Celebrate Cells 6-8

CELEBRATE CELLS

CELEBRATE CELLS

Learning Description

In this lesson, students will demonstrate what they have learned about the parts of a cell through tableau, script-writing and performance. Students will participate in the role of performer, presenting an original scene, as well as audience members, identifying the parts of a cell and their roles.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: THEATRE & SCIECNE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify the parts of a cell and explain their roles.

  • I can use tableau to identify and demonstrate the parts of a cell.

  • I can write and perform scenes to explain the roles of the parts of a cell.

Essential Questions

  • What are the parts of the cell and what are their roles?

  • How can theatrical techniques help us understand the parts of a cell?

 

Georgia Standards

Curriculum Standards

Grade 7

S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms.

Arts Standards

Grade 7: 

TA7.CR.1 Organize, design, and refine theatrical work.

 

TA7.PR.1 Act by communicating and sustaining roles in formal and informal environments.

 

TA7.CR.2 Develop scripts through theatrical techniques.

 

TA7.CN.1 Explore how theatre connects to life experience, careers, and other content.

 

South Carolina Standards

Curriculum Standards

Grade 6

6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

Arts Standards

Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

 

Anchor Standard 3: I can act in improvised scenes and written scripts.

Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers.

 

Key Vocabulary

Content Vocabulary

  • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

  • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 
  • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

  • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell

  • Membrane - The thin, limiting covering of a cell or cell part
  • Chloroplast - A plastid containing chlorophyll

Arts Vocabulary

  • Tableau - A frozen picture

  • Theater - Dramatic literature or its performance; drama

  • Character - A person, an animal or other figure assuming human qualities, in a story

 

  • Voice – An actor’s tool, which we shape and change to portray the way a character speaks or sounds

 

  • Body – An actor’s tool, which we shape and change to portray the way a character looks, walks, or moves

 

  • Dialogue – Conversation between characters

 

  • Scene – The dialogue and action between characters in one place for one continuous period of time

  • Ensemble - All the parts of a thing taken together, so that each part is considered

 

Materials

  • A copy of a cell diagram for each student
  • Pencils
  • Large chart paper (5 pieces)
  • Markers

 

Instructional Design

Opening/Activating Strategy

  • Divide students into five groups.  
  • Tell students that they will be making a tableau, a frozen picture, with their bodies. Every member of the group must be a part of the tableau.
  • Students will be making a tableau of an item, so students must consider what the individual parts of the item are and how they are connected. Some ideas include:
    • Car
    • Washing machine
    • House
    • Mountain range
  • Once students are frozen in their tableau, tell them that they will be bringing their item to life using movement and dialogue. 
    • Discuss some things that the parts of the item might say. 
      • Tires might say “I go round and round, and help us move”.
      • The engine might say, “Hit the gas, let’s go!”. 
      • The headlights might say, “Wow, it’s dark! Glad I can see where we’re going”.

 

Work Session

  • Tell students that they will be using tableau and dialogue to demonstrate their understanding of a cell.
  • Assign each group (groups from activator) a part of a cell. It is their job to label their part of the cell on their diagram and explain its role. 
    • Pass out a diagram of a cell to each student. Students will label their part of the cell on their diagram. Then, on a piece of large chart paper, they will explain the role of their part of the cell. 
    • Once students are done, they should post their chart paper in the room.
  • Next, form new groups of five students out of the original five groups. Each group should have one person who can teach the other students about their part of the cell so that all parts of a cell are represented in each group.
    • Students will now take turns teaching their group members about their part of the cell; group members will label that part on their diagram.
  • Tell students that now they will create a tableau to demonstrate how the parts of a cell are connected.
    • Provide time for students to discuss and arrange themselves.
    • Circulate the room to check for student understanding.
    • Once groups are done, have each group take turns performing their tableau. 
    • Ask the audience if they can identify the different parts of the cell.
    • Debrief after each group presents how the group portrayed each part of the cell with their bodies.
  • Next, students will create a scene with dialogue between the different parts of the cell.
    • Students will use their voice to embody the part of the cell. Students should consider the following questions. (Teachers will need to help students think abstractly about how to translate the role of the cell into a voice. For example, since the nucleus is the “boss” of the cell, it might have a big, booming voice.)
      • Pitch: Is the part of the cell's voice high or low?
      • Pace: Does the part of the cell speak quickly or slowly?
      • Volume: Does the part of the cell speak loudly or softly?
      • Tone: What is the emotional quality of the part of the cell’s voice (e.g., cheerful, gruff, calm)?
    • Allow time for students to write a short scene between the parts of the cell. Each part should have at least one line.

 

Closing Reflection

  • Students will perform their scenes for the class. Discuss appropriate audience participation and etiquette prior to performances.
  • Ask the audience to identify each of the parts of the cell and how they were able to identify them. Ask them what voice qualities the performers used and how they reflect the role of the part of the cell.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, group discussion of the parts and roles of a cell, ability to form a tableau and write a scene demonstrating the roles of the parts of a cell.

 

Summative

CHECKLIST

  • Students can identify the parts of a cell and explain their roles.
  • Students can use tableau to identify and demonstrate the parts of a cell.
  • Students can write and perform scenes to explain the roles of the parts of a cell.

 

DIFFERENTIATION 

Acceleration: Provide students with a scenario, such as an infection or damage to an organism; students should write a scene in which the cell has to respond to the situation. Students’ scenes should demonstrate that they understand the role of a cell in the scenario.

Remediation: 

  • Provide guided notes or graphic organizers for students to complete on the roles of the parts of a cell.
  • Do whole-group instruction to teach about the parts of the cell. Then have students create their tableaus and scenes.
  • Provide sentence-starters for scene and dialogue writing.

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Mary Gagliardi and Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Dancing Cells 6-8

DANCING CELLS

DANCING CELLS

Learning Description

In this lesson, students will choreograph dances to represent the roles and characteristics of different parts of a cell.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: DANCE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  •  I can work collaboratively to choreograph a dance that uses the elements of dance and movement qualities to communicate characteristics of the parts of a cell.

  • I can define the role and characteristics of the parts of a cell.

Essential Questions

  • How can choreography be used to identify and describe the parts of a cell?

 

Georgia Standards

Curriculum Standards

Grade 7:

S7L2. Obtain, evaluate, and communicate information to describe how cell structures, cells, tissues, organs, and organ systems interact to maintain the basic needs of organisms. 

  1. Develop a model and construct an explanation of how cell structures (specifically the nucleus, cytoplasm, cell membrane, cell wall, chloroplasts, lysosome, and mitochondria) contribute to the function of the cell as a system in obtaining nutrients in order to grow, reproduce, make needed materials, and process waste.

Arts Standards

Grade 7:

MSD.CR.1 Demonstrate an understanding of the choreographic process.

 

MSD.CR.2 Demonstrate an understanding of dance as a form of communication.

 

MSD.CN.3 Integrate dance into other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6-LS1-2. Develop and use a model to describe the function of a cell as a whole and ways the parts of cells contribute to the function.

 

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

 

Anchor Standard 2: I can choreograph a dance.

 

Anchor Standard 3: I can perform movements using the dance elements. 

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Cells - A microscopic structure containing nuclear and cytoplasmic material enclosed by a semipermeable membrane and, in plants, a cell wall; the basic structural unit of all organisms

 

  • Nucleus - Specialized, usually spherical mass of protoplasm encased in a double membrane, and found in most living eukaryotic cells, directing their growth, metabolism, and reproduction, and functioning in the transmission of genic characters 

 

  • Cytoplasm - The cell substance between the cell membrane and the nucleus, containing the cytosol, organelles, cytoskeleton, and various particles

  • Cell wall - The definite boundary or wall that is part of the outer structure of certain cells, as a plant cell 

 

  • Membrane - The thin, limiting covering of a cell or cell part

  • Chloroplast - A plastid containing chlorophyll

Arts Vocabulary

  • Body - The physical instrument used by dancers to express movement, emotion, and artistry

  • Levels - The height of the movement, which can be low (close to the ground), middle (midway), or high (elevated)

  • Directions - The direction of movement, such as forward, backward, sideways, diagonal, up, and down

  • Pathways - The patterns made in space, like straight, curved, zigzag, or circular

  • Dynamics - The quality of movement, which can be smooth, sharp, sustained, percussive, swinging, or collapsing

  • Tempo - The speed of movement, which can be fast, moderate, or slow

  • Choreography - The art and practice of designing and arranging dance movements and sequences
  • Movement phrase - A sequence of movements that are connected and form a coherent unit of motion, much like a sentence in language  

 

Materials

  • Sound source and music
  • Cards with cell parts written on them
  • Chart paper
  • Markers

 

Instructional Design

Opening/Activating Strategy

  • Begin by playing the Vocabulary Circle Game with your class.  
    • Put the vocabulary words (cell parts) on the board and, as a group, discuss adjectives that describe each cell part.  
    • Next, have students practice creating a movement or body shape to demonstrate that part of the cell. This can become a guessing game with students.

 

Work Session

  • Next, divide students into small groups. Assign each group a part of the cell.
  • On chart paper, students should define the role of their part of the cell and use adjectives to describe its characteristics and overall shape.
  • Tell students that they will be using movement to demonstrate their part of the cell.
  • Turn on music that has a steady beat.
  • Introduce dance elements and movement qualities by practicing a typical call and response with students. Continue the call and response adding body movements.
    • Incorporate some of the aspects of the elements of dance/movement qualities such as levels, pathways, direction, changes in tempo, dynamics, etc. (e.g., shake your hands at a high level quickly; now shake them at a low level slowly).
    • Debrief the different movements with students asking them how movement can represent meaning.
  • Now, tell students to create a short movement phrase to represent their part of the cell. 
    • Remind students to use their adjectives as a guide. 
    • Students should use two or three dance elements and movement qualities such as body shape and dynamics intentionally in their choreography. 
    • Students should be able to explain how they used the elements to communicate characteristics of their part of the cell.

 

Closing Reflection

  • Students will perform their dances for the class. Discuss audience etiquette with students prior to performances. 
  • After each group performs, the audience should identify which cell part they see in the dance sequence and what cell (plant or animal) it belongs to.
  • Groups should then explain how they used dance elements and movements qualities to show their part of the cell.

 

Assessments

Formative

Teachers will assess students’ understanding by observing students’ responses during the activating strategy, ability to identify the role and characteristics of their part of the cell in small groups, contributions to choreography in small groups, and discussion after each performance.

 

Summative

CHECKLIST

  • Students can choreograph a movement phrase that uses the elements of dance and movement qualities to communicate characteristics of their part of the cell.
  • Students can define the role and characteristics of their assigned part of a cell.

 

DIFFERENTIATION 

Acceleration: 

  • In their groups, students should create a dance in which each student represents a different part of the cell.
  • Students should write about their dance and explain how the elements they used expressed different characteristics of the cell.

Remediation: 

  • Work together as a whole class to choreograph a movement phrase for one part of the cell before having students do this in small groups.
  • To help with planning their choreography, provide a graphic organizer where students can write down the specific characteristics of their part of the cell and the dance element/movement quality that they will use to show that characteristic next to it. 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

 Ideas contributed by: Melissa Dittmar-Joy. Updated by Katy Betts.

Revised and copyright: June 2024 @ ArtsNOW

 

Exploring Social Studies Through Playwriting 6

Description

Students use photos of people in real life events from the Zapatistas Movement as a springboard to write dialogue between the people in photograph. Students are paired up and create a scene that addresses the issues surrounding the Zapatistas Movement. By allowing your students to explore their knowledge of the Zapatistas Movement through the eyes of someone who was there, they learn empathy and better embody the subject matter. This exercise is a wonderful tool to increase presentation skills, empathy and ensemble in your classroom.

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Monumental Sculpture 6-8

MONUMENTAL SCULPTURE

MONUMENTAL SCULPTURE

Learning Description

Discover the endless possibilities of paper sculpture! Let your imagination soar as you dive into this collaborative art-making process, creating large-scale, non-objective sculptures. Students will participate in the design process and analyze their sculptures through the lens of geometric concepts.

 

Learning Targets

GRADE BAND: 6-8
CONTENT FOCUS: VISUAL ARTS & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can work collaboratively to create a geometric sculpture in the round that demonstrates geometric concepts.

  • I can use the design process to design, create, and refine a sculpture in the round.

  • I can describe my sculpture in mathematical terms.

Essential Questions

  • How can art-making become a team building process?

  • How are mathematical concepts used in art?

 

Georgia Standards

Curriculum Standards

Grade 6:

6.MP: Display perseverance and patience in problem-solving. Demonstrate skills and strategies needed to succeed in mathematics, including critical thinking, reasoning, and effective collaboration and expression. Seek help and apply feedback. Set and monitor goals.

 

6.GSR.5.1 Explore area as a measurable attribute of triangles, quadrilaterals, and other polygons conceptually by composing or decomposing into rectangles, triangles, and other shapes. Find the area of these geometric figures to solve problems.

 

Grade 7:

7.MP: Display perseverance and patience in problem-solving. Demonstrate skills and strategies needed to succeed in mathematics, including critical thinking, reasoning, and effective collaboration and expression. Seek help and apply feedback. Set and monitor goals.

 

Grade 8:

8.MP: Display perseverance and patience in problem-solving. Demonstrate skills and strategies needed to succeed in mathematics, including critical thinking, reasoning, and effective collaboration and expression. Seek help and apply feedback. Set and monitor goals.

 

8.GSR.8.1 Explain a proof of the Pythagorean Theorem and its converse using visual models.

 

8.GSR.8.3 Apply the Pythagorean Theorem to find the distance between two points in a coordinate system in practical, mathematical problems.

Arts Standards

Grade 6: 

VA6.CR.1 Visualize and generate ideas for creating works of art. 

 

VA6.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

 

Grade 7: 

VA7.CR.1 Visualize and generate ideas for creating works of art. 

 

VA7.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

 

Grade 8: 

VA8.CR.1 Visualize and generate ideas for creating works of art. 

 

VA8.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

 

South Carolina Standards

Curriculum Standards

Grade 6:

6.GM.1 Find the area of right triangles, other triangles, special quadrilaterals, and polygons by composing into rectangles or decomposing into triangles and other shapes; apply these techniques in the context of solving real-world and mathematical problems.

 

6.GM.4 Unfold three-dimensional figures into two-dimensional rectangles and triangles (nets) to find the surface area and to solve real-world and mathematical problems.

 

Grade 7:

7.GM.6 Apply the concepts of two- and three-dimensional figures to real-world and mathematical situations. a. Understand that the concept of area is applied to two-dimensional figures such as triangles, quadrilaterals, and polygons.

 

Grade 8:

8.GM.6 Use models to demonstrate a proof of the Pythagorean Theorem and its converse.

 

8.GM.7 Apply the Pythagorean Theorem to model and solve real-world and mathematical problems in two and three dimensions involving right triangles.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

 

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

 

Anchor Standard 5: I can interpret and evaluate the meaning of an artwork.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Area - The measure of the amount of space inside the boundary of a two-dimensional shape

  • Perimeter - The total distance around the boundary of a two-dimensional shape
  • Acute angle - An angle measuring less than 90 degrees
  • Right angle - A 90 degree angle
  • Obtuse angle - An angle measuring greater than 90 degrees
  • Isosceles triangle - A type of triangle that has at least two sides of equal length
  • Equilateral triangle - A type of triangle in which all three sides are of equal length
  • Scalene triangle - A type of triangle in which all three sides have different lengths
  • Right triangle -  A triangle that has a right angle
  • Parallel lines - Lines that will never touch
  • Perpendicular lines - Lines that intersect forming a 90 degree angle
  • Pythagorean Theorem -
  • Design process - A systematic, iterative method used by engineers to solve problems
  • Balance - Possessing equilibrium or equal distribution of weight
  • Counter balance - A weight balancing another weight

Arts Vocabulary

  • Construction - A type of sculpture in which materials are physically joined together to make a whole

  • Sculpture in the round - A three-dimensional structure that is meant to be viewed from all sides
  • Line - The path of a moving point
  • Shape - A two-dimensional enclosed line; in art, shape can be geometric or organic/freeform

 

Materials

  • Newspaper or newsprint sheets 24” x 36” (computer paper or lined paper can be substituted)
  • Masking tape 
  • Pencils and sketch paper
  • Yardstick or measuring tape to measure dimensions of finished sculpture

 

Instructional Design

Opening/Activating Strategy

Classroom Tips: Have ample space in the room so groups can move far enough apart during the creating process to enable maximum space for the construction process.

 

  • Show students an image of “Mutual Support” by George Hart. Do not tell students the name of the sculpture.
  • Ask students to work collaboratively to make at least ten objective observations about the sculpture (i.e. color, line, angles, overall shape, etc.).
    • Have students share observations as a whole class.
  • Next, ask students to guess how Hart constructed the sculpture. Have students share ideas as a class. Students should justify their answers by referring to specific things that they can see in the sculpture.
  • Show students the title of the sculpture, “Mutual Support”. Ask students how the design of the sculpture demonstrates the name.
  • Tell students that this is an example of sculpture in the round.
    • Tell students that sculpture is always three-dimensional and that sculpture in the round means that the viewer can walk all the way around the sculpture to view it from all sides.

 

Work Session

  • Tell students that in this lesson, they will be creating sculptures in the round inspired by the work of George Hart.
  • Introduce the design process to students. 
  • Next, divide students into groups of 2-4.  
  • Begin by demonstrating how to create building sticks by rolling sheets of newsprint from corner to corner using a pencil as a guide. The sticks are fastened at the end with a small piece of masking tape.
    • Each team will need 20 sticks total.

 

  • Ask students to experiment with the types of geometric shapes they can create with the sticks. Tell students that in their actual sculptures, they can bend the sticks to make smaller shapes.
  • Next, have students make a basic drawn design for their sculpture (Grade 8 students should focus on incorporating right triangles in order to utilize the Pythagorean Theorem).
    • Tell students that they will need to start with a triangular or square base.
    • Remind students that a sculpture is always three-dimensional, so their final sculpture should not be flat.
    • Tell students that their sculptures must meet the following guidelines:
      • Sculptures must be made up of geometric shapes. 
      • Constructions must be three-dimensional.
      • All materials must be fully incorporated into the group constructions.
      • Constructions must be able to stand on their own and be transported easily.
  • Students will work intuitively attaching sticks with masking tape until their construction is completed. 
  • Encourage students to be mindful of strong construction, balance, and counter balance. 
  • Once sculptures are complete, students will:
    • Calculate the area of right triangles, other triangles, special quadrilaterals, and polygons by composing into rectangles or decomposing into triangles and other shapes.
    • Grade 8 students will use right triangles in their sculptures to demonstrate a proof of the Pythagorean Theorem in their design and sculptures.

 

Closing Reflection

  • Students will reflect on the design process. Students should look at their original sketches and observe how their final product changed through the creation process.
    • Students should reflect on the following questions. This can be written or done orally through conversation.
      • How did the design change?
      • Why did the design change?
      • What design choices did you make to ensure that your sculpture could stand on its own?
      • If you were to design and create this artwork again, what would you do differently?
  • Students will present their sculptures to their peers, as a whole group or several small groups can present to each other, and discuss how their design changed from the original design to the final sculpture.

 

Assessments

Formative

Teachers will assess students’ understanding of the content throughout the lesson by observing students’ participation in the activator, collaboration during the design process and sculpture creation, and conferencing with students throughout the creative process.

 

Summative

CHECKLIST

  • Students can work collaboratively to create a geometric sculpture in the round that demonstrates geometric concepts.
  • Students can use the design process to design, create, and refine a sculpture in the round.
  • Students can describe their sculpture in mathematical terms.

 

DIFFERENTIATION 

Acceleration: Have students write step by step detailed instructions to tell another person how to recreate their sculpture using mathematical concepts. If time permits, two groups can swap instructions and attempt to build each other’s sculptures. Then, the groups should reflect on the results and evaluate the clarity of their written instructions.

Remediation: 

  • Show students an example of a completed sculpture so that students can visualize the end result. Analyze how the sculpture was created so that students can see the steps needed to create their sculpture.
  • Provide an alternative to creating paper sticks, such as straws.

 

 ADDITIONAL RESOURCES

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Darby Jones. Updated by: Katy Betts.

Revised and copyright: August 2024 @ ArtsNOW