MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION 4-5

INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

Learning Description

Integrating dance and choreography into writing can enhance the narrative by adding dynamic expression, rhythm, and movement to the storytelling process. The purpose of integration is for students to watch dance and use context clues to identify the main idea and supporting details. Students will also use brainstorming, identifying a main idea and supporting details, as a device to create choreography.

 

Learning Targets

GRADE BAND: 4-5
CONTENT FOCUS: DANCE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the main idea and supporting details in a text, conversation, or performance to better understand and explain its overall message.
  • I can use the main idea and supporting details to create choreography.

Essential Questions

  • How can identifying the main idea and supporting details in choreography enhance our understanding and interpretation of a dance performance?

 

Georgia Standards

Curriculum Standards

Grade 4:

4.T.T.1.c Identify and describe common themes in texts (e.g., good vs. evil) that are revealed through details about characters.

4.T.T.1.e Apply narrative techniques (e.g., character, setting, problem, resolution, and dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a conclusion.

 

Grade 5:

5.T.T.1.b Analyze how setting, events, conflict, and characterization contribute to the plot.

5.T.T.1.e Apply narrative techniques (e.g., character, setting, conflict, climax, resolution, and dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a conclusion.

Arts Standards

ESD.CR.1 Demonstrate an understanding of the choreographic process.

ESD.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD.RE.1 Demonstrate critical and creative thinking in dance

ESD.CN.1 Identify connections between dance and other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 4:

ELA.4.OE.3 Make inferences to support comprehension.

ELA.4.AOR.6.1 Summarize a text to enhance comprehension:

a. include plot, theme, and relevant key details for a literary text; and b. include a central idea and relevant supporting details for an informational text.

 

Grade 5:

ELA.5.OE.3 Make inferences to support comprehension.

ELA.5.AOR.1 Evaluate and critique key literary elements that enhance and deepen meaning within and across texts.

ELA.5.AOR.6.1 Summarize a text to enhance comprehension:

a. include plot, theme, and relevant key details for a literary text; and b. include a central idea and relevant supporting details for an informational text.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

  • Author – A writer of a book, article, or report
  • Main idea – The main idea is the central point or message of a text
  • Supporting detail – The statements that support (go along with) the main idea
  • Setting – The place or type of surroundings where something is positioned or where an event takes place
  • Character – A person in a novel, play, or movie

Arts Vocabulary

  • Choreography: The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Choreographer – The person who designs or creates a dance piece
  • Body – The dancer’s body and how it is used
  • Types of energy:
    • Percussive – Refers to the quality of movement characterized by sharp starts and stops;staccato jabs of energy
    • Suspended – Occurs in a moment of resistance to gravity, such as the instant in which a dancer hangs in space at the top of a leap
    • Sustained – Smooth and unaccented; there is not apparent start or stop, only a continuity of energy
    • Swinging – Established by a fall of gravity, a gain in momentum, a loss of momentum,and the repeated cycle of fall and recovery, like that of a pendulum
    • Vibratory – A quality of movement characterized by rapidly repeated bursts of percussive movements like “a jitter”
  • Space:
    • Level – One of the aspects of movement (there are three basic levels in dance: high,middle, and low)
    • Pathway – Designs traced on the floor as a dancer travels across space; the designs traced in the air as a dancer moves various body parts
    • Shape – Refers to an interesting and interrelated arrangement of body parts of one dancer; the visual makeup or molding of the body parts of a singular dancer; the overall visible appearance of a group of dancers
  • Time:
    • Tempo – Refers to the pace or speed of movement
  • Action:
    • Locomotor – A movement that travels through space
    • Non-locomotor – A movement that does not travel through space

 

Materials

  • A selected piece of choreography to watch
  • Brainstorm planning bubbles or concept map
  • Music
  • Paper and pencils

 

 

Instructional Design

Opening/Activating Strategy

  • Discuss the similarities between a choreographer and an author, such as how both are creators and storytellers.
  • Watch a selected piece of choreography.
  • Have students identify the story elements in the choreography–who are the characters? What is the setting? What was the beginning, middle, and end?
  • Have students identify the main idea and supporting details in the choreography.
    • Have students infer what the choreography was about using supporting details from the choreography.

Work Session

  • As a whole group, discuss how choreographers plan choreography just how writers brainstorm for their writing/essay.
  • Practice a brainstorm for choreography together exploring different types of movements, levels, and energy qualities (see Arts Vocabulary).
  • Break students into small groups.
  • Assign or have groups select a main idea/topic for their choreography.
  • Have students brainstorm for their choreography using a concept map, web, brainstorming bubbles, or other type of strategy.
  • Remind students to keep in mind the elements of dance: body, action, space, time, and energy, and how they can be used to help express their thoughts/ideas (see Arts Vocabulary).
    • For younger students, focus on a limited number of elements.
  • Have students create and share their choreography.
  • Have students write and/or illustrate the story of their choreography including the main idea and supporting details displayed in the dance.
    • Stories should have characters, setting, and a beginning, middle, and end.

 

Closing Reflection

  • After watching each group's choreography, the audience (class) will identify the movements they saw in the choreography that were the supporting details of the main idea of the choreography.
  • Students will answer: How did these movements help you understand the main idea/story?

 

Assessments

Formative

  • While groups are working on choreography, ask the students questions about their choreography and choreographic choices.
    • What is the main idea?
    • What supporting details are in your choreography?
    • Have them demonstrate them to you.

Summative

  • Ask the choreographers to tell you or write about their choreographic process and how they selected the movements.
  • Have students write or illustrate the story of their choreography including the main idea and supporting details displayed in the dance.
    • Stories should have characters, setting, and a beginning, middle, and end.

 

 

Differentiation

Accelerated: 

  • Require students to include locomotor and non-locomotor movements.

 

Remedial:

  • Create a dance collaboratively as a class.
  • Teacher will assign the main idea or it can be determined from a text.
  • Have each group create choreography for one of the supporting details
  • As a whole class, arrange the supporting details in a sequence to best support the main idea.

 

Credits

Ideas contributed by: Melissa Dittmar-Joy.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION 2-3

INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

Learning Description

Integrating dance and choreography into writing can enhance the narrative by adding dynamic expression, rhythm, and movement to the storytelling process. The purpose of integration is for students to watch dance and use context clues to identify the main idea and supporting details. Students will also use brainstorming, identifying a main idea and supporting details, as a device to create choreography.

 

Learning Targets

GRADE BAND: 2-3
CONTENT FOCUS: DANCE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the main idea and supporting details in a text, conversation, or performance to better understand and explain its overall message.
  • I can use the main idea and supporting details to create choreography.

Essential Questions

  • How can identifying the main idea and supporting details in choreography enhance our understanding and interpretation of a dance performance?
  • How can I use the elements of dance to tell a story?

 

Georgia Standards

Curriculum Standards

Grade 2:

2.T.T.1.b Identify the major plot events that occur between a problem and solution.

2.T.T.1.e Use knowledge of narrative techniques (e.g., characters, settings, events, dialogue) to create texts that recount real or imagined experiences and events with a sense of closure.

 

Grade 3:

3.T.T.1.b Explain how characters, setting, problem, and solution function in the plot.

3.T.T.1.e Apply narrative techniques (e.g., character, setting, problem, resolution, dialogue) to develop a real or imagined experience using descriptive details, clear event sequences, and a sense of closure.

Arts Standards

ESD.CR.1 Demonstrate an understanding of the choreographic process.

ESD.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD.RE.1 Demonstrate critical and creative thinking in dance

ESD.CN.1 Identify connections between dance and other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 2:

ELA.2.OE.3 Make inferences to support comprehension.

ELA.2.AOR.6.1 Retell a text to enhance comprehension:

a. include main story elements in a logical sequence for a literary text; and b. include a central idea and supporting details for an informational text.

 

Grade 3:

ELA.3.OE.3 Make inferences to support comprehension.

ELA.3.AOR.6.1 Summarize a text to enhance comprehension:

a. include plot, theme, and key details for a literary text; and b. include a central idea and supporting details for an informational text.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

  • Author – A writer of a book, article, or report
  • Main idea – The main idea is the central point or message of a text
  • Supporting detail – The statements that support (go along with) the main idea
  • Setting – The place or type of surroundings where something is positioned or where an event takes place
  • Character – A person in a novel, play, or movie

Arts Vocabulary

  • Choreography: The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Choreographer – The person who designs or creates a dance piece
  • Body – The dancer’s body and how it is used
  • Types of energy:
    • Percussive – Refers to the quality of movement characterized by sharp starts and stops;staccato jabs of energy
    • Suspended – Occurs in a moment of resistance to gravity, such as the instant in which a dancer hangs in space at the top of a leap
    • Sustained – Smooth and unaccented; there is not apparent start or stop, only a continuity of energy
    • Swinging – Established by a fall of gravity, a gain in momentum, a loss of momentum,and the repeated cycle of fall and recovery, like that of a pendulum
    • Vibratory – A quality of movement characterized by rapidly repeated bursts of percussive movements like “a jitter”
  • Space:
    • Level – One of the aspects of movement (there are three basic levels in dance: high,middle, and low)
    • Pathway – Designs traced on the floor as a dancer travels across space; the designs traced in the air as a dancer moves various body parts
    • Shape – Refers to an interesting and interrelated arrangement of body parts of one dancer; the visual makeup or molding of the body parts of a singular dancer; the overall visible appearance of a group of dancers
  • Time:
    • Tempo – Refers to the pace or speed of movement
  • Action:
    • Locomotor – A movement that travels through space
    • Non-locomotor – A movement that does not travel through space

 

Materials

  • A selected piece of choreography to watch
  • Brainstorm planning bubbles or concept map
  • Music
  • Paper and pencils

 

 

Instructional Design

Opening/Activating Strategy

  • Discuss the similarities between a choreographer and an author, such as how both are creators and storytellers.
  • Watch a selected piece of choreography.
  • Have students identify the story elements in the choreography–who are the characters? What is the setting? What was the beginning, middle, and end?
  • Ask students what they think the dance was about. Ask them what about the dance makes them say that.
  • Have students infer what the choreography was about using supporting details from the choreography.

Work Session

  • As a whole group, discuss how choreographers plan choreography just how writers brainstorm for their writing/essay.
  • Practice a brainstorm for choreography together exploring different types of movements, levels, and energy qualities (see Arts Vocabulary). Focus on one or two, such as levels and energy qualities.
  • As a class, select a topic for their choreography (this could be inspired by a story that the class has read).
  • Break students into small groups. Assign each group a part of the story (beginning, middle, end) or a supporting detail from an informational text to express through choreography.
  • Have students brainstorm for their choreography using a concept map, web, brainstorming bubbles, or other type of strategy. Have students focus on one or two elements of dance in their choreography, such as energy quality and levels.
    • Discuss/brainstorm examples how they can be used to help express their thoughts/ideas.
  • Have students create and share their choreography with the class. Have students present their choreography in sequential order (for example, beginning, middle, end).
  • Have students write and/or illustrate the story of their choreography including the main idea and supporting details/plot displayed in the dance.
    • Stories should have characters, setting, and a beginning, middle, and end.

 

Closing Reflection

  • After watching each group's choreography, the audience (class) will identify how the movements they saw in the choreography expressed the ideas they were trying to convey.
  • Students will answer: How did these movements help you understand the main idea/story?

 

Assessments

Formative

  • While groups are working on choreography, ask the students questions about their choreography and choreographic choices.
    • What is the main idea?
    • What supporting details/plot are in your choreography?
    • Have them demonstrate them to you.

Summative

  • Ask the choreographers to tell you or write about their choreographic process and how they selected the movements.
  • Have students write or illustrate the story of their choreography including the main idea and supporting details/plot displayed in the dance.
  • Stories should have characters, setting, and a beginning, middle, and end.

 

 

Differentiation

Accelerated: 

  • Require students to include at least three movements in their choreography.

 

Remedial:

  • Create a dance collaboratively as a class.
  • Limit the number of dance elements required in students’ choreography.
  • Instead of watching a piece of choreography for the activating strategy, read a story that the dance will be about. 

 

Credits

Ideas contributed by: Melissa Dittmar-Joy. Updated by: Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION K-1

INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

MOVING WORDS: INTEGRATING DANCE AND WRITING FOR CREATIVE EXPRESSION

Learning Description

Integrating dance and choreography into writing can enhance the narrative by adding dynamic expression, rhythm, and movement to the storytelling process. The purpose of integration is for students to watch dance and use context clues to identify the main idea and supporting details. Students will also use brainstorming, identifying a main idea and supporting details, as a device to create choreography.

 

Learning Targets

GRADE BAND: K-1
CONTENT FOCUS: DANCE & ELA
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the main idea and supporting details in a text, conversation, or performance to better understand and explain its overall message.
  • I can use the main idea and supporting details to create choreography.

Essential Questions

  • How can identifying the main idea and supporting details in choreography enhance our understanding and interpretation of a dance performance?
  • How can I use the elements of dance to tell a story?

 

Georgia Standards

Curriculum Standards

Kindergarten:

K.T.T.1.c With adult support, demonstrate an understanding of the central message, lesson, or moral of the story based on the words and actions of the main characters.

K.T.T.1.e Use a combination of drawing, labeling, writing, and dictating* to create a text with narrative techniques (e.g., characters, setting, events) told in the order in which they occurred.

 

Grade 1:

1.T.T.1.b Identify a simple plot with a problem and solution.

1.T.T.1.e Use knowledge of narrative techniques (e.g., characters, settings, events) to create texts that share real or imagined experiences and events with a sense of closure.

Arts Standards

ESD.CR.1 Demonstrate an understanding of the choreographic process.

ESD.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD.RE.1 Demonstrate critical and creative thinking in dance

ESD.CN.1 Identify connections between dance and other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Kindergarten:

ELA.K.OE.2 Acquire, refine, and share knowledge through a variety of multimedia literacies to include written, oral, visual, digital, and interactive texts.

ELA.K.OE.3 Make inferences to support comprehension.

 

Grade 1:

ELA.1.OE.3 Make inferences to support comprehension.

ELA.1.AOR.2 Evaluate and critique the development of themes and central ideas within and across texts.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

  • Author – A writer of a book, article, or report
  • Main idea – The main idea is the central point or message of a text
  • Supporting detail – The statements that support (go along with) the main idea
  • Setting – The place or type of surroundings where something is positioned or where an event takes place
  • Character – A person in a novel, play, or movie

Arts Vocabulary

  • Choreography: The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Choreographer – The person who designs or creates a dance piece
  • Body – The dancer’s body and how it is used
  • Types of energy:
    • Percussive – Refers to the quality of movement characterized by sharp starts and stops;staccato jabs of energy
    • Suspended – Occurs in a moment of resistance to gravity, such as the instant in which a dancer hangs in space at the top of a leap
    • Sustained – Smooth and unaccented; there is not apparent start or stop, only a continuity of energy
    • Swinging – Established by a fall of gravity, a gain in momentum, a loss of momentum,and the repeated cycle of fall and recovery, like that of a pendulum
    • Vibratory – A quality of movement characterized by rapidly repeated bursts of percussive movements like “a jitter”
  • Space:
    • Level – One of the aspects of movement (there are three basic levels in dance: high,middle, and low)
    • Pathway – Designs traced on the floor as a dancer travels across space; the designs traced in the air as a dancer moves various body parts
    • Shape – Refers to an interesting and interrelated arrangement of body parts of one dancer; the visual makeup or molding of the body parts of a singular dancer; the overall visible appearance of a group of dancers
  • Time:
    • Tempo – Refers to the pace or speed of movement
  • Action:
    • Locomotor – A movement that travels through space
    • Non-locomotor – A movement that does not travel through space

 

Materials

  • A selected piece of choreography to watch
  • Brainstorm planning bubbles or concept map
  • Music
  • Paper and pencils

 

 

Instructional Design

Opening/Activating Strategy

  • Discuss the similarities between a choreographer and an author, such as how both are creators and storytellers.
  • Watch a selected piece of choreography.
  • Have students identify the story elements in the choreography–who are the characters? What is the setting? What was the beginning, middle, and end?
  • Ask students what they think the dance was about. Ask them what about the dance makes them say that.

Work Session

  • As a whole group, discuss how choreographers plan choreography just how writers brainstorm for their writing/essay.
  • Practice a brainstorm for choreography together exploring different types of movements, levels, and energy qualities (see Arts Vocabulary). Focus on one or two, such as locomotor/nonlocomotor and levels.
  • As a class, select a topic for their choreography (this could be inspired by a story that the class has read).
    • Discuss what the topic is (such as the main idea of the story) and the details of the topics (such as the characters, beginning, middle, end, etc.).
  • As a class, develop choreography to express the topic using the one or two elements of dance selected. For example, if using a story, choose a movement for the beginning, middle, and end.
  • Perform the choreography together as a class.
  • Have students illustrate the story of their choreography including the main idea and beginning, middle, and end displayed in the dance.

 

Closing Reflection

  • Students will answer: How did these movements help you understand the main idea/story?
  • Provide time for students to share their illustrations.

 

Assessments

Formative

  • While planning the choreography, ask the students the following questions:
    • What is the main idea?
    • What supporting details/beginning, middle, end are in the choreography?
    • Observe students’ movements for understanding of dance vocabulary.

Summative

  • Student illustrations of the dance
  • Student choreography

 

 

Differentiation

Accelerated: 

  • Divide the class into three groups; each group of students will perform (first grade choreograph) the beginning, middle, or end.

 

Remedial:

  • Focus only on one element of dance, such as levels, in the choreography.
  • Instead of watching a piece of choreography for the activating strategy, read a story that the dance will be about.
  • Choreograph a dance for vocabulary words instead of for the plot of a story.

 

Credits

Ideas contributed by: Melissa Dittmar-Joy. Updated by: Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

ART BOTS ELA 9-12

ART BOTS

ART BOTS

Learning Description

In this upper-level STEAM investigation, students conceptualize and build kinetic “Art Bots” that function as both machines and artistic collaborators. The lesson challenges students to understand and model energy transformations—how electrical energy from a battery is converted into mechanical energy and transferred into rotational motion that powers drawing behavior.

After iterative testing and design improvement, students explore the philosophical and conceptual dimension of their project by responding to the reflective prompt: “In what ways is your Art Bot a co-artist in your work? Write a reflection that explains your role as designer, the bot’s contribution, and what the final artwork expresses”.This task deepens students’ critical thinking, creativity, and the fusion of art and science. Final presentations include both the Art Bot’s physical output and a reflective artist statement, shared in a class critique or gallery walk.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: STEAM
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can design a functioning electrical circuit that powers a small motor.
  • I can explain how force, motion, and energy interact in my Art Bot.
  • I can analyze how changes to mass, balance, and friction affect motion.
  • I can collaborate with a robot to create original art and evaluate the process.

Essential Questions

  • How do energy transformations power machines?
  • What role do unbalanced forces play in robotic motion?
  • How can small design adjustments significantly impact a machine’s behavior?
  • In what ways can humans and robots collaborate creatively?

 

Georgia Standards

Curriculum Standards

SCIENCE

Physics:

SPS8: Obtain, evaluate, and communicate information to explain the relationships among force, mass, and motion.

SPS10: Investigate and explain the properties of electricity and magnetism.

 

Physical Science:

SPS7: Develop models to illustrate the transformation and conservation of energy.

 

ELA

Grade 9:

9.T.T.1.e Effectively apply a variety of narrative techniques to develop complex character(s) who change, use setting to create mood, develop an idea or theme across the text, achieve specific purposes, engage audiences, and enhance writing.

Grade 10:

10.T.T.1.e Effectively apply a variety of narrative techniques to develop complex character(s) who change, use setting to create mood, develop an idea or theme across the text using metaphors, achieve specific purposes, engage audiences, and enhance writing.

Grade 11:

11.T.T.1.e Effectively apply a variety of narrative techniques to develop complex character(s) who change, use setting to create mood, develop an idea or theme across the text using metaphors and symbolism, achieve specific purposes, engage audiences, and enhance writing.

Grade 12:

12.T.T.1.e Effectively apply a variety of narrative techniques to develop complex character(s) who change, use setting to create mood, develop an idea or theme across the text using metaphors and symbolism, achieve specific purposes, engage audiences, and enhance writing.

Arts Standards

VAHSAE.1: Incorporate elements and principles of design into artworks for intentional effects.

VAHSCR.1: Apply creative thinking skills to develop ideas for personal expression.

VAHSPR.1: Create original artworks using a range of materials, techniques, and processes.

VAHSPR.2: Demonstrate proficient and safe use of tools, materials, and technology.

VAHSAR.1: Analyze personal and others’ artworks to evaluate meaning, intent, and technique.

VAHSAR.3: Critique artwork using formal, contextual, and intuitive approaches.

 

South Carolina Standards

Curriculum Standards

SCIENCE

Physics:

P-PS2-4. Use mathematical representations of Newton’s law of gravitation and Coulomb’s law to describe and predict the gravitational and electrostatic forces between objects.

P-PS2-5. Plan and conduct an investigation to provide evidence that an electric current can produce a magnetic field and that a changing magnetic field can produce an electric current.

P-PS3-2. Develop and use models to illustrate that energy can be explained by the combination of motion and position of objects at the macroscopic scale and the motion and position of particles at the microscopic scale.

P-PS3-3. Design, build, and refine a device that works within given constraints to convert one form of energy into another form of energy.

P-PS3-5. Develop and use a model to illustrate the forces between two objects and the changes in energy of the objects due to their interaction through electric or magnetic fields.

 

ELA

English I

ELA.E1.C.2.1 Write informative texts to examine and convey complex information clearly and accurately through the analysis of multiple sources of information. When writing:a. introduce a topic and organize complex ideas and concepts to make important connections and distinctions; b. develop a topic with relevant and sufficient facts, definitions, details, quotes, examples, and/or other information appropriate for the audience; c. use varied transitions to link major sections of the text and clarify the relationships between ideas and concepts; d. use precise language and vocabulary appropriate to the complexity of the topic; e. use a tone and style appropriate to the task and audience; and f. provide a concluding statement or section that supports the information presented.

English II

ELA.E2.C.2.1 Write informative texts to examine and convey complex information clearly and accurately through the analysis of multiple sources of information. When writing:a. introduce a topic and organize complex ideas and concepts to make important connections and distinctions; b. develop a topic by selecting relevant and sufficient facts, definitions, details, quotes, examples, data, and/or other information appropriate for the audience; c. use varied transitions to link major sections of the text and clarify the relationships between ideas and concepts; d. use precise language and vocabulary appropriate to the complexity of the topic; e. establish and maintain a style and objective tone appropriate to the task and purpose; and f. provide a concluding statement or section that supports the information presented.

English III

ELA.E3.C.2.1 Write informative/expository texts to convey complex ideas and concepts while analyzing complex texts. When writing:a. introduce a topic and organize complex concepts and information; b. develop the topic by selecting relevant facts, definitions, details, quotations, statistics, data, and/or other information and examples appropriate to the audience’s knowledge of the topic; c. use varied transitions and syntax to link the major sections of the text and clarify the relationships between complex ideas and concepts; d. use precise language and vocabulary appropriate to the complexity of the topic; e. establish and maintain a formal style and objective tone appropriate for the task, purpose, and audience; and f. provide a concluding statement or section that supports the information presented.

English IV

ELA.E4.C.2.1 Write informative/expository texts to analyze and explain complex ideas and information. Write informative/expository texts to convey complex ideas and concepts while analyzing complex texts. When writing:a. introduce a topic and organize complex concepts and information so that each new element builds on what precedes it; b. develop the topic thoroughly by selecting relevant facts, definitions, details, quotations, statistics, data, and/or other information and examples appropriate to the audience’s knowledge of the topic; c. use varied transitions and syntax to link the major sections of the text and clarify the relationships between complex ideas and concepts; d. use precise language and vocabulary appropriate to the complexity of the topic; e. establish and maintain a formal style and objective tone appropriate for the task, purpose, and audience; and f. provide a concluding statement or section that supports the information presented.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Electric circuit – A closed loop through which electricity can flow. It includes a power source (like a battery), wires, and something that uses the electricity (like a motor or light)
  • Current – The flow of electric charge through a circuit, like water moving through a pipe
  • Voltage – The pressure that pushes the current through the circuit, like water pressure
  • Unbalanced forces – When the forces acting on an object are not equal, causing the object to start moving, speed up, slow down, or change direction
  • Rotational motion – Movement around a central point or axis, like a spinning top or a wheel
  • Center of mass – The point at which an object's mass is evenly distributed in all directions
  • Friction – The resistance between two surfaces that slows things down
  • Energy transformation – The process of changing energy from one form to another—for example, chemical energy in a battery turns into electrical energy, which becomes mechanical energy in the spinning motor
  • Vibration motor – A small motor with an unbalanced weight attached to its shaft; as the shaft spins, it vibrates and shakes, which powers the Art Bot’s movement

Arts Vocabulary

  • Conceptual art – Art in which the idea behind the work is more important than the finished product
  • Intentionality – The purposeful use of elements and design to express meaning
  • Process art – Artwork that emphasizes the act of making over the final product
  • Rhythm – The principle of design in an artwork that indicates a type of movement, often characterized by repeated shapes, lines or colors
  • Gestural mark-making – Marks that reflect movement or emotion, often expressive
  • Experimental media – Unconventional materials or techniques used in creative exploration
  • Collaboration – Co-creating with others or with tools (like Art Bots) in the creative process

 

Materials

  • Hobby motors
  • Battery packs (with AA batteries)
  • Pool noodles (cut into sections)
  • Thin markers
  • Electrical tape or masking tape
  • Hot glue
  • Off-center weights (washers, clay, coins)
  • Switches (optional for advanced circuits)
  • Scissors
  • Image of the Engineering Design Process

 

 

Instructional Design

Opening/Activating Strategy

  • Engage:
    • Show a short video of various Art Bots and kinetic sculptures.
    • Facilitate a class discussion around the following question: “What do you think makes them move the way they do?”.
    • Connect motion and circuits to previously learned physics principles.

Work Session

 

Explore – Building the Art Bots

  • Have students use their sketchbooks or STEAM journals to record their process.
  • Ask:
    • Where will you place the mass to make it wobble?
    • How do you ensure your bot stays powered and balanced?
  • Imagine:
    • Students will brainstorm ideas and sketch potential designs for their bots.
  • Plan:
    • Show students a list of materials that they have available to them to build their bots.
    • Students will create a sketch of their bot with materials labeled before beginning to build their bots.
  • Create:
    • Provide time for students to create their bots.
    • If needed, show students one method to create their bots. Allow time for students to revise their designs as needed.
      • Connect the battery pack to the motor, ensuring a working circuit.
      • Insert the motor into the pool noodle.
      • Attach markers as "legs" using tape.
      • Add weights off-center on the motor shaft to create an unbalanced force.
    • Improve and Extend:
      • Students will test and record how their bots move by placing the bot on plain white paper and turning it on to observe its movement.
      • Students should reflect on the following:
        • Do they rotate, scoot forward, draw erratically?
        • What happens when the mass is adjusted?
        • How does surface friction affect performance?
      • Introduce design constraints and goals:
        • Ask students, “Can you get your bot to move in a figure-eight?”.
        • Have students find a partner and ask students, “Can your bot cover more surface area in one minute than your partner’s?”.
      • Have students respond to the following writing prompt: In what ways is your Art Bot a co-artist in your work? Write a reflection that explains you role as designer, the bot's contribution, and what the final artwork expresses.
        • Reflection criteria:
          • Use vivid, sensory language to describe the bot's movement and its impact on the artwork
          • Include a clear sequence of events (design, testing, outcome).
          • Demonstrate personal voice and insight into the collaborative process
          • Use content vocabulary (e.g., unbalanced forces, rotational motion, center of mass).
          • Incorporate at least one quote or caption from your design partner to reflect collaboration or discovery.
          • Revise writing using peer and self feedback
      • AP Physics or Engineering classes: Add formal motion data collection (speed, revolutions, force diagrams).
      • Technology Integration: Challenge students to control bots with microcontrollers (Arduino, micro:bit).

 

Closing Reflection

  • Students will work with their partners to co-create an artwork with both of their bots.
  • Each pair should give their piece a creative title and write a short “artist’s statement” that explains:
    • Their bot’s design
    • Its motion pattern
    • How they collaborated to create their artwork
    • What they learned about forces and energy Gallery walk: Display art and artist statements; allow an opportunity for students to provide peer feedback.

 

Assessments

Formative

  • Assess students’ learning through observations of building and testing, student questions and responses during discussions, and design STEAM journal/sketchbook entries with sketches, reflections, and improvements.

Summative

  • Design Report (written or digital):
    • Sketches, circuit diagram, energy flow description
    • Data on motion (optional)
    • Explanation of what worked and what didn’t
  • Gallery Artist Statement that includes a creative title and explanation of motion concepts and energy transformations
  • Writing prompt responses

 

Differentiation

Accelerated: 

  • Students can choose how to present their final work:
    • A short video montage showing the bot’s drawing in action.
    • A sketchbook spread combining bot photos, drawn output, and written reflection.
    • A conceptual artist statement exploring the bot as collaborator or tool.
  • Students respond to one of these advanced prompts:
    • “Is the Art Bot merely a tool—or something more? Explore how machines can challenge traditional ideas of authorship in art.”
    • “If your Art Bot could 'speak,' what would it say about the marks it left behind? Write from the bot’s point of view.”
    • “Compare your creative process with that of a traditional artist. What new ideas about creativity have you discovered?”
  • Advanced Criteria:
    • Integrate a metaphor or analogy comparing the Art Bot to another creative collaborator (e.g., a dance partner, a jazz improviser).
    • Include evidence of revision—submit a first draft with feedback notes and a final version.
    • Use philosophical or conceptual language (aligns with Anchor Standard 10).
  • Extension Option: Research an artist (e.g., Jean Tinguely, Harold Cohen, or Sougwen Chung) who worked with machines and compare their practice to your own.

 

Remedial:

  • Provide pre-made circuits.
  • Provide extended time for building and reflecting.
  • Offer verbal instructions paired with written guides.
  • Allow for alternative methods of documentation (photos, audio).
  • Written reflection:
    • Provide structured prompts such as:
      • “My Art Bot moved by ________ because ______.”
      • “One thing I changed was ________, and it helped because ______.”
      • “The artwork shows ______ because the bot ______.”
    • Oral reflection option: Allow students to speak their reflection, then transcribe or record it.
    • Divide the writing prompt: Break into daily parts (Day 1: Describe the bot. Day 2: Explain how it moves. Day 3: What does your artwork show?)
    • Visual Supports: Use labeled diagrams and photo sequences of their bot's process to guide the writing.
    • Modeling: Show mentor texts or completed reflections and model how to revise for detail or structure.

 

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW

 

ART BOTS ELA 6-8

ART BOTS

ART BOTS

Learning Description

Students take on the role of designer-engineers and artists by constructing “drawing robots” that demonstrate how energy transforms into motion. Using motors, batteries, and weighted components to intentionally create imbalance, students will explore concepts like kinetic energy, unbalanced forces, and vibration.

After testing and refining their bots, students will respond to the prompt: “Write an explanation of how your Art Bot transforms electrical energy into motion and artwork. Reflect on your design process and explain how art and engineering work together”.

This writing task reinforces content vocabulary and scientific reasoning while inviting students to make connections between disciplines. The lesson culminates with students presenting their bot’s visual output and reading their explanatory writing aloud in a collaborative critique session.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: STEAM & ELA
LESSON DOWNLOADS:

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"I Can" Statements

“I Can…”

  • I can build and test a simple circuit to power a motor.
  • I can explain how unbalanced forces influence motion.
  • I can describe how energy is transformed in my Art Bot.
  • I can use the engineering design process to test and improve my design.

Essential Questions

  • How do unbalanced forces affect the motion of an object?
  • How does a motor convert electrical energy into motion?
  • What design choices impact the movement and artistic output of an Art Bot?
  • How can the engineering design process help improve a design?

 

Georgia Standards

Curriculum Standards

SCIENCE

Grade 6:

S6P2: Obtain, evaluate, and communicate information about the relationship between force, mass, and the motion of objects.

S6P3: Construct an explanation of the relationships among electric force, magnetic force, and motion.

Grade 7:

S7P2: Obtain, evaluate, and communicate information to explain the effects of forces on the motion of an object.

Grade 8:

S8P2: Develop models to illustrate the relationship between potential and kinetic energy.

ELA

Grade 6:

6.T.T.1.e Apply narrative techniques to enhance writing, engage audiences, and achieve specific purposes.

Grade 7:

7.T.T.1.e Apply narrative techniques to enhance writing, engage audiences, and achieve specific purposes.

Grade 8:

8.T.T.1.e Apply narrative techniques to enhance writing, engage audiences, and achieve specific purposes.

Arts Standards

VA.CR.1 Visualize and generate ideas for creating works of art.

VA.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA.CR.2.b Produce three-dimensional artworks using a variety of media/materials (e.g. clay, papier-mâché, cardboard, paper, plaster, wood, wire, found objects, fiber).

VA.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

 

South Carolina Standards

Curriculum Standards

SCIENCE

Grade 6:

6-PS3-4. Plan an investigation to determine the relationships among the energy transferred, the type of matter, the mass, and the change in the average kinetic energy of the particles as measured by the temperature of the sample.

Grade 7:

7-PS3-2. Develop a model to describe that when the arrangement of objects interacting at a distance changes, different amounts of potential energy are stored in the system.

7-PS3-5. Construct, use, and present arguments to support the claim that when the kinetic energy of an object changes, energy is transferred to or from the object.

Grade 8:

8-PS2-3. Analyze and interpret data to determine the factors that affect the strength of electric and magnetic forces.

8-PS2-5. Conduct an investigation and evaluate the experimental design to provide evidence that fields exist between objects exerting forces on each other even though the objects are not in contact.

ELA

Grade 6:

ELA.6.C.2.1 Write informative texts to examine a topic and analyze information from one or more sources. When writing:a. introduce a topic clearly and organize information logically; b. develop the topic with relevant facts, definitions, details, quotes, or other information and examples; c. use appropriate transitions to clarify the relationships among ideas and concepts; d. use precise language and vocabulary to inform or to explain the topic; and e. provide a concluding statement or section.

Grade 7:

ELA.7.C.2.1 Write informative texts to examine a topic and analyze information from one or more sources. When writing:a. introduce a topic and organize ideas, concepts, and information using structures such as definition, compare and contrast, and/or cause and effect; b. develop the topic with relevant facts, definitions, details, and/or quotes; c. use appropriate transitions to clarify the relationships between ideas and concepts; d. use precise language and thoughtful elaboration to inform or to explain the topic; e. establish a tone appropriate to the task and audience; and f. provide a concluding statement or section that supports the information presented.

Grade 8:

ELA.8.C.2.1 Write informative texts to examine a topic and analyze information from multiple sources. When writing:a. introduce a topic clearly and organize ideas, concepts, and information, using a structure such as definition, compare and contrast, and/or cause and effect; b. develop the topic with relevant facts, definitions, details, and/or quotes; c. use varied transitions to clarify the relationships between ideas and concepts; d. use precise language and thoughtful elaboration to inform or to explain the topic; e. establish a tone appropriate to the task and audience; and f. provide a concluding statement or section that supports the information presented.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Unbalanced force – A force that changes the motion of an object
  • Friction – A force that opposes motion
  • Circuit – A closed path through which electricity flows
  • Kinetic energy – Energy of motion
  • Potential energy – Stored energy that can be converted into motion
  • Energy transformation – The process of changing one form of energy into another

Arts Vocabulary

  • Movement – This principle of design is associated with rhythm and refers to the arrangement of parts in an artwork that creates a sense of motion to the viewer's eye through the work.
  • Balance – This is a sense of stability in the body of work. Balance can be created by repeating the same shapes and by creating a feeling of equal visual weight.
  • Form – An object that is three-dimensional and encloses volume (cubes, spheres, and cylinders are examples of various forms)
  • Kinetic art – Art that incorporates real motion
  • Contrast – The arrangement of opposite elements in a composition (light vs. dark, rough vs. smooth, etc.) Similar to variety, which refers to the differences in a work, achieved by using different shapes, textures, colors and values.
  • Mark-making – The lines, textures, and marks made by tools or gestures
  • Negative space – The space around and between subjects in an artwork
  • Engineering Design Process – A problem-solving approach that involves identifying a need, researching, brainstorming possible solutions, developing and testing prototypes, and improving the design until the optimal solution is achieved; the steps are Ask, Imagine, Plan, Create, Improve

 

Materials

  • Hobby motors
  • Battery packs (with AA batteries)
  • Pool noodles (cut into sections)
  • Thin markers
  • Electrical tape or masking tape
  • Small weights (washers, paperclips, clay, etc.)
  • Switches (optional for advanced circuits)
  • Scissors
  • Image of the Engineering Design Process

 

 

Instructional Design

Opening/Activating Strategy

  • Engage:
    • Hook: Show a short video of a scribble bot or demonstrate a pre-made Art Bot.
    • Discussion–Ask students:
      • What do you notice about how it moves?
      • What forces might be acting on it?
      • How does the energy from the battery turn into movement?

Work Session

Explore – Building the Art Bots

  • Ask:
    • How can we design an Art Bot that moves unpredictably?
    • How do we make sure our bot stays powered and balanced?
  • Imagine:
    • Students will brainstorm ideas and sketch potential designs for their bots.
  • Plan:
    • Show students a list of materials that they have available to them to build their bots.
    • Students will create a sketch of their bot with materials labeled before beginning to build their bots.
  • Create:
    • Show students how to create their bots.
      • Connect the battery pack to the motor, ensuring a working circuit.
      • Insert the motor into the pool noodle.
      • Attach markers as "legs" using tape.
      • Add weights off-center on the motor shaft to create an unbalanced force.
    • Have students place the bot on plain white paper and turn it on to observe its movement.
    • Improve: Elaborate – Improving the Design
      • Students will analyze their bot’s movement and adjust:
        • Marker placement for different drawing effects.
        • Weight distribution to change speed and wobbling direction.
        • Motor positioning to alter how much it vibrates.
      • Students will compare designs and discuss how small modifications affect motion.
      • Students will respond to the following writing prompt: Write an explanation of how your Art Bot transforms electrical energy into motion and artwork. Reflect on your design process and explain how art and engineering work together. Use specific vocabulary and examples from your experience.
        • Writing Criteria:
          • Introduce the topic clearly: “My Art Bot transforms energy into motion through a simple electric circuit”.
          • Use content-specific vocabulary, such as: circuit, energy transformation, kinetic energy, friction, unbalanced force, vibration.
          • Describe the sequence of events in the engineering design process: Ask → plan → create → test → improve.
          • Explain connections between scientific concepts and artistic outcomes.
          • Use transitions, such as first, next, as a result, finally, to clarify progression.
          • Conclude with insights about what was learned or how the design evolved.

 

Closing Reflection

  • Turn your classroom into a gallery!
    • Lay artworks on desks or hang them around the room.
    • Have students walk through the gallery, viewing each other’s bot collaborations.

 

Assessments

Formative

  • Observations of student engagement and problem-solving
  • Questioning during discussions
  • Peer feedback on bot performance

Summative

  • Students’ written responses to the writing prompt.

 

Differentiation

Accelerated: 

  • Introduce data collection by having students measure and compare drawing patterns.
  • Additional writing prompts:
    • Compare how the energy transformation in your Art Bot is like what happens in a real machine or natural system.
    • How would you redesign your Art Bot to make it draw letters or words? Justify your choices using science vocabulary.
  • Use Micro:bit or Arduino to program bots to change motion patterns.

 

Remedial:

  • Provide pre-made circuits.
  • Provide extended time for building and reflecting.
  • Offer verbal instructions paired with written guides.
  • Allow for alternative methods of documentation (photos, audio).
  • Additional writing prompts:
    • Draw and label how your Art Bot moves.
    • Write three to five sentences explaining how the battery made your Art Bot move.
    • List three problems you solved while building your bot.

 

 

Credits

Ideas contributed by: Shannon Green

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  May 2025 @ ArtsNOW