DANCING UP A STORM 6-8

DANCING UP A STORM

DANCING UP A STORM

Learning Description

Students will plan a choreography that demonstrates how high and low-pressure systems, as well as warm and cool air, interact in the atmosphere.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: DANCE, SCIENCE & STEAM
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can demonstrate how high pressure and low pressure systems interact in the atmosphere.
  • I can imagine and test ways in which movement communicates ideas about the interaction of high and low pressure, as well as warm and cool air
  • I can use the elements of dance to vary movements that will communicate multiple ideas in one choreography.

Essential Questions

  • How does dance movement demonstrate the cause and effect of weather events?

 

Georgia Standards

Curriculum Standards

Grade 6:

S6E4.d Construct an explanation of the relationship between air pressure, weather fronts, and air masses and meteorological events such as tornados and thunderstorms.

Arts Standards

Grade 6:

MSD.CR.1 Demonstrate an understanding of the choreographic process.

MSD.CR.2 Demonstrate an understanding of dance as a form of communication.

MSD.RE.1 Demonstrate critical and creative thinking in dance.

MSD.CN.3 Demonstrate an understanding of a dance as it relates to other areas of knowledge.

Grades 9-12:

DHSDC.CR.2 Demonstrate an understanding of dance as a form of communication.

DHSDC.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance.

DHSDC.RE.1 Demonstrate critical and creative thinking in all aspects of dance.

DHSDC.CN.3 Demonstrate an understanding of dance as it relates to other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-ESS2-5. Analyze and interpret data to provide evidence for how the motions and complex interactions of air masses result in changes in weather conditions.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 4: I can perform movement skills and techniques

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Anticyclone - A mass of air with high pressure and light winds that blow in a clockwise direction in the Northern Hemisphere
  • Depression - A mass of air with low pressure, condensing water vapor, and possibly precipitation, with winds that blow in a counterclockwise direction in the Northern Hemisphere
  • High pressure - A mass of air with relatively higher atmospheric pressure, descending air molecules, relatively lower cloud formation, and lighter winds that blow away from the center of the system
  • Low pressure - A mass of air with relatively lower atmospheric pressure, rising air molecules, relatively greater cloud formation and precipitation and strong winds

Arts Vocabulary

  • Choreography - The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Clockwise - A movement pathway that proceeds in the same direction that hands of a clock move
  • Counterclockwise - A movement pathway that proceeds opposite of the direction that the hands of a clock move
  • High Level - In regards to dance, movements that are made in the space that is at a greater distance from the ground, such as a jump or stretching the arms above the shoulders
  • Low Level - In regards to dance, movements that take up space that is closer to the ground, such as a squat, crouch, or stretching the arms downward so that the hands touch the knees or toes while standing up
  • Steady - In regards to dance, movements that take place at a consistent and unchanged interval
  • Sudden - In regards to dance, movements that occur quickly and without warning, and may elicit a reaction of surprise by the observer

 

Materials

  • A variety of music selections
  • Music source and speakers
  • Projection or printed cards showing dance terms in PART 1
  • Cards printed with weather conditions; one card per small group

 

Instructional Design

Opening/Activating Strategy

  • Show students one card at a time from a projection or a stack of cards printed with dance vocabulary words: high level, low level, sudden, steady, clockwise, counterclockwise (note that the terms fast/slow in PART 1 are not included in this list for an activating strategy).
  • Ask students to execute the movement while you play music for 5-10 seconds. When the music stops, students will freeze.
  • Change cards when the music stops and repeat this activity several times so that students become introduced to the different movements.
  • All students should move at the same time to create a low-stakes activity. Variation in movement is encouraged so that students produce individualized movements rather than copying peers. This is a time for students to experiment with movement and individuality.

Work Session

PART 1

  • Divide the class into small groups. Give each group a set of three cards that list conditions expected during a three-day period in the atmosphere over a given fictitious city. Each card should include conditions that do not completely describe the weather, such as:
    • CARD EXAMPLE 1 (discusses pressure systems)
      • Day 1: Winds 5 MPH, sunny skies; temperatures are 80-90 degrees.
      • Day 2: Low pressure passes over the city at 12 p.m. and 12:30 p.m.
      • Day 3: Winds return to 5 MPH with sunny skies; temperatures are 50-60 degrees.
    • CARD EXAMPLE 2 (discusses weather conditions)
      • Day 1: Light rain all day and night. Temperatures are 60-70 degrees.
      • Day 2: Light rain all day. Rain ends at sunset. Temperatures are 60-70 degrees.
      • Day 3: Sunny skies all day. Temperatures are 65-75 degrees.
    • Students consider the problem: Create a dance that reflects the weather forecast for the next three days by showing how high and low-pressure systems, as well as warm and cool air, will interact in the atmosphere.
      • Use the following dance elements:
        • Speed: Fast/Slow
        • Level: High/Low
        • Energy: Sudden/Steady
        • Rotation: Clockwise/Counterclockwise
      • Students list the questions that they need to answer before brainstorming dance movements.

PART 2

  • Create three movements to show the changing conditions. Each movement should show the weather for one day, making sure to focus on the cause and effect relationship/interaction between the high- and low-pressure systems that will create the predicted weather conditions. Students need to prioritize their questions listed in PART 1 in order to focus on the cause and effect relationship of atmospheric systems. Students identify the dance elements that they will use in their movements.

PART 3

  • Students will order their dance movements to communicate the forecast based on the conditions printed on their cards.

PART 4

Students will write down their forecast. They will review the forecast to make sure that it represents the assigned conditions on their cards. Students will correct any inaccuracies, focusing on the high-and-low-pressure systems.

 

Closing Reflection

  • Ask students to describe the interaction of high and low pressure in various situations (i.e., a slow-moving high-pressure system versus a fast-moving system), using vocabulary of the Elements of Dance (dance vocabulary words on cards or their own words).
  • Ask students to explain how moving their bodies or observing dances in this lesson helps them to understand and describe the differences between high-and-low-pressure systems and how those systems interact in the atmosphere to create weather that we experience on the surface of the planet.

 

Assessments

Formative

Visually observe students formulating questions and exploring movement while discussing atmospheric concepts.

  • Teacher observes students correlating temperature, precipitation, and winds with anticyclones and depressions.
  • Teacher observes students using vocabulary of the Elements of Dance and vocabulary of atmospheric pressure, together, as they create and sequence movement.
  • Teacher observes students arranging movements so they demonstrate atmospheric systems that create weather conditions.

Summative

MATTER IN MOTION CHECKLIST

  • Students first list questions, and then prioritize the questions.
  • Movement qualities focus on cause and effect/interaction between atmospheric conditions, rather than the weather observed at the surface of the planet.
  • Movements are imagined first and then ordered.
  • The choreography effectively uses dance to communicate properties of atmospheric systems that contribute to weather conditions.

 

 

Differentiation

Accelerated: 

  • Ask students to consider the impact of land forms in their forecast and vary their movements to show how the atmospheric conditions would change due to the presence of an ocean, mountain, etc.
  • List fewer details about weather or atmospheric conditions on the cards so that students have to draw more conclusions to create their predictions.

 

Remedial:

  • Divide the class into three groups. Work with only one card printed with weather/atmospheric conditions. Each group creates one movement to show the interaction between low-and-high-pressure systems for one day. As a whole class, order the movements to show the forecast for the three days suggested on the printed card.

 

Additional Resources

Classroom Tips:  Use the opening activities as opportunities for students to identify movements that they will use later in the lesson. If as a whole class students struggle with a movement during this creative time, then recognize effective movement and ask the whole class to model it.

Execute each part of the main activity one at a time, revealing each subsequent step after the current one is completed. In other words, do not permit students to work ahead to encourage the creative effect that results from the scaffolded directions.

 

Credits

Ideas contributed by: Julie Galle Baggenstoss

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

A MATTER OF ISOLATION 6-8

A MATTER OF ISOLATION

A MATTER OF ISOLATION

Learning Description

Students will create a game in which players use movement to show how changes in thermal energy change the behavior of particles.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: DANCE, SCIENCE & STEAM
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can demonstrate the effect of thermal change on particles through choreography.
  • I can relate the elements of dance to states of matter.
  • I can use the elements of dance to vary movements to communicate multiple ideas in one choreography.

Essential Questions

  • How does dance movement demonstrate states of matter and change in thermal energy?

 

Georgia Standards

Curriculum Standards

Grade 8:

S8P1.b Develop and use models to describe the movement of particles in solids, liquids, gases, and plasma states when thermal energy is added or removed.

Arts Standards

Grade 8:

MSD.CR.1 Demonstrate an understanding of the choreographic process.

MSD.RE.1 Demonstrate critical and creative thinking in dance.

MSD.CN.3 Demonstrate an understanding of a dance as it relates to other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-PS1-4. Develop and use a model that predicts and describes changes in particle motion, temperature, and state of a pure substance when thermal energy is added or removed

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Particle – A small object which can be described by several physical or chemical properties; matter is made up of particles
  • Thermal Energy – The motion of particles within a substance that is responsible for its temperature

Arts Vocabulary

  • Isolation – Movement created by moving one part of their body while keeping the rest of the body still or controlled
  • Axial – Movement that occurs in place, without traveling to a new location
  • Locomotor – A movement that travels through space
  • Choreographic process - The steps taken to create movement sequences for dancers, which include testing, revising, and editing work
  • Choreography - The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Engineering Design Process -
    • Ask – What is the problem? What do we need to do?
    • Imagine – What are some possible solutions?
    • Plan – Which idea will we try? How will we build it?
    • Create – Build the solution.
    • Test & Improve – Does it work? How can we make it better?

 

Materials

  • Blank index cards, blank paper
  • A variety of music selections
  • Music source and speakers
  • Word bank of dance vocabulary:

 

Instructional Design

Opening/Activating Strategy

  • Students improvise movements in a hand dance. Using only their hands and fingers, students work in pairs, with one being the leader and the other the follower. Students sit facing one another so that when they extend their arms in front of them their hands do NOT touch.
  • The leader extends one arm and faces the palm of the hand to the other student. The follower extends one arm and faces the palm of one hand to the leader to create a mirror image of the other student’s hand. The leader moves the one hand and fingers in slow steady motions while the follower imitates the movement. The teacher plays music and students move in silence, without talking or making any noise, until the music stops.
  • The teacher pauses the music. Partners change roles and repeat the process.
  • Partners should mentally note which movements are successful or when they find a movement that they would like to remember for use later in the lesson.

Work Session

PART 1

  • Divide students into small groups of three members. Each group will create a game in which players earn points when they use their hands and fingers to show how particles move in reaction to increasing or decreasing thermal energy.
  • For the game, participants should be organized into teams. Team members isolate their hands and fingers to create dance movements that represent states of matter to successfully earn points.
  • Students list a few of their favorite games and think about the strategy/rules of those games.
  • Give each group a few sheets of paper and index cards to use as game materials.

PART 2

  • Students list the information that they need to know in order to create the game. In other words, they list questions and answers about scientific concepts, dance concepts, and game rules.
  • Students gather the details that they need to plan the game.

PART 3

  • Students brainstorm different ways in which players could move their fingers and hands to play the game. They write down dance terms from a word bank derived from the Energy or Time columns of the Elements of Dance to describe the movements.
  • Students correlate the dance vocabulary with descriptions of how particles move when matter is a solid, liquid, or gas.

PART 4

  • Students imagine how teams could interact in a game so that players earn points by showing the movement of particles when thermal energy is applied, removed, increased, or decreased. Students should consider the different ways that players could describe the presence/absence/increase/decrease of thermal energy, including using words such as warmer or cooler, or absolute measures of temperature, i.e., 32 degrees F or 212 degrees F.
  • Students write down the rules of the game.

PART 5

Students test their games by playing them. They note where improvements need to be made and revise their rules. 

 

Closing Reflection

  • Ask students to explain how moving their bodies in this lesson helps them to understand and describe the properties of thermal energy and how it impacts matter.
  • Ask students to describe how the process of asking questions up front helped them create the game.
  • Ask students to describe how brainstorming movements first helped them imagine the play strategy (writing the rules).
  • Ask students how they revised their games after the testing phase.

 

Assessments

Formative

Visually observe the students during the process of creativity.

  • Teacher observes students discussing and writing questions during PART 2.
  • Teacher observes students using vocabulary of the elements of dance and vocabulary of states of matter and thermal energy together, as they brainstorm ways that teams will move to earn points and as they imagine the rules of the games.

Summative

A MATTER OF ISOLATION CHECKLIST

  • Movements are limited to hands and fingers.
  • Game options contain variation of time and energy elements.
  • The game rules effectively use dance to communicate changes in thermal energy so that observers can identify distinct states of matter.

 

 

Differentiation

Accelerated: 

  • Rather than limiting movements to hands and fingers, students explore whole-body axial and locomotor movements to exaggerate molecular activity and/or thermal energy change.

 

Remedial:

  • Complete PART 2 as a whole class.
  • Stop the activity at the end of PART 2. Assess the use of the first step of the engineering design process, which is to define the problem.

 

Additional Resources

Classroom Tip:  Use the opening activity as an opportunity for students to identify movements that they will use later in the lesson.

 

Credits

Ideas contributed by: Julie Galle Baggenstoss

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

STAGE TO SAVE: INSPIRING CHANGE FOR ENDANGERED SPECIES 9-12

INSPIRING CHANGE FOR ENDANGERED SPECIES

STAGE TO SAVE: INSPIRING CHANGE FOR ENDANGERED SPECIES

Learning Description

In this multi-day lesson, students use digital storytelling and theatrical techniques to create a persuasive PSA that raises awareness about an endangered species. Students begin by researching their species’ status, threats, and ecological importance, then they will craft a conservation message designed to inspire action and encourage donations. Using their voice, diction, projection, and creative choices in music and imagery, students will plan, script, and produce a short video PSA. They will incorporate theatre elements like mood, scene design, and cues alongside digital editing tools to engage the audience emotionally and intellectually. Through this project, students deepen their understanding of conservation issues while developing communication, performance, and media production skills to advocate for change.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: THEATRE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can research and explain the conservation status, threats, and importance of an endangered species.
  • I can design a persuasive conservation message that inspires others to act.
  • I can use my voice, music, and imagery to create mood and communicate a clear message.
  • I can plan, script, and produce a digital PSA using theatrical techniques and media tools.
  • I can reflect on how digital storytelling can raise awareness and inspire change.

Essential Questions

  • How can we use theatrical techniques to inspire others to protect endangered species?

 

Georgia Standards

Curriculum Standards

Environmental Science:

SEV2. Obtain, evaluate, and communicate information to construct explanations of stability and change in Earth’s ecosystems.

d. Construct an argument to support a claim about the value of biodiversity in ecosystem resilience including keystone, invasive, native, endemic, indicator, and endangered species.

SEV4. Obtain, evaluate, and communicate information to analyze human impact on natural resources.

a. Construct and revise a claim based on evidence on the effects of human activities on natural resources.

Arts Standards

TAHSFT.CR.2.c Construct and critique elements of dramatic structure, character, and dialogue.

TAHSFT.RE.2 Critique various aspects of theatre and other media using appropriate supporting evidence.

TAHSFT.CN.1 Explore how theatre connects to life experiences, careers, and other content.

 

South Carolina Standards

Curriculum Standards

Biology:

B-LS2-1. Use mathematical and/or computational representations to support explanations of biotic and abiotic factors that affect carrying capacity of ecosystems at different scales.

B-LS2-6. Evaluate claims, evidence, and reasoning that the complex interactions in ecosystems maintain relatively consistent numbers and types of organisms in stable conditions but changing conditions may result in a new ecosystem.

B-LS2-7. Design, evaluate, and refine a solution for reducing the impacts of human activities on biodiversity and ecosystem health.

B-LS2-8. Evaluate evidence for the role of group behavior on individual and species’ chances to survive and reproduce.

Earth & Space Science:

E-ESS3-4. Evaluate or refine a technological solution that reduces impacts of human activities on natural systems.

Arts Standards

Anchor Standard 1:  I can create scenes and write scripts using story elements and structure.

Anchor Standard 2: I can design and use technical elements for improvised scenes and written scripts. 

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 5:  I can interpret and evaluate live or recorded dramatic performances as an active audience member.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Endangered species — A species at risk of extinction because its population is so small or declining rapidly
  • Vulnerable — A species that is likely to become endangered if threats to its survival continue
  • Critically endangered — A species facing an extremely high risk of extinction in the immediate future
  • Near threatened — A species that does not yet qualify as endangered or vulnerable but may soon if threats increase
  • Habitat — The natural home or environment where a plant or animal lives and grows
  • Conservation — The careful use and protection of natural resources to prevent overuse, destruction, or extinction
  • Biodiversity — The variety of living organisms — plants, animals, fungi, and microorganisms — in an ecosystem or on Earth as a whole
  • Ecosystem — A community of living organisms interacting with each other and their physical environment
  • Habitat restoration — The process of repairing damaged ecosystems so they can support healthy populations of plants and animals again
  • Human impact — The effects humans have on the environment, including pollution, deforestation, habitat destruction, and climate change
  • Conservation program — An organized effort to protect and manage wildlife, habitats, and natural resources for the future

Arts Vocabulary

  • Voice — Actors use their voice to be heard by the audience clearly. Actors must also apply vocal choices such as pitch, tempo, and volume to the character they are dramatizing. 
  • Audience — The group of spectators, listeners and viewers collectively, in attendance at a theater 
  • Director — A director oversees the entire process of staging a production
  • Lighting/visual design — choosing visuals and effects to convey mood and meaning
  • Cue — A signal or prompt that indicates when a specific action or line should take place
  • Diction — Using a “crisp & clear” actor voice that can be understood by everyone watching and listening
  • Monologue — A long speech by a single character 
  • Projection — Using a “big” actor voice so that you can be heard in the very back row of a space (classroom, auditorium, theater)
  • Scene — A single situation or unit of dialogue in a play (in this lesson, a PSA)
  • Mood — The emotional tone created through voice, music, and visuals

 

Materials

  • Student access to the Internet
  • Digital devices with video editing tools (WeVideo, iMovie, Canva, Adobe Express, etc.).
  • Sample endangered species PSAs.
  • Student packet for each student, which includes a research planning worksheet, storyboard template, and rubric.
  • Images, music, and sound effects (royalty-free resources recommended)
  • Video of tips for creating an effective video PSA

 

Instructional Design

Opening/Activating Strategy

  • Discuss what a public service announcement is and watch examples. Discuss what techniques the PSA used to make the audience understand and care about the issue.
    • Ask students: How were voice, music, and imagery used effectively? How could they be improved?
    • Introduce the driving question, objectives, and vocabulary.

Work Session

  • Teacher gives students approximately 10 minutes to research endangered species and add examples to a list on the board. Teacher approves species added to the list as potential research choices.
  • Students choose an endangered species to research for their PSA.
  • As students research their chosen endangered species, they should complete the Research Planning Sheet in the student packet (see materials) using guiding questions.
  • Students use Research Sheet Part 2 in the student packet (see materials) to help them write their conservation message for their PSA and brainstorm how to encourage realistic fundraising for their cause.
  • Review PSA structure: Beginning (problem), Middle (evidence and emotional hook), End (solution and call-to-action).
    • Teacher may want to show the following video of tips for creating an effective video PSA (voiceover PSA begins at the 2:19 mark).
      • Discuss how the actor doing the voiceover uses diction and projection to communicate the message.
    • Students should use their research and intended message/solution to help them create their Storyboard Template located in the student packet (see materials).
    • Students should provide detail on the scenes, visuals, narration/dialogue, cues, and music/sound.
    • Review examples of PSAs as a class. Discuss how a PSA uses voice, mood, and visuals to connect with the audience.
    • Teacher guides students on choosing visuals, music, and sounds to help them create the appropriate mood/tone for their PSA.
    • Students should use the Internet to select and edit imagery, music, and video clips.
    • As students gather their elements for their PSA, they should begin assembling their digital PSA.
    • Before students record their voice-overs for their PSAs, discuss key theatre/media concepts: voice, diction, projection, mood. Teacher may want to go back to an example PSA to provide examples of each.
    • Students practice speaking clearly and expressively (diction and projection) as they rehearse their voiceovers. Teacher circulates and provides feedback.

 

Closing Reflection

  • Set expectations for being a respectful audience.
  • Discuss how to give constructive feedback.
  • Students take turns sharing their PSAs with the class (via projector or shared folder).
  • Classmates provide compliments and suggestions on feedback forms, sticky notes, or verbally.
  • Students complete the reflection in the student packet.

 

Assessments

Formative

  • Research notes and planning sheets
  • Storyboard drafts and rehearsals

Summative

  • Final PSA video (see rubric in student packet)
  • Written or recorded reflection

 

 

Differentiation

Accelerated: 

  • Create a PSA targeting a specific audience (e.g., children, lawmakers), or add subtitles, graphics, or a more elaborate script.

 

Remedial:

  • Provide sentence starters, audio recording help, and royalty-free media resources.

 

Additional Resources

Sample PSAs:

 

Credits

Ideas contributed by: Kearsten Jones, Susie Spear Purcell, Gretchen Hollingsworth

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

MOVE TO MAKE A DIFFERENCE: CONSERVATION THROUGH DANCE 9-12

CONSERVATION THROUGH DANCE

MOVE TO MAKE A DIFFERENCE: CONSERVATION THROUGH DANCE

Learning Description

In this lesson, students explore the power of creative expression to raise awareness about environmental issues by creating a short TikTok dance that communicates a conservation message. After analyzing examples of social media campaigns and TikToks that promote sustainability, students select an environmental issue, research its causes and impacts, and plan a movement-based message designed to educate and inspire their audience. Through collaborative or individual work, students choreograph and record a TikTok dance incorporating creativity, clear communication, and accurate scientific content. They then explain how their performance addresses the issue and reflects key environmental concepts and reflect on how art and media can influence public awareness and action.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: DANCE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain an environmental issue and its impact on Earth’s systems.
  • I can design a creative message that raises awareness about conservation.
  • I can use movement and performance to communicate an environmental message effectively.
  • I can reflect on how creative media can inspire change and evaluate others’ messages constructively.

Essential Questions

  • How can movement and creativity inspire others to take action on environmental issues?

 

Georgia Standards

Curriculum Standards

Environmental Science:

SEV2. Obtain, evaluate, and communicate information to construct explanations of stability and change in Earth’s ecosystems.

d. Construct an argument to support a claim about the value of biodiversity in ecosystem resilience including keystone, invasive, native, endemic, indicator, and endangered species.

SEV4. Obtain, evaluate, and communicate information to analyze human impact on natural resources.

a. Construct and revise a claim based on evidence on the effects of human activities on natural resources.

Arts Standards

DHSDC.CR.2 Demonstrate an understanding of dance as a form of communication.

DHSDC.RE.1 Demonstrate critical and creative thinking in all aspects of dance.

DHSDC.RE.1.f Engage in self-reflection and self-assessment as a creator and performer.

DHSDC.CN.3 Demonstrate an understanding of dance as it relates to other areas of knowledge

 

South Carolina Standards

Curriculum Standards

Biology:

B-LS2-1. Use mathematical and/or computational representations to support explanations of biotic and abiotic factors that affect carrying capacity of ecosystems at different scales.

B-LS2-6. Evaluate claims, evidence, and reasoning that the complex interactions in ecosystems maintain relatively consistent numbers and types of organisms in stable conditions but changing conditions may result in a new ecosystem.

B-LS2-7. Design, evaluate, and refine a solution for reducing the impacts of human activities on biodiversity and ecosystem health.

B-LS2-8. Evaluate evidence for the role of group behavior on individual and species’ chances to survive and reproduce.

Earth & Space Science:

E-ESS3-4. Evaluate or refine a technological solution that reduces impacts of human activities on natural systems.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Conservation — Protecting and managing natural resources sustainably
  • Biodiversity — Variety of life in a particular habitat or ecosystem
  • Sustainability — Meeting current needs without compromising future generations
  • Carbon footprint — Total greenhouse gas emissions caused directly and indirectly
  • Deforestation — Removal of trees from an area, often reducing biodiversity and increasing CO₂
  • Pollution — Introduction of harmful materials into the environment
  • Ecosystem services — Benefits humans gain from ecosystems

Arts Vocabulary

  • Energy:
    • Percussive — Sharp, sudden movements with strong stops and starts; like staccato jabs
    • Suspended — A moment where the dancer seems to hang in the air, resisting gravity, like at the top of a jump
    • Sustained — Smooth, continuous movement without obvious start or stop; flowing energy
    • Swinging — Movements that fall and recover, gaining and losing momentum like a swinging pendulum
    • Vibratory — Fast, jittery, repeated movements, like a shiver or quick shake
  • Space:
    • Level — The height at which the movement happens: high, middle, or low
    • Pathway — The design made as a dancer moves across the floor or traces shapes in the air
    • Shape — The way the dancer’s body or a group’s bodies are arranged to create a visual design; can be curved or angular, symmetrical or not
  • Time:
    • Beat — The main accent or pulse in the music or movement
    • Rhythm — A repeating pattern of beats, movements, or sounds
    • Tempo — The speed or pace of the movement
  • Choreography — The sequence of movements and steps designed for a dance piece
  • Choreographer — The person who creates and arranges the dance
  • Locomotor — Movements that travel through space (like walking, leaping, sliding)
  • Non-locomotor — Movements performed in place without traveling (like bending, twisting, swaying)

 

Materials

  • Projector or large display to show TikTok/video examples
  • Speakers for audio playback of videos and music
  • Internet access for research and viewing TikToks
  • Devices with camera and TikTok (or similar recording app) for each group
  • Printed dance vocabulary sheets for each student (or projected on screen)
  • Student planning worksheet – one copy for each student
  • Chart or template for peer feedback (optional: sticky notes or digital form)
  • Platform to upload and view videos (e.g., Padlet, Canvas, etc.)
  • Open space for students to rehearse and record their dances

 

Instructional Design

Opening/Activating Strategy

  • Teacher introduces the driving question and objectives.
  • Teacher asks students how TikToks might be used to help raise awareness for an issue and how it can be a powerful tool for positive change.
  • Teacher asks students for examples of how dance was used in the students’ favorite TikToks (could allow a couple of volunteers to perform).
  • Teacher presents dance vocabulary - energy, space, time, choreography - and asks volunteers to show examples of these terms in action. Alternatively, teacher can demonstrate and have students copy his/her movements.
    • Teacher allows students to practice by calling out terms and having them create a movement. Have students create movements simultaneously to make it a low-stakes activity.
  • Watch two to three environmental TikTok examples and discuss:
    • What was the message?
    • Which dance elements were used (energy–percussive, suspended, etc.; space–pathways, levels, etc.)?
    • How did the movements enhance the message?

Work Session

  • Students (individually or in groups) pick an environmental issue they are passionate about. The teacher provides examples for any students struggling to choose a topic.
  • Students research facts about the issue. Teacher provides guiding questions for their research, such as:
    • What is the cause of this environmental issue?
    • Why is this issue cause for concern?
    • What is the current status of the issue and the impending dangers if change doesn’t happen?
    • What are the proposed solutions to the issue, and how can people act?
  • Teacher explains the assignment and reviews the rubric expectations. Teacher reminds students to keep the message clear and creative and relate the content of the TikTok back to the environmental issue.
  • Students plan their TikTok using the Student Planning Worksheet:
    • What is the specific message you want your TikTok to convey?
    • Which dance elements and movements will you use to convey it? Why?
  • Once students have completed their research and planning, they will rehearse and record their TikTok dances.
  • Groups should co-construct their artists’ statement–a well-constructed statement that communicates what the environmental issue is, why it’s a concern, and how their dance/music choices helped them to raise awareness and inspire change.
  • Groups upload their videos to the class platform (ex. Padlet, Canvas, etc.) along with their artists’ statements. Alternatively, groups perform live for the class and share their artists’ statements.

 

Closing Reflection

  • Class viewing party: Watch each TikTok.
  • Peer feedback: Each student provides one compliment and one suggestion for growth per group.
  • Exit Ticket: Students reflect on what they learned and how dance can inspire change (see Student Planning Worksheet).

 

Assessments

Formative

  • Observations
  • Questioning
  • Peer feedback

Summative

  • TikTok Dance
  • Completed planning sheet (see rubric on page 1)

 

 

Differentiation

Accelerated: 

  • Create an additional TikTok targeting a different audience or adding statistical overlays.

 

Remedial:

  • Provide sentence starters for explanations, example movements.

 

Additional Resources

 

Credits

Ideas contributed by: Kearsten Jones, Melissa Joy, Gretchen Hollingsworth

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

DESIGN FOR CHANGE: USING ART TO REVEAL HUMAN IMPACT 9-12

USING ART TO REVEAL HUMAN IMPACT

DESIGN FOR CHANGE: USING ART TO REVEAL HUMAN IMPACT

Learning Description

In this lesson, students explore how visual art can raise awareness about the human impact on the environment by creating a digital infographic inspired by a distinct art style. After learning about key human impact issues and four iconic art styles — pop art, photo realism, graffiti art, and cubism — students research an environmental issue of their choice, plan a conservation message, and use Canva or Adobe Express to design a compelling infographic. Students apply principles of design (balance, contrast, emphasis, etc.) and color theory to communicate their message visually. Through research, creativity, and reflection, students discover how art can influence behavior, inspire change, and make science meaningful to their peers and community.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can research and explain a human impact issue and its environmental consequences.
  • I can design an infographic using art and design principles to communicate a message about conservation.
  • I can apply the characteristics of a chosen art style to make my infographic engaging and meaningful.
  • I can reflect on how art can help raise awareness and inspire change.

Essential Questions

  • How can we use art and design to influence people’s feelings about their environmental impact?

 

Georgia Standards

Curriculum Standards

Environmental Science:

SEV2. Obtain, evaluate, and communicate information to construct explanations of stability and change in Earth’s ecosystems.

d. Construct an argument to support a claim about the value of biodiversity in ecosystem resilience including keystone, invasive, native, endemic, indicator, and endangered species.

SEV4. Obtain, evaluate, and communicate information to analyze human impact on natural resources.

a. Construct and revise a claim based on evidence on the effects of human activities on natural resources.

Arts Standards

VAHSVA.CR.1 Visualize and generate ideas for creating works of art.

VAHSVA.CR.2 Choose from a range of materials and methods of traditional and contemporary artistic practices to plan and create works of art.

VAHSVA.PR.1 Plan, prepare, and present works of art for exhibition in school, virtual environment, and/or portfolio presentation.

VAHSVA.PR.1.a Exhibit works of art with a written supporting artist statement that communicates purpose and/or intent.

 

South Carolina Standards

Curriculum Standards

Biology:

B-LS2-1. Use mathematical and/or computational representations to support explanations of biotic and abiotic factors that affect carrying capacity of ecosystems at different scales.

B-LS2-6. Evaluate claims, evidence, and reasoning that the complex interactions in ecosystems maintain relatively consistent numbers and types of organisms in stable conditions but changing conditions may result in a new ecosystem.

B-LS2-7. Design, evaluate, and refine a solution for reducing the impacts of human activities on biodiversity and ecosystem health.

B-LS2-8. Evaluate evidence for the role of group behavior on individual and species’ chances to survive and reproduce.

Earth & Space Science:

E-ESS3-4. Evaluate or refine a technological solution that reduces impacts of human activities on natural systems.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques,  and processes to make art.

Anchor Standard 4:  I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Deforestation — Removing trees, which destroys habitats and contributes to climate change
  • Pollution — Introduction of harmful substances into air, water, or soil
  • Climate Change — Long-term change in global or regional climate patterns, often caused by human activities
  • Overfishing — Removing fish faster than they can reproduce, reducing biodiversity
  • Habitat destruction — Damaging or destroying the places where plants and animals live
  • Biodiversity loss — Decline in the variety of life in a habitat or on Earth
  • Urbanization — Expansion of cities, often reducing natural areas and increasing pollution
  • Overconsumption — Using more resources than Earth can sustainably provide
  • Eutrophication — Excess nutrients in water causing algal blooms that harm aquatic life
  • Carbon footprint — Total greenhouse gas emissions caused by an individual or group

Arts Vocabulary

  • Balance — A sense of stability created by equal visual weight
  • Contrast — Use of opposite elements (light/dark, rough/smooth) to create interest
  • Emphasis — Creating a focal point to draw the viewer’s eye
  • Movement — Arranging parts to lead the viewer’s eye through the work
  • Pattern — Repeating visual elements to create interest
  • Proportion — Size relationships between parts of an artwork
  • Rhythm — A sense of movement created by repeating shapes, lines, or colors
  • Unity — The sense that all parts of a design work together as a whole
  • Color Schemes:
    • Warm — Reds, yellows, oranges.
    • Cool — Blues, greens, purples.
    • Neutral — Browns, grays, whites, blacks.
    • Complementary — Colors opposite each other on the color wheel.
    • Analogous — Colors next to each other on the color wheel.
    • Primary — Red, blue, yellow
    • Secondary — Green, orange, purple.

 

Materials

 

Instructional Design

Opening/Activating Strategy

  • Show examples of pop art, photo realism, graffiti art, and cubism that relate to environmental issues.
    • Discuss the principles of design (see vocabulary) and ask students to identify where they see certain principles in the artwork. Ask students how the principles help the artist to communicate the message.
  • Students discuss how different art styles communicate the message.
  • Explain to students that they will be creating infographics on a chosen human impact issue; however, their infographics will include elements from one of the four art styles.
  • Briefly introduce the four art styles with definitions and example artists:
    • Pop Art — Bright, bold, comic-book style (Andy Warhol)
    • Photo Realism — Looks like a photograph (Chuck Close)
    • Graffiti Art — Street-art style, expressive, edgy (Banksy)
    • Cubism — Abstract, broken shapes, multiple viewpoints (Pablo Picasso)

Work Session

  • Give students time to explore the four art styles online so that they can choose one style to incorporate into their infographic.
    • Ask students to identify at least three defining characteristics of their chosen art style.
  • Review the human impact issues on the list with students and allow them to share ideas on how they can use their chosen art form to educate others about the issues.
  • Students pick a human impact issue from the provided list or propose an alternative issue to the teacher.
  • Students begin researching their chosen human impact issue.
    • Students should use the Research and Planning worksheet to guide their research on their chosen issue. Even though students are individually creating their infographics, the teacher may choose to allow students who chose the same topic to work together to share research and ideas.
  • Students should use their research to help them choose their overall conservation message for their infographic.
  • Using their research on the Research and Planning sheet, students design their infographic in Canva (or similar platform), applying the following artistic elements to enhance the information they are showcasing:
    • Principles of design (balance, emphasis, etc.);
    • Color schemes;
    • Elements of their chosen art style.

Students should also write a brief “artist’s statement” to accompany their infographic to communicate their purpose/intent for their choices in their infographic. Students should write at least one well-constructed paragraph to explain what their overall conservation message is, the art style and elements they chose to convey it, and why they think those artistic elements help to communicate the importance of the message. Students will present their statement next to their computer screen for the Gallery Walk.

 

Closing Reflection

  • Gallery Walk: Students display their infographics on their devices and artists’ statements (on paper next to the device). Peers leave sticky note feedback (or via a Microsoft/Google Form) to offer one compliment and one suggestion for growth.
  • Students complete the reflection portion of their handout.

 

Assessments

Formative

  • Research and planning handout
  • Participation in discussions
  • Feedback during gallery walk

Summative

  • Final infographic and artist’s statement (see rubric)

 

 

Differentiation

Accelerated: 

  • Students create a series of infographics targeting different audiences or animate their infographics.

 

Remedial:

  • Provide sentence starters, suggested layouts/templates in Canva, or additional examples.

 

Additional Resources

 

Credits

Ideas contributed by: Kearsten Jones, Shannon Green, Gretchen Hollingsworth

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW