DUST BOWL ERA DANCES 5

DUST BOWL ERA DANCES

DUST BOWL ERA DANCES

Learning Description

In this lesson, students will create dances that demonstrate the impacts of the Dust Bowl on Americans. Students will use movement and energy types to show what life was like for Americans during the Dust Bowl and Great Depression.

 

Learning Targets

GRADE BAND: 5
CONTENT FOCUS: SOCIAL STUDIES & DANCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can use different energies to show how Americans were impacted during the Dust Bowl and Great Depression.
  • I can explain how the Dust Bowl and Great Depression affected the lives of Americans.

Essential Questions

  • How can I use energy and movement to show how Americans were impacted during the Dust Bowl and Great Depression?
  • How did the Dust Bowl and Great Depression impact Americans?

 

Georgia Standards

Curriculum Standards

SS5H3 Explain how the Great Depression and New Deal affected the lives of millions of Americans.

Arts Standards

ESD5.CR.2 Demonstrate an understanding of dance as a form of communication.

ESD5.CN.3 Integrate dance into other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

5.2.CC Examine the continuities and changes that resulted from New Deal programs and the impact these programs had on various groups throughout the U. S. and South Carolina

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Drought - A long period of time with little or no rain
  • Erosion - When wind or water wears away soil
  • Dust storm - A storm with large winds that blows large amounts of dust through the air
  • Migration - Moving from one place to another
  • Poverty - When people do not have enough money for basic needs like food, clothes, or shelter
  • Stock Market Crash - When stock prices suddenly drop fast, resulting in people losing money
  • Economy - The system in how money is created, spent, and shared in a country

Arts Vocabulary

  • Percussive - Refers to the quality of movement characterized by sharp starts and stops; staccato jabs of energy
  • Suspended - Occurs in a moment of resistance to gravity, such as the instant in which a dancer hangs in space at the top of a leap
  • Sustained - Smooth and unaccented; there is not apparent start or stop, only a continuity of energy
  • Swinging - Established by a fall of gravity, a gain in momentum, a loss of momentum, and the repeated cycle of fall and recovery, like that of a pendulum
  • Vibratory - A quality of movement characterized

 

Materials

  • Music source and speaker
  • Introduction video of dance and choreography
  • Cards with printed descriptions of time period scenarios

 

Instructional Design

Opening/Activating Strategy

  • Show Storytelling Through Dance with Books In Motion.
  • Have students discuss in pairs the types of movements they saw. Have students use descriptive language to describe the different types of movements that they saw.
  • Have students work in these pairs to discuss how the different types of movements showed different types of emotions or feelings.
  • Tell students about energy in dance. Discuss the different types of energy:
    • Percussive: Refers to the quality of movement characterized by sharp starts and stops; staccato jabs of energy
    • Suspended: Occurs in a moment of resistance to gravity, such as the instant in which a dancer hangs in space at the top of a leap
    • Sustained: Smooth and unaccented; there is not apparent start or stop, only a
    • continuity of energy
    • Swinging: Established by a fall of gravity, a gain in momentum, a loss of momentum, and the repeated cycle of fall and recovery, like that of a pendulum
    • Vibratory: A quality of movement characterized
  • Have students discuss when they might see the following types of energies in dance:
    • Percussive: Strong beats (stomps or claps) that show anger or intense feelings
    • Suspended: Pausing during spin to show weightless feeling
    • Sustained: Controlled/moving through water showing calm energy
    • Swinging: Natural rocking showing relaxed energy
    • Vibratory: Bouncing up and down showing nervousness or excited energy

Have students practice doing some of these types of movements to music. Play different types of music and allow students to move their bodies in a percussive way, suspended way, sustained way, swinging way, and vibrating way.

Work Session

  • Explain to students that they will be creating a dance that uses different energies to show how Americans were impacted by the Dust Bowl and the Great Depression.
  • Review with students the time periods of the last 1920s - 1930s. Discuss with students how Americans lived compared to now, including what made living during this time period difficult.
  • Distribute cards with descriptions of scenarios of life during the Dust Bowl or the Great Depression
    • Ideas include:
      • Waiting in lines at soup kitchen
      • Experiencing a dust storm
      • Stock Market Crash of 1929
      • Bank failures
      • Hoovervilles
    • Review that in their dance students should have a beginning, middle, and end with different types of energies that tell a story. Their stories will be related to the stories that were told by Americans during the Dust Bowl era and the Great Depression.
    • Have students work in groups to create their dance. Encourage students to jot down their ideas and explanations of different types of energies being used in their dance.
      • Dance requirements:
        • A beginning, middle, and end (at least three movements)
        • At least two types of energies

 

Closing Reflection

  • Students should complete their work by writing a summary about how their dance, including movements and energies, relate to the impact that the Dust Bowl and the Great Depression had on Americans.
  • Students will share their dance with the class. The audience will discuss and share out specific movements and energies from the performance that explained the impact of the time on Americans.

 

Assessments

Formative

Teachers will check students' understanding by observing whether students are able to establish choreography that shows how Americans were impacted during the Dust Bowl and the Great Depression.

Summative

Checklist:

  • Students can identify and explain a specific scenario related to the time period.
  • Students can align movements and energies to the scenario that shows how Americans were impacted during the time period.
  • Students can explain how movements related to the impact the event had on Americans during the time period.

 

 

Differentiation

Accelerated: 

  • Allow students to research specific first or second hand accounts from the Dust Bowl or Great Depression to get inspiration for their dances.

 

Remedial:

  • Give students specific stories instead of only scenarios.
  • Establish feeling cards to correlate with scenarios or stories.

 

 

Additional Resources

Classroom Tip: Before performances, set up students chairs/desks in an arc to be facing the performers. This allows for more student engagement and encourages students to engage in other student performances.

 

Credits

Ideas contributed by: Megan Banks

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  April 2026 @ ArtsNOW

 

DANCING UP A STORM 6-8

DANCING UP A STORM

DANCING UP A STORM

Learning Description

Students will plan a choreography that demonstrates how high and low-pressure systems, as well as warm and cool air, interact in the atmosphere.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: DANCE, SCIENCE & STEAM
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can demonstrate how high pressure and low pressure systems interact in the atmosphere.
  • I can imagine and test ways in which movement communicates ideas about the interaction of high and low pressure, as well as warm and cool air
  • I can use the elements of dance to vary movements that will communicate multiple ideas in one choreography.

Essential Questions

  • How does dance movement demonstrate the cause and effect of weather events?

 

Georgia Standards

Curriculum Standards

Grade 6:

S6E4.d Construct an explanation of the relationship between air pressure, weather fronts, and air masses and meteorological events such as tornados and thunderstorms.

Arts Standards

Grade 6:

MSD.CR.1 Demonstrate an understanding of the choreographic process.

MSD.CR.2 Demonstrate an understanding of dance as a form of communication.

MSD.RE.1 Demonstrate critical and creative thinking in dance.

MSD.CN.3 Demonstrate an understanding of a dance as it relates to other areas of knowledge.

Grades 9-12:

DHSDC.CR.2 Demonstrate an understanding of dance as a form of communication.

DHSDC.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance.

DHSDC.RE.1 Demonstrate critical and creative thinking in all aspects of dance.

DHSDC.CN.3 Demonstrate an understanding of dance as it relates to other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-ESS2-5. Analyze and interpret data to provide evidence for how the motions and complex interactions of air masses result in changes in weather conditions.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 4: I can perform movement skills and techniques

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Anticyclone - A mass of air with high pressure and light winds that blow in a clockwise direction in the Northern Hemisphere
  • Depression - A mass of air with low pressure, condensing water vapor, and possibly precipitation, with winds that blow in a counterclockwise direction in the Northern Hemisphere
  • High pressure - A mass of air with relatively higher atmospheric pressure, descending air molecules, relatively lower cloud formation, and lighter winds that blow away from the center of the system
  • Low pressure - A mass of air with relatively lower atmospheric pressure, rising air molecules, relatively greater cloud formation and precipitation and strong winds

Arts Vocabulary

  • Choreography - The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Clockwise - A movement pathway that proceeds in the same direction that hands of a clock move
  • Counterclockwise - A movement pathway that proceeds opposite of the direction that the hands of a clock move
  • High Level - In regards to dance, movements that are made in the space that is at a greater distance from the ground, such as a jump or stretching the arms above the shoulders
  • Low Level - In regards to dance, movements that take up space that is closer to the ground, such as a squat, crouch, or stretching the arms downward so that the hands touch the knees or toes while standing up
  • Steady - In regards to dance, movements that take place at a consistent and unchanged interval
  • Sudden - In regards to dance, movements that occur quickly and without warning, and may elicit a reaction of surprise by the observer

 

Materials

  • A variety of music selections
  • Music source and speakers
  • Projection or printed cards showing dance terms in PART 1
  • Cards printed with weather conditions; one card per small group

 

Instructional Design

Opening/Activating Strategy

  • Show students one card at a time from a projection or a stack of cards printed with dance vocabulary words: high level, low level, sudden, steady, clockwise, counterclockwise (note that the terms fast/slow in PART 1 are not included in this list for an activating strategy).
  • Ask students to execute the movement while you play music for 5-10 seconds. When the music stops, students will freeze.
  • Change cards when the music stops and repeat this activity several times so that students become introduced to the different movements.
  • All students should move at the same time to create a low-stakes activity. Variation in movement is encouraged so that students produce individualized movements rather than copying peers. This is a time for students to experiment with movement and individuality.

Work Session

PART 1

  • Divide the class into small groups. Give each group a set of three cards that list conditions expected during a three-day period in the atmosphere over a given fictitious city. Each card should include conditions that do not completely describe the weather, such as:
    • CARD EXAMPLE 1 (discusses pressure systems)
      • Day 1: Winds 5 MPH, sunny skies; temperatures are 80-90 degrees.
      • Day 2: Low pressure passes over the city at 12 p.m. and 12:30 p.m.
      • Day 3: Winds return to 5 MPH with sunny skies; temperatures are 50-60 degrees.
    • CARD EXAMPLE 2 (discusses weather conditions)
      • Day 1: Light rain all day and night. Temperatures are 60-70 degrees.
      • Day 2: Light rain all day. Rain ends at sunset. Temperatures are 60-70 degrees.
      • Day 3: Sunny skies all day. Temperatures are 65-75 degrees.
    • Students consider the problem: Create a dance that reflects the weather forecast for the next three days by showing how high and low-pressure systems, as well as warm and cool air, will interact in the atmosphere.
      • Use the following dance elements:
        • Speed: Fast/Slow
        • Level: High/Low
        • Energy: Sudden/Steady
        • Rotation: Clockwise/Counterclockwise
      • Students list the questions that they need to answer before brainstorming dance movements.

PART 2

  • Create three movements to show the changing conditions. Each movement should show the weather for one day, making sure to focus on the cause and effect relationship/interaction between the high- and low-pressure systems that will create the predicted weather conditions. Students need to prioritize their questions listed in PART 1 in order to focus on the cause and effect relationship of atmospheric systems. Students identify the dance elements that they will use in their movements.

PART 3

  • Students will order their dance movements to communicate the forecast based on the conditions printed on their cards.

PART 4

Students will write down their forecast. They will review the forecast to make sure that it represents the assigned conditions on their cards. Students will correct any inaccuracies, focusing on the high-and-low-pressure systems.

 

Closing Reflection

  • Ask students to describe the interaction of high and low pressure in various situations (i.e., a slow-moving high-pressure system versus a fast-moving system), using vocabulary of the Elements of Dance (dance vocabulary words on cards or their own words).
  • Ask students to explain how moving their bodies or observing dances in this lesson helps them to understand and describe the differences between high-and-low-pressure systems and how those systems interact in the atmosphere to create weather that we experience on the surface of the planet.

 

Assessments

Formative

Visually observe students formulating questions and exploring movement while discussing atmospheric concepts.

  • Teacher observes students correlating temperature, precipitation, and winds with anticyclones and depressions.
  • Teacher observes students using vocabulary of the Elements of Dance and vocabulary of atmospheric pressure, together, as they create and sequence movement.
  • Teacher observes students arranging movements so they demonstrate atmospheric systems that create weather conditions.

Summative

MATTER IN MOTION CHECKLIST

  • Students first list questions, and then prioritize the questions.
  • Movement qualities focus on cause and effect/interaction between atmospheric conditions, rather than the weather observed at the surface of the planet.
  • Movements are imagined first and then ordered.
  • The choreography effectively uses dance to communicate properties of atmospheric systems that contribute to weather conditions.

 

 

Differentiation

Accelerated: 

  • Ask students to consider the impact of land forms in their forecast and vary their movements to show how the atmospheric conditions would change due to the presence of an ocean, mountain, etc.
  • List fewer details about weather or atmospheric conditions on the cards so that students have to draw more conclusions to create their predictions.

 

Remedial:

  • Divide the class into three groups. Work with only one card printed with weather/atmospheric conditions. Each group creates one movement to show the interaction between low-and-high-pressure systems for one day. As a whole class, order the movements to show the forecast for the three days suggested on the printed card.

 

Additional Resources

Classroom Tips:  Use the opening activities as opportunities for students to identify movements that they will use later in the lesson. If as a whole class students struggle with a movement during this creative time, then recognize effective movement and ask the whole class to model it.

Execute each part of the main activity one at a time, revealing each subsequent step after the current one is completed. In other words, do not permit students to work ahead to encourage the creative effect that results from the scaffolded directions.

 

Credits

Ideas contributed by: Julie Galle Baggenstoss

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

A MATTER OF ISOLATION 6-8

A MATTER OF ISOLATION

A MATTER OF ISOLATION

Learning Description

Students will create a game in which players use movement to show how changes in thermal energy change the behavior of particles.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: DANCE, SCIENCE & STEAM
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can demonstrate the effect of thermal change on particles through choreography.
  • I can relate the elements of dance to states of matter.
  • I can use the elements of dance to vary movements to communicate multiple ideas in one choreography.

Essential Questions

  • How does dance movement demonstrate states of matter and change in thermal energy?

 

Georgia Standards

Curriculum Standards

Grade 8:

S8P1.b Develop and use models to describe the movement of particles in solids, liquids, gases, and plasma states when thermal energy is added or removed.

Arts Standards

Grade 8:

MSD.CR.1 Demonstrate an understanding of the choreographic process.

MSD.RE.1 Demonstrate critical and creative thinking in dance.

MSD.CN.3 Demonstrate an understanding of a dance as it relates to other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-PS1-4. Develop and use a model that predicts and describes changes in particle motion, temperature, and state of a pure substance when thermal energy is added or removed

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Particle – A small object which can be described by several physical or chemical properties; matter is made up of particles
  • Thermal Energy – The motion of particles within a substance that is responsible for its temperature

Arts Vocabulary

  • Isolation – Movement created by moving one part of their body while keeping the rest of the body still or controlled
  • Axial – Movement that occurs in place, without traveling to a new location
  • Locomotor – A movement that travels through space
  • Choreographic process - The steps taken to create movement sequences for dancers, which include testing, revising, and editing work
  • Choreography - The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Engineering Design Process -
    • Ask – What is the problem? What do we need to do?
    • Imagine – What are some possible solutions?
    • Plan – Which idea will we try? How will we build it?
    • Create – Build the solution.
    • Test & Improve – Does it work? How can we make it better?

 

Materials

  • Blank index cards, blank paper
  • A variety of music selections
  • Music source and speakers
  • Word bank of dance vocabulary:

 

Instructional Design

Opening/Activating Strategy

  • Students improvise movements in a hand dance. Using only their hands and fingers, students work in pairs, with one being the leader and the other the follower. Students sit facing one another so that when they extend their arms in front of them their hands do NOT touch.
  • The leader extends one arm and faces the palm of the hand to the other student. The follower extends one arm and faces the palm of one hand to the leader to create a mirror image of the other student’s hand. The leader moves the one hand and fingers in slow steady motions while the follower imitates the movement. The teacher plays music and students move in silence, without talking or making any noise, until the music stops.
  • The teacher pauses the music. Partners change roles and repeat the process.
  • Partners should mentally note which movements are successful or when they find a movement that they would like to remember for use later in the lesson.

Work Session

PART 1

  • Divide students into small groups of three members. Each group will create a game in which players earn points when they use their hands and fingers to show how particles move in reaction to increasing or decreasing thermal energy.
  • For the game, participants should be organized into teams. Team members isolate their hands and fingers to create dance movements that represent states of matter to successfully earn points.
  • Students list a few of their favorite games and think about the strategy/rules of those games.
  • Give each group a few sheets of paper and index cards to use as game materials.

PART 2

  • Students list the information that they need to know in order to create the game. In other words, they list questions and answers about scientific concepts, dance concepts, and game rules.
  • Students gather the details that they need to plan the game.

PART 3

  • Students brainstorm different ways in which players could move their fingers and hands to play the game. They write down dance terms from a word bank derived from the Energy or Time columns of the Elements of Dance to describe the movements.
  • Students correlate the dance vocabulary with descriptions of how particles move when matter is a solid, liquid, or gas.

PART 4

  • Students imagine how teams could interact in a game so that players earn points by showing the movement of particles when thermal energy is applied, removed, increased, or decreased. Students should consider the different ways that players could describe the presence/absence/increase/decrease of thermal energy, including using words such as warmer or cooler, or absolute measures of temperature, i.e., 32 degrees F or 212 degrees F.
  • Students write down the rules of the game.

PART 5

Students test their games by playing them. They note where improvements need to be made and revise their rules. 

 

Closing Reflection

  • Ask students to explain how moving their bodies in this lesson helps them to understand and describe the properties of thermal energy and how it impacts matter.
  • Ask students to describe how the process of asking questions up front helped them create the game.
  • Ask students to describe how brainstorming movements first helped them imagine the play strategy (writing the rules).
  • Ask students how they revised their games after the testing phase.

 

Assessments

Formative

Visually observe the students during the process of creativity.

  • Teacher observes students discussing and writing questions during PART 2.
  • Teacher observes students using vocabulary of the elements of dance and vocabulary of states of matter and thermal energy together, as they brainstorm ways that teams will move to earn points and as they imagine the rules of the games.

Summative

A MATTER OF ISOLATION CHECKLIST

  • Movements are limited to hands and fingers.
  • Game options contain variation of time and energy elements.
  • The game rules effectively use dance to communicate changes in thermal energy so that observers can identify distinct states of matter.

 

 

Differentiation

Accelerated: 

  • Rather than limiting movements to hands and fingers, students explore whole-body axial and locomotor movements to exaggerate molecular activity and/or thermal energy change.

 

Remedial:

  • Complete PART 2 as a whole class.
  • Stop the activity at the end of PART 2. Assess the use of the first step of the engineering design process, which is to define the problem.

 

Additional Resources

Classroom Tip:  Use the opening activity as an opportunity for students to identify movements that they will use later in the lesson.

 

Credits

Ideas contributed by: Julie Galle Baggenstoss

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

MOVE TO MAKE A DIFFERENCE: CONSERVATION THROUGH DANCE 9-12

CONSERVATION THROUGH DANCE

MOVE TO MAKE A DIFFERENCE: CONSERVATION THROUGH DANCE

Learning Description

In this lesson, students explore the power of creative expression to raise awareness about environmental issues by creating a short TikTok dance that communicates a conservation message. After analyzing examples of social media campaigns and TikToks that promote sustainability, students select an environmental issue, research its causes and impacts, and plan a movement-based message designed to educate and inspire their audience. Through collaborative or individual work, students choreograph and record a TikTok dance incorporating creativity, clear communication, and accurate scientific content. They then explain how their performance addresses the issue and reflects key environmental concepts and reflect on how art and media can influence public awareness and action.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: DANCE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can explain an environmental issue and its impact on Earth’s systems.
  • I can design a creative message that raises awareness about conservation.
  • I can use movement and performance to communicate an environmental message effectively.
  • I can reflect on how creative media can inspire change and evaluate others’ messages constructively.

Essential Questions

  • How can movement and creativity inspire others to take action on environmental issues?

 

Georgia Standards

Curriculum Standards

Environmental Science:

SEV2. Obtain, evaluate, and communicate information to construct explanations of stability and change in Earth’s ecosystems.

d. Construct an argument to support a claim about the value of biodiversity in ecosystem resilience including keystone, invasive, native, endemic, indicator, and endangered species.

SEV4. Obtain, evaluate, and communicate information to analyze human impact on natural resources.

a. Construct and revise a claim based on evidence on the effects of human activities on natural resources.

Arts Standards

DHSDC.CR.2 Demonstrate an understanding of dance as a form of communication.

DHSDC.RE.1 Demonstrate critical and creative thinking in all aspects of dance.

DHSDC.RE.1.f Engage in self-reflection and self-assessment as a creator and performer.

DHSDC.CN.3 Demonstrate an understanding of dance as it relates to other areas of knowledge

 

South Carolina Standards

Curriculum Standards

Biology:

B-LS2-1. Use mathematical and/or computational representations to support explanations of biotic and abiotic factors that affect carrying capacity of ecosystems at different scales.

B-LS2-6. Evaluate claims, evidence, and reasoning that the complex interactions in ecosystems maintain relatively consistent numbers and types of organisms in stable conditions but changing conditions may result in a new ecosystem.

B-LS2-7. Design, evaluate, and refine a solution for reducing the impacts of human activities on biodiversity and ecosystem health.

B-LS2-8. Evaluate evidence for the role of group behavior on individual and species’ chances to survive and reproduce.

Earth & Space Science:

E-ESS3-4. Evaluate or refine a technological solution that reduces impacts of human activities on natural systems.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Conservation — Protecting and managing natural resources sustainably
  • Biodiversity — Variety of life in a particular habitat or ecosystem
  • Sustainability — Meeting current needs without compromising future generations
  • Carbon footprint — Total greenhouse gas emissions caused directly and indirectly
  • Deforestation — Removal of trees from an area, often reducing biodiversity and increasing CO₂
  • Pollution — Introduction of harmful materials into the environment
  • Ecosystem services — Benefits humans gain from ecosystems

Arts Vocabulary

  • Energy:
    • Percussive — Sharp, sudden movements with strong stops and starts; like staccato jabs
    • Suspended — A moment where the dancer seems to hang in the air, resisting gravity, like at the top of a jump
    • Sustained — Smooth, continuous movement without obvious start or stop; flowing energy
    • Swinging — Movements that fall and recover, gaining and losing momentum like a swinging pendulum
    • Vibratory — Fast, jittery, repeated movements, like a shiver or quick shake
  • Space:
    • Level — The height at which the movement happens: high, middle, or low
    • Pathway — The design made as a dancer moves across the floor or traces shapes in the air
    • Shape — The way the dancer’s body or a group’s bodies are arranged to create a visual design; can be curved or angular, symmetrical or not
  • Time:
    • Beat — The main accent or pulse in the music or movement
    • Rhythm — A repeating pattern of beats, movements, or sounds
    • Tempo — The speed or pace of the movement
  • Choreography — The sequence of movements and steps designed for a dance piece
  • Choreographer — The person who creates and arranges the dance
  • Locomotor — Movements that travel through space (like walking, leaping, sliding)
  • Non-locomotor — Movements performed in place without traveling (like bending, twisting, swaying)

 

Materials

  • Projector or large display to show TikTok/video examples
  • Speakers for audio playback of videos and music
  • Internet access for research and viewing TikToks
  • Devices with camera and TikTok (or similar recording app) for each group
  • Printed dance vocabulary sheets for each student (or projected on screen)
  • Student planning worksheet – one copy for each student
  • Chart or template for peer feedback (optional: sticky notes or digital form)
  • Platform to upload and view videos (e.g., Padlet, Canvas, etc.)
  • Open space for students to rehearse and record their dances

 

Instructional Design

Opening/Activating Strategy

  • Teacher introduces the driving question and objectives.
  • Teacher asks students how TikToks might be used to help raise awareness for an issue and how it can be a powerful tool for positive change.
  • Teacher asks students for examples of how dance was used in the students’ favorite TikToks (could allow a couple of volunteers to perform).
  • Teacher presents dance vocabulary - energy, space, time, choreography - and asks volunteers to show examples of these terms in action. Alternatively, teacher can demonstrate and have students copy his/her movements.
    • Teacher allows students to practice by calling out terms and having them create a movement. Have students create movements simultaneously to make it a low-stakes activity.
  • Watch two to three environmental TikTok examples and discuss:
    • What was the message?
    • Which dance elements were used (energy–percussive, suspended, etc.; space–pathways, levels, etc.)?
    • How did the movements enhance the message?

Work Session

  • Students (individually or in groups) pick an environmental issue they are passionate about. The teacher provides examples for any students struggling to choose a topic.
  • Students research facts about the issue. Teacher provides guiding questions for their research, such as:
    • What is the cause of this environmental issue?
    • Why is this issue cause for concern?
    • What is the current status of the issue and the impending dangers if change doesn’t happen?
    • What are the proposed solutions to the issue, and how can people act?
  • Teacher explains the assignment and reviews the rubric expectations. Teacher reminds students to keep the message clear and creative and relate the content of the TikTok back to the environmental issue.
  • Students plan their TikTok using the Student Planning Worksheet:
    • What is the specific message you want your TikTok to convey?
    • Which dance elements and movements will you use to convey it? Why?
  • Once students have completed their research and planning, they will rehearse and record their TikTok dances.
  • Groups should co-construct their artists’ statement–a well-constructed statement that communicates what the environmental issue is, why it’s a concern, and how their dance/music choices helped them to raise awareness and inspire change.
  • Groups upload their videos to the class platform (ex. Padlet, Canvas, etc.) along with their artists’ statements. Alternatively, groups perform live for the class and share their artists’ statements.

 

Closing Reflection

  • Class viewing party: Watch each TikTok.
  • Peer feedback: Each student provides one compliment and one suggestion for growth per group.
  • Exit Ticket: Students reflect on what they learned and how dance can inspire change (see Student Planning Worksheet).

 

Assessments

Formative

  • Observations
  • Questioning
  • Peer feedback

Summative

  • TikTok Dance
  • Completed planning sheet (see rubric on page 1)

 

 

Differentiation

Accelerated: 

  • Create an additional TikTok targeting a different audience or adding statistical overlays.

 

Remedial:

  • Provide sentence starters for explanations, example movements.

 

Additional Resources

 

Credits

Ideas contributed by: Kearsten Jones, Melissa Joy, Gretchen Hollingsworth

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW

 

DANCING WITH SHAPES: EXPLORING VOLUME THROUGH MOVEMENT 9-12

EXPLORING VOLUME THROUGH MOVEMENT

DANCING WITH SHAPES: EXPLORING VOLUME THROUGH MOVEMENT

Learning Description

Students explore the concept of volume of composite shapes by solving problems and expressing their answers through dance. Students first calculate the volumes of composite three-dimensional figures composed of two or more individual shapes. After solving, they use the volume as the counts for a dance sequence, integrating basic dance elements. Students may also choose to have their movements reflect the shapes themselves, embodying prisms, cylinders, cones, and spheres in creative ways. The lesson promotes mathematical reasoning, collaboration, and kinesthetic learning by connecting geometry and artistic expression.

 

Learning Targets

GRADE BAND: 9-12
CONTENT FOCUS: DANCE & Math
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can find the volume of composite three-dimensional shapes.
  • I can create a dance that uses the calculated volume as counts.
  • I can incorporate dance elements like space, energy, and time into my choreography.
  • I can explain how my dance reflects the geometric concepts we studied.

Essential Questions

  • How can we use dance and movement to illustrate the volume of composite shapes?

 

Georgia Standards

Curriculum Standards

Geometry:

G.GSR.9.1 Use volume formulas for prisms, cylinders, pyramids, cones, and spheres to solve problems including right and oblique solids.

Arts Standards

DHSMOD1.CR.1 Demonstrate an understanding of creative/choreographic principles, processes, and structures.

DHSMOD1.PR.1 Identify and demonstrate movement elements, skills, and terminology in dance.

DHSMOD1.PR.2 Understand and model dance etiquette as a classroom participant, performer, and observer.

DHSMOD1.RE.1 Demonstrate critical and creative thinking in all aspects of dance.

DHSMOD.CN.3 Demonstrate an understanding of dance as it relates to other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Geometry with Statistics Standards:

GS.MGSR.1. Compute area and volume of figures by determining how the figure might be obtained from simpler figures by dissection and recombination.

GS.MGSR.1.1 Apply area and volume formulas of two- and three-dimensional figures to solve real-world situations.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 3: I can perform movements using the dance elements.

Anchor Standard 5: I can describe, analyze, and evaluate a dance.

 

Key Vocabulary

Content Vocabulary

  • Composite shape — A shape made from two or more simple geometric shapes
  • Volume — The amount of space a three-dimensional figure occupies, measured in cubic units
  • Prism, cylinder, cone, sphere — Basic three-dimensional shapes

Arts Vocabulary

  • Choreographer — The person who designs or creates a dance piece
  • Energy — How movement happens: sharp, smooth, suspended, swinging, vibratory
  • Space — Levels (high, middle, low), pathways, and shapes dancers make
  • Time — Beat, rhythm, and tempo
  • Choreography — The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece

 

Materials

  • Projector/board for mini-lesson and examples
  • Teacher generated geometry problem set with composite shapes
  • Dance vocabulary terms for each student
  • Paper and pencils for calculations and choreography notes
  • Music (optional)

Space for students to rehearse and perform dances

 

Instructional Design

Opening/Activating Strategy

  • Introduce the essential question and objectives.
  • Conduct a quick mini-lesson reviewing the formulas for volume of individual shapes and strategies for calculating the volume of composite shapes.
  • Review basic dance elements (energy, space, time) and discuss how they can reflect geometric ideas.
    • Example: a suspended leap could represent the top of a cone; sharp, angular movements could represent prisms.
    • Have students brainstorm ideas for how the dance elements could reflect geometric ideas.
  • Call out dance elements from the Dance Vocabulary sheet, and students demonstrate.
  • Example: student travels around the room to demonstrate locomotor or shakes their whole body to demonstrate vibratory energy.

Work Session

  • Students solve assigned problems to find the volumes of given composite shapes.
  • Once students have the volume, they use it as the “counts” in their dance.
    • Example: A volume of 72 cubic units = a 72-count sequence
  • In groups, students choreograph a dance using the following steps
    • Students decide on movements to fill their counts.
    • Students incorporate dance elements of energy, space, and time in their choreography.
      • Time: The number of counts in their sequence, the speed at which their movements are performed, etc.
      • Energy: Vibratory, suspended, etc.
      • Space: Body shapes (connect to geometric forms), levels, etc.
    • As students plan, the teacher circulates and prompts as needed with the following questions:
      • What does your shape “look” like in motion?
      • How can you use levels (high, middle, low) to show your shape?
      • Can you make your movements sharp, smooth, or suspended to reflect your shape’s features?
      • How will you keep count to match your calculated volume?

 

Closing Reflection

  • Groups perform their dances for the class. Each group explains their choreography choices by answering the following questions:
    • How did you decide on movements?
    • How did your dance reflect the volume and/or the shapes?
    • Which dance element was most important in your choreography and why?
    • Exit ticket: What did you learn about volume and composite shapes through dance?

 

Assessments

Formative

  • Observation of students’ calculations and group discussions.
  • Participation in dance planning and performance.

Summative

  • Accuracy of calculations
  • Students’ connection of dance concepts to mathematical concepts

 

 

Differentiation

Accelerated: 

  • Students can create a more complex sequence incorporating multiple shapes and counts.

 

Remedial:

  • Provide step-by-step guides, example counts or allow simpler movements focusing on rhythm and counts.

 

Additional Resources

 

Credits

Ideas contributed by: Sally Gillanders, Melissa Joy, Gretchen Hollingsworth

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  January 2026 @ ArtsNOW