Sequence Your Steps K-1

SEQUENCE YOUR STEPS

SEQUENCE YOUR STEPS

Learning Description

In this lesson, students will investigate sequences and patterns through movement. They will use their bodies to form a sequence of shapes, transforming these sequences into patterns to create unique dances. These dances will then be performed for their peers, who will identify the patterns and shapes within them.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: DANCE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify and differentiate between a sequence and a pattern.

  • I can create a sequence and a pattern that demonstrates geometric concepts.

Essential Questions

  • How can movement be used to create patterns?

  • How can movement be used to express geometric concepts?

  • What is the difference between a pattern and a sequence?

 

Georgia Standards

Curriculum Standards

Kindergarten:

K.PAR.6.1 Create, extend, and describe repeating patterns with numbers and shapes, and explain the rationale for the pattern.

 

K.GSR.8.1 Identify, sort, classify, analyze, and compare two-dimensional shapes and three-dimensional figures, in different sizes and orientations, using informal language to describe their similarities, differences, number of sides and vertices, and other attributes.

 

Grade 1: 

1.PAR.3.1 Investigate, create, and make predictions about repeating patterns with a core of up to 3 elements resulting from repeating an operation, as a series of shapes, or a number string.

 

1.GSR.4.1 Identify common two-dimensional shapes and three-dimensional figures, sort and classify them by their attributes and build and draw shapes that possess defining attributes.

Arts Standards

Kindergarten:

ESDK.CR.1 Demonstrate an understanding of the choreographic process.

 

ESDK.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESDK.RE.1 Demonstrate critical and creative thinking in dance.

 

Grade 1:

ESD1.CR.1 Demonstrate an understanding of the choreographic process.

 

ESD1.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESD1.RE.1 Demonstrate critical and creative thinking in dance.

 

South Carolina Standards

Curriculum Standards

Kindergarten: 

K.ATO.6 Describe simple repeating patterns using AB, AAB, ABB, and ABC type patterns.

 

K.G.2 Identify and describe a given shape and shapes of objects in everyday situations to include two-dimensional shapes (i.e., triangle, square, rectangle, hexagon, and circle) and three-dimensional shapes (i.e., cone, cube, cylinder, and sphere). 

 

K.G.5 Draw two-dimensional shapes (i.e., square, rectangle, triangle, hexagon, and circle) and create models of three-dimensional shapes (i.e., cone, cube, cylinder, and sphere).

 

Grade 1:

1.ATO.9 Create, extend and explain using pictures and words for: a. repeating patterns (e.g., AB, AAB, ABB, and ABC type patterns); b. growing patterns (between 2 and 4 terms/figures).

 

1.G.4 Identify and name two-dimensional shapes (i.e., square, rectangle, triangle, hexagon, rhombus, trapezoid, and circle).

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

 

Anchor Standard 2: I can choreograph a dance.

 

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Sequence - An ordered list of items that follows a specific rule

  • Pattern - A repeating sequence

Arts Vocabulary

  • Choreography - The art of composing dances and planning and arranging the movements, steps, and patterns of dancers

  • Choreographer - A person who creates dances
  • Shape - This refers to an interesting and interrelated arrangement of body parts of one dance; the visual makeup or molding of the body parts of a single dancer; the overall visible appearance of a group of dancers

 

Materials

  • Sound source and music with a steady beat
  • Four-section chart (each pair will need three)
  • Pencils

 

Instructional Design

Opening/Activating Strategy

  • Begin by engaging students in movement that introduces students to the Elements of Dance: Body, action, space, time and energy.
      • Have students arrange themselves in the classroom with enough personal space to move freely without touching a neighbor.
      • Turn on instrumental music with a steady beat.
  • First, have students bring awareness to their bodies by leading them through gentle stretches starting from the head and moving to the toes (e.g., head circles, shoulder shrugs, toe touches, etc.).  
  • Next, lead students in a simple warm-up incorporating sequencing concepts (Examples: Arms high, arms low, arms to the right and arms to the left).  
  • Allow students to explore other simple dance movements (Examples: Clap, jump, walk and turn).  
  • After incorporating these simple dance movements, demonstrate a movement sequence. Have students immediately follow and perform teacher led movement sequences.

 

Work Session

  • Divide students into partners. Pass out a four-section chart and pencil to each student.
    • Students should select four different movements from the warm-up and draw or write the movement in their sequence chart.  
    • Have students practice their created movement sequences.  
    • Students will perform their movement sequences for their classmates. Discuss appropriate audience participation and etiquette prior to performances.
      • Challenge audience members to correctly identify the movements in the created sequence.  
  • Next, discuss and demonstrate how a sequence can be turned into a pattern.
    • Have students repeat their movement sequence three times in a row to create a pattern.
  • Review the types of shapes and attributes of shapes that students are learning about.
    • Ask students to think creatively about how they can create shapes with their bodies. Allow students to share ideas with the class or demonstrate a few for students to help scaffold the activity.
    • Pass out a new sequence chart to each student. 
    • Students should work with their partner to draw shapes on their sequence chart. 
    • Allow students time to practice their sequence. 
    • Now, tell students that they will turn their sequence into a pattern by repeating their sequence three times.
    • Allow students time to practice.

 

Closing Reflection

  • Students will perform their dance for their classmates. Discuss appropriate audience participation and etiquette prior to performances.
  • After each performance, the audience will determine the pattern of the dance and the shapes the dancers made with their bodies.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, ability to collaborate with their partners to create a sequence, turn a sequence into a pattern, and create shapes with their bodies.

 

Summative

CHECKLIST

  • Students can identify and differentiate between a sequence and a pattern.
  • Students can create a sequence and a pattern that demonstrates geometric concepts.

 

DIFFERENTIATION 

Acceleration: Challenge students to create their own pattern and turn it into a dance.

Remediation: Simplify the pattern to an ABAB pattern.

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Melissa Dittmar-Joy. Updated by Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Sequencing Sound K-2

Description

Help students develop skills in mathematics, language arts, and music by using objects in the environment as an impetus for composing music. Analysis skills (visual and aural), creative thinking, collaboration, perspective (viewing the same entity from different viewpoints), vocabulary development, and structural understanding are facilitated to create a composition illustrating a given form and/or sequence. Musical skills addressed include playing, composing, listening, and speaking.

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The Art of Storytelling K-1

THE ART OF STORYTELLING

THE ART OF STORYTELLING

Learning Description

Introduce students to the ancient art of storytelling through the use of a Mayan folktale. Invite students to use art to recall narrative elements as they design story panels. Encourage them to reconstruct the story sequence through interpretive dance movements.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: THEATRE & DANCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the beginning, middle, and end of a story.
  • I can show the beginning, middle, and end of a story through illustration and choreography.

Essential Questions

  • How can art and movement be used to help answer questions about essential narrative elements (e.g., beginning-middle-end, setting, characters, problems, events, resolutions) in a text?

 

Georgia Standards

Curriculum Standards

Kindergarten: 

ELAGSEKRL3 With prompting and support, identify characters, settings, and major events in a story.

 

Grade 1: 

ELAGSE1RL2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. ELAGSE1RL3 Describe characters, settings, and major events in a story, using key details.

Arts Standards

Kindergarten: 

ESDK.CR.1 Demonstrate an understanding of the choreographic process.

 

ESDK.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESDK.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESDK.RE.1 Demonstrate critical and creative thinking in dance.

 

Grade 1:

ESD1.CR.1 Demonstrate an understanding of the choreographic process.

 

ESD1.CR.2 Demonstrate an understanding of dance as a form of communication.

 

ESD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance

 

ESD1.RE.1 Demonstrate critical and creative thinking in dance.

 

South Carolina Standards

Curriculum Standards

Kindergarten: 

ELA.K.AOR.1.1 Identify and describe the main character(s), setting, and events that move the plot forward.

ELA.K.AOR.6.1 Retell a text orally to enhance comprehension: a. include main character(s), setting, and important events for a story.

 

Grade 1: 

ELA.1.AOR.1.1 Identify and describe the main story elements, such as character(s), setting, and events that move the plot forward.

ELA.1.AOR.2.1 Retell a story using main story elements and identify a lesson in a literary text.

ELA.1.AOR.6.1 Retell a text orally and in writing to enhance comprehension: a. include main story elements at the beginning, middle, and end for a literary text.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Fable - A short story that often uses animals and characters to teach a lesson
  • Character - A person, an animal or other figure assuming human qualities, in a story
  • Setting - The time and place in which a story takes place
  • Plot - The events that happen in a story
  • Cause - The reason something happened
  • Effect - What happens because of the cause

Arts Vocabulary

  • Body - The instrument of dance
  • Space - The area covered by dance movements
  • Time - Fast or slow (tempo); even or uneven (beat); and long or short (duration) the movement is
  • Energy - How the body moves

 

Materials

  • The Bird Who Cleans the World and Other Mayan Fables, by Victor Montejo (or other folktale or fable)
  • Sound source and music with a steady beat
  • Brown craft paper
  • Colored chalk

 

Instructional Design

Opening/Activating Strategy

  • Introduction and Theme:
    • Introduce the activity telling students that they will be using dance to tell a story.
    • Have students spread out in the room finding their own space where they can move without touching their neighbors.
    • Begin by introducing the theme or story. This could be something simple, like a day at the beach, a journey through a forest, or even a well-known fairy tale.
    • Briefly explain the sequence of events in the story.
  • Gentle Stretching:
    • Start with light stretching to prepare the body.
    • Incorporate dynamic stretches that mimic movements related to the story. For example, if the story involves the wind, include arm stretches that mimic the wind.
  • Introduce Basic Movements:
    • Introduce basic movements that will be part of the story. These could include jumping, swaying, spinning, or specific gestures.
  • Character Exploration:
    • Have participants embody different characters or elements of the story. For example, they might move like waves, trees, or animals.
    • Encourage expressive movements that convey the character's emotions or actions.
  • Sequencing:
    • Start to piece together the story by arranging the basic movements and character explorations into a sequence.
    • Work through the story chronologically, asking participants to interpret each part.
    • Perform a complete run-through of the story, from beginning to end, as a group.
    • Emphasize the flow and connection between each part of the story.

 

Work Session

  • Invite students to recall stories they have been told by a family member.
  • List titles and discuss similarities and differences among the stories.
  • Share how many cultures have a history of passing down stories from generation to generation.
  • Share history of the Mayan people (or other applicable history) with the class:
    • The Maya originated in Yucatan, Mexico, in the area where the resort beach city of Cancun is today. Show students where this is on a map in relation to where they are.
    • The ancient Maya established their cities in the rainforest, played games that went on for days, and are famous for their knowledge of the stars. The idea of time fascinated them.
    • They developed astronomy, calendar systems, and writing.
    • They chewed gum, filed their teeth and raised bees without stingers.
    • Like the Egyptians, they built pyramids, often elaborately adorned with murals and elaborate architectural details.
    • They built elaborate pyramids and observatories without the use of metal tools.
    • Scholars agree that the Maya were the most advanced of all ancient Mesoamerican cultures.
    • They were highly skilled as potters and weavers.
    • The ancient Maya appreciated beauty, storytelling and drama. Archaeologists can tell this by examining their sculptures, ceramics, mosaics, painting, weaving, clothing and costume design.
  • Tell students that they will be reading a Mayan fable called “The First Monkeys”. Tell students that a fable is a short story that often uses animals and characters to teach a lesson.
  • Read the story “The First Monkeys” from The Bird Who Cleans the World and Oher Mayan Fables, by Victor Montejo (or other folktales).
    • Review the elements of a story such as setting and characters. Invite students to recall story details–what was the setting? Who were the characters?
    • Discuss the beginning, middle, and end of the story.
  • Divide students into groups of three or four.
    • Provide craft paper folded into thirds and chalk.
    • Invite students to work together to create scenes illustrating the beginning, middle, and end of the story.
  • When pictures are complete, tell students that they will use dance and movement to tell the beginning, middle, and end of the story.
    • Remind students of how they interpreted a story through movement in the activator.
    • Students’ choreography should have three parts–a beginning, middle, and end.
    • Scaffold the lesson by brainstorming ways to use dance to show the beginning of the story before having students work in groups to develop choreography.
    • Circulate the room to work with students and check for understanding as they choreograph their dances.

 

Closing Reflection

  • Students will perform their dances for their classmates. Discuss appropriate audience participation and etiquette prior to performances.
  • After each performance, the audience will determine how each group showed the beginning, middle, and end of the story through their choreography.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, discussion of stories and story elements, discussion of “The First Monkeys”, and collaboration with their groups to illustrate and create a dance that tells the story.

 

Summative

CHECKLIST

  • Students can identify the beginning, middle, and end of a story.
  • Students can show the beginning, middle, and end of a story through illustration and choreography.

 

DIFFERENTIATION 

Acceleration: Students will design their own fable with beginning, middle and end that contains a clear moral.

Remediation: Use a graphic organizer to help students identify the beginning, middle, and end of the fable. Divide the class into three small groups. Each group will be responsible for one panel and accompanying movement.

ESOL Modifications and Adaptations: Introduce and explain narrative elements and cause and effect. Using a story previously read in class, students will identify the narrative elements in the story, cause and effect, and review the beginning-middle-end of the story.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Peggy Barnes. Modifications, Extensions, and Adaptations Contributed by: Peggy Barnes, Candy Bennett, Lindsey Elrod, Jennifer Plummer, and Vilma Thomas Reviewed by Emily Threlkeld. Updated by: Katy Betts.

Revised and copyright: July 2024 @ ArtsNOW

The Sound of Numbers K-2

Description

Using rhythmical experiences in music, the students will explore numbers and their relationships. Every aspect of music can be described mathematically. An understanding of patterns, the ability to develop operations, reveal functions, and being able to move toward higher levels of abstractions, can be strengthened through parallel music study. Dividing beats and meters: patterns; and starting the same patterns at different times to create canons: developing operations will be explored in this lesson.

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