USING TEXTURE TO CREATE PHYSICAL FEATURES 6-7

USING TEXTURE TO CREATE PHYSICAL FEATURES

 

USING TEXTURE TO CREATE PHYSICAL FEATURES

Learning Description

In this lesson, students will use the Element of Art, Texture, to create an artwork that shows thephysical and political features of a region that they are studying. Students will be able to predictwhere people live and why based on their knowledge of physical and political features.

 

Learning Targets

GRADE BAND: 6-7
CONTENT FOCUS: VISUAL ARTS & SOCIAL STUDIES
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify important physical features, landforms, and political features in an area that I am studying.
  • I can use texture to visually communicate the various physical features I am studying.
  • I can work collaboratively with a group to create a mixed media artwork that shows the various physical and political features I am studying.
  • I can use what I know about physical features to predict where people choose to live and wh

Essential Questions

  • How can I identify important physical and political features in an area that I am studying?
  • How can I use texture to visually communicate characteristics of various physical features that I am studying?
  • How can I work collaboratively with a group to create a mixed media artwork that shows the various physical features, landforms, and political features I am studying?
  • How can I use what I know about physical features to predict where people choose to live and why?

 

Georgia Standards

Curriculum Standards

Grade 6

SS6G1 Locate selected features of Latin America.

SS6G3 Explain the impact of location, climate, distribution of natural resources, and population distribution on Latin America.

SS6G4 Locate selected features of Canada.

SS6G5 Explain the impact of location, climate, distribution of natural resources, and population distribution on Canada.

SS6G7 Locate selected features of Europe.

SS6G9 Explain the impact of location, climate, natural resources, and population distribution on Europe. 

SS6G11 Locate selected features of Australia.

SS6G12 Explain the impact of location, climate, distribution of natural resources, and population distribution on Australia.

 

Grade 7

SS7G1 Locate selected features of Africa.

SS7G3 Explain the impact of location, climate, and physical characteristics on population distribution in Africa.

SS7G5 Locate selected features in Southwest Asia (Middle East).

SS7G7 Explain the impact of location, climate, physical characteristics, distribution of natural resources, and population distribution on Southwest Asia (Middle East).

SS7G9 Locate selected features in Southern and Eastern Asia.

SS7G11 Explain the impact of location, climate, physical characteristics, distribution of natural resources, and population distribution on Southern and Eastern Asia.

 

 

 

Arts Standards

Grade 6

VA6.CR.1 Visualize and generate ideas for creating works of art. 

VA6.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA6.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.

VA6.CR.4 Incorporate formal and informal components to create works of art.

 

Grade 7

VA7.CR.1 Visualize and generate ideas for creating works of art. 

VA7.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.

VA7.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence. 

VA7.CR.4 Incorporate formal and informal components to create works of art.

 

 

 

 

 

South Carolina Standards

Curriculum Standards

Grade 7

Standard 1: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Africa.

Standard 2: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Asia.

Standard 3: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Australia, Oceania, and Antarctica.

Standard 4: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary Europe.

Standard 5: Analyze the cultural, economic, environmental, physical, political, and population geographies of contemporary North America.

 

 

 

Arts Standards

Artistic Processes: Creating- I can make artwork using a variety of materials, techniques, and processes.

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Artistic Processes: Responding- I can evaluate and communicate about the meaning in my artwork and the artwork of others.

Anchor Standard 5: I can interpret (read) and evaluate the meaning of an artwork.

Artistic Processes: Connecting- I can relate artistic ideas and work with personal meaning and external context.

Anchor Standard 7: I can relate visual arts ideas to other arts disciplines, content areas, and careers.

 

 

 

 

Key Vocabulary

Content Vocabulary

  • Physical feature - Natural features on the surface of the earth such as mountains and valleys

  • Political feature - A feature on a map that represents human-made boundaries like countries or cities

  • Population distribution - How population is spread throughout a region

 

Arts Vocabulary

  • Actual texture - How something actually feels (like a sculpture)
  • Implied texture - How something looks like it would feel/how an artist wants the viewer to imagine something might feel if the viewer was there in person (example: textures portrayed in a landscape drawing or painting)
  • Actual texture - How something feels
  • Mixed media - Using different materials in one artwork

 

 

Materials

    • White butcher paper
    • Markers
    • Pencils
    • Various materials such as aluminum foil, leaves, sticks, napkins, tissue paper, construction paper, plastic wrap, string, cotton balls, plastic bags, sand paper, etc.
    • Teacher tip: Introduce texture in art with students–ask students to bring in scrap/recyclable materials that have a variety of textures; don’t tell students what they will be doing with the materials!
        • Liquid glue
        • Teacher tip: Pour a small amount of liquid glue on a disposable plate; cut up basic kitchen sponges for students to use to apply glue to art
          • Scissors

           

          Instructional Design

          Opening/Activating Strategy

          • Show students the artwork Sphinx’s Atelier by Robert Rauschenberg. Conduct the Harvard Project Zero Artful Thinking Strategy: See, Think, Wonder with students. First, students will identify what they see in the image. Emphasize that they should make objective observations about the artwork (i.e. physical features, colors, textures, etc.). Next, ask students to identify what they think about the image. Emphasize that students should be creating inferences using visual evidence from the artwork. Finally, ask students what they wonder about the image. 
          • Facilitate a class-wide discussion around students’ observations, inferences, and questions.
          • Ask students what they think the artwork would feel like if they could touch it. After students have shared, explain that how something feels or looks like it feels in art is called Texture. Actual texture is when someone can actually feel the texture the artist wants the viewer to see, as in a sculpture. However, actual texture can also be used on artwork like Sphinx’s Atelier because the artist intended the artwork to have a texture that could be felt. Ask students why they think an artist might make this choice.

           

           

          Work Session

            • Show students images of physical features from the regions that they are studying in class. Ask students to identify the textures that they see in the images. Ask students what types of everyday materials could they use to communicate these textures (for example, students might say aluminum foil for the Andes Mountains in South America).
            • Next, explain to students that they will be creating an artwork about a region they are studying. Students will need to have an understanding of the physical and political features present in that region before beginning.
            • Organize students into collaborative groups. Assign each student in the group a different region of the continent, country, or state they are studying. Together, students should label a map of the continent, country or state with the physical features and any important political features such as cities that they are required to know from the standards.
            • Then, students should make notes on their map of what types of textures they would see at each of the physical features. 
            • Next, students should re-draw and label their continent, country, or state on white butcher paper. 
            • Students should then look through the materials available to them and gather materials that they could use to create each of the physical features using glue and scissors.
            • Each student in the group should choose a section of the region about which they will make their artwork. For example, if the students are learning about South America, one student would be responsible for physical and political features in the western region of the continent, such as the Andes Mountains. Another student would be responsible for the eastern region including the Amazon Rainforest. 
            • Each student will create the physical and political features on the portion of the map artwork they chose to represent through in their region

            Closing Reflection

            • Students should write an “artist statement” that includes the following information:  
            • Allow students to conduct a gallery walk comparing and contrasting the way students communicated the physical features in the same region and in different regions. 

            Assessments

            Formative

            • Teacher will assess understanding of learning by determining:

              • Are students able to identify the important physical and political features in the regions they are studying?
              • Are students able to explain what actual texture is and connect it to physical features?

               

              Summative

              • CHECKLIST

                • Does students’ artwork: 
                  • Include the important physical and political features in the standards?
                  • Include a range of textures to communicate the various physical features?
                • Does students’ artist statement explain: 
                  • What they showed in their assigned area of the region and why they used the materials that they chose to represent the physical features
                  • How they used texture to communicate what the region’s physical features are like
                  • Predictions about where most people live and why

              Differentiation

              Acceleration: Students should make a corresponding population density map artwork. Students can choose what they want to use to represent population density–color, shape, line, symbol, etc. Students should then compare the population density map artwork to the physical and political features map artwork and make inferences about why the population is dense in some areas and sparse in others.

              Remediation: 

              • Provide students with a graphic organizer that states the physical feature and guided notes on the description. Add a column on the left for students to write words that describe the textures and colors that they would see.
              • Allow students to work with partners to create their section of the artwork.
              • Provide photos of the region for students to use as a guide as they create their artwork.
              • Allow students to share their artist statement orally.

               

               ADDITIONAL RESOURCES

               

              *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

              Ideas contributed by:  Katy Betts

              Revised and copyright:  2023 @ ArtsNOW

              WATER CYCLE ACTIVATION 6

              WATER CYCLE ACTIVATION

               

              WATER CYCLE ACTIVATION

              Learning Description

              Students will examine the parts of the water cycle through theatre. After a group of students demonstrates a tableau of the water cycle, the class will break up into groups to enact each part of the cycle and attach vocabulary inherent to each section. The room will be flowing with the water cycle coming to life!

               

              Learning Targets

              GRADE BAND: 6
              CONTENT FOCUS: THEATRE & SCIENCE
              LESSON DOWNLOADS:

              Download PDF of this Lesson

              "I Can" Statements

              “I Can…”

              • I can work with others to enact the parts of the water cycle.
              • I can demonstrate my understanding of water conservation methods using pantomime.

              Essential Questions

              • How can acting deepen understanding of the water cycle?
              • How can I demonstrate my understanding of water conservation practices using pantomime?

               

              Georgia Standards

              Curriculum Standards

              Grade 6

              S6E3. Obtain, evaluate, and communicate information to recognize the significant role of water in Earth processes.

              1. Plan and carry out an investigation to illustrate the role of the sun’s energy in atmospheric conditions that lead to the cycling of water. (Clarification statement: The water cycle should include evaporation, condensation, precipitation, transpiration, infiltration, groundwater, and runoff.)

              S6E6. Obtain, evaluate, and communicate information about the uses and conservation of various natural resources and how they impact the Earth.

              1. Design and evaluate solutions for sustaining the quality and supply of natural resources such as water, soil, and air.

               

               

               

              Arts Standards

              TA6.PR.1 Act by communicating and sustaining roles in formal and informal environments.

               

               

               

               

              South Carolina Standards

              Curriculum Standards

              6-ESS2-4. Develop a model to describe the cycling of water through Earth’s systems driven by energy from the sun and the force of gravity.

               

              Arts Standards

              Anchor Standard 3: I can act in improvised scenes and written scripts.

               

               

              Key Vocabulary

              Content Vocabulary

                • Clouds – Accumulations of particles of water or ice suspended in the air that are visible above the earth’s surface 

                 

                • Collection – The process by which water that returns to the earth’s surface as precipitation gathers in bodies of water; collection happens in oceans, lakes, rivers, and in accumulations of groundwater.

                 

                • Condensation – The process by which a gas turns into a liquid; when vapor in the atmosphere gets cold it changes from gas back into liquid in clouds.

                 

                • Conservation – Responsible and judicious use of a resource in a way that avoids waste.

                 

                • Cycle – Something that happens over and over again in the same way
                • Evaporation – The process by which a liquid becomes a gas; in the water cycle, liquid water evaporates and turns into water vapor. 

                 

                • Gas – A substance that is able to expand freely to fill the whole of a container, having no fixed shape and no fixed volume; water in gas form is water vapor.

                 

                • Groundwater – Water held underground in the soil or in pores and crevices in rock.

                 

                • Liquid – A substance that flows freely without a firm or consistent shape, but of constant volume: water in liquid form is water.
                • Precipitation – The process by which water returns to the surface of the earth in liquid or solid form; precipitation takes the form of rain, snow, sleet or hail.

                 

                • Solid – A substance that is firm and stable in shape; not liquid or fluid; water in solid form is ice.
                • States of Matter – The forms in which matter can exist: solid, liquid, and gas 

                 

                • Transpiration – The passage of water vapor from a living body into the atmosphere; plants transpire through their leaves; people transpire through sweat.

               

              Arts Vocabulary

                • Act – To pretend; to play a role

                 

                • Collaboration – Working together, teamwork

                 

                • Pantomime – Pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre

                Tableau – A frozen picture created by actors (plural: Tableaux)

               

               

              Materials

              • 10 sets of photos of the four stages in the water cycle (Condensation, Evaporation, Precipitation, Collection). These should each have two holes punched in top corners and a string through them so that students can wear each photo around their neck to allow their hands and body to move freely.  The photos should have Velcro to attach the words below.
              • 10 sets of paper strips with the following words: Condensation, Evaporation, Precipitation, Rain, Snow, Sleet, Hail, Groundwater, Transpiration, Vapor, Clouds. Each strip should have Velcro on the back so that they can be attached to the pictures above.

              Index cards with the conservation methods written on them. One method for each card.

               

              Instructional Design

              Opening/Activating Strategy

              WATER CYCLE MOVEMENTS

              • Have students stand up in place.  Teach and lead them through movement sequences for four stages of the water cycle, coordinated with articulating the words.  Describe what each movement signifies:
                • Evaporation – 

              “E” – arms out like a body of water circled in front of belly (water)

              “vap” – fingers intertwined and rolling like a body of water (liquid)

              “or” – palms flat out like the sun’s rays (sun)

              “a” - fingers wiggles up in front of face (vapors) 

              “tion” – fingers wiggle up above head to disappear (gas)

              • Condensation  – 

              “Con” – wiggly fingers above head (gas)

              “den” – shiver and hands above heads shake (cold)

              “sa” – hands wave fluidly above head (water)

              “tion” – hands grasp together above head (cloud) 

              • Precipitation –

              “Pre” – arms circled above head like a cloud

              “ci” – wiggles fingers down like rain in front of face (rain)

              “pi” – hands blink open, closed like snowflakes (snow)

              “ta” – punch right fist down (sleet)

              “tion” – punch left fist down then left fist (hail) 

              • Collection – 

              “Col” – arms rounded out in front (lake)

              “lec” – hands out like waves (ocean)

              “tion” – hands moving down low (groundwater)

               

               

              Work Session

                  • ACTIVATING THE WATER CYCLE
                    • Introduce the concept of tableau – a frozen picture created by actors.  Explain that the class will be creating tableaux of the water cycle.
                    • Invite four students to the front of the class.  Work with the students, with suggestions from the rest of the class, to create a tableau that portrays the water cycle.  
                      • Remind the class that the water cycle is not linear, so the students should not be standing in a line. 
                      • Remind them that there is no proper beginning or end – it’s a continuous cycle.
                      • Encourage the students to be creative in determining how they can use their bodies to convey the cyclical nature of the processes.  As appropriate to the class rules and culture, allow students to take positions up on chairs or down on the floor.
                    • Have students wear the photo that correlates with their part of the cycle.
                    • Ask other students to come up and velcro the appropriate vocabulary word to the appropriate part of the cycle where it belongs.
                    • Activate the cycle by having students adopt movements – heads, hands, arms, legs, full bodies – that convey what is happening in their part of the water cycle, and add in any appropriate sounds. Remind students of the motions they used at the beginning of class.

                     

                    GROUP TABLEAUX

                    • Divide the class into groups of four.  Have each group create and then activate their own tableau of the water cycle.  Encourage them to find different ways, from what was modeled for the class, to position themselves and move for their parts of the water cycle, and to interact with others in their group as well.
                    • Give each group the photo visuals and ask each person to wear one part of the cycle.  Then have them attach the appropriate vocabulary to their part.
                    • Have groups show their cycles to the rest of the class.
                    • Reflect on the different interpretations of the different groups, and how each conveyed concepts about the water cycle.

                     

                    WATER CONSERVATION

                    • Ask the class: “Do you think that we will have water forever?”  Explain: “Water does keep cycling but we can misuse and overuse water and some places are in danger of drought.”
                    • Remind students that, “Water is one of our most important resources.”  Ask students: 
                      • “Why is it so important?  What do we use water for?  Is it important to other organisms as well?”  
                      • Be sure to discuss that we use water to produce and prepare food, clean our bodies, wash our dishes and clothes, process our waste, and manufacture and transport goods; we use it for recreation, and to produce hydroelectric power.  
                      • As individuals, we use large amounts of water:  it is estimated that the average American uses around 180 gallons of water a day.
                    • Discuss Conservation – the responsible and judicious use of a resource in a way that avoids waste.
                    • Introduce and discuss the following list of water conservation practices: 
                    1. Avoid watering the lawn or garden between 10 am and 6 pm.
                    2. Take shorter showers.
                    3. Wash the car over the lawn instead of the driveway.
                    4. Turn off the water when brushing teeth. 
                    5. Use wastewater from cooking to water plants.
                    6. Run the dishwasher and clothes washer only when full.
                    7. Keep water in the refrigerator for cold water.
                    8. Fix leaky faucets and hoses.
                    9. Do not use the toilet as a garbage can.

                    Brainstorm other ideas that the students might have.  Put those on additional cards.

                     

                    WATER CONSERVATION PANTOMIMES

                    • Introduce Pantomime - pretending to hold, use or touch something that you are not really holding, using, or touching; a form of silent theatre.
                    • Model and practice a simple pantomime activity (e.g., sweeping the floor, eating a sandwich, swinging a baseball bat, etc.).  
                      • Encourage students to think about the size, weight and shape of the objects in their pantomimes; to be specific with their movements; and to include facial expressions.
                    • Have students come up one at a time, or in small groups, and pick a card with a water conservation practice on it.  
                      • Have the individual or small group pantomime the action on their card. They should not speak during the pantomimes.
                    • Have other students guess which water conservation practice they are showing.  After guessing, have the class describe the specific aspects of the pantomime that conveyed the water conservation practice.

                   

                   

                  Closing Reflection

                  • Review the words and movements for the parts of the water cycle.
                  • Review the drama strategies used – Movement, Tableau, and Pantomime.
                  • Ask students to reflect on how their thinking about water and the water cycle has changed through the lesson.
                  • Ask students to discuss steps they might take in their lives to use water responsibly.

                   

                   

                  Assessments

                  Formative

                  Teacher will assess understanding of the water cycle and methods of water conservation through the opening activity, class discussion, and observation.

                     

                    Summative

                    • CHECKLIST: 
                      • Students can accurately identify the key components of the water cycle and match vocabulary words with steps of the water cycle.
                      • Students can work together cooperatively to create tableaux.
                      • Students can use their bodies expressively, and create tableaus with a variety of angles, shapes, levels, and facial expressions.
                      • Students can pantomime water conservation practices silently and with detailed movements and facial expressions

                       

                      • Have students draw a diagram of the water cycle, with each part labeled accurately.
                      • Have students draw a picture, using stick figures in particular poses, to portray their group’s water cycle tableau.
                      • Have students write a paragraph about their own water use and how they plan to incorporate water conservation practices into their daily lives.

                     

                    Differentiation

                     

                    Acceleration: 

                    • Rather than using predetermined movements for the activator, have students collectively come up with the movements for each syllable.
                    • When adding movement to the tableaux, have students speak a sentence as their part of the water cycle (e.g., “I am precipitation – I love raining down on the mountains and plains, and on cities and towns and making everyone have indoor recess!”)

                     

                    Remediation: 

                    • Encourage groups to come up with alternate ideas for the water cycle tableaux, but allow them to replicate what was done in the model tableau.
                    • Rather than have students guess each other’s pantomimes, work together as a class to develop a short pantomime sequence for each water conservation practice card.

                     

                     ADDITIONAL RESOURCES

                     

                    *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

                     

                    Ideas contributed by:  Barry Stewart Mann and Susie Spear Purcell

                     

                    Revised and copyright:  January 2024 @ ArtsNOW

                    Cultural Characters World War II Conversations 4-5

                    CULTURAL CHARACTERS

                    WORLD WAR II

                    CULTURAL CHARACTERS – WORLD WAR II CONVERSATIONS

                    Learning Description

                    In this lesson, students will use photos that relate to World War II as a springboard to write a first person monologue embodying the person who is pictured. This monologue explores the character’s views on the subject of the second photo that deals with the historical context. Next, students will bring the photo to life in an improvisation. By allowing your students to explore what they have read and learned about World War II through the eyes of another person, they learn empathy and better embody the concept. This exercise is a wonderful tool to increase presentation skills, empathy and ensemble in your classroom.

                     

                    Learning Targets

                    GRADE BAND: 4-5
                    CONTENT FOCUS: THEATRE & SOCIAL STUDIES
                    LESSON DOWNLOADS:

                    Download PDF of this Lesson

                    "I Can" Statements

                    “I Can…”

                    • I can write a monologue using photography as inspiration.

                    • I can improvise a scene with a partner using photography as inspiration

                    • I can use theatre techniques to help me better understand a historical event.

                    Essential Questions

                    • What impact does a photograph have on our perception of a society and/or historical event?

                    • How can theatre techniques help us better understand World War II?

                     

                    Georgia Standards

                    Curriculum Standards

                    Grade 5:

                    SS5H4 Explain America’s involvement in World War II. 

                    1. Describe German aggression in Europe and Japanese aggression in Asia. 
                    2. Describe major events in the war in both Europe and the Pacific; include Pearl Harbor, Iwo Jima, D-Day, VE and VJ Days, and the Holocaust. 
                    3. Discuss President Truman’s decision to drop the atomic bombs on Hiroshima and Nagasaki. 
                    4. Identify Roosevelt, Stalin, Churchill, Hirohito, Truman, Mussolini, and Hitler. 
                    5. Describe the effects of rationing and the changing role of women and African Americans or Blacks; include “Rosie the Riveter” and the Tuskegee Airmen. 
                    6. Explain the role of Eleanor Roosevelt and the U.S. in the formation of the United Nations.

                    Arts Standards

                    Grade 5: 

                    TA5.CR.1 Organize, design, and refine theatrical work.

                    TA5.PR.1 Act by communicating and sustaining roles in formal and informal environments.

                     

                    South Carolina Standards

                    Curriculum Standards

                    Grade 5:

                    Standard 3: Demonstrate an understanding of the economic, political, and social effects of World War II, the Holocaust, and their aftermath (i.e., 1930–1950) on the United States and South Carolina.

                    Arts Standards

                    Anchor Standard 1: I can create scenes and write scripts using story elements and structure.

                     

                    Anchor Standard 3: I can act in improvised scenes and written scripts.

                    Anchor Standard 8: I can relate theatre to other content areas, arts disciplines, and careers. 

                     

                    Key Vocabulary

                    Content Vocabulary

                    • World War II - A global conflict that lasted from 1939 to 1945, involving most of the world's nations; it was the most widespread war in history, resulting in significant changes to the global political landscape

                     

                    • Attack on Pearl Harbor - A surprise military strike by the Imperial Japanese Navy Air Service against the United States naval base at Pearl Harbor in Hawaii, on the morning of December 7, 1941; this event led to the United States' entry into World War II

                     

                    • The Battle of Iwo Jima - A major battle during World War II in which the United States Marine Corps and Navy landed on and eventually captured the island of Iwo Jima from the Imperial Japanese Army

                     

                    • D-Day - Also known as the Normandy Invasion, took place on June 6, 1944, and was a pivotal operation during World War II; it involved the Allied forces landing on the beaches of Normandy, France, to begin the liberation of Western Europe from Nazi occupation

                     

                    • VE Day - Victory in Europe Day, is celebrated on May 8th to mark the formal acceptance by the Allies of World War II of Nazi Germany's unconditional surrender of its armed forces

                     

                    • VJ Days - Victory over Japan Day, marks the day on which Imperial Japan surrendered in World War II, effectively bringing the war to an end

                     

                    • The Holocaust - The systematic, state-sponsored persecution and genocide of six million Jews by the Nazi regime and its collaborators during World War II

                     

                    • Atomic bomb - Atomic bombings of Hiroshima and Nagasaki were two pivotal events during World War II that took place in August 1945 and led to Japanese surrender; they marked the first and only use of nuclear weapons in warfare

                    • Expository Writing - Writing with the purpose to demonstrate or explain

                    Arts Vocabulary

                    • Ensemble - All the parts of a thing taken together, so that each part is considered only in relation to the whole

                    • Theater - Dramatic literature or its performance; drama

                     

                    • Improvisation - A creation that is spoken or written without prior preparation

                     

                    • Monologue - A speech by a single character in a play, film, or other dramatic work; often used to give the audience deeper insight into the character's motivations and feelings

                     

                    • Scene - A division of a play or act that presents continuous action in one place or setting

                    • Dialogue - The conversation or interaction between characters in a written work 

                     

                    Materials

                    • Printed photos of events and people related to World War II
                    • Index cards and pencils
                    • Music and sound source

                     

                    Instructional Design

                    Opening/Activating Strategy

                    Classroom Tips: This activity works best in an open space with room for students to move. 

                     

                    • Begin by playing music from the late 1930’s/early 1940’s quietly as you pass out the images (photographs). 
                      • Each student should have one sheet of paper with two images, an index card, and pencil.  
                      • The first picture is of two people engaged in an activity. The name of the country or event should be written at the bottom of the photo. One of the people should be circled so you can pair up the students to act out the scene later. 
                      • The second picture is of a prominent figure who played a key role in a specific event related to World War II, such as the attack on Pearl Harbor, Iwo Jima, D-Day, VE and VJ Days, and the Holocaust. 
                        • The photo should be titled with the reference to the event.
                      • Have students write their name in the top right hand corner of their index card.
                      • Ask the students to closely observe the person that is circled in the top photo. 
                      • Ask questions for them to more deeply embody their character.  
                        • They should list the following on the left hand side of the card:  Character’s name, character's age, home country, how does the character feel about what is happening or who is pictured in the second photo and how is it affecting them and their people.
                        • What is the character’s greatest fear?  
                        • What is the character’s greatest dream? 
                        • Encourage students to use descriptive phrases and relevant details and facts from the unit of study as they complete the card.
                    • Provide time for students to pair-share or share responses with the class.

                     

                    Work Session

                    • Tell students that they will be writing a monologue in the first person introducing themselves as the person in their photograph. 
                      • Tell students that a monologue is a speech by a single character in a play, film, or other dramatic work. Monologues are often used to give the audience deeper insight into the character's motivations and feelings. 
                      • Tell students to turn the card over and write a monologue in the first person introducing themselves and including all of the elements on the front side of the card. 
                        • Tell students to make sure to summarize the paragraph with their character’s greatest dream for themselves and their country.  
                        • Turn up the volume of the music while students are writing. Give them a set amount of time to write. This could also be a longer exercise or assignment that they bring in the following class period.  
                      • When everyone is finished writing, introduce the next section. 
                      • Tell students, “Today we are going to learn about World War II (or a specific event related to World War II) through the eyes of the people who lived through it. Each of you have been brought here to help us explore this time. Welcome!”
                      • Tell students, “Using a voice different from your own, the voice of the character in the picture, on a count of three, softly but out loud, tell me what you had for breakfast this morning.  Now sit like your character sits, different from yourself. Imagine your character is wearing an article of clothing that you don’t have on. On a count of three adjust that article of clothing.”  
                      • Next, ask a student to walk to the front of the class as that character would walk.  
                      • Once they get to the front of the classroom, ask them to pick one person to tell their story to. Ask the student to look at this person as they are telling their story.  Have them read their character’s monologue aloud. 
                        • If you desire or time permits, you can open the floor up for questions so the other students can interview the character. Let the class know that they can openly discuss the issues at hand and help the character answer questions that they might know the answers to.

                    • Now, tell students to find the classmate who has the other character depicted in the photograph on their page. Pass out two index cards to each pair.
                      • Have students read their monologues to each other practicing embodying the character they have created. 
                      • Students should then discuss the historical context from the photographs and establish each of their character’s points of view. 
                      • On each card, students should write a sentence in the first person with the first thing their character wants to say about the event depicted.
                      • When you say “action,” students bring the photo to life using improvisation.
                      • Beginning with the first line they previously generated on their index card, students should improvise a scene between the two characters discussing the event. 
                      • Say “freeze!” and have students return to their seats.

                     

                    NOTE: Instead of improvising scenes, students can write a script for their scene and present it to the class.

                     

                    Closing Reflection

                    • On the back of their index cards students should reflect on the process and how both embodying their character and listening to another character’s point of view helped them gain a deeper understanding of the historical event.
                    • Allow students time to share with the whole class.

                     

                    Assessments

                    Formative

                    Teachers will assess students by observing students’ responses to class discussion around photographs in the opening strategy, consulting with students during the writing process, and observing students’ work with their partners creating improvisational scenes.

                     

                    Summative

                    • Students can write a monologue in the first person using photography as inspiration that addresses all parts of the prompt.
                    • Students can use historical context and relevant facts to create a realistic first person account of an event related to World War II.
                    • Students can work collaboratively to improvise a scene with a partner to investigate a historical context or event.

                     

                    Differentiation

                    Acceleration: 

                    • Challenge students by telling them in the middle of the improvised scene, to swap characters with their partner and continue the scene from the new perspective. This tests their adaptability and understanding of character dynamics.
                    • Pair two partner teams together to create a new scene with all four characters.

                     

                    Remediation: 

                    • Pair English Language Learning students with native English speakers.
                    • When writing the questions about the pictures, provide the students with a graphic organizer on which to write answers and to assist with organization of thoughts and ideas.
                    • Have students choose fewer items from the list about the character in the picture. 
                    • Conference with students who struggle with writing.

                    *This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

                     Ideas contributed by:  Susie Spear Purcell. Updated by Katy Betts.

                    Revised and copyright:  June 2024 @ ArtsNOW

                     

                    Exploring Social Studies Through Playwriting 6

                    Description

                    Students use photos of people in real life events from the Zapatistas Movement as a springboard to write dialogue between the people in photograph. Students are paired up and create a scene that addresses the issues surrounding the Zapatistas Movement. By allowing your students to explore their knowledge of the Zapatistas Movement through the eyes of someone who was there, they learn empathy and better embody the subject matter. This exercise is a wonderful tool to increase presentation skills, empathy and ensemble in your classroom.

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