
    • Show students a clip of a monologue or have students read a monologue from a play or other work. Example: The Lion King (1994) - Simba’s Monologue:
      • Context: Simba has grown up away from his kingdom but is reminded of his responsibility and legacy by Rafiki and Mufasa’s spirit.
      • Monologue: "I know what I have to do. But going back means I’ll have to face my past. I’ve been running from it for so long. It’s just, my father’s death is so hard to talk about. I thought I couldn’t live up to his expectations. But now I understand. The past can hurt. But the way I see it, you can either run from it or learn from it. I’m ready to take my place in the circle of life."
  • Hand out lined paper or index cards and ask students to help us get to know their animals through writing a monologue in first person that introduces themselves as the animal and includes the information they recorded on their fossil sheet from “Fossils in Action”.
  • Play music to set the mood while students write their monologues.
  • When they are finished, ask students to sit like their animal and read their monologue out loud, to their partner, simultaneously. Remind students to embody their animals through their voices and bodies.
  • Next, ask for several students to volunteer to share their monologues with the class. Students should walk to the front of the class as that animal would walk/move.  The student will introduce themselves with their chosen name, then read their monologue aloud using their animal’s voice.
  • If time permits, open the floor up for questions so that the other students can interview the animal. Let the class know that they can help the character answer questions that they might know answers to.

 

Closing Reflection

  • Close the lesson with a 3-2-1 ticket out the door. Ask students to write down three things they learned, two things they found interesting about embodying a prehistoric animal, and one question they have.
  • Students should share their ticket out the door with their partner.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, discussion of fossils, observations and inferences about fossil visuals, and conferencing with students during the writing process.

 

Summative

CHECKLIST

  • Students can write and perform a monologue as a prehistoric animal using their voices and bodies to embody the animal.
  • Students can make observations and draw logical conclusions about the animal from which their fossils were formed.

 

DIFFERENTIATION 

Acceleration: 

  • Students can write a scene between two prehistoric animals that includes dialogue in which the animals introduce themselves and tell their stories to each other.
  • Students can write a scene or a narrative that establishes a prehistoric setting for their animal, characters, a conflict (such as extinction) and resolution.

Remediation: 

  • Allow students to work with a partner to study their fossils and write their monologues.
  • Provide sentence starters and/or graphic organizers to help students structure their writing.
  • Provide guiding questions, such as does the animal have feet or claws? If yes, it was most likely a land animal. If not, it was most likely a water animal. Does the animal have sharp teeth? If yes, it was most likely a carnivore. If not, it was most likely an herbivore.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Susie Spear Purcell. Updated by Katy Betts.

Revised and copyright: July 2024 @ ArtsNOW