Dance Across Landforms K-1

DANCE ACROSS LANDFORMS

DANCE ACROSS LANDFORMS

Learning Description

In this lesson, students will become explorers encountering a variety of landforms. Students will create a fictional narrative about their journey and then create choreography to match the sequence generated in the story.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: DANCE, SOCIAL STUDIES, ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can describe and identify the different types of landforms.

  • I can use movement to represent the different types of landforms.

  • I can write narratives with a beginning, middle and end.

Essential Questions

  • How can we use movement to represent different types of landforms?

  • What are the similarities and differences between different types of landforms?

 

Georgia Standards

Curriculum Standards

Kindergarten:

ELA

ELAGSEKW3 Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, tell about the events in the order in which they occurred, and provide a reaction to what happened.

 

Grade 1:

ELA

ELAGSE1W3 Write narratives in which they recount two or more appropriately sequenced events, include some details regarding what happened, use temporal words to signal event order, and provide some sense of closure. 

 

Social Studies

SS1G3 Locate major topographical features of the earth’s surface. a. Locate all of the continents: North America, South America, Africa, Europe, Asia, Antarctica, and Australia. b. Locate the major oceans: Arctic, Atlantic, Pacific, Southern, and Indian. c. Identify and describe landforms (mountains, deserts, valleys, and coasts).

Arts Standards

Kindergarten: 

ESDK.CR.1 Demonstrate an understanding of the choreographic process.

 

ESDK.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESDK.RE.1 Demonstrate critical and creative thinking in dance.

 

Grade 1:

ESD1.CR.1 Demonstrate an understanding of the choreographic process.

 

ESD1.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESD1.RE.1 Demonstrate critical and creative thinking in dance.

 

South Carolina Standards

Curriculum Standards

Kindergarten:

ELA

WRITING - Meaning, Context, and Craft

Standard 3: Write narratives to develop real or imagined experiences or events using effective techniques, well-chosen details, and well-structured event sequences.

3.1 Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, to tell about the events in the order in which they occurred, and to provide a reaction to what happened.

 

Grade 1: 

ELA 

WRITING - Meaning, Context, and Craft

Standard 3: Write narratives to develop real or imagined experiences or events using effective techniques, well-chosen details, and well-structured event sequences.

3.1 Explore multiple texts to write narratives that recount two or more sequenced events, include details, use temporal words to signal event order, and provide a sense of closure. 

 

Social Studies

1.G.4 Describe and compare various landforms within South Carolina through the use of primary and secondary sources.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

 

Anchor Standard 2: I can choreograph a dance.

 

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Landforms - A specific geomorphic feature on the surface of the earth, ranging from large-scale features such as plains, plateaus, and mountains to minor features such as hills, valleys, and alluvial fans

  • Mountain - A natural elevation of the earth's surface rising more or less abruptly to a summit, and attaining an altitude greater than that of a hill, usually greater than 2000 feet

  • Valley - An elongated depression between uplands, hills, or mountains, especially one following the course of a stream

  • Desert - A region so arid because of little rainfall that it supports only sparse and widely spaced vegetation or no vegetation at all

  • Plateau - A land area having a relatively level surface considerably raised above adjoining land on at least one side, and often cut by deep canyons

  • Coast - The land next to the sea
  • Plain - An area of land not significantly higher than adjacent areas and with relatively minor differences in elevation, commonly less than 500 ft. (150 m), within the area

Arts Vocabulary

  • Sequence - Order of succession

  • Movement phrase - A series of movements linked together to make a distinctive pattern

  • Space - An element of movement involving direction, level, size, focus, and pathway

  • Level - One of the aspects of the movement element space; in dance, there are three basic levels: high, middle, and low

  • Choreography - The art of composing dances and planning and arranging the movements, steps, and patterns of dancers

  • Choreographer - A person who creates dances
  • Shape - This refers to an interesting and interrelated arrangement of body parts of one dance; the visual makeup or molding of the body parts of a single dancer; the overall visible appearance of a group of dancers

 

Materials

  • Sound source and music with a steady beat
  • Cards with landforms written on them
  • Anchor chart/poster paper
  • Markers

 

Instructional Design

Opening/Activating Strategy

  • Begin by engaging students in movement that introduces students to the Elements of Dance: Body, action, space, time and energy.
    • Have students arrange themselves in the classroom with enough personal space to move freely without touching a neighbor.
    • Turn on instrumental music with a steady beat.
    • First, have students bring awareness to their bodies by leading them through gentle stretches starting from the head and moving to the toes (e.g., head circles, shoulder shrugs, toe touches, etc.). Then, ask them to make different shapes with their bodies.
    • Bring students’ attention to levels (high, middle, low) with movements such as stretching up high and moving on tiptoes, crouching in a small ball close to the floor, and bouncing in place at a middle level.
    • Have students practice what they just learned by saying words such as “high level” and have students create a spontaneous high level movement.
    • Have students return to their seats or the carpet.

 

Work Session

  • Project photos of the six main types of landforms (mountains, valleys, plains, plateaus, coasts, and deserts).  
  • As a class, describe each of these landforms. 
    • First, have students describe their height in terms of high, middle and low.
    • Next, have students describe what shapes they see in the images. 
    • Finally, discuss how the landforms are similar and how they are different.
    • Add descriptions of each landform to an anchor chart to post in the room.
  • Show students a map of a region being studied and where the landforms are located. Ask students to imagine that they are going on a journey and that they will encounter these different landforms along the way. 
  • Divide students into small groups or partners. Assign each group several landforms from the region being studied.
  • In their groups, students will write a story with words and/or pictures depending on grade and ability level about their journey across the region and the landforms they encountered. 
    • Remind students that their setting will be the landforms they encounter, so they should use descriptive details to help the reader visualize the setting.
    • Remind students that their stories should have a beginning, middle, and end.
    • Remind students to use temporal language to assist with communicating sequence.
    • Circulate and conference with students throughout the writing process.
  • Tell students that they will create a movement phrase to represent their journey.
    • Demonstrate how to create a movement to represent a landform with a different type of physical feature such as a river. 
      • Brainstorm with students a movement they could use to represent a river. Ask them to consider if the river movement should be high, middle or low and what shape it should be.
      • Allow students to practice the movement as a class.
    • Allow students to begin choreographing their dances. 
      • Their dances should tell their story, so the movements in their dances should be in the same sequence as they are in their narratives. 
      • Students should create a unique movement or movement phrase for each landform. Students should then connect the movements to create a whole dance.

 

Closing Reflection

  • Students will perform their dances for their classmates. Discuss appropriate audience participation and etiquette prior to performances.
  • After each performance, the audience will determine which landforms the group represented and what from their dance indicated that.
  • Optional: Allow groups to share their narratives either before or after their performances.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, ability to describe and identify landforms, ability to collaborate with their classmates to choreograph a movement phrase that represents a journey through their assigned landforms, and conferencing with students during the writing process.

 

Summative

CHECKLIST

  • Students can describe and identify the different landforms.
  • Students can use movement to represent the different landforms.
  • Students can write narratives with a beginning, middle and end.
  • Students can use temporal language to communicate the sequence of events in their narratives (first grade).

 

Differentiation

Acceleration: 

  • Challenge students by asking them to structure their dances like the story. It should have a beginning pose/shape, movement phrases, transitions between movements, and an ending pose/shape.
  • Challenge students to create not only individual movements, but movements and shapes that they make together to create a formation (i.e., how could all dancers’ bodies be used to create one mountain?).

Remediation: Write a narrative as a class; then have groups choreograph their dances to represent the class narrative.

 

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed: Melissa Dittmar-Joy. Updated by Katy Betts.

Revised and copyright:  August 2024 @ ArtsNOW

Dance Graphs

DANCE GRAPHS

DANCE GRAPHS

Learning Description

Students will interpret data on graphs and use the information to explore dance composition, form, and order of choreography.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: Dance & Math
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can group and interpret data.
  • I can recognize different types of graphs.
  • I can interpret data in a graph to create choreography.

Essential Questions

  • How can dance and movement be used to demonstrate understanding of graphs and data interpretation?

 

Georgia Standards

Curriculum Standards

Kindergarten:

MGSE2.MD.10 Draw a picture graph and a bar graph (with single-unit scale) to represent a data set with up to four categories. Solve simple put-together, take-apart, and compare problems using information presented in a bar graph.Grade 1:

MGSE3.MD.3 Draw a scaled picture graph and a scaled bar graph to represent a data set with several categories. Solve one- and two-step “how many more” and “how many less” problems using information presented in scaled bar graphs. For example, draw a bar graph in which each square in the bar graph might represent 5 pets.

Arts Standards

Kindergarten:

ESDK.CR.1 Demonstrate an understanding of the choreographic process.

ESDK.CR.2 Demonstrate an understanding of dance as a form of communication

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance.

ESDK.RE.1 Demonstrate critical and creative thinking in dance

ESDK.CN.3 Identify connections between dance and other areas of knowledge

Grade 1:

ESD1.CR.1 Demonstrate an understanding of the choreographic process.

ESD1.CR.2 Demonstrate an understanding of dance as a form of communication

ESD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance.

ESD2.CN.3 Identify connections between dance and other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Kindergarten:

K.MDA.3 Sort and classify data into 2 or 3 categories with data not to exceed 20 items in each category.

K.MDA.4 Represent data using object and picture graphs and draw conclusions from the graphs.

Grade 1:

1.MDA.4 Collect, organize, and represent data with up to three categories using object graphs, picture graphs, t-charts and tallies.

1.MDA.5 Draw conclusions from given object graphs, picture graphs, t-charts, tallies, and bar graphs.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

Graph - A diagram that shows the relationship between two or more things.

Data - A collection of individual facts or statistics.

Analyze - Examine a subject methodically and in detail, typically in order to explain and interpret it.

Arts Vocabulary

Choreography - The art of composing dances and planning and arranging the movements, steps, and patterns of dancers.

Choreographer - A person who creates dances.

Level - The vertical distance from the floor that a dancer occupies during a movement

Plane - An imaginary flat surface running through the body.

 

Materials

  • Music source and speakers
  • Graphs/Data, printed or projected

 

Instructional Design

Opening/Activating Strategy

Teacher tallies the number of students born each month. Students group birthdays into seasons.

As a group, lead students in a warm up that includes these dance elements:

  • Levels, body shapes, plane
  • Locomotor and non-locomotor movements
  • Identify these dance elements so that students learn dance vocabulary.

 

Work Session

Movement Discovery
Look at a variety of types of graphs and discuss:

  • The basic, overall shapes of each graph, i.e., a bar graph may be described as rectangular while a pie chart may be called a circle
  • Looking inside the graphs, how different shapes and symbols express data in each example, i.e., a pie chart contains angles while a picture graph may contain hearts and stars.

Collaboration:

  • Divide the class into small groups and assign either a picture or a bar graph to each group, using various examples of graphs.
  • Students describe the graph form (overall form and form of value symbols) using the dance vocabulary and concepts from warm-up
  • Students assign dance movements to the visual expression of the form of the graph, i.e., bars on a bar graph may be jumps; stars on a picture graph may be spins.

Choreographic Process:

  • Students analyze the data that the teacher gathered at the beginning of class: How many students have birthdays in each season?
  • Students draw the data in their assigned graph.
  • Create a graph dance by sequencing the movements from the previous step so that they reflect the data, i.e., a bar graph with data of 5 and 2 may include a person standing on their toes and extending their arms overhead 5 times and another person repeating the movement 2 times.
  • Students decide how to order the data, such as least to most or progression of seasons in the calendar year.
  • Students decide how to demonstrate the type of graph, as well as data.

Performance and discussion:

  • Perform each group dance.
  • The audience identifies which type of graph the peer group is presenting.
  • The teacher asks questions about the data represented in each graph dance (How many? How many more? How many fewer? Which season had more birthdays? the most? fewer? the least?).

 

Closing Reflection

The audience explains how movement observed represents the form of the graph, as well as the data.

Groups explain why they chose certain movements to express the data and form of their graph.

 

Assessments

Formative

  • Students engage in a collaborative discussion about movement choices, graph form, and data.
  • Students correctly use dance vocabulary during the discussion.

 

Summative

  • Students correctly interpret their assigned data.
  • Students present choreography that accurately portrays their assigned data.
  • Students/audience will accurately identify and interpret the data expressed in peer choreography.

 

Differentiation

Acceleration: Show dance photos that contain multiple dancers; count the dancers and then express the data in scaled picture or bar graphs. Suggested photos in Additional Resources, below.

Remediation: Analyze data and draw it in different types of graphs as a whole class and then divide into small groups to create choreographies.

Additional Resources

Classroom Tips:

Set up chairs and tables in a circular format to maximize students’ engagement and ability to see their peers during the activity and performance. Also establish parameters for acceptable movement choices and discuss audience behavior/etiquette with students.

Suggested dance photos for first grade acceleration:

Two dancers:
https://commons.wikimedia.org/wiki/File:MX_MM_BALLET_FOLKL%C3%93RICO_DE_M%C3%89XICO_-_40289925045.jpg

Four dancers
https://commons.wikimedia.org/wiki/File:Ballet_Flamenco_de_Andaluc%C3%ADa19_(48628989227).jpg

Six dancers
https://commons.wikimedia.org/wiki/File:Opening_Performance_and_Address_(52146422509).jpg

Eight dancers
https://commons.wikimedia.org/wiki/File:Dance_Ensemble_Sofia_6_Women.jpg

Ten dancers
https://commons.wikimedia.org/wiki/File:NIGERIA_Group_Dance1.jpg

Remediation: Analyze data and draw it in different types of graphs as a whole class and then divide into small groups to create choreographies.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed and updated by: Julie Galle Baggenstoss and Melissa Dittmar-Joy

Revised and copyright: August 2022 @ ArtsNOW

Discover the Art of Playwriting 2

DISCOVER THE ART OF PLAYWRITING

DISCOVER THE ART OF PLAYWRITING

Learning Description

Students will be introduced to the art and technique of playwriting by brainstorming possible emotions, relationships, and storyline extensions based on a familiar fairy tale.

 

Learning Targets

GRADE BAND: 2
CONTENT FOCUS: THEATRE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can contribute ideas to write a short play based on a familiar nursery rhyme.
  • I can play a role in acting out an original script.

Essential Questions

  • How can we write a short play together based on a familiar nursery rhyme?  

 

Georgia Standards

Curriculum Standards

Kindergarten:

ELACCKW3 Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, tell about the events in the order in which they occurred, and provide a reaction to what happened. 

ELACCKW5 With guidance and support from adults, respond to questions and suggestions from peers and add details to strengthen writing as needed. 

Grade 1:

ELACC1W3 Write narratives in which they recount two or more appropriately sequenced events, include some details regarding what happened, use temporal words to signal event order, and provide some sense of closure. 

ELACC1W5 With guidance and support from adults, focus on a topic, respond to questions and suggestions from peers, and add details to strengthen writing as needed. 

ELACC1SL4 Describe people, places, things, and events with relevant details, expressing ideas and feelings clearly.

Arts Standards

Kindergarten:

TAESK.2 Develop scripts through improvisation and other theatrical methods. 

TAK.PR.1 Act by communicating and sustaining roles in formal and informal environments.  

Grade 1:

TA1.CR.2 Develop scripts through theatrical techniques. 

TA1.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

Kindergarten:

W.MCC.K.3.1 Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, to tell about the events in the order in which they occurred, and to provide a reaction to what happened. 

Grade 1:

W.MCC.1.3.1 Explore multiple texts to write narratives that recount two or more sequenced events, include details, use temporal words to signal event order, and provide a sense of closure. 

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

Character - A person, an animal, or an object in a story that has human qualities.

Setting - The time and place of a story (when and where).  

 Plot - A series of related events that form a story.

Arts Vocabulary

Theatre - Dramatic literature or its performance; drama.

Playwriting - The process of writing or composing a script to be performed by actors.

Script - A story written in a format to be acted out, indicating what the characters say and do.

Dialogue - The part of the text that the characters speak aloud to one another.

Line - Words or sentences spoken by an actor.

Stage Directions - Actions or emotions for the actor, usually included in parentheses before or after a line of text.

 

Materials

  • Copies (on paper, or on one or more screens) of a familiar nursery rhyme, such as “Jack and Jill”
  • Flip chart, white board, or digital blank page for developing class script

 

Instructional Design

Opening/Activating Strategy

Clap-Around  

This warm-up exercise helps students connect to one another through collaboration and eye  contact.

  • Arrange students in a circular formation. 
  • Have students place their hands on their hips and bend their knees to make sure they are in a neutral position. 
  • Encourage students to punch with their arms from side to side (not moving feet). 
  • Begin the process by making eye contact with the first student and then clapping at the same time.  Instruct that student to turn to their other neighbor, make eye contact, and clap simultaneously.  That student continues the process.  Each student, in turn, passes the clap to the next student until the circle is completed.
  • Continue striving to keep the clap moving smoothly around the circle multiple times, with participants establishing eye contact and synchronizing the clap as it passes.

 

Work Session

Nursery Rhyme

  • Show students the selected nursery rhyme.  Read/recite it together. 
  • Ask students about the story elements:  “Who are the characters?  What is the setting?  What happens in the plot of the story?” (e.g., Jack and Jill; a hill, during the day; going to get water, then falling down).

Playwriting

  • Tell the students that together the class will use a playwriting process to adapt this simple story into a script that the class can act out.
  • Ask students what happened first in the story.  Ask them to imagine what the characters might have said – this can be imagined, as it likely is not included in the nursery rhyme.  Select and write their ideas in script format.  (e.g., perhaps their mother said, “Children, we need water!”; Jill said, “Come on, Jack.  Let’s go.  I have the pail”; and Jack said, “But I’m playing with my toys!” etc.).  Elicit enough ideas to fill out a simple scene.  Explain that the class is generating dialogue, composed of lines for the individual characters.  Option: define, solicit, and include stage directions, of feelings or actions to help the actors know how to play the roles.
  • Repeat the process with other segments of the story (e.g., climbing the hill, then tumbling down).  Write out the students’ ideas in a way that all can see and follow.
  • As appropriate to the story, ask students to imagine what might have happened afterward, and then develop further dialogue for their idea (e.g., Jack and Jill are taken to the hospital).
  • Invite volunteers to come to the front to read and act out the script that the class generated.  Coach them in using voice and inflection to convey the meaning and emotions of the lines.  Prompt with lines as needed for emerging readers.  Allow several groups to do readings/performances (after several rounds, the students will be familiar with the script).

 

Closing Reflection

Ask:  “What is playwriting?  What is a script?  What is dialogue?  How did we add ideas to expand and fill out the story?  How did we act out our script for the story?  How is our script different from the original nursery rhyme?”

 

Assessments

Formative

  • Students are able to identify key elements of the story.
  • Students suggest additional ideas that are suitable to the story.

 

Summative

The class-generated script contains dramatic elements of character, setting, and plot. Students read and enact the script with enthusiasm and expression.

Differentiation

Acceleration:

Have students work in groups to replicate the process with other familiar nursery rhymes.

Remediation:

In developing the script with students’ ideas, keep the lines short with simple vocabulary and clear emotions.

 ADDITIONAL RESOURCES

http://www.teachingheart.net/readerstheater.htm - a site with numerous readers theater scripts available.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed and updated by: Susie Spear Purcell and Barry Stewart Mann

Revised and copyright:  June 2023 @ ArtsNOW

Explore Geometry with Abstract Imagery K-1

EXPLORE GEOMETRY WITH ABSTRACT IMAGERY

EXPLORE GEOMETRY WITH ABSTRACT IMAGERY

Learning Description

Delve into the abstract world of Wassily Kandinsky! Allow your imagination to soar as you discover mathematical connections within Kandinsky images that explore the relationships between geometric shapes and polygons.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: VISUAL ARTS & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use geometry to create original artwork inspired by Wassily Kandinsky.

Essential Questions

  • How can you utilize visual images to learn about shapes?

 

Georgia Standards

Curriculum Standards

Kindergarten: 

K.GSR.8 Identify, describe, and compare basic shapes encountered in the environment, and form two-dimensional shapes and three-dimensional figures.

Grade 1: 

1.GSR.4 Compose shapes, analyze the attributes of shapes, and relate their parts to the whole.

1.GSR.4.1 Identify common two dimensional shapes and three dimensional figures, sort and classify them by their attributes and build and draw shapes that possess defining attributes.

1.GSR.4.2 Compose two-dimensional shapes (rectangles, squares, triangles, half-circles, and quarter-circles) and three dimensional figures (cubes, rectangular prisms, cones, and cylinders) to create a shape formed of two or more common shapes and compose new shapes from the composite shape.

Arts Standards

Kindergarten: 

VAK.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning

VAK.CR.2 Create works of art based on selected themes.

VAK.CR.3 Understand and apply media, techniques, and processes of two-dimensional art.

VAK.RE.1 Discuss personal works of art and the artwork of others to enhance visual literacy. 

VAK.CN.2 Integrate information from other disciplines to enhance the understanding and production of works of art. 

VAK.CN.3 Develop life skills through the study and production of art (e.g. collaboration, creativity, critical thinking, communication).

Grade 1: 

VA1.CR.1 Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning

VA1.CR.2 Create works of art based on selected themes.

VA1.CR.3 Understand and apply media, techniques, and processes of two-dimensional art.

VA1.RE.1 Discuss personal works of art and the artwork of others to enhance visual literacy. 

VA1.CN.2 Integrate information from other disciplines to enhance the understanding and production of works of art. 

VA1.CN.3 Develop life skills through the study and production of art (e.g. collaboration, creativity, critical thinking, communication).

 

South Carolina Standards

Curriculum Standards

Kindergarten:

K.G.4 Analyze and compare two- and three-dimensional shapes of different sizes and orientations using informal language. 

K.G.5 Draw two-dimensional shapes (i.e., square, rectangle, triangle, hexagon, and circle)

Grade 1: 

1.G.4 Identify and name two-dimensional shapes (i.e., square, rectangle, triangle, hexagon, rhombus, trapezoid, and circle)

1.G.2 Combine two-dimensional shapes (i.e., square, rectangle, triangle, hexagon, rhombus, and trapezoid) or three-dimensional shapes (i.e., cube, rectangular prism, cone, and cylinder) in more than one way to form a composite shape.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media

Anchor Standard 5: I can interpret and evaluate the meaning of an artwork.

 

Key Vocabulary

Content Vocabulary

Geometry - Branch of mathematics that deals with deduction of the properties, measurement, and relationships of points, lines, angles, and figures in space from their defining conditions by means of certain assumed properties of space.

Polygon - A closed plane figure with at least three straight sides and angles, and typically five or more.

Arts Vocabulary

Abstract - Process of art-making that has reference to the real world but is distorted or manipulated in some way. 

Non-objective - Process of art-making that has no reference to the real world; strictly 

composed of design elements. 

Contrast - Exhibiting unlikeness in comparison to something else. 

Line – One of the seven elements of art; a mark made by a pointed tool such as a brush pen or stick; a moving point

Shape (Geometric and Organic) – One of the seven elements of art; a flat, enclosed area that has two dimensions, length and width

 

Materials

  • Kandinsky prints of your choice 
  • Tag board (9” x 12” sheets) or drawing paper
  • Pencils 
  • Pastels, colored pencils, and/or tempera paint 
  • Wassily Kandinsky images

 

Instructional Design

Opening/Activating Strategy

  • Introduce this activity by having students look at an image of “Color Study: Squares with Concentric Circles” by Russian artist, Wassily Kandinsky.
  • Have students draw or write down as many shapes as they see in the artwork.
  • Students should turn to a partner and compare answers.

 

Work Session

Process 

  • Project Kandinsky’s Composition VIII and Red, Blue and Yellow (linked above in materials). Direct students to use math vocabulary and concepts to describe the shapes and polygons found within these abstract and non-objective masterpieces. Students should draw these images on sticky notes.
  • Using the sticky notes, direct students to identify shapes within these images according to size, shape, and color and sort according to the number of sides and angles.
  • Students will then create Venn diagrams that compare and contrast the two different Kandinsky prints. 
  • Next, direct students to generate their own abstract or non-objective design in the style of Kandinsky according to criteria set by the teacher. (For example, criteria might include designs housing a minimum of 10 circles that overlap, 5 straight lines, number of corners and sides, etc.) 
  • Students will then draw their shapes lightly on a tag board in pencil and embellish with bright contrasting colors using colored pencils, pastels, or tempera paint. 

Upon completion of these designs, ask students to identify shapes according to the number of sides, faces, and vertices within their compositions.  

 

Closing Reflection

Display students’ artwork on walls or place on tables/desks. Give students a “scavenger hunt” to find objects in each other’s artwork. Objects could include different types of shapes, lines, and angles.

 

Assessments

Formative

  • Students will recognize and identify two-dimensional shapes and figures within a given art piece. 
  • Students will sort objects within an art piece according to size, shape, and color. 
  • Students will identify shapes according to the number of sides, faces, and vertices. 
  • Students will discover the way artists compose abstract imagery.

 

Summative

  • Students will create an artwork inspired by Wassily Kandinsky that demonstrates their mastery of mathematical concepts including geometry, line, and angle.
  • Students will be able to identify types of shapes, lines, and angles in each other’s artwork.

 

Differentiation

Acceleration: Instead of using basic geometric shapes, artwork requirements should include students dividing and combining shapes to create new shapes (i.e. - circle into semicircle; two triangles into rectangle, etc.).

Remediation: 

  • Provide students with specific objects to look for in Kandinsky’s artwork. Partner students will identify shapes, lines, and angles.
  • Reduce criteria in artwork to focus on fewer shapes at a time.
  • Provide visuals with examples of each shape and its attributes for supporting students.

 ADDITIONAL RESOURCES

Wassily Kandinsky images

Types of shapes handout

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

 Ideas contributed by: Darby Jones and updated by Shannon Green and Katy Betts.

 Revised and copyright:  August 2022 @ ArtsNOW