FIERCE FIGURATIVE FEMALES

 

Georgia Standards

 

South Carolina Standards

 

Key Vocabulary

 

Materials

• A text (poem, autobiography, biography and/or informational text) for each historical female character that you choose
• 2 hula hoops
• Pencils and paper
• “I Am” Poem Template - Fierce Figurative Female

 

Instructional Design

Opening/Activating Strategy

HISTORICAL CHARACTER CONVERSATION & IMAGES

• What is a historical figure?
• Show images of historical figures familiar to your students and content.
  • (i.e., Abraham Lincoln, George Washington, Dr. Martin Luther King, Jr., Rosa Parks, Amelia Earhart, Susan B. Anthony, King Tut, The Wright Brothers, Alexander Hamilton, William Shakespeare, etc.)

 

HISTORICAL CHARACTER SPEECH

• Sing the song, “Happy birthday” with students. 
• Show students an image of a famous historical figure that they are familiar with. 
• Have them create a statue of their character using their body. Students should use body shapes and frozen poses to create their statues.
  • Encourage students to use different levels and gestures to embody their character.
• Have students stand at an imaginary podium and give a speech as that character using the lyrics to the “Happy Birthday” song. Emphasize that students are focusing on embodying the character.
  • Encourage students to:
    • Stay in character as they present the song as the historical character. 
    • Walk up to and away from the podium as the character would walk and move. 
    • Add physical gestures while making the speech.
    • Add vocal expression using pitch and pacing.

 

Work Session

DEFINING FIERCE

• Discuss with students what it means to be fierce. Fierce is…
  • Something that is of exceptional quality, strong, bold, surprising and unforgettable 
  • A word used to describe something that is out of the box, non-traditional, and dynamic
  • Passionate, joyful, and positive! 
  • To demand excellence
• Ask students: Do you know anyone who is fierce? Are you fierce about something in your life? 

 

INTRODUCING FIERCE FEMALE HISTORICAL FIGURES

• Choose an autobiography, biography, informational text or poem for students to learn about two of the female historical figures you chose.
• For the purpose of this lesson, we will explore:
  • Harriet Tubman
  • Ruby Bridges
  • Malala Yousafzai
• Read a story about each figure you choose so that students become familiar with the lives and works of the characters (see “Additional Resources” for further information on these women). 

 

COMPARE AND CONTRAST USING TABLEAU

• Set two hula hoops on the floor. 
• Each hula hoop will represent one of the two characters.
• Ask questions about the characters. What is special about each character?
  • Have one student create a statue with their body of that attribute/detail/trait and stand in that character’s hula hoop.
  • Once you get several statues in each hula hoop, ask students what similarities there are between the two characters (female, courageous, fighter, etc.)
  • Record these for students to see.

 

EXPLORE CONSCIENCE

• Ask students: What does conscience mean?
  • Show an image of an angel and devil on either shoulder of a figure.

• Tell students that conscience is knowledge of right and wrong and a feeling one should do what is right.
• For example, if a child feels uncomfortable watching his friend pick on another child or speak disrespectfully to his/her parent/caregiver, that is conscience. The child knows it is not right to treat someone else disrespectfully, and he/she feels the emotions within himself telling him that it's wrong.

• Ask students: Does your inner voice/consciousness ever talk to you?
  • Turn and talk about the time you heard your inner voice/consciousness.

 

CONSCIENCE ALLEY

• Conscience Alley is a technique for exploring any kind of dilemma faced by a character and providing an opportunity to analyze a decisive moment in greater detail.
• Identify a student to be one of the historical females (or, the teacher can demonstrate the process for the students by being the character; then, give students the opportunity to be the character).
• Identify a decision that the character had to make to be fierce.
  • Harriet Tubman - “Should I help enslaved people escape to freedom through the Underground Railroad?”
  • Ruby Bridges -  “Should I fight to be allowed to attend a white school?”
  • Malala - “Should I stand up for the rights of girls to go to school?”
• Explore both sides of the argument.
  • For - Reasons why the character should fight.
    • Ask students why they think the character thought it was important to fight for the issue. Write each on a piece of paper.
    • Ask students to line up to represent the reasons “for” fighting. Each student will hold one reason.
  • Against - Reasons why the character should not fight.
    • Ask students why the character might not have wanted to fight (what might it cost them?). Write each on a piece of paper. 
    • Ask students to line up to represent the reasons “against” fighting. Each student will hold one reason.
    • Have both lines face each other so that they are parallel to create an alley/tunnel in the middle. 
• Have the character stand at the beginning of the alley.
  • Have the character state the question/decision that they face. 
  • The character then takes one step into the alley.
    • The first person on the “for” side says their statement
    • The first person on the “against” side says their statement. 
  • The character keeps taking one step at a time into the alley and hearing both arguments at each step.
  • When the character reaches the end of the alley, they stop and state their decision and why.

Helpful Coaching:

• Encourage students to:
  • Stay “in character” using their voice and body to portray the character
  • Use vocal expression to convince the character
  • Speak from their heart with passion
  • Convince the character that they believe what they are saying

REVIEW CHARACTERISTICS OF THE CHARACTERS

• Using question and answer format based on the texts read earlier, generate a list of characteristics about the characters. Record them for students to see and come back to.

 

CHARACTER GROUNDING

• Assign students a character.
  • Strategize so that students can partner up with a different character. 
• Ask students to create a statute of their character.
  • Tell students to use body shapes, energy, frozen pose, and active pose.
• Count “1, 2, 3, action” and tell students to bring the statue to life with a voice using pitch, pace and volume.
• Ask a question and have all students answer in character at the same time.
  • Use the questions on the “I Am” poem template to guide you. 
  • This is a brainstorm on their feet before sitting and writing.
  • This allows students to more fully embody the character.

“I AM” POEM BRAINSTORM

• Have students complete the “I Am” Poem template. They can use the list of descriptive words that the class generated previously.

 

“I AM” POEM PARTNER SHARE

• Teacher should demonstrate reading a character “I Am” poem with a student who is playing a different character. 
• The first character says the first line; the second character says the second line. The characters then alternate speaking lines. 
• Have students practice in pairs around the room.

“I AM” POEM PRESENTATION 

• Ask pairs of students to share their partner “I Am” poems.
• Encourage projection, articulation, and vocal expression. 
• Discuss the similarities and differences between the two characters when listening to the partner poems.

 

Closing Reflection

Reflect with students on the following questions:

• What does it take to be fierce? 
• Were these females fierce? Why do you think that? 
• Did they make changes that help females today? How?
• How can you be fierce and make a change in your world?
• What did you notice about yourself in this process? Were you able to empathize with your character?
• Name one thing that you are proud of yourself for doing in this process.

 

Assessments

Formative

Teacher will assess students by: 

• Circulating the room while students are completing their “I Am” poem template to assess their knowledge of the character and ability to express their knowledge through writing. 
• Assessing students’ ability to use their voice and body to portray characters. Encourage those who are having difficulty.

 

Summative

CHECKLIST

• Students can articulate important details about the characters and the historical events attached to each character.
• Students can empathize with someone from a different time period and speak from their point of view.
• Students can embody a historical figure using their bodies, voices, and hearts.
• Students can write a poem from a historical figure’s point of view and present it using theatrical techniques.
• Students can collaborate to create a theatrical piece.

 

DIFFERENTIATION 

Accelerated:  Have students write an I AM poem about themselves. Students can add an illustration to show a time that they were fierce. Remedial:  Simplify the poem template.  Have students speak the answers and the poem; do not require them to write the poem.  Work together as a class to create a group “I Am” Poem for each character. Have students use the class poems when they partner.

 

 ADDITIONAL RESOURCES

“I Am” Poem Template - Fierce Figurative Female Happy Birthday song: Happy Birthday Song Harriet Tubman: The Story of Harriet Tubman: An Inspiring Biography for Young Readers (biography-young readers) Harriet Tubman by Eloise Greenfield (Poetry) Ruby Bridges: The Story of Ruby Bridges (biography) Ruby Bridges Goes to School: My True Story (autobiography) Ruby Bridges' Brave Step by Latorial Faison (poetry) Malala Yousafzai: Malala Yousafzai: Warrior with Words (biography - great illustrations - young readers) Malala: My Story of Standing Up for Girls' Rights (autobiography- young readers) The Story of Malala Yousafzai: An Inspiring Biography for Young Readers (biography - young readers) Malala by Andy Posner (poetry)

 

*This integrated lesson provides differentiated ideas and activities for educators that are aligned to a sampling of standards. Standards referenced at the time of publishing may differ based on each state’s adoption of new standards.

Ideas contributed by: Susie Spear Purcell. Updated by: Katy Betts.

Revised and copyright:  July 2024 @ ArtsNOW