CREATIVE CALCULATIONS – MULTIPLICATION AND DIVISION | MULTIPLICATION WITH MEDIEVAL TIMES 4

MULTIPLICATION WITH MEDIEVAL TIMES

CREATIVE CALCULATIONS–MULTIPLICATION AND DIVISION:MULTIPLICATION WITH MEDIEVAL TIMES

Learning Description

Students will engage in the sport of fencing working in tandem to embody the process for multiplying two two-digit numbers.

 

Learning Targets

GRADE BAND: 4
CONTENT FOCUS: THEATRE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can break down pairs of two-digit numbers to multiply them together.
  • I can play a role within a group to enact a math process.

Essential Questions

  • How do we multiply two two-digit numbers together?
  • How can we dramatize the process of multiplying numbers together?

 

Georgia Standards

Curriculum Standards

4.NR.2.3 Solve relevant problems involving multiplication of a number with up to four digits by a 1-digit whole number or involving multiplication of two two-digit numbers using strategies based on place value and the properties of operations. Illustrate and explain the calculation by using equations, rectangular arrays, and/or area models.

4.NR.2.5 Solve multi-step problems using addition, subtraction, multiplication, and division involving whole numbers. Use mental computation and estimation strategies to justify the reasonableness of solutions.

Arts Standards

TA4.PR.1  Act by communicating and sustaining roles in formal and informal environments.

 

South Carolina Standards

Curriculum Standards

4.NSBT.5 Multiply up to a four-digit number by a one-digit number and multiply a two-digit number by a two-digit number using strategies based on place value and the properties of operations. Illustrate and explain the calculation by using rectangular arrays, area models and/or equations.

4.NSBT.6 Divide up to a four-digit dividend by a one-digit divisor using strategies based on place value, the properties of operations, and/or the relationship between multiplication and division.

Arts Standards

Anchor Standard 3: I can act in improvised scenes and written scripts.

 

Key Vocabulary

Content Vocabulary

  • Equation - A mathematical sentence that has two equal sides separated by an equal sign
  • Array - A way of arranging objects or images in rows and columns
  • Multiplication - Repeated addition of numbers of the same size
  • Factors - The integers that divide that number without leaving a remainder
  • Product - The result of multiplying two or more numbers together
  • Division - Repeated subtraction of numbers of the same size
  • Factor - A number that can be used to evenly divide into another number

Arts Vocabulary

  • Role - A part or character in a scene, play, or movie
  • Stage combat - The process of creating the illusion of fighting through safe, choreographed performance.
  • Props - Items that actors use in a performance to depict real-life objects.  Props can also be used to help students brainstorm for their writing or character study.

 

Materials

 

Instructional Design

Opening/Activating Strategy

Word Passing:

  • Have the class stand in a circle. Have one actor turn to their right and say the word “multiply” to the next person.  Have each person then turn and say it to the person to their right in sequence.
  • Once the class is comfortable smoothly passing the word, add a gesture, such as the forearms crossed to make an ‘X’, Pass the word with the gesture.
  • Repeat the process for the words “fence” and “fencing match” coming up with a gesture for each.
  • Option: Try to pass two or all three of the words at once, starting them at equally-distanced points in the circle. Work as a class to try and keep all the words moving.
  • Explain to the students that these words are part of the day’s drama integrated activity.

Work Session

Multiplication review:

  • Review multiplication and the process for multiplying two two-digit numbers. Model the process on the board or screen, showing how each digit is used as a factor in a series of products that are added to arrive at the final product.

Medieval Times:

  • Ask the students what they know about medieval times. Gather prior knowledge, which might come from literature, movies, or even eponymously named dinner theatre experiences.
  • Discuss Knights, who were warriors that served kings, and Squires, who were younger men who served or were in training with knights.
  • Knights and Squires were called by the honorifics ‘Sir’ and ‘Master’ respectively.
  • Tell students that there were female knights who were called Dames; there is no set word for a younger woman who served or was in training with a Dame, so for the purposes of the lesson such a person will be called a Lady.
  • Explain that the class will be enacting multiplication problems taking on the roles of knights, squires, dames, and ladies through fencing matches.
  • Show students an example of fencing (see Materials).
  • Establish the wordplay between multiplication and the word ‘times’ in “medieval times”.
  • Explain that in each two-digit number, the digit in the tens place will be the Knight or Dame, and the digit in the ones place will be the Squire or Lady. They will be called by the honorific and the digit they bear and the value it represents, for example, Sir 7, Master 3, Dame 4, Lady 6.
  • Invite four volunteers to the front. Assign them each a role with a numerical name tag. (For the example here, name tags needed are 7, 3, 4, and 6. Have them stand in pairs side by side, with the pairs facing each other. In each pair, the actor to the left (as viewed by the audience) is the Knight or Dame, and the actor to the right is the Squire or Lady.
  • Have each team state their identities/values, encouraging them to speak in the style of medieval characters. E.g.:

“I am Sir 70.”  “I am Master 3.”  “Together we are 73.”

“I am Sir 40.”  “I am Master 6.”  “Together we are 46.”

  • Distribute fencing props to the four actors, who represent factors. Explain to students that they are props, to be used to enact the scenes. Explain that this activity is a form of stage combat, in which actors work together to simulate a scene of physical conflict.  Remind them about safety rules in the classroom.
  • Direct the actors/factors to enact the four duels that comprise the ‘Multiplication with Medieval Times’:
    • 73 says, “46, we challenge you.”
    • 46 says: “73, we challenge you.”
    • All say, “We shall battle to the bitter end – the product!  Let us Multiply with the Medieval Times!”.
    • Master 3 says: “Master 6 I challenge you.”  Master 6 replies, “Master 3, I challenge you!”
    • Both say, “En garde!” and they bring their fencing props together to form an X.
    • Then they alternate fencing taps to count out the groupings represented in their multiplication: 6 groups of 3 feints, equaling 18!  Write 18 on a dry erase board or paper.
  • The process is repeated for the other three combinations, remaining mindful of which digits represent ones and which represent tens.
    • Master 3 says, “Sir 40, I challenge you.’ Sir 40 says, “Master 3, I challenge you.”  Both say, “En garde!”.
    • They enact 3 groups of 4 feints, multiplied by ten, equals 120.
    • Sir 70 says, “Master 6, I challenge you.” Master 6 says, “Sir 70, I challenge you!” Both say, “En garde!”.
    • They enact 7 groups of 6 feints, multiplied by 10, equals 420.
    • Sir 70 says, “Sir 40, I challenge you!” Sir 40 says, “Sir 70, I challenge you!”  Both say, “En garde!”.
    • They enact 7 groups of 4 feints, multiplied by 100, equals 2800.
  • The partners add up the products recorded: 18, 120, 420 and 2800. Together they say, “The sum of our individual products is our grand total product – 3,358.”
  • Model with several groups with different numbers.

Variations: Depending on class behavior and teacher comfort, restrict the lesson to a series of iterations until every student has had a chance to participate; or, after ample modeling, distribute name tags and fencing props and have student work in groups of four.  If the groups are uneven, assign a fifth student to record the products and help guide the duels.

Closing Reflection

  • Ask students: What did you like or learn in this lesson?  What was interesting or fun?
  • Ask students: How did the medieval-style stage combat help to reinforce the process for multiplying two two-digit numbers?
  • Ask students:  How did you use your voices and bodies to become medieval characters?

 

Assessments

Formative

  • Students are able to work their way through the sequence of four multiplication ‘duels’ to arrive at a product.
  • Students enact their roles with energy and clarity.
  • Students work together with their partners and teams safely and efficiently.

Summative

  • Students arrive at accurate products for their assigned numbers.
  • Students explain the process for multiplying two two-digit numbers.

 

Differentiation 

Acceleration: 

  • Give students the opportunity to multiply other combinations of numbers from one- to four-digits.

Remediation:

  • Rather than having groups do independent practice, limit the lesson to guided practice with groups in front of the class.
  • Start with problems that multiply a single-digit number by a two-digit number.

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Barry Stewart Mann, MFA

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

CREATIVE CALCULATIONS – MULTIPLICATION AND DIVISION | CREATING AND CALCULATING THROUGH CHOREOGRAPHY 4

CREATING AND CALCULATING THROUGH CHOREOGRAPHY

CREATIVE CALCULATIONS–MULTIPLICATION AND DIVISION:CREATING AND CALCULATING THROUGH CHOREOGRAPHY

Learning Description

In this lesson, students will collaborate in groups to create a three-part movement phrase using a set list of movement words. They will calculate the total value (ticket price) of their phrase by considering the value assigned to each movement word and the number of repetitions. Additionally, they will determine how much each of the four friends will contribute to the total value (ticket price).

 

Learning Targets

GRADE BAND: 4
CONTENT FOCUS: DANCE & MATH
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can work in a group to create a movement phrase with a beginning, middle, and end.
  • I can solve equations based on my movement choices.

Essential Questions

  • What strategies can be used to connect movement choices to solving equations?
  • How can we use movement to create a sequence that expresses an idea with a clear beginning, middle, and end?
  • In what ways can physical movement be used to represent and solve mathematical equations

 

Georgia Standards

Curriculum Standards

4.NR.2.3 Solve relevant problems involving multiplication of a number with up to four digits by a 1-digit whole number or involving multiplication of two two-digit numbers using strategies based on place value and the properties of operations. Illustrate and explain the calculation by using equations, rectangular arrays, and/or area models.

4.NR.2.5 Solve multi-step problems using addition, subtraction, multiplication, and division involving whole numbers. Use mental computation and estimation strategies to justify the reasonableness of solutions.

Arts Standards

ESD4.CR.1.a Explore a variety of choreographic structures, forms, and designs (e.g. AB, ABA, canon, call-response, narrative, complementary/contrasting shapes, symmetry).

ESD4.CN.3 Integrate dance into other areas of knowledge.

 

South Carolina Standards

Curriculum Standards

4.NSBT.5 Multiply up to a four-digit number by a one-digit number and multiply a two-digit number by a two-digit number using strategies based on place value and the properties of operations. Illustrate and explain the calculation by using rectangular arrays, area models and/or equations.

4.NSBT.6 Divide up to a four-digit dividend by a one-digit divisor using strategies based on place value, the properties of operations, and/or the relationship between multiplication and division.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

Anchor Standard 7: I can relate dance to other arts disciplines, content areas, and careers.

 

Key Vocabulary

Content Vocabulary

  • Equation - A mathematical sentence that has two equal sides separated by an equal sign
  • Array - A way of arranging objects or images in rows and columns
  • Multiplication - Repeated addition of numbers of the same size
  • Factors - The integers that divide that number without leaving a remainder
  • Product - The result of multiplying two or more numbers together
  • Division - Repeated subtraction of numbers of the same size
  • Dividend - A number that is divided by another number
  • Divisor - The number by which another number is divided
  • Quotient - The answer to a division problem

Arts Vocabulary

  • Movement - How you use your body to do a dance or action
  • Locomotor movement - A movement that travels through space (e.g. walk, jump, hop, roll, gallop, skip, crawl; etc.
  • Non-locomotor movement - A movement that does not travel through space (e.g. shaking, bending, stretching, twisting, turning, etc.)
  • Choreography - The art of designing and arranging sequences of movements, steps, and gestures to create a dance piece
  • Levels - One of the aspects of movement (there are three basic levels in dance: high, middle, and low)
  • Body shape - Refers to an interesting and interrelated arrangement of body parts of one dancer; the visual makeup or molding of the body parts of a singular dancer; the overall visible appearance of a group of dancers (they may be curved/angular, symmetrical/asymmetrical, positive/negative)

 

Materials

  • Paper/index cards to record the movement words and the number of times each movement is performed for the movement phrase
  • Paper and pencils to record calculations

 

Instructional Design

Opening/Activating Strategy

Warm-Up

  • Call out a locomotor, such as glide, or non-locomotor movement, such as jump.
  • As you count down from eight, students will demonstrate the movement.
  • At zero, students should freeze in a body shape of their choice.
  • Repeat the process.

Vocabulary to utilize:

  • Non-locomotor Movement: Bend, wiggle, flick, turn, twist, reach
  • Locomotor Movement: Walk, gallop, skip, jump, crawl, leap

Work Session

Phrase Creation:

  • Working in groups of three to four, students will create a movement phrase with a beginning, middle, and end.
    • Students will choose three movements consisting of:
      • At least one locomotor movement–Students can choose from the following movements: Walk, gallop, skip, jump, crawl, leap.
      • At least one non-locomotor movement–Students can choose from the following movements: Bend, wiggle, flick, turn, twist, reach.
    • Students will determine the number of times that each word will be done in the movement phrase. They must choose from the following:
      • Greater than or equal to eight times
      • Less than or equal to sixteen times
    • Students will record the movement words and the number of times each movement is performed.
    • Students will then practice their movement phrases.

Calculating Ticket Prices:

  • Students must now figure out the total ticket price to see their performances.
  • The following values represent the cost of one of each movement
  • Students should write out the complete equation(s) used to determine the total ticket price for someone to attend their performances.

Explore a table of non-locomotor and locomotor movements with prices—perfect for choreography planning or teaching multiplication and division through creative movement. Non-locomotor: Bend $19, Wiggle $23, Turn $42. Locomotor: Walk $17, Jump $44, Leap $83.

Ticket Share:

Using the total ticket price, have students calculate the following: A group of four friends is coming to see your dance. How much does each friend need to contribute to see the dance? How much will it cost them total?

Closing Reflection

Have students respond to the following prompt as an exit ticket: Share what you think your group was most successful at in this process. What was the most challenging part for you and/or your group and how did you overcome it?

 

Assessments

Formative

  • Teacher observation of students during warm-up to check for understanding of vocabulary
  • Individual group check-ins during group work time and class sharing of phrases looking for phrase creation and multiplication/division check
  • Exit Ticket

Summative

  • Written equations with products and sums
  • Student dance phrases that meet the requirements

 

Differentiation 

Acceleration: 

  • Change movement word values and/or the number of friends in the ticket share
  • Allow students to develop their own locomotor and non-locomotor movements

Remediation:

  • Change movement word values
  • Reduce the number of movements total that students must include in their dances

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Christopher Crabb

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

POLLUTION MATTERS: EXPLORING POLLUTION THROUGH DANCE 3-5

EXPLORING POLLUTION THROUGH DANCE

POLLUTION MATTERS: EXPLORING POLLUTION THROUGH DANCE

Learning Description

In this lesson, students will learn about air, water and land pollution around the world by responding to images and conducting research. Students will then express their understanding of pollution through movement using locomotor and non-locomotor movements and levels.

 

Learning Targets

GRADE BAND: 3,5
CONTENT FOCUS: VISUAL ARTS/DANCE & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can identify types of pollution around the world.
  • I can analyze the effects that pollution has on human life.
  • I can express my feelings about pollution using movement.

Essential Questions

  • How does pollution affect people from different cultures in different ways?
  • What are the effects of pollution on people and the environment?

 

Georgia Standards

Curriculum Standards

Grade 3:

S3L2. Obtain, evaluate, and communicate information about the effects of pollution (air, land, and water) and humans on the environment.

a. Ask questions to collect information and create records of sources and effects of pollution on the plants and animals.

b. Explore, research, and communicate solutions, such as conservation of resources and recycling of materials, to protect plants and animals.

Arts Standards

Grade 3:

ESD3.CR.1 Demonstrate an understanding of the choreographic process.

ESD3.CR.2 Demonstrate an understanding of dance as a form of communication.

 

South Carolina Standards

Curriculum Standards

Grade 5:

5-ESS3-1. Evaluate potential solutions to problems that individual communities face in protecting the Earth’s resources and environment.

Arts Standards

Anchor Standard 1: I can use movement exploration to discover and create artistic ideas and works.

Anchor Standard 2: I can choreograph a dance.

 

Key Vocabulary

Content Vocabulary

  • Pollution - The introduction of harmful or toxic substances, known as pollutants, into the environment
  • Reduce, reuse, recycle - A sustainability concept aimed at minimizing waste and conserving resources
  • Garbage - Waste materials that are no longer useful or wanted and are typically discarded
  • Litter - Waste, trash, or discarded material that is improperly disposed of in public spaces instead of in designated trash or recycling bins
  • Smog - A type of air pollution that results from the interaction of sunlight with pollutants like ground-level ozone and particulate matter
  • Smoke - A collection of gasses, particles, and other chemicals released when a substance undergoes combustion (burning)
  • Water vapor - The gaseous form of water
  • Acid rain - Precipitation (rain, snow, sleet, or fog) that has a lower pH than normal due to the presence of harmful chemicals, primarily sulfur dioxide (SO₂) and nitrogen oxides (NOₓ) in the atmosphere
  • Oil spills - The release of liquid petroleum (crude oil or refined oil) into the environment, typically into bodies of water like oceans, rivers, or lakes
  • Runoff - The flow of water, usually from rainfall or melting snow, that travels over the ground and eventually enters rivers, lakes, streams, or oceans
  • Pesticides - Chemicals or substances used to prevent, control, or eliminate pests, such as insects, weeds, fungi, rodents, and other organisms that can harm crops, livestock, or human health
  • Fertilizers - Substances or materials added to soil or plants to provide essential nutrients that promote healthy plant growth
  • Emissions (ex: car, airplane) - The release of substances (often gasses, liquids, or particles) into the environment

Arts Vocabulary

  • Mood - Emotion or feeling
  • Locomotor movement - A movement that travels through space
  • Non-locomotor movement - A movement that does not travel through space
  • Levels - One of the aspects of movement (there are three basic levels in dance: high, middle, and low)

 

Materials

 

Instructional Design

Opening/Activating Strategy

  • Lead students in a mirroring movement warm-up to introduce the following vocabulary:
    • Locomotor
    • Non-locomotor
    • Levels (high, middle, low)
    • Pathways
  • Begin by telling students that they will mirror your movements so they must be watching closely. Have students establish a space where they can move without interfering with other students.
    • Start by doing simple non-locomotor movements (i.e., bending, twisting, shaking, etc.)
    • Now incorporate high, middle, and low levels by making non-locomotor movements at different levels.
    • Begin to incorporate locomotor movements, such as stepping together from side to side, gliding as if skating, walking, etc.
    • Incorporate levels high, middle, and low by making locomotor movements at different levels.
  • Debrief with students explaining the dance vocabulary.
  • Now, tell students that you will call out vocabulary and they will make a movement that expresses the vocabulary.
    • Example: Create a locomotor movement at a low level.
  • After practicing using the vocabulary, have students return to their seats.
  • Show students images of pollution around the world and discuss the images as a class.
    • Engage students in the Step Inside Artful Thinking Routine.
      • Choose a person, object or element in an image or work of art, and step inside that point of view. Consider:
        • What can the person/thing perceive and feel? What might the person/thing know about or believe?
        • What might the person/thing care about?
        • How would you feel if you were in the same situation or you were in that environment?
      • Take on the character of the thing you’ve chosen and improvise a monologue. Speaking in the first person, talk about who/what you are and what you are experiencing.
      • What do you think caused the pollution in the environment?
    • After several of the images, discuss the feelings that students have. Ask students to show that feeling using a movement.
    • Then ask students to explain their rationale for choosing each movement.

Work Session

Part 1

  • Introduce to students the concept of “Ego vs. Eco” (human advancement at the expense of nature versus caring for the ecosystem). Use this website resource to explore/research this concept: https://recyclingsutainabiliy4a.weebly.com/ego-vs-eco.html.
  • Students will create journal entries on Padlet/sticky notes (teacher's choice) to explain possible causes of and solutions for pollution viewed in the images from the slideshow.

Part 2

Part 3:

  • Place students in small groups of three or four students.
  • Students will review the research and make a list of six adjectives used to describe pollution.
  • Direct students to work together to choreograph a movement for each adjective.
  • Students should then connect them together to form a dance.
  • Students’ dances must:
    • Have at least six movements
    • Use both locomotor and non-locomotor movements
    • Use all three levels–high, middle, and low
  • If time permits, direct students to select music that they connect to. Otherwise, provide students with two options of music to use for their dance (instrumental recommended).
  • Students should rehearse their dances.

Closing Reflection

  • Have students name the different types of pollution they saw and describe the effects it has on our world.
    • Have students discuss where they saw locomotor/non-locomotor movements and levels.
  • Ask students:
    • How does it make you feel seeing pollution around the world?
    • Where have you seen pollution in your own environment?
    • What could you do to help the environment?
    • How can we further reduce the amount of waste that we have?
    • What is something new you learned about pollution while participating in this project?

 

Assessments

Formative

  • Teachers will observe students’:
    • Responses during the activating strategy: Step Inside
    • Journal entries
    • Research and identification of relevant vocabulary terms from research
    • Students’ collaboration on choreography

Summative

  • Students’ choreography:
    • Has at least six movements
    • Uses both locomotor and non-locomotor movements
    • Uses all three levels–high, middle, and low
    • Includes a movement for six different relevant adjectives to describe pollution
    • Students can name the different types of pollution they saw and describe the effects it has on our world.

 

Differentiation 

Accelerated: 

Remedial:

  • Provide sentence starters for students’ journal entry writing.
  • Allow for peer tutor and pairings.
  • Include visuals to support the content vocabulary.
  • Allow students to copy their articles into Microsoft Word Online and use the “Immersive Reader” feature to hear their articles read aloud. (Office365 Student Account>Word Document Online>View>Immersive Reader)

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Jill McNally, Alisa Moore, Julie Palmieri, Edited by Dr. Carla Cohen, Edited by Jessica Espinoza and Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

POLLUTION MATTERS: GOOD GARBAGE 3-5

GOOD GARBAGE

POLLUTION MATTERS: GOOD GARBAGE

Learning Description

In this lesson, students will examine the effects of pollution on the ecosystem through music! This project includes students creating new lyrics to a song about pollution. Students will step into the role of lyricists and use music to help others understand the causes and effects of pollution around them.

 

Learning Targets

GRADE BAND: 3,5
CONTENT FOCUS: MUSIC & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can write song lyrics that explain the various types of pollution.
  • I can create an adaptation for a song that relates to pollution and its effects on the environment.
  • I can rehearse and perform a song for an audience.
  • I can explain the effects of pollution on people and the environment.

Essential Questions

  • How can I use music to evaluate and communicate information about the effects of pollution on people and the environment?
  • What are the effects of pollution on people and the environment?

 

Georgia Standards

Curriculum Standards

Grade 3:

S3L2. Obtain, evaluate, and communicate information about the effects of pollution (air, land, and water) and humans on the environment.

a. Ask questions to collect information and create records of sources and effects of pollution on the plants and animals.

b. Explore, research, and communicate solutions, such as conservation of resources and recycling of materials, to protect plants and animals.

Arts Standards

Grade 3:

VA3PR.1 Creates artworks based on personal experience and selected themes.

VA3PR.2 Understands and applies media, techniques, and processes of two-dimensional art processes (drawing, painting, printmaking, mixed-media) using tools and materials in a safe and appropriate manner to develop skills.

VA3AR.1 Discusses his or her artwork and the artwork of others.

 

South Carolina Standards

Curriculum Standards

Grade 5:

5-ESS3-1. Evaluate potential solutions to problems that individual communities face in protecting the Earth’s resources and environment.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

 

Key Vocabulary

Content Vocabulary

  • Compare/contrast - To find similarities and differences between two things
  • Cause and effect - A relationship between two events or situations where one event (the cause) directly results in the other event (the effect)
  • Pollution - The introduction of harmful or toxic substances, known as pollutants, into the environment
  • Conservation - The careful management, protection, and preservation of natural resources, the environment, and wildlife to prevent depletion, degradation, or extinction
  • Environment - The conditions and factors surrounding an organism or group of organisms, influencing their development, behavior, and survival. It includes both biotic factors (living elements like plants, animals, bacteria) and abiotic factors (non-living elements like sunlight, temperature, water, soil, and air)
  • Air pollution - Harmful gases and particles are released into the atmosphere, often from vehicle exhaust, factories, and power plants. Common pollutants include carbon dioxide (CO₂), sulfur dioxide (SO₂), nitrogen oxides (NOx), and particulate matter
  • Land pollution - Chemicals, pesticides, and waste materials contaminate the soil, often due to improper waste disposal, use of pesticides, or industrial spills. This affects soil quality, plant life, and can contaminate crops.
  • Water pollution - contaminants enter water bodies like rivers, lakes, and oceans, often from agricultural runoff, industrial waste, sewage, and oil spills. This pollution harms aquatic life and can make water unsafe for human consumption.

Arts Vocabulary

  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc., 2) Intensity: the purity and strength of the color (brightness or dullness), 3) Value: the lightness or darkness of the color (shades and tints)
  • Warm colors - Yellow, orange, red (and shades of each)
  • Cool colors - Purple/violet, blue, green (and shades of each)
  • Shape - A flat, enclosed line that is always two-dimensional and can be either geometric or organic
  • Texture - The surface quality, or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture.
  • Contrast - The arrangement of opposite elements in a composition (light vs. dark, rough vs. smooth, etc.) Similar to variety, which refers to the differences in a work, achieved by using different shapes, textures, colors and values.
  • Landscape - A type of art that shows a wide expanse of land and shows depth through a background, middle ground, and foreground
  • Background - The area of the artwork that appears furthest away and is smallest
  • Middle ground - The area of the artwork that appears in the middle of the picture plane between the background and middle ground
  • Foreground - The area of the artwork that appears closest and is largest

 

Materials

 

Instructional Design

Opening/Activating Strategy

Teacher pre-work: Review the list Suggested Collected Items with students, and ask students to find five or six items to bring into the classroom.

  • Review the items that students brought in. With the class, use Padlet (padlet.com) to generate ideas on how the items can be reused.
  • As a whole class, use the Carbon Footprint Calculator or http://footprint.wwf.org.uk/ to determine students’ carbon footprint. Discuss students’ reactions and how their footprint can be improved.

Work Session

Part 1

  • Listen to the song “Good Garbage” by Tom Chapin.
  • Discuss in whole group vocabulary such as compost, biodegradable/non-biodegradable, recycle, reuse and reduce.
  • As a whole group, discuss the author’s purpose of writing the song. Why is it catchy? Discuss the melody, rhythm, tempo, lyrics, chorus, verse, rhyme, etc.
  • Tell students that they will write a verse about pollution to the tune of another song.
  • As a whole group, discuss well-known songs that students may like to use to create/write a class pollution song.
    • Discuss the form of the song (rondo form would be chorus-verse 1-chorus-verse 2-chorus-verse 3-chorus-verse 4-chorus, etc.), rhythm, and tempo of the various songs to ensure that it matches the topic: Pollution and conservation.

Part 2

  • After the song has been selected, write a chorus collaboratively as a class. The chorus should be generic.
  • Divide the class into four groups. Have students create verses for the four categories: Air, land, water, and conservation. Facilitate the writing process.
    • Remind students to communicate their main idea (air, water, or land pollution or conservation) and use supporting details in their lyrics.
    • Students must use at least four relevant facts about their topic in their verse.
    • Students must define their topic (i.e. air pollution) in their verse.
    • Students’ lyrics must fit the form of the song the class selected (tempo, rhyme scheme, melody, rhythm, etc.).

Part 3

  • Review “Good Garbage” song as a whole group.
  • Have the students revise or edit their verses for their song.

Optional: Come up with music for the class song using Quaver or GarageBand.  

Closing Reflection

  • Have students perform the class song. Review audience etiquette and expectations prior to performances.
    • The song will be performed in rondo form: Whole class will sing the chorus, group one will sing their verse, whole class will sing the chorus, group two will sing their verse, whole class will sing the chorus, groups three will sing their verse, whole class will sing the chorus, group four will sing their verse, whole class will sing the chorus.
    • Audience members should discuss the main idea and supporting details of the lyrics of each verse after the performance.

 

Assessments

Formative

  • Teacher will check for appropriate usage of unit vocabulary during lyric writing.
  • Teacher will observe students’ ability to identify the melody, rhythm, tempo, lyrics, chorus, verse, and rhyme in “Good Garbage”.

Summative

  • Students’ verses meet the following criteria:
    • Use at least four relevant facts about their topic in their verse.
    • Define the topic (i.e. air pollution) in their verse.
    • Fit the form of the song the class selected (tempo, rhyme scheme, melody, rhythm, etc.)

 

Differentiation 

Accelerated: 

  • Students can also create their own instruments to create their music for their group’s songs or use body percussion (stomping, snapping, clapping, etc.)
  • Have students come up with music for their verse using Quaver or GarageBand.

Remedial:

  • Provide students with the lyrics from the “Good Garbage” song to use as a model for writing their verses including sentence frames and a word bank.
  • Have students choose three to five key vocabulary words from the vocabulary list generated in project one to include in their verse.

 

Additional Resources

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Jill McNally, Alisa Moore, Julie Palmieri, Edited by Dr. Carla Cohen, Edited by Jessica Espinoza and Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW

 

POLLUTION MATTERS: THE LORAX LANDSCAPES 3-5

THE LORAX LANDSCAPES

POLLUTION MATTERS: THE LORAX LANDSCAPES

Learning Description

In this lesson, students will listen to the story The Lorax by Dr. Seuss. Students will discuss the elements of art they see in the illustrations. Then, students will recreate their own scene analysis of the illustrations before and after the Onceler arrives in the story. Students will also focus on the changes in mood throughout the story. Students will then create a persuasive writing piece comparing and contrasting the Lorax’s habitat.

 

Learning Targets

GRADE BAND: 3,5
CONTENT FOCUS: VISUAL ARTS & SCIENCE
LESSON DOWNLOADS:

Download PDF of this Lesson

"I Can" Statements

“I Can…”

  • I can create a persuasive piece to compare and contrast the scenes in the Lorax’s habitat before and after the Onceler.
  • I can create a piece of art that shows the cause and effect of the pollution that occurred in The Lorax.

Essential Questions

  • How can art be used to compare and contrast the land of the Lorax before and after the Onceler?
  • How can you analyze the mood in a piece of artwork using key vocabulary?
  • What are the effects of pollution on people and the environment?

 

Georgia Standards

Curriculum Standards

Grade 3:

S3L2. Obtain, evaluate, and communicate information about the effects of pollution (air, land, and water) and humans on the environment.

a. Ask questions to collect information and create records of sources and effects of pollution on the plants and animals.

b. Explore, research, and communicate solutions, such as conservation of resources and recycling of materials, to protect plants and animals.

Arts Standards

Grade 3:

VA3PR.1 Creates artworks based on personal experience and selected themes.

VA3PR.2 Understands and applies media, techniques, and processes of two-dimensional art processes (drawing, painting, printmaking, mixed-media) using tools and materials in a safe and appropriate manner to develop skills.

VA3AR.1 Discusses his or her artwork and the artwork of others.

 

South Carolina Standards

Curriculum Standards

Grade 5:

5-ESS3-1. Evaluate potential solutions to problems that individual communities face in protecting the Earth’s resources and environment.

Arts Standards

Anchor Standard 1: I can use the elements and principles of art to create artwork.

Anchor Standard 2: I can use different materials, techniques, and processes to make art.

Anchor Standard 4: I can organize work for presentation and documentation to reflect specific content, ideas, skills, and or media.

 

Key Vocabulary

Content Vocabulary

  • Compare/contrast - To find similarities and differences between two things
  • Cause and effect - A relationship between two events or situations where one event (the cause) directly results in the other event (the effect)
  • Pollution - The introduction of harmful or toxic substances, known as pollutants, into the environment
  • Conservation - The careful management, protection, and preservation of natural resources, the environment, and wildlife to prevent depletion, degradation, or extinction
  • Environment - The conditions and factors surrounding an organism or group of organisms, influencing their development, behavior, and survival. It includes both biotic factors (living elements like plants, animals, bacteria) and abiotic factors (non-living elements like sunlight, temperature, water, soil, and air)
  • Air pollution - Harmful gases and particles are released into the atmosphere, often from vehicle exhaust, factories, and power plants. Common pollutants include carbon dioxide (CO₂), sulfur dioxide (SO₂), nitrogen oxides (NOx), and particulate matter
  • Land pollution - Chemicals, pesticides, and waste materials contaminate the soil, often due to improper waste disposal, use of pesticides, or industrial spills. This affects soil quality, plant life, and can contaminate crops.
  • Water pollution - contaminants enter water bodies like rivers, lakes, and oceans, often from agricultural runoff, industrial waste, sewage, and oil spills. This pollution harms aquatic life and can make water unsafe for human consumption.

Arts Vocabulary

  • Color - An element of art with three properties: 1) Hue: the name of the color, e.g. red, yellow, etc., 2) Intensity: the purity and strength of the color (brightness or dullness), 3) Value: the lightness or darkness of the color (shades and tints)
  • Warm colors - Yellow, orange, red (and shades of each)
  • Cool colors - Purple/violet, blue, green (and shades of each)
  • Shape - A flat, enclosed line that is always two-dimensional and can be either geometric or organic
  • Texture - The surface quality, or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture.
  • Contrast - The arrangement of opposite elements in a composition (light vs. dark, rough vs. smooth, etc.) Similar to variety, which refers to the differences in a work, achieved by using different shapes, textures, colors and values.
  • Landscape - A type of art that shows a wide expanse of land and shows depth through a background, middle ground, and foreground
  • Background - The area of the artwork that appears furthest away and is smallest
  • Middle ground - The area of the artwork that appears in the middle of the picture plane between the background and middle ground
  • Foreground - The area of the artwork that appears closest and is largest

 

Materials

 

Instructional Design

Opening/Activating Strategy

  • Select one illustration from the first half of The Lorax by Dr. Seuss.
  • Engage students in the See, Think, Wonder Artful Thinking Routine.
    • What do you see?
    • What do you think about what you see?
    • What do you wonder about?

Work Session

Part 1:

  • Read the first half of The Lorax as a whole class.
  • After the first half of The Lorax with the students, discuss as a group the art elements they saw while reading. Ask them to identify colors, lines, shapes, and textures.
  • Use The Lorax movie clip to help with recalling the mood of the “beginning” of the story.
  • Pass out mixed media paper to students. Students will fold paper in half (landscape).
  • Students should label “Before the Onceler” on the left hand side of the paper and “After the Onceler” on the right hand side of the paper.
  • Show students the parts of a landscape diagram. Look at an illustration from The Lorax and have students identify the parts of a landscape in the illustration.
  • Have students lightly sketch the horizon line, the foreground and the background on both sides of the paper. After students sketch, they will use the black sharpies to go over the major lines in their drawings.
  • Students will then use oil pastels to recreate the before scene. Ask students to focus on using color to communicate the mood of the story at this point. This will be where the colors are warm and bright.
  • Remind students to include the characters Barbaloot Bears, Truffala trees, Hummingfish, and Swammie Swams in their artwork.

Part 2:

  • Read the second half of The Lorax with the students.
  • Discuss as a group how the illustrations changed in the second half of the story. What colors do students see?
  • Students will then use oil pastels to finish their landscapes recreating “After the Onceler”.
  • Remind students to think about how many characters have vanished from the setting. How did the colors change? What happened to the Truffla trees?

Part 3:

  • To conclude the project, as a whole class, discuss the point of view from the main characters (Onceler and Lorax). Have students pair up and recreate a quick conversation between the characters.  Point of view must be clearly identified and supported.
  • Students will then create their own persuasive writing piece using their Suess inspired illustration picture to compare and contrast the Lorax’s habitat before and after the Onceler.

Closing Reflection

  • Facilitate a discussion around the following questions:
    • How does the Land of the Lifted Lorax compare after the Onceler?
    • How would you describe the mood of the scene before and after the Onceler?
    • What was the main cause of the destruction to the Land of the Lifted Lorax?
    • How did you use color to communicate the mood of the story before and after the Onceler came?

 

Assessments

Formative

  • Teacher will observe the students for the understanding of appropriate usage of unit vocabulary through the lesson as well as their ability to connect color and mood.

Summative

 

Differentiation 

Accelerated: 

  • Students can create a third panel of the artwork with the possibility of the UNLESS scene and how they think it would look (possible outcomes, new small plants growing, grass beginning to grow again etc.).
  • Discuss the artist Vik Munez. Use pictures to discuss his artwork and what inspires him.  Students can create their own art pieces using collected garbage.

Remedial:

  • Provide pre-folded paper with a horizon line drawn for students.
  • Provide sentence starters for students.
  • Include a visual word bank for additional support.

 

Additional Resources

 

Credits

U.S. Department of Education- STEM + the Art of Integrated Learning

Ideas contributed by: Jill McNally, Alisa Moore, Julie Palmieri, Edited by Dr. Carla Cohen, Edited by Jessica Espinoza and Katy Betts

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Revised and copyright:  June 2025 @ ArtsNOW